<p><SPAN name="link2H_4_0004" id="link2H_4_0004"></SPAN></p>
<br/>
<h2> ACT III </h2>
<p>Scene. <i>The library, used as a sort of semi-office by Starkweather at
such times when he is in Washington. Door to right; also, door to right
rear. At left rear is an alcove, without hangings, which is dark. To left
are windows. To left, near windows, a fiat-top desk, with desk-chair and
desk-telephone. Also, on desk, conspicuously, is a heavy dispatch box. At
the center rear is a large screen. Extending across center back of room
are heavy, old-fashioned bookcases, with swinging glass doors. The
bookcases narrow about four feet from the floor, thus forming a ledge.
Between left end of bookcases and alcove at left rear, high up on wall,
hangs a large painting or steel engraving of Abraham Lincoln. In design
and furnishings, it is a simple chaste room, coldly rigid and slightly
old-fashioned.</i></p>
<p><i>It is 9:30 in the morning of the day succeeding previous act.</i></p>
<p><i>Curtain discloses Starkweather seated at desk, and Dobleman, to right
of desk, standing.</i></p>
<p><br/><br/><b>Starkweather</b></p>
<p>All right, though it is an unimportant publication. I'll subscribe.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Making note on pad.</i>) Very well, sir. Two thousand.</p>
<p>(<i>He consults his notes.</i>) Then there is <i>Vanderwater's Magazine</i>.
Your subscription is due.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>How much?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>You have been paying fifteen thousand.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>It is too much. What is the regular subscription?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>A dollar a year.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Shaking his head emphatically.</i>) It is too much.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Professor Vanderwater also does good work with his lecturing. He is
regularly on the Chautauqua Courses, and at that big meeting of the
National Civic Federation, his speech was exceptionally telling.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Doubtfully, about to give in.</i>) All right—</p>
<p>(<i>He pauses, as if recollecting something.</i>) (<i>Dobleman has begun
to write down the note.</i>) No. I remember there was something in the
papers about this Professor Vanderwater—a divorce, wasn't it? He has
impaired his authority and his usefulness to me.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>It was his wife's fault.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>It is immaterial. His usefulness is impaired. Cut him down to ten
thousand. It will teach him a lesson.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Very good, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>And the customary twenty thousand to <i>Cartwrights</i>.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Hesitatingly.</i>) They have asked for more. They have enlarged the
magazine, reorganized the stock, staff, everything.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Hubbard's writing for it, isn't he?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Yes, sir. And though I don't know, it is whispered that he is one of the
heavy stockholders.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>A very capable man. He has served me well. How much do they want?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>They say that Nettman series of articles cost them twelve thousand alone,
and that they believe, in view of the exceptional service they are
prepared to render, and are rendering, fifty thousand—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Shortly.</i>) All right. How much have I given to University of
Hanover this year?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Seven—nine millions, including that new library.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Sighing.</i>) Education does cost. Anything more this morning?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Consulting notes.</i>) Just one other—Mr. Rutland. His church,
you know, sir, and that theological college. He told me he had been
talking it over with you. He is anxious to know.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>He's very keen, I must say. Fifty thousand for the church, and a hundred
thousand for the college—I ask you, candidly, is he worth it?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>The church is a very powerful molder of public opinion, and Mr. Rutland is
very impressive. (<i>Running over the notes and producing a clipping.</i>)
This is what he said in his sermon two weeks ago: "God has given to Mr.
Starkweather the talent for making money as truly as God has given to
other men the genius which manifests itself in literature and the arts and
sciences."</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Pleased.</i>) He says it well.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Producing another clipping.</i>) And this he said about you in last
Sunday's sermon: "We are to-day rejoicing in the great light of the
consecration of a great wealth to the advancement of the race. This vast
wealth has been so consecrated by a man who all through life has walked in
accord with the word, The love of Christ constraineth me.'"</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Meditatively.</i>) Dobleman, I have meant well. I mean well. I shall
always mean well. I believe I am one of those few men, to whom God, in his
infinite wisdom, has given the stewardship of the people's wealth. It is a
high trust, and despite the abuse and vilification heaped upon me, I shall
remain faithful to it.</p>
<p>(<i>Changing his tone abruptly to businesslike briskness.</i>) Very well.
