<div><span class='pageno' title='222' id='Page_222'></span><h1>CHAPTER XVI</h1></div>
<p class='noindent'><span class='dropcap'>T</span><span class='sc'>he</span> great train thundered on straight down
through the heart of France. Almost the
length of it separated Quixtus and Clementina.
They had seen each other only for a few
moments amid the bustle of the hurrying platform—just
long enough for her quick vision to perceive,
in the uncertain blue light of the arc-lamps, a
haunted look in his eyes that was absent when she
had first met him that afternoon. He had spoken
a few courteous phrases; he had inquired whether
Tommy and Etta, who clung to her to the last, were
to be fellow travellers, whereon Clementina had very
definitely informed him that Etta was staying with
friends in Paris, while Tommy had arranged to visit
a painter chum at Barbizon; he had expressed the
hope that when they arrived at Marseilles she would
command his services, and, after a bareheaded leave-taking
of the two ladies, which caused Etta afterwards
to remark that it was only her short skirt that had
prevented her from making her court curtsey, he had
gone in search of his own compartment.</p>
<p class='pindent'>Etta had flung her arms round Clementina’s neck.</p>
<p class='pindent'>“Oh, Clementina darling, do come back soon! The
Jacksons are kind, but, oh, so stuffy! And Tommy is
going to Barbizon, and I shan’t see him, and if you don’t
come back soon, he’ll have forgotten all about me.”</p>
<p class='pindent'>Tommy had given her a great hug and kissed her.</p>
<p class='pindent'>“Good-bye, dear. God bless you. Come back
soon. We can’t do without you.”</p>
<p class='pindent'>And Clementina, pausing on the first step of the
railway carriage, had turned and raised her hand—the
unfilled finger-ends of her cotton gloves projecting
comically—and cried:</p>
<p class='pindent'>“Good-bye, you dear, selfish, detestable, beloved
children!”</p>
<p class='pindent'>And neither of the twain had known what in the
world she meant.</p>
<p class='pindent'>The great train thundered on through the country
which Clementina had traversed a month or so before
with Tommy—Dijon, Macon, Lyons. . . . Things had
changed since then. Then a sweet rejuvenescence
had crept through her veins; then she had amused
herself with the idea of being a lady. The towns,
whose names shouted through the awful stillness of
the stations otherwise only broken by the eerie clank
of the wheel-testers’ hammers were now but abstract
stages on her journey, then had a magical significance. . . . That
must be Vienne through which they were
dashing. . . . If the bitter-sweet, the tragi-comedy,
the cardiac surgery of Vienne had not brought a smile
to Clementina’s lips in the dark solitude of her compartment,
would she have been the sturdy, humorous
Clementina who had cried her farewell to the children?
Things had changed since then, she assured herself.
She was just Clementina again, fighting her battles
alone, impatient, contemptuous, unfeeling; no longer
a lady, merely a female dauber, ready once more to
paint elderly magnates’ trousers at so much per leg. . . . She
sighed and laughed. Those had been
pleasant times. . . . That she should be going over
the same ground now with Quixtus seemed a freakish
trick of destiny.</p>
<p class='pindent'>At nine o’clock in the morning the train entered
Marseilles Station. Quixtus came speedily up to
Clementina as she stepped on to the platform, and
offered his services. He trusted she had slept well
and had a comfortable journey.</p>
<p class='pindent'>“Didn’t sleep a wink,” said Clementina. “Did
you?”</p>
<p class='pindent'>Quixtus admitted broken slumbers. The strangeness
of the adventure had kept him awake.</p>
<p class='pindent'>“You’re looking ill this morning,” said Clementina,
glancing at him sharply. “What’s the matter with
you?”</p>
<p class='pindent'>He seemed careworn, feverish, and an unnatural
glitter had replaced the haunted look in his eyes.
