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<p id="id00007" style="margin-top: 4em">Produced by Suzanne Shell, Bill Walker and PG Distributed Proofreaders</p>
<h2 id="id00008" style="margin-top: 4em">TRAILIN'!</h2>
<p id="id00009">By Max Brand</p>
<p id="id00010" style="margin-top: 2em">1919</p>
<p id="id00011" style="margin-top: 2em">To<br/>
ROBERT HOBART DAVIS<br/>
Maker of Books and Men<br/></p>
<h2 id="id00012" style="margin-top: 4em">CONTENTS</h2>
<h5 id="id00013">CHAPTER</h5>
<h5 id="id00014">I.———"LA-A-A-DIES AN' GEN'L'MUN"</h5>
<h5 id="id00015">II.——-SPORTING CHANCE</h5>
<h5 id="id00016">III.——SOCIAL SUICIDE</h5>
<h5 id="id00017">IV.——-A SESSION OF CHAT</h5>
<h5 id="id00018">V.———ANTHONY IS LEFT IN THE DARK</h5>
<h5 id="id00019">VI.——-JOHN BARD</h5>
<h5 id="id00020">VII.——BLUEBEARD'S ROOM</h5>
<h5 id="id00021">VIII.—-MARTY WILKES</h5>
<h5 id="id00022">IX.——-"THIS PLACE FOR REST"</h5>
<h5 id="id00023">X.———A BIT OF STALKING</h5>
<h5 id="id00024">XI.——-THE QUEST BEGINS</h5>
<h5 id="id00025">XII.——THE FIRST DAY</h5>
<h5 id="id00026">XIII.—-A TOUCH OF CRIMSON</h5>
<h5 id="id00027">XIV.——LEMONADE</h5>
<h5 id="id00028">XV.——-THE DARKNESS IN ELDARA</h5>
<h5 id="id00029">XVI.——BLUFF</h5>
<h5 id="id00030">XVII.—-BUTCH RETURNS</h5>
<h5 id="id00031">XVIII.—FOOLISH HABITS</h5>
<h5 id="id00032">XIX.——THE CANDLE</h5>
<h5 id="id00033">XX.——-JOAN</h5>
<h5 id="id00034">XXI.——THE SWIMMING OF THE SAVERACK</h5>
<h5 id="id00035">XXII.—-DREW SMILES</h5>
<h5 id="id00036">XXIII.—THE COMEDY SETTING</h5>
<h5 id="id00037">XXIV.—-"SAM'L HALL"</h5>
<h5 id="id00038">XXV.——HAIR LIKE THE SUNSHINE</h5>
<h5 id="id00039">XXVI.—-"THE CRITIQUE OF PURE REASON"</h5>
<h5 id="id00040">XXVII.—THE STAGE</h5>
<h5 id="id00041">XXVIII.-SALLY BREAKS A MIRROR</h5>
<h5 id="id00042">XXIX.—-THE SHOW</h5>
<h5 id="id00043">XXX.——THE LAMP</h5>
<h5 id="id00044">XXXI.—-NASH STARTS THE FINISH</h5>
<h5 id="id00045">XXXII.—TO "APPREHEND" A MAN</h5>
<h5 id="id00046">XXXIII.-NOTHING NEW</h5>
<h5 id="id00047">XXXIV.—CRITICISM</h5>
<h5 id="id00048">XXXV.—-ABANDON</h5>
<h5 id="id00049">XXXVI.—JERRY WOOD</h5>
<h5 id="id00050">XXXVII.-"TODO ES PERDO"</h5>
<h5 id="id00051">XXXVIII.-BACON</h5>
<h5 id="id00052">XXXIX.—LEGAL MURDER</h5>
<h5 id="id00053">XL.——-PARTNERS</h5>
<h5 id="id00054">XLI.——SALLY WEEPS</h5>
<p id="id00055" style="margin-top: 2em"><i>The characters, places, incidents and situations in this book are
imaginary and have no relation to any person, place or actual
happening</i>.</p>
<h2 id="id00056" style="margin-top: 4em">CHAPTER I</h2>
<h4 id="id00057" style="margin-top: 2em">"LA-A-A-DIES AN' GEN'L'MUN"</h4>
<p id="id00058">All through the exhibition the two sat unmoved; yet on the whole it was
the best Wild West show that ever stirred sawdust in Madison Square
Garden and it brought thunders of applause from the crowded house. Even
if the performance could not stir these two, at least the throng of
spectators should have drawn them, for all New York was there, from the
richest to the poorest; neither the combined audiences of a seven-day
race, a prize-fight, or a community singing festival would make such a
cosmopolitan assembly.</p>
<p id="id00059">All Manhattan came to look at the men who had lived and fought and
conquered under the limitless skies of the Far West, free men, wild
men—one of their shrill whoops banished distance and brought the
mountain desert into the very heart of the unromantic East.