See that Mr. Rutland gets what he has asked for.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Very good, sir. I shall telephone him. I know he is anxious to hear.</p>
<p>(<i>Starting to leave the room.</i>) Shall I make the checks out in the
usual way?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Yes: except the Rutland one. I'll sign that myself. Let the others go
through the regular channels. We take the 2:10 train for New York. Are you
ready?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Indicating dispatch box.</i>) All, except the dispatch box.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I'll take care of that myself.</p>
<p>(<i>Dobleman starts to make exit to left, and Starkweather, taking
notebook from pocket, glances into it, and looks up.</i>)</p>
<p>Dobleman.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Pausing.</i>) Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Mrs. Chalmers is here, isn't she?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Yes, sir. She came a few minutes ago, with her little boy. They are with
Mrs. Starkweather.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Please tell Mrs. Chalmers I wish to see her.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Yes, sir.</p>
<p>(<i>Dobleman makes exit.</i>) (<i>Maidservant enters from right rear, with
card tray.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Examining card.</i>) Show him in.</p>
<p>(<i>Maidservant makes exit right rear</i>). (<i>Pause, during which
Starkweather consults notebook.</i>) (<i>Maidservant re-enters, showing in
Hubbard.</i>)</p>
<p>(<i>Hubbard advances to desk.</i>) (<i>Starkweather is so glad to see him
that he half rises from his chair to shake hands.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Heartily.</i>) I can only tell you that what you did was wonderful.
Your telephone last night was a great relief. Where are they?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Drawing package of documents from inside breast pocket and handing
them over.</i>) There they are—the complete set. I was fortunate.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Opening package and glancing at a number of the documents while he
talks.</i>) You are modest, Mr. Hubbard.—It required more—than
fortune.—It required ability—of no mean order.—The time
was short.—You had to think—and act—with too great
immediacy to be merely fortunate.</p>
<p>(<i>Hubbard bows, while Starkweather rearranges package.</i>)</p>
<p>There is no need for me to tell you how I appreciate your service. I have
increased my subscription to <i>Cartwright's</i> to fifty thousand, and I
shall speak to Dobleman, who will remit to you a more substantial
acknowledgment than my mere thanks for the inestimable service you have
rendered.</p>
<p>(<i>Hubbard bows.</i>)</p>
<p>You—ah—you have read the documents?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I glanced through them. They were indeed serious. But we have spiked
Knox's guns. Without them, that speech of his this afternoon becomes a
farce—a howling farce. Be sure you take good care of them.</p>
<p>(<i>Indicating documents, which Starkweather still holds.</i>) Gherst has
a long arm.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>He cannot reach me here. Besides, I go to New York to-day, and I shall
carry them with me. Mr. Hubbard, you will forgive me—</p>
<p>(<i>Starting to pack dispatch box with papers and letters lying on desk.</i>)
I am very busy.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Taking the hint.</i>) Yes, I understand. I shall be going now. I have
to be at the Club in five minutes.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>In course of packing dispatch box, he sets certain packets of papers
and several medium-sized account books to one side in an orderly pile. He
talks while he packs, and Hubbard waits.</i>) I should like to talk with
you some more—in New York. Next time you are in town be sure to see
me. I am thinking of buying the <i>Parthenon Magazine</i>, and of changing
its policy. I should like to have you negotiate this, and there are other
important things as well. Good day, Mr. Hubbard. I shall see you in New
York—soon.</p>