Clementina did not know how the approaching consummation
of a deed of real wickedness terrified the
mild and gentle-natured man. Hitherto his evil
doings had been fantastic, repaired almost at once as if
mechanically by the underlying instinct of generosity;
his visions of sin had been fantastic, too, harmless,
unpractical; but this sin of vengeance which he had
intellectually conceived and fostered loomed great
and terrible. So does the braggart who has sworn
to eat up a lion alive, totter at the knees when he
hears the lion’s roar. His night had been that of a
soul on fire.</p>
<p class='pindent'>“Something’s wrong. What is it?” asked Clementina.</p>
<p class='pindent'>He answered vaguely. This summons had upset
him. It had set him thinking, a tiring mental process.
He remembered, said he, how Hammersley, when they
were boys together, had called him to see a dying butterfly
on a rose-bush. The yellow wings were still flapping
languidly; then slower and slower; then strength
gave out and they quivered in the last effort; and then
the hold on the rose-bush relaxed and the butterfly
fell to the earth—dead.</p>
<p class='pindent'>“What does Monsieur wish done with the baggage?”
asked the attendant porter, who had listened uncomprehendingly
to the long and tragical tale.</p>
<p class='pindent'>Quixtus passed his hand across his forehead and
looked at the porter as if awakening out of a dream.</p>
<p class='pindent'>“What you like,” said he.</p>
<p class='pindent'>So forlorn and hag-ridden did he appear, that a wave
of pity swept through Clementina. The deadly phrase
of the judge in the Marrable trial occurred to her:
“Such men as you ought not to be allowed to go about
loose.” The mothering instinct more than her natural
forcefulness, made her take charge of the situation.</p>
<p class='pindent'>“The omnibus of the Hôtel du Louvre,” she said
to the man, and taking Quixtus by the arm, she led
him like a child out of the station.</p>
<p class='pindent'>“Get in,” she said with rough kindliness, pushing
him towards the step of the omnibus. But he moved
aside for her to precede him. Clementina said “Rubbish!”
and entered the vehicle. She was no longer
playing at being a lady. Quixtus followed her, and
the omnibus clattered down the steep streets and jolted
and swayed through the traffic and between the myriad
tramcars that deface and deafen the city. The morning
sun shone fiercely. The pavements baked. The
sun-drenched buildings burned hot to the eye and the
very awnings in the front of shops and over stalls in
the markets suggested heat rather than coolness. Far
away at the end of the Cannebière, the strip of sea
visible glittered like a steel blade.</p>
<p class='pindent'>“Whew!” gasped Clementina, “what heat!”</p>
<p class='pindent'>“I feel it rather chilly,” said Quixtus.</p>
<p class='pindent'>She stared at him, wiping a damp forehead. What
was the matter with the man?</p>
<p class='pindent'>When they entered the fairly cool vestibule of the
hotel, the manager met them and assigned the rooms.
They asked for Hammersley. Alas, said the manager,
he was very ill. The doctor was with him even now.
An elderly man in thin, sunstained tweeds, who had
been sitting in a corner playing with a child of five
or six in charge of a Chinese nurse, came forward and
greeted them.</p>
<p class='pindent'>“Are you the friends Mr. Hammersley telegraphed
for? Miss Wing and Dr. Quixtus? My name is
Poynter. I was a fellow passenger of Mr. Hammersley’s
on the ‘Moronia.’ He was a sick man when he
started; and got worse on the voyage. Impossible
to land at Brindisi. Arrived here, he could go no
further either by boat or train. He was quite helpless,
so I stayed on till his friends could come. It was I
who wrote out and sent the telegrams.”</p>
<p class='pindent'>“That was very good of you,” said Clementina.</p>
<p class='pindent'>Quixtus bowed vaguely, but spoke not a word. His
lips were white. He held the front edges of his jacket
crushed in a nervous grip. Poynter’s voice sounded
far away. He barely grasped the meaning of his words.
A dynamo throbbed in his head instead of a brain.</p>
<p class='pindent'>“Is he dying?” asked Clementina.</p>
<p class='pindent'>Mr. Poynter made an expressive gesture. “I’m
afraid so. He collapsed during the night and they’ve
been giving him oxygen this morning. Yesterday he
was desperately anxious to see you both.”</p>
<p class='pindent'>“Is it possible or judicious to go to him now?”
asked Clementina.</p>
<p class='pindent'>“You may inquire. If you will allow me, I’ll show
you the way to his room.”</p>
<p class='pindent'>He led the way to the lift. They entered. For
Quixtus his companions had ceased to exist. He was
conscious only of going to the dying man, and the
dynamo throbbed, throbbed. During the ascent
Clementina said abruptly to Poynter:</p>
<p class='pindent'>“How long is it since you’ve been home?”</p>
<p class='pindent'>“Twenty-five years,” he replied with a grim smile.
