<div><span class='pageno' title='264' id='Page_264'></span><h1>XV</h1></div>
<p class='pindent'>“Run along!” said Selina, when he called her on
the farm telephone. “It’ll do you good.
You’ve been as grumpy as a gander for weeks.
How about shirts? And you left one pair of flannel
tennis pants out here last fall—clean ones. Won’t
you need . . .”</p>
<p class='pindent'>In town he lived in a large front room and alcove
on the third floor of a handsome old-fashioned three-story-and-basement
house in Deming Place. He used
the front room as a living room, the alcove as a bedroom.
He and Selina had furnished it together,
discarding all of the room’s original belongings except
the bed, a table, and one fat comfortable faded
old armchair whose brocade surface hinted a past
grandeur. When he had got his books ranged in open
shelves along one wall, soft-shaded lamps on table and
desk, the place looked more than livable; lived in.
During the process of furnishing Selina got into the
way of coming into town for a day or two to prowl the
auction rooms and the second-hand stores. She had
a genius for this sort of thing; hated the spick-and-span
varnish and veneer of the new furniture to be got
in the regular way.</p>
<p class='pindent'>“Any piece of furniture, I don’t care how beautiful
it is, has got to be lived with, and kicked about, and
rubbed down, and mistreated by servants, and repolished,
and knocked around and dusted and sat on or
slept in or eaten off of before it develops its real character,”
Selina said. “A good deal like human beings.
I’d rather have my old maple table, mellow with age
and rubbing, that Pervus’s father put together himself
by hand seventy years ago, than all the mahogany
library slabs on Wabash Avenue.”</p>
<p class='pindent'>She enjoyed these rare trips into town; made a holiday
of them. Dirk would take her to the theatre and
she would sit entranced. Her feeling for this form
of entertainment was as fresh and eager as it had been
in the days of the Daly Stock Company when she, a
little girl, had been seated in the parquet with her
father, Simeon Peake. Strangely enough, considering
the lack of what the world calls romance and adventure
in her life, she did not like the motion pictures.
“All the difference in the world,” she would say, “between
the movies and the thrill I get out of a play at
the theatre. My, yes! Like fooling with paper dolls
when you could be playing with a real live baby.”</p>
<p class='pindent'>She developed a mania for nosing into strange corners
of the huge sprawling city; seemed to discover a
fresh wonder on each visit. In a short time she was
more familiar with Chicago than was Dirk—for that
matter, than old Aug Hempel who had lived in it for
over half a century but who never had gone far
afield in his pendulum path between the yards and his
house, his house and the yards.</p>
<p class='pindent'>The things that excited her about Chicago did not
seem to interest Dirk at all. Sometimes she took a
vacant room for a day or two in Dirk’s boarding
house. “What do you think!” she would say to him,
breathlessly, when he returned from the office in the
evening. “I’ve been way over on the northwest side.
It’s another world. It’s—it’s Poland. Cathedrals
and shops and men sitting in restaurants all day long
reading papers and drinking coffee and playing dominoes
or something like it. And what do you think I
found out! Chicago’s got the second largest Polish
population of any city in the world. In the <span class='it'>world</span>!”</p>
<p class='pindent'>“Yeh?” Dirk would reply, absently.</p>
<p class='pindent'>There was nothing absent-minded about his tone
this afternoon as he talked to his mother on the telephone.
“Sure you don’t mind? Then I’ll be out
next Saturday. Or I may run out in the middle of the
week to stay over night . . . Are you all right?”</p>
<p class='pindent'>“I’m fine. Be sure and remember all about Paula’s
new house so’s you can tell me about it. Julie says it’s
like the kind you read of in the novels. She says old
Aug saw it just once and now won’t go near it even to
visit his grandchildren.”</p>
<p class='pindent'>The day was marvellously mild for March in Chicago.