<p>(<i>Hubbard and Starkweather shake hands.</i>)</p>
<p>(<i>Hubbard starts to make exit to right rear.</i>)</p>
<p>(<i>Margaret enters from right rear.</i>)</p>
<p>(<i>Starkweather goes on packing dispatch box through following scene.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Mrs. Chalmers.</p>
<p>(<i>Holding out hand, which Margaret takes very coldly, scarcely inclining
her head, and starting to pass on.</i>) (<i>Speaking suddenly and
savagely.</i>) You needn't be so high and lofty, Mrs. Chalmers.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Pausing and looking at him curiously as if to ascertain whether he has
been drinking.</i>) I do not understand.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>You always treated me this way, but the time for it is past. I won't stand
for your superior goodness any more. You really impressed me with it for a
long time, and you made me walk small. But I know better now. A pretty
game you've been playing—you, who are like any other woman. Well,
you know where you were last night. So do I.</p>
<p><br/><br/><b>Margaret</b></p>
<p>You are impudent.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Doggedly.</i>) I said I knew where you were last night. Mr. Knox also
knows where you were. But I'll wager your husband doesn't.</p>
<p><br/><br/><b>Margaret</b></p>
<p>You spy!</p>
<p>(<i>Indicating her father.</i>) I suppose you have told—him.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Why should I?</p>
<p><br/><br/><b>Margaret</b></p>
<p>You are his creature.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>If it will ease your suspense, let me tell you that I have not told him.
But I do protest to you that you must treat me with more—more
kindness.</p>
<p>(<i>Margaret makes no sign but passes on utterly oblivious of him.</i>) (<i>Hubbard
stares angrily at her and makes exit</i>) (<i>Starkweather, who is
finishing packing, puts the documents last inside box, and closes and
locks it. To one side is the orderly stack of the several account books
and packets of papers.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Good morning, Margaret. I sent for you because we did not finish that talk
last night. Sit down.</p>
<p>(<i>She gets a chair for herself and sits down.</i>)</p>
<p>You always were hard to manage, Margaret. You have had too much will for a
woman. Yet I did my best for you. Your marriage with Tom was especially
auspicious—a rising man, of good family and a gentleman, eminently
suitable—</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Interrupting bitterly.</i>) I don't think you were considering your
daughter at all in the matter. I know your views on woman and woman's
place. I have never counted for anything with you. Neither has mother, nor
Connie, when business was uppermost, and business always is uppermost with
you. I sometimes wonder if you think a woman has a soul. As for my
marriage—you saw that Tom could be useful to you. He had the various
distinctive points you have mentioned. Better than that he was pliable,
capable of being molded to perform your work, to manipulate machine
politics and procure for you the legislation you desired. You did not
consider what kind of a husband he would make for your daughter whom you
did not know. But you gave your daughter to him—sold her to him—because
you needed him—</p>
<p>(<i>Laughs hysterically.</i>) In your business.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Angrily.</i>) Margaret! You must not speak that way. (<i>Relaxing.</i>)</p>
<p>Ah, you do not change. You were always that way, always bent on having
your will—</p>
<p><br/><br/><b>Margaret</b></p>
<p>Would to God I had been more successful in having it.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Testily.</i>) This is all beside the question. I sent for you to tell
you that this must stop—this association with a man of the type and
character of Knox—a dreamer, a charlatan, a scoundrel—</p>
<p><br/><br/><b>Margaret</b></p>
<p>It is not necessary to abuse him.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>It must stop—that is all. Do you understand? It must stop.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Quietly.</i>) It has stopped. I doubt that I shall ever see him again.