“And it has been the dream of my life for ten.”</p>
<p class='pindent'>“And you’ve stopped off in this Hades of a place
for the sake of a sick stranger? You must be a good
sort.”</p>
<p class='pindent'>“You would have done the same,” said Poynter.</p>
<p class='pindent'>“Not I.”</p>
<p class='pindent'>He smiled again and looked at her with his calm,
certain eyes. “A man does not live in the far Orient
for nothing. I know you would. This way,” he said,
as the lift-door opened. He led them down a corridor,
Quixtus following, a step or two behind, like a man
in a trance.</p>
<p class='pindent'>The awful moment was at hand, the moment which,
in the tea-shop and in the hotel, had seemed far, far
distant, hidden in the mists of some unreal devil-land;
which at dinner had begun to loom through the mists;
which all night long had seemed to grow nearer and
nearer with every rhythmic thud of the thundering
train, until, at times, it touched him like some material
horror. The moment was at hand. At last he was
about to fulfil his destiny of evil. His enemy lay
dying, the spirit faintly flapping its wings like the
butterfly. In a moment they would enter a room.
He would behold the dying man. He would curse
him and send a blackened, anguished soul into eternity.</p>
<p class='pindent'>The dynamo in his brain and the beating of his heart
made him fancy that they were walking to the sound
of muffled drums. Nearer, nearer. This was real,
actual. He was a devil walking to the sound of muffled
drums.</p>
<p class='pindent'>Poynter and Clementina stopped before a door.
Quixtus stood still shaking all over, like a horse in front
of a nameless terror.</p>
<p class='pindent'>“This is his room,” said Poynter, grasping the
handle.</p>
<p class='pindent'>Quixtus gave a queer cry and suddenly threw himself
forward and clutched Poynter’s arm convulsively,
his features distorted with terror.</p>
<p class='pindent'>“Wait—wait! I can’t do it! I can’t do it! It’s
monstrous!”</p>
<p class='pindent'>He leaned up against the wall and closed his eyes.</p>
<p class='pindent'>“Overwrought nerves,” whispered Poynter.</p>
<p class='pindent'>There happened to be a bench near by, placed for
the convenience of the chambermaid of the floor.
Clementina made him sit down.</p>
<p class='pindent'>“I don’t think you’re quite up to seeing him just
now,” she said.</p>
<p class='pindent'>He shook his head. “No. Not just now. I feel
faint. It’s death. I’m not used to death. You go
in. Give him my love. I’ll see him later. But give
him my love.”</p>
<p class='pindent'>“Very well,” said Clementina.</p>
<p class='pindent'>She rapped gently at the door. It was opened and
a sister of charity in a great white coif appeared on
the threshold.</p>
<p class='pindent'>She looked at the visitors sadly.</p>
<p class='pindent'>“<span class='it'>C’est fini</span>,” she whispered.</p>
<p class='pindent'>Quixtus staggered to his feet.</p>
<p class='pindent'>“Dead?”</p>
<p class='pindent'>“<span class='it'>Oui, Monsieur.</span>”</p>
<p class='pindent'>The sweat broke out in great drops on his forehead.</p>
<p class='pindent'>“Dead!” he repeated.</p>
<p class='pindent'>“<span class='it'>Vous pouvez entrer si vous voulez</span>,” said the sister.</p>
<p class='pindent'>Then Quixtus reeled as if some one had dealt him
a crushing blow. Poynter saved him from falling
and guided him to the seat. For a long, long second
all was darkness. The dynamo stopped suddenly.
