<h2>GOLDEN RULE NUMBER III</h2>
<p class="center"><i>Do not interrupt another while he is speaking.</i></p>
<p>He.—So we agree that the greatest fault that a person can have is to
ask questions, and then, without waiting for the answers, to plunge
at once into a detailed account of his own doings. I have discovered
another fault, and one, I fear, that I, too, possess; that is, to ask
questions concerning the welfare of my friend and of his family, and
then after he has gotten fairly under way in the recital of his woes,
to interrupt him with irrelevant remarks.</p>
<p>She.—I am sure that you haven't this fault, although it is very
common. It is based upon the principle that people, as a rule, are
vitally concerned only in what concerns themselves. I have a friend
who maintains that no one really enjoys listening to what another
has to say. He says that the interested (?) listener is interested
only in having the other person finish in order that he may have the
opportunity to tell his story. </p>
<p><span class="pagenum"><SPAN name="Page_15" id="Page_15">[Pg 15]</SPAN></span></p>
<p>He.—I note, however, that, as a rule, people recite their woes, and
not their "weals." But, of course, that depends upon the individual.
Some persons always have a "hard luck story;" others, dwell upon the
bright happenings in their lives.</p>
<p>She.—I think we each can recall some friend whose greatest pleasure
is to pose as a martyr; another, who, no matter what are his ills, has
always something of interest to impart pertaining to some good fortune,
fancied or otherwise, which has befallen him.</p>
<p>He.—Speaking of our faults, I think that the best way to correct them
is to notice them in our friends, and then to try to avoid them. But,
of course, you haven't any.</p>
<p>She.—Any friends?</p>
<p>He.—Any faults, of course.</p>
<p>She.—I fear that you are not a good critic.</p>
<p>He.—I may not be; but you certainly have none of the bad habits that
we have enumerated.</p>
<p>She.—Oh! you couldn't see them if I had.</p>
<p>He.—From sheer stupidity?</p>
<p>She.—Hardly; only as far as I am concerned, you have become accustomed
to think of me as did Dick of Maisie, in "The Light that Failed" that
"The Queen can do no wrong." </p>
<p><span class="pagenum"><SPAN name="Page_16" id="Page_16">[Pg 16]</SPAN></span></p>
<p>He.—That reminds me—I have just finished reading "The Light that
Failed," and I am sure that I shall never get away from the awfulness
of it—the awfulness of having the light go out forever.</p>
<p>She.—Kipling makes one see it all so vividly, where he says:</p>
<p>"'I shan't.' The voice rose in a wail, 'My God! I'm blind, and the
darkness will never go away.' He made as if to leap from the bed, but
Torpenhow's arms were around him, and Torpenhow's chin was on his
shoulder, and his breath was squeezed out of him. He could only gasp,
'Blind!'"</p>
<p>He.—And again, the picture that Kipling draws of the blind man who
suddenly finds himself unable to do that which he has been accustomed
to do. I have the book with me:</p>
<p>"A wise man (who is blind) will keep his eyes on the floor and sit
still. For amusement he may pick coal, lump by lump, out of a light
scuttle, with the tongs, and pile it in a little heap by the fender,
keeping count of the lumps, which must all be put back again, one by
one, and very carefully. He may set himself sums if he cares to work
them out; he may talk to himself, or to the cat if she chooses to visit
him; and if his trade<span class="pagenum"><SPAN name="Page_17" id="Page_17">[Pg 17]</SPAN></span> has been that of an artist he may sketch in
the air with his forefinger: but that is too much like drawing a pig
with his eyes shut. He may go to his bookshelves and count his books,
ranging them in order of their size; or to his wardrobe and count out
his shirts, laying them in piles of two or three on the bed, as they
suffer from frayed cuffs or lost buttons. Even this entertainment
wearies after a time; and all the times are very, very long."</p>
<p>I suppose that this portrayal is true to life.</p>
<p>She.—Undoubtedly, in a way; but I had a novel experience when
traveling East this summer. While on the train, I saw a gentleman,
who was trying to interest a little boy, who did not respond to his
advances. I heard him ask the child whether he was a little boy, and
how old he was. I saw then that the gentleman was blind, and thinking
that he might prefer to talk with me, I introduced myself to him and
found him a most delightful conversationalist. He told me that he
had become blind very suddenly five years ago, but that his work had
not been interrupted for a day since. His position as manager of a
large corporation necessitated his frequent journeying in railroad
trains, but he had continued to travel as before, sometimes with<span class="pagenum"><SPAN name="Page_18" id="Page_18">[Pg 18]</SPAN></span>
his secretary, and sometimes alone. He was alone when I met him. He
was certainly delightfully cheerful and entertaining; and withal, he
was fully informed on current topics of interest. It seemed almost
impossible to realize that he was blind.</p>
<p>He.—His case is extraordinary; but, of course, he was not an artist,
as was poor Dick, before the "light went out."</p>
<p>I have just discovered another reason why you are so very interesting.
It is because you always have some novel experience to recount.</p>
<p>She.—Yes; but you know, we decided that people did not care, as a
rule, to hear others talk.</p>
<p>He.—Well, I shall retract my decision. I have concluded that we
usually like to hear others talk, if they have something interesting to
tell.</p>
<p>She.—Yes; we are all children, in a sense. Tell us a story, and we
will listen, provided the story-teller knows how to tell it.</p>
<p>He.—Do you know what I have been thinking of while you were telling me
this incident?</p>
<p>She.—That we had gotten a long way from our original subject?</p>
<p>He.—No; I was thinking of how much you had said in comparatively few
words, and that<span class="pagenum"><SPAN name="Page_19" id="Page_19">[Pg 19]</SPAN></span> in telling this incident, you had certainly conformed
to Golden Rule Number I.: <span class="smcap">Avoid unnecessary details.</span></p>
<p>She.—And you have conformed to both the rules that we have learned.</p>
<p>He.—Thank you. Let me see, Golden Rule Number I. is: "<span class="smcap">Avoid
unnecessary details.</span>" Rule Number II.: "<span class="smcap">Not to ask question
number two until question number one has been answered</span>, nor be too
curious nor too disinterested;" that is, "do not ask too few nor too
many questions; just enough."</p>
<p>She.—And our new rule, Golden Rule Number III.: <span class="smcap">Do not interrupt
another while he is speaking.</span></p>
<p>He.—How frequently this rule is broken! Many persons, who ordinarily
are well bred, have the very bad habit of interrupting others. But I
deserve no credit for observing Golden Rule Number III., for you are
never tiresome; you never tell a long story.</p>
<p>She.—No; I don't do that. I knew a gentleman once who used to say with
a groan, to his niece, who was rather verbose, "O Alma! You tell such
a long story. Make it short;" and so I always try to <i>make my story short</i>.</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_20" id="Page_20">[Pg 20]</SPAN></span></p>
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