He will never come to my house again, at any rate. Are you satisfied?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Perfectly. Of course, you know I have never doubted you—that—that
way.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Quietly.</i>) How little you know women. In your comprehension we are
automatons, puppets, with no hearts nor heats of desire of our own, with
no springs of conduct save those of the immaculate and puritanical sort
that New England crystallized a century or so ago.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Suspiciously.</i>) You mean that you and this man—?</p>
<p><br/><br/><b>Margaret</b></p>
<p>I mean nothing has passed between us. I mean that I am Tom's wife and
Tommy's mother. What I did mean, you have no more understood than you
understand me—or any woman.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Relieved.</i>) It is well.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Continuing.</i>) And it is so easy. The concept is simple. A woman is
human. That is all. Yet I do believe it is news to you.</p>
<p>(<i>Enters Dobleman from right carrying a check in his hand. Starkweather,
about to speak, pauses.</i>) (<i>Dobleman hesitates, and Starkweather nods
for him to advance.</i>)</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Greeting Margaret, and addressing Starkweather.</i>) This check. You
said you would sign it yourself.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Yes, that is Rutland's. (<i>Looks for pen.</i>)</p>
<p>(<i>Dobleman offers his fountain pen.</i>) No; my own pen.</p>
<p>(<i>Unlocks dispatch box, gets pen, and signs check. Leaves dispatch box
open.</i>) (<i>Dobleman takes check and makes exit to right.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Picking up documents from top of pile in open box.</i>)</p>
<p>This man Knox. I studied him yesterday. A man of great energy and ideals.
Unfortunately, he is a sentimentalist. He means right—I grant him
that. But he does not understand practical conditions. He is more
dangerous to the welfare of the United States than ten thousand
anarchists. And he is not practical. (<i>Holding up documents.</i>)</p>
<p>Behold, stolen from my private files by a yellow journal sneak thief and
turned over to him. He thought to buttress his speech with them this
afternoon. And yet, so hopelessly unpractical is he, that you see they are
already back in the rightful owner's hands.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Then his speech is ruined?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Absolutely. The wheels are all ready to turn. The good people of the
United States will dismiss him with roars of laughter—a good phrase,
that: Hubbard's, I believe.</p>
<p>(<i>Dropping documents on the open cover of dispatch box, picking up the
pile of several account books and packets of papers, and rising.</i>) One
moment. I must put these away.</p>
<p>(<i>Starkweather goes to alcove at left rear. He presses a button and
alcove is lighted by electricity, discovering the face of a large safe.
During the following scene he does not look around, being occupied with
working the combination, opening the safe, putting away account books and
packets of papers, and with examining other packets which are in safe.</i>)</p>
<p>(<i>Margaret looks at documents lying on open cover of dispatch box and
glancing quickly about room, takes a sudden resolution. She seizes
documents, makes as if to run wildly from the room, stops abruptly to
reconsider, and changes her mind. She looks about room for a hiding place,
and her eyes rest on portrait of Lincoln. Moving swiftly, picking up a
light chair on the way, she goes to corner of bookcase nearest to
portrait, steps on chair, and from chair to ledge of bookcase where,
clinging, she reaches out and up and drops documents behind portrait.
Stepping quickly down, with handkerchief she wipes ledge on which she has
stood, also the seat of the chair. She carries chair back to where she
found it, and reseats herself in chair by desk.</i>) (<i>Starkweather
locks safe, emerges from alcove, turns off alcove lights, advances to desk
chair, and sits down. He is about to close and lock dispatch box when he
discovers documents are missing. He is very quiet about it, and examines
contents of box care-fully.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Quietly.</i>) Has anybody been in the room?</p>
<p><br/><br/><b>Margaret</b></p>
<p>No.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Looking at her searchingly.</i>) A most unprecedented thing has
occurred. When I went to the safe a moment ago, I left these documents on
the cover of the dispatch box. Nobody has been in the room but you. The
documents are gone. Give them to me.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I have not been out of the room.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I know that. Give them to me.</p>
<p>(<i>A pause.</i>) You have them. Give them to me</p>
<p><br/><br/><b>Margaret</b></p>