Spring, usually so coy in this region, had flung
herself at them head first. As the massive revolving
door of Dirk’s office building fanned him into the
street he saw Paula in her long low sporting roadster
at the curb. She was dressed in black. All feminine
fashionable and middle-class Chicago was dressed in
black. All feminine fashionable and middle-class
America was dressed in black. Two years of war had
robbed Paris of its husbands, brothers, sons. All
Paris walked in black. America, untouched, gayly
borrowed the smart habiliments of mourning and now
Michigan Boulevard and Fifth Avenue walked demurely
in the gloom of crêpe and chiffon; black hats,
black gloves, black slippers. Only black was “good”
this year.</p>
<p class='pindent'>Paula did not wear black well. She was a shade too
sallow for these sombre swathings even though relieved
by a pearl strand of exquisite colour, flawlessly
matched; and a new sly face-powder. Paula smiled
up at him, patted the leather seat beside her with one
hand that was absurdly thick-fingered in its fur-lined
glove.</p>
<p class='pindent'>“It’s cold driving. Button up tight. Where’ll we
stop for your bag? Are you still in Deming Place?”</p>
<p class='pindent'>He was still in Deming Place. He climbed into the
seat beside her—a feat for the young and nimble.
Theodore Storm never tried to double his bulk into the
jack-knife position necessary to riding in his wife’s
roadster. The car was built for speed, not comfort.
One sat flat with the length of one’s legs stretched
out. Paula’s feet, pedalling brake and clutch so expertly,
were inadequately clothed in sheer black silk
stockings and slim buckled patent-leather slippers.</p>
<p class='pindent'>“You’re not dressed warmly enough,” her husband
would have said. “Those shoes are idiotic for driving.”
And he would have been right.</p>
<p class='pindent'>Dirk said nothing.</p>
<p class='pindent'>Her manipulation of the wheel was witchcraft.
The roadster slid in and out of traffic like a fluid
thing, an enamel stream, silent as a swift current in a
river. “Can’t let her out here,” said Paula. “Wait
till we get past Lincoln Park. Do you suppose they’ll
ever really get rid of this terrible Rush Street bridge?”
When his house was reached, “I’m coming up,” she
said. “I suppose you haven’t any tea?”</p>
<p class='pindent'>“Gosh, no! What do you think I am! A young
man in an English novel!”</p>
<p class='pindent'>“Now, don’t be provincial and Chicago-ish, Dirk.”
They climbed the three flights of stairs. She looked
about. Her glance was not disapproving. “This
isn’t so bad. Who did it? She did! Very nice.
But of course you ought to have your own smart little
apartment, with a Jap to do you up. To do that for
you, for example.”</p>
<p class='pindent'>“Yes,” grimly. He was packing his bag—not
throwing clothes into it, but folding them deftly,
neatly, as the son of a wise mother packs. “My salary’d
just about keep him in white linen house-coats.”</p>
<p class='pindent'>She was walking about the living room, picking up
a book, putting it down, fingering an ash tray, gazing
out of the window, examining a photograph, smoking
a cigarette from the box on his table. Restless, nervously
alive, catlike. “I’m going to send you some
things for your room, Dirk.”</p>
<p class='pindent'>“For God’s sake don’t!”</p>
<p class='pindent'>“Why not?”</p>
<p class='pindent'>“Two kinds of women in the world. I learned that
at college. Those who send men things for their
rooms and those that don’t.”</p>
<p class='pindent'>“You’re very rude.”</p>
<p class='pindent'>“You asked me. There! I’m all set.” He
snapped the lock of his bag. “I’m sorry I can’t give
you anything. I haven’t a thing. Not even a glass
of wine and a—what is it they say in books?—oh, yeh—a
biscuit.”</p>
<p class='pindent'>In the roadster again they slid smoothly out along
the drive, along Sheridan Road, swung sharply around
the cemetery curve into Evanston, past the smug middle-class
suburban neatness of Wilmette and Winnetka.