Nevertheless from all these thrills these two men remained immune.</p>
<p id="id00060">To be sure the smaller tilted his head back when the horses first swept
in, and the larger leaned to watch when Diaz, the wizard with the
lariat, commenced to whirl his rope; but in both cases their interest
held no longer than if they had been old vaudevillians watching a series
of familiar acts dressed up with new names.</p>
<p id="id00061">The smaller, brown as if a thousand fierce suns and winds had tanned and
withered him, looked up at last to his burly companion with a faint
smile.</p>
<p id="id00062">"They're bringing on the cream now, Drew, but I'm going to spoil the
dessert."</p>
<p id="id00063">The other was a great, grey man whom age apparently had not weakened but
rather settled and hardened into an ironlike durability; the winds of
time or misfortune would have to break that stanch oak before it would
bend.</p>
<p id="id00064">He said: "We've half an hour before our train leaves. Can you play your
hand in that time?"</p>
<p id="id00065">"Easy. Look at 'em now—the greatest gang of liars that never threw a
diamond hitch! Ride? I've got a ten-year kid home that would laugh at
'em all. But I'll show 'em up. Want to know my little stunt?"</p>
<p id="id00066">"I'll wait and enjoy the surprise."</p>
<p id="id00067">The wild riders who provoked the scorn of the smaller man were now
gathering in the central space; a formidable crew, long of hair and
brilliant as to bandannas, while the announcer thundered through his
megaphone:</p>
<p id="id00068">"La-a-a-dies and gen'l'mun! You see before you the greatest band of
subduers and breakers of wild horses that ever rode the cattle ranges.
Death defying, reckless, and laughing at peril, they have never failed;
they have never pulled leather. I present 'Happy' Morgan!"</p>
<p id="id00069">Happy Morgan, yelling like one possessed of ten shrill-tongued demons,
burst on the gallop away from the others, and spurring his horse
cruelly, forced the animal to race, bucking and plunging, half way
around the arena and back to the group. This, then, was a type of the
dare-devil horse breaker of the Wild West? The cheers travelled in waves
around and around the house and rocked back and forth like water pitched
from side to side in a monstrous bowl.</p>
<p id="id00070">When the noise abated somewhat, "And this, la-a-a-dies and gen'l'mun, is
the peerless, cowpuncher, 'Bud Reeves.'"</p>
<p id="id00071">Bud at once imitated the example of Happy Morgan, and one after another
the five remaining riders followed suit. In the meantime a number of
prancing, kicking, savage-eyed horses were brought into the arena and to
these the master of ceremonies now turned his attention.</p>
<p id="id00072">"From the wildest regions of the range we have brought mustangs that
never have borne the weight of man. They fight for pleasure; they buck
by instinct. If you doubt it, step down and try 'em. One hundred dollars
to the man who sticks on the back of one of 'em—but we won't pay the
hospital bill!"</p>
<p id="id00073">He lowered his megaphone to enjoy the laughter, and the small man took
this opportunity to say: "Never borne the weight of a man! That chap in
the dress-suit, he tells one lie for pleasure and ten more from
instinct. Yep, he has his hosses beat. Never borne the weight of man!
Why, Drew, I can see the saddle-marks clear from here; I got a mind to
slip down there and pick up the easiest hundred bones that ever rolled
my way."</p>
<p id="id00074">He rose to make good his threat, but Drew cut in with: "Don't be a damn
fool, Werther. You aren't part of this show."</p>
<p id="id00075">"Well, I will be soon. Watch me! There goes Ananias on his second wind."</p>
<p id="id00076">The announcer was bellowing: "These man-killing mustangs will be ridden,
broken, beaten into submission in fair fight by the greatest set of
horse-breakers that ever wore spurs. They can ride anything that walks
on four feet and wears a skin; they can—"</p>
<p id="id00077">Werther sprang to his feet, made a funnel of his hand, and shouted:<br/>
"Yi-i-i-ip!"<br/></p>
<p id="id00078">If he had set off a great quantity of red fire he could not more
effectively have drawn all eyes upon him. The weird, shrill yell cut the
ringmaster short, and a pleased murmur ran through the crowd. Of course,
this must be part of the show, but it was a pleasing variation.</p>
<p id="id00079">"Partner," continued Werther, brushing away the big hand of Drew which
would have pulled him down into his seat; "I've seen you bluff for two
nights hand running. There ain't no man can bluff all the world three
times straight."</p>
<p id="id00080">The ringmaster retorted in his great voice: "That sounds like good
poker. What's your game?"</p>
<p id="id00081">"Five hundred dollars on one card!" cried Werther, and he waved a
fluttering handful of greenbacks. "Five hundred dollars to any man of
your lot—or to any man in this house that can ride a real wild horse."</p>
<p id="id00082">"Where's your horse?"</p>
<p id="id00083">"Around the corner in a Twenty-sixth Street stable. I'll have him here
in five minutes."</p>