Then, as had happened once before, a little thread
seemed to snap in his brain. He opened his eyes feeling
sick and giddy. The sister quickly disappeared into
the room, and returned with some brandy. The others
stood anxiously by. Presently the spirits took effect
and enabled him to co-ordinate his faculties. With
an effort of will he rose and straightened himself.</p>
<p class='pindent'>“I am better now. Let us go in.”</p>
<p class='pindent'>“Wiser not,” said Clementina, a thousand miles
from suspecting the psychological phenomenon that
had occurred.</p>
<p class='pindent'>Quixtus slightly raised a protesting hand.</p>
<p class='pindent'>“I assure you there is no reason why I should not
go in,” he said in a shaky voice.</p>
<p class='pindent'>“All right,” said Clementina. “But you can’t
go tumbling all over the place.”</p>
<p class='pindent'>Once more she took his arm in her strong grip, and,
leaving Poynter outside, they entered the death-chamber
together. The windows were flung wide,
but the outside shutters were closed, darkening the
room and cooling it from the baking sun. A man in
a frock coat and narrow black tie—the doctor—was
aiding his assistant in the repacking of the oxygen
apparatus. On the bed, gaunt, hollow-cheeked, and
pinched, lay all that was left of Hammersley. Only
his blonde hair and beard, with scarcely a touch of grey,
remained of that which was familiar. The laughing
eyes which had charmed men and women were
hidden for ever beneath the lids. Clementina’s hand
crept half-mechanically downwards and clasped that
of Quixtus, which returned the pressure. So hand in
hand they stood, in silence, by the death-bed.</p>
<p class='pindent'>At last Clementina whispered:</p>
<p class='pindent'>“Whatever may have been the misunderstanding
between you, all is over now. May his sins be forgiven
him.”</p>
<p class='pindent'>“Amen,” said Quixtus.</p>
<p class='pindent'>Tears rolled down Clementina’s cheeks and fell
on her bodice. The dead man had belonged to
her youth—the dreary youth that had taken itself
for grim, grey eld. He had brought into it a little
laughter, a little buoyancy, much strength, much
comfort; all, so simply, so kindly. At first, in her
fierce mood of revolt, she had rebuffed him and scorned
his friendship. But he was one of the gifted ones
who could divine a woman’s needs and minister to
them; so he smiled at her rejection of his offerings,
knowing that she craved them, and presented them
again and again until at last, worn out with longing,
she clutched at them frantically and hugged them to
her bosom. A generous gentleman, a loyal friend,
a very help in time of trouble, he lay there dead before
her in the prime of his manhood. She let the tears
fall unchecked, until they blinded her.</p>
<p class='pindent'>A dry, queer voice broke a long silence, whispering
in her ear:</p>
<p class='pindent'>“I told you to give him my love, didn’t I?”</p>
<p class='pindent'>She nodded and squeezed Quixtus’s hand.</p>
<p class='pindent'>The doctor stood by waiting till their scrutiny of the
dead should be over. Clementina was the first to turn
to him and to ask for information as to the death. In
a few words the doctor told her. When she entered
the room he had been dead five minutes.</p>
<p class='pindent'>“Who, Madame, you or this gentleman, is responsible
for what remains to be done?”</p>
<p class='pindent'>“I am. Don’t you think so, Ephraim?”</p>
<p class='pindent'>Quixtus bowed his head.</p>
<p class='pindent'>“I sent him my love,” he murmured.</p>
<p class='pindent'>“And now,” said the Sister of Charity, “we must
make the <span class='it'>toilette du mort</span>. Will you have the kindness
to retire?”</p>
<p class='pindent'>She smiled sadly and opened the door.</p>
<p class='pindent'>“There is a packet in the drawer for this lady and
gentleman,” said Poynter, who had stood waiting for
them in the corridor.</p>
<p class='pindent'>“<span class='it'>Ah! bon</span>,” said the Sister. She crossed the room
and returned with the packet, which she handed to
Clementina. It was sealed and addressed to them
jointly. “To Ephraim Quixtus and Clementina Wing.
To be opened after my death.” Clementina stuffed
it in the pocket of her skirt.</p>
<p class='pindent'>“We’ll open it together by-and-by. Now we’d
better go to our rooms and tidy up and have some food.