She negotiated expertly the nerve-racking curves of
the Hubbard Woods hills, then maintained a fierce and
steady speed for the remainder of the drive.</p>
<p class='pindent'>“We call the place Stormwood,” Paula told him.
“And nobody outside the dear family knows how fitting
that is. Don’t scowl. I’m not going to tell you
my marital woes. And don’t you say I asked for it.
. . . How’s the job?”</p>
<p class='pindent'>“Rotten.”</p>
<p class='pindent'>“You don’t like it? The work?”</p>
<p class='pindent'>“I like it well enough, only—well, you see we leave
the university architectural course thinking we’re all
going to be Stanford Whites or Cass Gilberts, tossing
off a Woolworth building and making ourselves
famous overnight. I’ve spent all yesterday and to-day
planning how to work in space for toilets on every
floor of the new office building, six stories high and
shaped like a drygoods box, that’s going up on the
corner of Milwaukee Avenue and Ashland, west.”</p>
<p class='pindent'>“And ten years from now?”</p>
<p class='pindent'>“Ten years from now maybe they’ll let me do the
plans for the drygoods box all alone.”</p>
<p class='pindent'>“Why don’t you drop it?”</p>
<p class='pindent'>He was startled. “Drop it! How do you mean?”</p>
<p class='pindent'>“Chuck it. Do something that will bring you quick
results. This isn’t an age of waiting. Suppose,
twenty years from now, you do plan a grand Gothic
office building to grace this new and glorified Michigan
Boulevard they’re always shouting about! You’ll be
a middle-aged man living in a middle-class house in a
middle-class suburb with a middle-class wife.”</p>
<p class='pindent'>“Maybe”—slightly nettled. “And maybe I’ll be
the Sir Christopher Wren of Chicago.”</p>
<p class='pindent'>“Who’s he?”</p>
<p class='pindent'>“Good G——, how often have you been in London?”</p>
<p class='pindent'>“Three times.”</p>
<p class='pindent'>“Next time you find yourself there you might cast
your eye over a very nice little structure called St.
Paul’s Cathedral. I’ve never seen it but it has been
very well spoken of.”</p>
<p class='pindent'>They turned in at the gates of Stormwood. Though
the trees and bushes were gaunt and bare the grass
already showed stretches of vivid green. In the fading
light one caught glimpses through the shrubbery of
the lake beyond. It was a dazzling sapphire blue in
the sunset. A final turn of the drive. An avenue of
trees. A house, massive, pillared, porticoed. The
door opened as they drew up at the entrance. A maid
in cap and apron stood in the doorway. A man appeared
at the side of the car, coming seemingly from
nowhere, greeted Paula civilly and drove the car off.
The glow of an open fire in the hall welcomed them.
“He’ll bring up your bag,” said Paula. “How’re the
babies, Anna? Has Mr. Storm got here?”</p>
<p class='pindent'>“He telephoned, Mrs. Storm. He says he won’t
be out till late—maybe ten or after. Anyway, you’re
not to wait dinner.”</p>
<p class='pindent'>Paula, from being the limp, expert, fearless driver
of the high-powered roadster was now suddenly very
much the mistress of the house, quietly observant, giving
an order with a lift of the eyebrow or a nod of
the head. Would Dirk like to go to his room at once?
Perhaps he’d like to look at the babies before they
went to sleep for the night, though the nurse would
probably throw him out. One of those stern British
females. Dinner at seven-thirty. He needn’t dress.
Just as he liked. Everything was very informal here.