<p>I haven't them.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>That is a lie. Give them to me.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Rising.</i>) I tell you I haven't them—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Also rising.</i>) That is a lie.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Turning and starting to cross room.</i>) Very well, if you do not
believe me—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Interrupting.</i>) Where are you going?</p>
<p><br/><br/><b>Margaret</b></p>
<p>Home.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Imperatively.</i>) No, you are not. Come back here.</p>
<p>(<i>Margaret comes back and stands by chair.</i>) You shall not leave this
room. Sit down.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I prefer to stand.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Sit down.</p>
<p>(<i>She still stands, and he grips her by arm, forcing her down into
chair.</i>) Sit down. Before you leave this room you shall return those
documents. This is more important than you realize. It transcends all
ordinary things of life as you have known it, and you will compel me to do
things far harsher than you can possibly imagine. I can forget that you
are a daughter of mine. I can forget that you are even a woman. If I have
to tear them from you, I shall get them. Give them to me.</p>
<p>(<i>A pause.</i>) What are you going to do?</p>
<p>(<i>Margaret shrugs her shoulders.</i>) What have you to say?</p>
<p>(<i>Margaret again shrugs her shoulders.</i>) What have you to say?</p>
<p><br/><br/><b>Margaret</b></p>
<p>Nothing.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Puzzled, changing tactics, sitting down, and talking calmly.</i>) Let
us talk this over quietly. You have no shred of right of any sort to those
documents. They are mine. They were stolen by a sneak thief from my
private files. Only this morning—a few minutes ago—did I get
them back. They are mine, I tell you. They belong to me. Give them back.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I tell you I haven't them.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You have got them about you, somewhere, concealed in your breast there. It
will not save you. I tell you I shall have them. I warn you. I don't want
to proceed to extreme measures. Give them to me.</p>
<p>(<i>He starts to press desk-button, pauses, and looks at her.</i>) Well?</p>
<p>(<i>Margaret shrugs her shoulders.</i>) (<i>He presses button twice.</i>)
I have sent for Dobleman. You have one chance before he comes. Give them
to me.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Father, will you believe me just this once? Let me go. I tell you I
haven't the documents. I tell you that if you let me leave this room, I
shall not carry them away with me. I tell you this on my honor. Do you
believe me? Tell me that you do believe me.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I do believe you. You say they are not on you. I believe you. Now tell me
where they are—you have them hidden somewhere—(<i>Glancing
about room.</i>)—And you can go at once.</p>
<p>(<i>Dobleman enters from right and advances to desk. Starkweather and
Margaret remains silent.</i>)</p>
<p><br/><br/><b>Dobleman</b></p>
<p>You rang for me.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>With one last questioning glance at Margaret, who remains impassive.</i>)
Yes, I did. Have you been in that other room all the time?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Did anybody pass through and enter this room?</p>
<p><br/><br/><b>Dobleman</b></p>
<p>No, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Very well. We'll see what the maid has to say.</p>
<p>(<i>He presses button once.</i>) Margaret, I give you one last chance.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I have told you that if I leave this room, I shall not take them with me.</p>
<p>(<i>Maid enters from right rear and advances.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Has anybody come into this room from the hall in the last few minutes?</p>
<p><br/><br/><b>Maid</b></p>
<p>No, sir; not since Mrs. Chalmers came in.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>How do you know?</p>
<p><br/><br/><b>Maid</b></p>
<p>I was in the hall, sir, dusting all the time.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>That will do.</p>
<p>(<i>Maid makes exit to right rear.</i>) Dobleman, a very unusual thing has
occurred.</p>
<p>Mrs. Chalmers and I have been alone in this room. Those letters stolen by
Gherst had been returned to me by Hubbard but the moment before. They were
on my desk. I turned my back for a moment to go to the safe. When I came
back they were gone.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Embarrassed.</i>) Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Mrs. Chalmers took them. She has them now.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Attempts to speak, stammers.</i>) Er—er—yes, sir</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I want them back. What is to be done?</p>