Only a fool goes through such a day as is before us on
an empty stomach. What’s your number? I’ll tell
them to send you up some coffee and rolls.”</p>
<p class='pindent'>He thanked her dreamily. She arranged a meeting
at noon in order to go through the packet. They walked
along the corridor, Poynter accompanying them. He
proposed, it being convenient to them, to take the
night train to Paris and home. In the meanwhile his
services were at their disposal.</p>
<p class='pindent'>“I wish I could pack you off to Piccadilly by
Hertzian wave, right away,” said Clementina.</p>
<p class='pindent'>“It’s Devonshire I’m longing for,” said he.</p>
<p class='pindent'>They arrived at the lift door.</p>
<p class='pindent'>“You’ll love it all the better for having played the
Angel in Hades,” said Clementina with moist eyes.
“Good-bye for the present.”</p>
<p class='pindent'>She extended her hand. He took it, held it in a
hesitating way. An expression of puzzledom came
over his tanned, lined features.</p>
<p class='pindent'>“Are you going to your room now?”</p>
<p class='pindent'>“Yes,” said Clementina.</p>
<p class='pindent'>“Pardon my presumption,” said he, “but—but
aren’t you going to see the child?”</p>
<p class='pindent'>“Child?” cried Clementina. “What child?”</p>
<p class='pindent'>“Why—Mr. Hammersley’s—didn’t you know?
She’s here——”</p>
<p class='pindent'>“Here?”</p>
<p class='pindent'>“When you came into the vestibule, didn’t you
notice a little girl I was playing with—and a Chinese
nurse——”</p>
<p class='pindent'>“Lord have mercy upon us!” exclaimed Clementina.
“Do you hear that, Ephraim?”</p>
<p class='pindent'>“Yes, I hear,” said Quixtus tonelessly. The conflict
within him between Mithra and Ahriman had left him
weak and non-recipient of new impressions. “Hammersley
has a little daughter. I wasn’t aware of it.
I wonder how he got her. She must have a mother
somewhere.”</p>
<p class='pindent'>“The mother’s dead,” said Poynter. “From what
I could gather from Hammersley, the child has no kith
or kin in the world. That was why he was so desperately
anxious for you to come.”</p>
<p class='pindent'>Clementina peered at him with screwed-up monkey
face, as if he were sitting for his portrait.</p>
<p class='pindent'>“It’s the most amazing thing I’ve ever heard in my
life!” She clapped her hand to her pocket. “And
this sealed envelope? Do you know anything about
it?”</p>
<p class='pindent'>“I do,” said Poynter. “It contains a letter and
a will. I wrote them both at his dictation ten days
ago. The will is a properly attested document appointing
Dr. Quixtus and yourself his executors and joint
trustees of the little girl. A dear little girl,” he added,
with a touch of wistfulness. “You’ll love her.”</p>
<p class='pindent'>“God grant it!” cried Clementina fervently. “But
what an old maid like me and an old bachelor like him
are going to do with a child between us, the Lord
Almighty alone knows.”</p>
<p class='pindent'>Yet, as she spoke, the picture of the child—in spite
of her preoccupation on entering the hotel, her sharp
vision had noted the fairy fragility of the English scrap
contrasting with the picturesque materialism of the
fat Chinese nurse—the picture of the child enthroned
on cushions (a feminine setting!) in the studio in
Romney Place, flashed with acute distinctness before
her mind, and some foolish thing within her leapt and
stabbed her with a delicious pain.</p>
<p class='pindent'>Quixtus brushed his thinning hair from his forehead.</p>
<p class='pindent'>“I understand,” said he faintly. “I understand
that I am a trustee for Hammersley’s daughter. I
wasn’t expecting it. I hope you’ll not think it discourteous
if I leave you? I’m not quite myself to-day.