They roughed it. (Dirk had counted thirteen servants
by noon next day and hadn’t been near the
kitchen, laundry, or dairy.)</p>
<p class='pindent'>His room, when he reached it, he thought pretty
awful. A great square chamber with narrow leaded
windows, deep-set, on either side. From one he could
get a glimpse of the lake, but only a glimpse. Evidently
the family bedrooms were the lake rooms. In
the DeJong code and class the guest had the best but
evidently among these moneyed ones the family had
the best and the guest was made comfortable, but was
not pampered. It was a new angle for Dirk. He
thought it startling but rather sensible. His bag had
been brought up, unpacked, and stowed away in a
closet before he reached his room. “Have to tell that
to Selina,” he thought, grinning. He looked about
the room, critically. It was done in a style that he
vaguely defined as French. It gave him the feeling
that he had stumbled accidentally into the chamber of
a Récamier and couldn’t get out. Rose brocade with
gold net and cream lace and rosebuds. “Swell place
for a man,” he thought, and kicked a footstool—a
<span class='it'>fauteuil</span> he supposed it was called, and was secretly
glad that he could pronounce it faultlessly. Long
mirrors, silken hanging, cream walls. The bed was
lace hung. The coverlet was rose satin, feather-light.
He explored his bathroom. It actually was a room,
much larger than his alcove bedroom on Deming
Place—as large as his own bedroom at home on the
farm. The bath was done dazzlingly in blue and
white. The tub was enormous and as solid as if the
house had been built around it. There were towels
and towels and towels in blue and white, ranging in size
all the way from tiny embroidered wisps to fuzzy all-enveloping
bath towels as big as a carpet.</p>
<p class='pindent'>He was much impressed.</p>
<p class='pindent'>He decided to bathe and change into dinner clothes
and was glad of this when he found Paula in black
chiffon before the fire in the great beamed room she
had called the library. Dirk thought she looked very
beautiful in that diaphanous stuff, with the pearls.
Her heart-shaped face, with its large eyes that slanted
a little at the corners; her long slim throat; her dark
hair piled high and away from her little ears. He
decided not to mention it.</p>
<p class='pindent'>“You look extremely dangerous,” said Paula.</p>
<p class='pindent'>“I am,” replied Dirk, “but it’s hunger that brings
this look of the beast to my usually mild Dutch features.
Also, why do you call this the library?”
Empty shelves gaped from the wall on all sides. The
room was meant to hold hundreds of volumes. Perhaps
fifty or sixty in all now leaned limply against each
other or lay supine.</p>
<p class='pindent'>Paula laughed. “They do look sort of sparse,
don’t they? Theodore bought this place, you know,
as is. We’ve books enough in town, of course. But
I don’t read much out here. And Theodore!—I don’t
believe he ever in his life read anything but detective
stories and the newspapers.”</p>
<p class='pindent'>Dirk told himself that Paula had known her husband
would not be home until ten and had deliberately
planned a tête-à-tête meal. He would not, therefore,
confess himself a little nettled when Paula said, “I’ve
asked the Emerys in for dinner; and we’ll have a game
of bridge afterward. Phil Emery, you know, the
Third. He used to have it on his visiting card, like
royalty.”</p>
<p class='pindent'>The Emerys were drygoods; had been drygoods
for sixty years; were accounted Chicago aristocracy;
preferred England; rode to hounds in pink coats along
Chicago’s prim and startled suburban prairies. They
had a vast estate on the lake near Stormwood. They
arrived a trifle late. Dirk had seen pictures of old
Phillip Emery (“Phillip the First,” he thought, with
an inward grin) and decided, looking at the rather
anæmic third edition, that the stock was running a little
thin. Mrs. Emery was blonde, statuesque, and unmagnetic.
In contrast Paula seemed to glow like a
sombre jewel. The dinner was delicious but surprisingly
simple; little more than Selina would have given
him, Dirk thought, had he come home to the farm
this week-end. The talk was desultory and rather
dull. And this chap had millions, Dirk said to himself.