<p id="id00084">"Lead him on," cried the ringmaster, but his voice was not quite so
loud.</p>
<p id="id00085">Werther muttered to Drew:</p>
<p id="id00086">"Here's where I hand him the lemon that'll curdle his cream," and ran
out of the box and straight around the edge of the arena. New York,
murmuring and chuckling through the vast galleries of the Garden,
applauded the little man's flying coat-tails.</p>
<p id="id00087">He had not underestimated the time; in a little less than his five
minutes the doors at the end of the arena were thrown wide and Werther
reappeared. Behind him came two stalwarts leading between them a rangy
monster. Before the blast of lights and the murmurs of the throng the
big stallion reared and flung himself back, and the two who lead him
bore down with all their weight on the halter ropes. He literally walked
down the planks into the arena, a strange, half-comical, half-terrible
spectacle. New York burst into applause. It was a trained horse, of
course, but a horse capable of such training was worth applause.</p>
<p id="id00088">At that roar of sound, vague as the beat of waves along the shore, the
stallion lurched down on all fours and leaped ahead, but the two on the
halter ropes drove all their weight backward and checked the first
plunge. A bright-coloured scarf waved from a nearby box, and the
monster swerved away. So, twisting, plunging, rearing, he was worked
down the arena. As he came opposite a box in which sat a tall young man
in evening clothes the latter rose and shouted: "Bravo!"</p>
<p id="id00089">The fury of the stallion, searching on all sides for a vent but
distracted from one torment to another, centred suddenly on this slender
figure. He swerved and rushed for the barrier with ears flat back and
bloodshot eyes. There he reared and struck at the wood with his great
front hoofs; the boards splintered and shivered under the blows.</p>
<p id="id00090">As for the youth in the box, he remained quietly erect before this brute
rage. A fleck of red foam fell on the white front of his shirt. He drew
his handkerchief and wiped it calmly away, but a red stain remained. At
the same time the two who led the stallion pulled him back from the
barrier and he stood with head high, searching for a more convenient
victim.</p>
<p id="id00091">Deep silence spread over the arena; more hushed and more hushed it grew,
as if invisible blankets of soundlessness were dropping down over the
stirring masses; men glanced at each other with a vague surmise, knowing
that this was no part of the performance. The whole audience drew
forward to the edge of the seats and stared, first at the monstrous
horse, and next at the group of men who could "ride anything that walks
on four feet and wears a skin."</p>
<p id="id00092">Some of the women were already turning away their heads, for this was to
be a battle, not a game; but the vast majority of New York merely
watched and waited and smiled a slow, stiff-lipped smile. All the
surroundings were changed, the flaring electric lights, the vast roof,
the clothes of the multitude, but the throng of white faces was the same
as that pale host which looked down from the sides of the Coliseum when
the lions were loosed upon their victims.</p>
<p id="id00093">As for the wild riders from the cattle ranges, they drew into a close
group with the ringmaster between them and the gaunt stallion, almost as
if the fearless ones were seeking for protection. But the announcer
himself lost his almost invincible <i>sang-froid</i>; in all his matchless
vocabulary there were no sounding phrases ready for this occasion, and
little Werther strutted in the centre of the great arena, rising to his
opportunity.</p>
<p id="id00094">He imitated the ringmaster's phraseology. "La-a-a-dies and gen'l'mun,
the price has gone up. The 'death-defyin', dare-devils that laugh at
danger' ain't none too ready to ride my hoss. Maybe the price is too low
for 'em. It's raised. One thousand dollars—cash—for any man in
hearin' of me that'll ride my pet."</p>
<p id="id00095">There was a stir among the cattlemen, but still none of them moved
forward toward the great horse; and as if he sensed his victory he
raised and shook his ugly head and neighed. A mighty laugh answered that
challenge; this was a sort of "horse-humour" that great New York could
not overlook, and in that mirth even the big grey man, Drew, joined. The
laughter stopped with an amazing suddenness making the following silence
impressive as when a storm that has roared and howled about a house
falls mute, then all the dwellers in the house look to one another and
wait for the voice of the thunder. So all of New York that sat in the
long galleries of the Garden hushed its laughter and looked askance at
one another and waited. The big grey man rose and cursed softly.</p>
<p id="id00096">For the slender young fellow in evening dress at whom the stallion had
rushed a moment before was stripping off his coat, his vest, and rolling
up the stiff cuffs of his sleeves. Then he dropped a hand on the edge of
the box, vaulted lightly into the arena, and walked straight toward the
horse.</p>
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