I’ll go and rest.”</p>
<p class='pindent'>He entered the lift which had been standing open
for some time. There is not a feverish hurry in Marseilles
hotels between steamers in June. Clementina
with a gesture checked the lift-boy. The man must
be looked after at once. She turned to Poynter.</p>
<p class='pindent'>“Like a dear good soul,” she said, in her frank way,
“go down and prepare the child for such a rough-and-tumble
stepmother as me. I’ll be with you in a few
minutes. What’s your number, Ephraim?” He
showed her the ticket. “Two hundred and seventy?”</p>
<p class='pindent'>“<span class='it'>Au troisième, Madame.</span>”</p>
<p class='pindent'>The lift gate clicked. They mounted a couple of
floors. The chambermaid of the <span class='it'>étage</span> showed them
into number two hundred and seventy. Then Clementina
took command. In less than two minutes windows
were opened and shutters adjusted, the waiter was
despatched for coffee, the valet was unpacking and
arranging Quixtus’s personal belongings, and the
chambermaid spreading the bed invitingly open. When
Clementina was a lady, she behaved in the most self-effacing
and early Victorian ladylike way in the world.
But when she was Clementina and wanted to do things,
she would have ordered the devil about like a common
lackey, and boxed the ears of any archangel who
ventured to interfere with her.</p>
<p class='pindent'>Quixtus, unprepared for this whirlwind ministration
on the part of Clementina, whom he had hitherto
regarded rather as an antagonistic principle than as
a sympathetic woman, sat bolt upright on the edge
of the sofa and looked on with an air of mystification.
Yet, feeling weak and broken, he was content to let
her tend him.</p>
<p class='pindent'>“Take off your clothes and go to bed,” said Clementina,
standing, hands on hips, in front of him. “For
two pins I’d undress you myself and put you to sleep
like a baby.”</p>
<p class='pindent'>A wan smile flickered over his features.</p>
<p class='pindent'>“I’m very grateful to you for your kindness. Perhaps
a little rest will bring mental adjustment. That’s
what I think I need—mental adjustment.”</p>
<p class='pindent'>He repeated the words several times, and sat staring
in front of him.</p>
<p class='pindent'>On the threshold Clementina turned and crossed the
room again.</p>
<p class='pindent'>“Ephraim,” she said, “I think if you and I had been
better friends all these years, there wouldn’t have been
so much of this adjusting necessary. It has been my
fault. I’m sorry. But now that we have a child to
bring up, I’ll look after you. You poor man,” she
added, touching his arm very kindly and feeling ridiculously
sentimental. “You must be the loneliest thing
that ever happened.” She caught up his suit of
pyjamas and threw them by his side on the sofa.
“Now for God’s sake stick on these things and go to
bed.”</p>
<p class='pindent'>Downstairs, in the vestibule, she found Poynter
with the little girl on his knees. The Chinese nurse
sat like a good-tempered idol a few feet away.</p>
<p class='pindent'>“This is your new auntie,” said Poynter, as Clementina
approached.</p>
<p class='pindent'>The child slipped from his knees and looked up at
her with timorous earnestness. She was fair, with
the transparent pallor of most children born and bred
in the East, a creature of delicate fragility and grace.
Clementina saw that she had her father’s frank hazel
eyes. The child held out her hand.</p>
<p class='pindent'>“Good morning, auntie,” she said in a curiously
sweet contralto.</p>
<p class='pindent'>Clementina took the seat vacated by Poynter, and
drew the child towards her.</p>
<p class='pindent'>“Won’t you give me a kiss?”</p>
<p class='pindent'>“Of course.”</p>
<p class='pindent'>She put up her little lips. The appeal to the woman
was irresistible. She caught the child to her and
clasped her to her bosom, and kissed her and said foolish
things. When her embrace relaxed as abruptly as
it had begun, the child said:</p>
<p class='pindent'>“I like that. Do that again.”</p>
<p class='pindent'>“Bless you, my darling, I could do it all day long,”
cried Clementina.</p>
<p class='pindent'>She held the child with one arm, the little face
pillowed on her bosom, and with her free hand groped
in her pocket for her handkerchief. This found, she
blew her nose loudly and glanced at Poynter who was
surveying the pair with his grave, wise smile.</p>
<p class='pindent'>“I’m sure you don’t mind if I make a fool of myself,”
she said. “And I’m sure I don’t.”</p>
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