Millions. No scratching in an architect’s office
for this lad. Mrs. Emery was interested in the correct
pronunciation of Chicago street names.</p>
<p class='pindent'>“It’s terrible,” she said. “I think there ought to
be a Movement for the proper pronunciation. The
people ought to be taught; and the children in the
schools. They call Goethe Street ‘Gerty’; and pronounce
all the s’s in Des Plaines. Even Illinois they
call ‘Illi<span class='it'>noise</span>.’ ” She was very much in earnest. Her
breast rose and fell. She ate her salad rapidly. Dirk
thought that large blondes oughn’t to get excited. It
made their faces red.</p>
<p class='pindent'>At bridge after dinner Phillip the Third proved to
be sufficiently the son of his father to win from Dirk
more money than he could conveniently afford to lose.
Though Mrs. Phil had much to do with this, as Dirk’s
partner. Paula played with Emery, a bold shrewd
game.</p>
<p class='pindent'>Theodore Storm came in at ten and stood watching
them. When the guests had left the three sat before
the fire. “Something to drink?” Storm asked Dirk.
Dirk refused but Storm mixed a stiff highball for himself,
and then another. The whiskey brought no flush
to his large white impassive face. He talked almost
not at all. Dirk, naturally silent, was loquacious by
comparison. But while there was nothing heavy, unvital
about Dirk’s silence this man’s was oppressive,
irritating. His paunch, his large white hands, his
great white face gave the effect of bleached bloodless
bulk. “I don’t see how she stands him,” Dirk
thought. Husband and wife seemed to be on terms of
polite friendliness. Storm excused himself and took
himself off with a word about being tired, and seeing
them in the morning.</p>
<p class='pindent'>After he had gone: “He likes you,” said Paula.</p>
<p class='pindent'>“Important,” said Dirk, “if true.”</p>
<p class='pindent'>“But it is important. He can help you a lot.”</p>
<p class='pindent'>“Help me how? I don’t want——”</p>
<p class='pindent'>“But I do. I want you to be successful. I want
you to be. You can be. You’ve got it written all
over you. In the way you stand, and talk, and don’t
talk. In the way you look at people. In something
in the way you carry yourself. It’s what they call
force, I suppose. Anyway, you’ve got it.”</p>
<p class='pindent'>“Has your husband got it?”</p>
<p class='pindent'>“Theodore! No! That is——”</p>
<p class='pindent'>“There you are. I’ve got the force, but he’s got
the money.”</p>
<p class='pindent'>“You can have both.” She was leaning forward.
Her eyes were bright, enormous. Her hands—those
thin dark hot hands—were twisted in her lap. He
looked at her quietly. Suddenly there were tears in
her eyes. “Don’t look at me that way, Dirk.” She
huddled back in her chair, limp. She looked a little
haggard and older, somehow. “My marriage is a
mess, of course. You can see that.”</p>
<p class='pindent'>“You knew it would be, didn’t you?”</p>
<p class='pindent'>“No. Yes. Oh, I don’t know. Anyway, what’s
the difference, now? I’m not trying to be what they
call an Influence in your life. I’m just fond of you—you
know that—and I want you to be great and successful.
It’s maternal, I suppose.”</p>
<p class='pindent'>“I should think two babies would satisfy that urge.”</p>
<p class='pindent'>“Oh, I can’t get excited about two pink healthy
lumps of babies. I love them and all that, but all they
need is to have a bottle stuffed into their mouths at
proper intervals and to be bathed, and dressed and
aired and slept. It’s a mechanical routine and about
as exciting as a treadmill. I can’t go round being
maternal and beating my breast over two nice firm
lumps of flesh.”</p>
<p class='pindent'>“Just what do you want me to do, Paula?”</p>
<p class='pindent'>She was eager again, vitally concerned in him. “It’s
all so ridiculous. All these men whose incomes are
thirty—forty—sixty—a hundred thousand a year usually
haven’t any qualities, really, that the five-thousand-a-year
man hasn’t. The doctor who sent Theodore a
bill for four thousand dollars when each of my babies
was born didn’t do a thing that a country doctor with
a Ford wouldn’t do. But he knew he could get it and
he asked it. Somebody has to get the fifty-thousand-dollar
salaries—some advertising man, or bond
salesman or—why, look at Phil Emery! He probably
couldn’t sell a yard of pink ribbon to a schoolgirl
if he had to. Look at Theodore! He just sits and
blinks and says nothing. But when the time comes he
doubles up his fat white fist and mumbles, ‘Ten million,’
or ‘Fifteen million,’ and that settles it.”</p>
<p class='pindent'>Dirk laughed to hide his own little mounting sensation
of excitement. “It isn’t quite as simple as that,
I imagine. There’s more to it than meets the eye.”</p>
<p class='pindent'>“There isn’t! I tell you I know the whole crowd
of them. I’ve been brought up with this moneyed
pack all my life, haven’t I? Pork packers and wheat
grabbers and pedlers of gas and electric light and
dry goods. Grandfather’s the only one of the crowd
that I respect. He has stayed the same. They can’t
fool him. He knows he just happened to go into
wholesale beef and pork when wholesale beef and pork
was a new game in Chicago. Now look at him!”</p>
<p class='pindent'>“Still, you will admit there’s something in knowing
when,” he argued.</p>
<p class='pindent'>Paula stood up. “If you don’t know I’ll tell you.
Now is when. I’ve got Grandfather and Dad and
Theodore to work with. You can go on being an
architect if you want to. It’s a fine enough profession.
But unless you’re a genius where’ll it get you!
Go in with them, and Dirk, in five years——”</p>
<p class='pindent'>“What!” They were both standing, facing each
other, she tense, eager; he relaxed but stimulated.</p>
<p class='pindent'>“Try it and see what, will you? Will you, Dirk?”</p>
<p class='pindent'>“I don’t know, Paula. I should say my mother
wouldn’t think much of it.”</p>
<p class='pindent'>“What does she know! Oh, I don’t mean that she
isn’t a fine, wonderful person. She is. I love her.
But success! She thinks success is another acre of
asparagus or cabbage; or a new stove in the kitchen
now that they’ve brought gas out as far as High Prairie.”</p>
<p class='pindent'>He had a feeling that she possessed him; that her
hot eager hands held him though they stood apart and
eyed each other almost hostilely.</p>
<p class='pindent'>As he undressed that night in his rose and satin
room he thought, “Now what’s her game? What’s
she up to? Be careful, Dirk, old boy.” On coming
into the room he had gone immediately to the long
mirror and had looked at himself carefully, searchingly,
not knowing that Paula, in her room, had done
the same. He ran a hand over his close-shaved chin,
looked at the fit of his dinner coat. He wished he had
had it made at Peter Peel’s, the English tailor on
Michigan Boulevard. But Peel was so damned expensive.
Perhaps next time . . .</p>
<p class='pindent'>As he lay in the soft bed with the satin coverlet over
him he thought, “Now what’s her lit-tle game!”</p>
<p class='pindent'>He awoke at eight, enormously hungry. He wondered,
uneasily, just how he was going to get his breakfast.
She had said his breakfast would be brought
him in his room. He stretched luxuriously, sprang
up, turned on his bath water, bathed. When he
emerged in dressing gown and slippers his breakfast
tray had been brought him mysteriously and its contents
lay appetizingly on a little portable table. There
were flocks of small covered dishes and a charming
individual coffee service. The morning papers, folded
and virgin, lay next this. A little note from Paula:
“Would you like to take a walk at about half-past
nine? Stroll down to the stables. I want to show
you my new horse.”</p>
<p class='pindent'>The distance from the house to the stables was actually
quite a brisk little walk in itself. Paula, in riding
clothes, was waiting for him. She looked boyish and
young standing beside the sturdy bulk of Pat, the head
stableman. She wore tan whipcord breeches, a coat
of darker stuff, a little round felt hat whose brim
curved away from her face.</p>
<p class='pindent'>She greeted him. “I’ve been out two hours. Had
my ride.”</p>
<p class='pindent'>“I hate people who tell you, first thing in the morning,
that they’ve been out two hours.”</p>
<p class='pindent'>“If that’s the kind of mood you’re in we won’t show
him the horse, will we, Pat?”</p>
<p class='pindent'>Pat thought they would. Pat showed him the new
saddle mare as a mother exhibits her latest offspring,
tenderly, proudly. “Look at her back,” said Pat.
“That’s the way you tell a horse, sir. By the length
of this here line. Lookut it! There’s a picture for
you, now!”</p>
<p class='pindent'>Paula looked up at Dirk. “You ride, don’t you?”</p>
<p class='pindent'>“I used to ride the old nags, bareback, on the farm.”</p>
<p class='pindent'>“You’ll have to learn. We’ll teach him, won’t we,
Pat?”</p>
<p class='pindent'>Pat surveyed Dirk’s lean, flexible figure. “Easy.”</p>
<p class='pindent'>“Oh, say!” protested Dirk.</p>
<p class='pindent'>“Then I’ll have some one to ride with me. Theodore
never rides. He never takes any sort of exercise.
Sits in that great fat car of his.”</p>
<p class='pindent'>They went into the coach house, a great airy whitewashed
place with glittering harness and spurs and
bridles like jewels in glass cases. There were ribbons,
too, red and yellow and blue in a rack on the
wall; and trophy cups. The coach house gave Dirk
a little hopeless feeling. He had never before seen
anything like it. In the first place, there were no
motors in it. He had forgotten that people rode in
anything but motors. A horse on Chicago’s boulevards
raised a laugh. The sight of a shining brougham
with two sleek chestnuts driving down Michigan Avenue
would have set that street to staring and sniggering
as a Roman chariot drawn by zebras might have
done. Yet here was such a brougham, glittering,
spotless. Here was a smart cream surrey with a
cream-coloured top hung with fringe. There were
two-wheeled carts high and slim and chic. A victoria.
Two pony carts. One would have thought, seeing this
room, that the motor vehicle had never been invented.
And towering over all, dwarfing the rest, out-glittering
them, stood a tally-ho, a sheer piece of wanton insolence.
It was in perfect order. Its cushions were
immaculate. Its sides shone. Its steps glistened.
Dirk, looking up at it, laughed outright. It seemed
too splendid, too absurd. With a sudden boyish impulse
he swung himself up the three steps that led to
the box and perched himself on the fawn cushioned
seat. He looked very handsome there. “A coach
and four—isn’t that what they call it? Got any
Roman juggernauts?”</p>
<p class='pindent'>“Do you want to drive it?” asked Paula. “This
afternoon? Do you think you can? Four horses,
you know.” She laughed up at him, her dark face
upturned to his.</p>
<p class='pindent'>Dirk looked down at her. “No.” He climbed
down. “I suppose that at about the time they drove
this hereabouts my father was taking the farm plugs
into the Haymarket.”</p>
<p class='pindent'>Something had annoyed him, she saw. Would he
wait while she changed to walking things? Or perhaps
he’d rather drive in the roadster. They walked
up to the house together. He wished that she would
not consult his wishes so anxiously. It made him
sulky, impatient.</p>
<p class='pindent'>She put a hand on his arm. “Dirk, are you annoyed
at me for what I said last night?”</p>
<p class='pindent'>“No.”</p>
<p class='pindent'>“What did you think when you went to your room
last night? Tell me. What did you think?”</p>
<p class='pindent'>“I thought: ‘She’s bored with her husband and
she’s trying to vamp me. I’ll have to be careful.’ ”</p>
<p class='pindent'>Paula laughed delightedly. “That’s nice and frank
. . . What else?”</p>
<p class='pindent'>“I thought my coat didn’t fit very well and I wished
I could afford to have Peel make my next one.”</p>
<p class='pindent'>“You can,” said Paula.</p>
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