<p>(<i>Dobleman remains in hopeless confusion.</i>) Well!</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Speaking hurriedly and hopefully.</i>) S-send for Mr. Hubbard. He got
them for you before.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>A good suggestion. Telephone for him. You should find him at the Press
Club.</p>
<p>(<i>Dobleman starts to make exit to right.</i>) Don't leave the room. Use
this telephone. (<i>Indicating desk telephone.</i>) (<i>Dobleman moves
around to left of desk and uses telephone standing up.</i>) From now on no
one leaves the room. If my daughter can be guilty of such a theft, it is
plain I can trust no one—no one.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Speaking in transmitter.</i>) Red 6-2-4. Yes, please.</p>
<p>(<i>Waits.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Rising.</i>) Call Senator Chalmers as well. Tell him to come
immediately.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Yes, sir—immediately.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Starting to cross stage to center and speaking to Margaret.</i>) Come
over here.</p>
<p>(<i>Margaret follows. She is obedient, frightened, very subdued—but
resolved.</i>)</p>
<p>Why have you done this? Were you truthful when you said there was nothing
between you and this man Knox?</p>
<p><br/><br/><b>Margaret</b></p>
<p>Father; don't discuss this before the—</p>
<p>(<i>Indicating Dobleman.</i>)—the servants.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You should have considered that before you stole the documents.</p>
<p>(<i>Dobleman, in the meantime, is telephoning in a low voice.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>There are certain dignities—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Interrupting.</i>) Not for a thief.</p>
<p>(<i>Speaking intensely and in a low voice.</i>) Margaret, it is not too
late. Give them back, and no one shall know.</p>
<p>(<i>A pause, in which Margaret is silent, in the throes of indecision.</i>)</p>
<p><br/><br/><b>Dobleman</b></p>
<p>Mr. Hubbard says he will be here in three minutes. Fortunately, Senator
Chalmers is with him.</p>
<p>(<i>Starkweather nods and looks at Margaret.</i>) (<i>Door at left rear
opens, and enter Mrs. Starkweather and Connie. They are dressed for the
street and evidently just going out.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Speaking in a rush.</i>) We are just going out, Anthony. You were
certainly wrong in making us attempt to take that 2:10 train. I simply
can't make it. I know I can't. It would have been much wiser—</p>
<p>(<i>Suddenly apprehending the strain of the situation between Starkweather
and Margaret.</i>)—Why, what is the matter?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Patently disturbed by their entrance, speaking to Dobleman, who has
finished with the telephone.</i>) Lock the doors.</p>
<p>(<i>Dobleman proceeds to obey.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>Mercy me! Anthony! What has happened?</p>
<p>(<i>A pause.</i>) Madge! What has happened?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You will have to wait here a few minutes, that is all.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>But I must keep my engagements. And I haven't a minute to spare.</p>
<p>(<i>Looking at Dobleman locking doors.</i>) I do not understand.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Grimly,</i>) You will, shortly. I can trust no one any more. When my
daughter sees fit to steal—</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>Steal!—Margaret! What have you been doing now?</p>
<p><br/><br/><b>Margaret</b></p>
<p>Where is Tommy?</p>
<p>(<i>Mrs. Starkwater is too confounded to answer, and can only stare from
face to face.</i>) (<i>Margaret looks her anxiety to Connie.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>He is already down in the machine waiting for us. You are coming, aren't
you?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Let him wait in the machine. Margaret will come when I get done with her.</p>
<p>(<i>A knock is heard at right rear.</i>) (<i>Starkweather looks at
Dobleman and signifies that he is to open door.</i>)</p>
<p>(<i>Dobleman unlocks door, and Hubbabd and Chalmers enter. Beyond the
shortest of nods and recognitions with eyes, greetings are cut short by
the strain that is on all. Dobleman relocks door.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Plunging into it.</i>) Look here, Tom. You know those letters Gherst
stole. Mr. Hubbard recovered them from Knox and returned them to me this
morning. Within five minutes Margaret stole them from me—here, right
in this room. She has not left the room. They are on her now. I want them.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Who is obviously incapable of coping with his wife, and who is panting
for breath, his hand pressed to his side.</i>) Madge, is this true?</p>
<p><br/><br/><b>Margaret</b></p>
<p>I haven't them. I tell you I haven't them.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Where are they, then?</p>
<p>(<i>She does not answer.</i>)</p>
<p>If they are in the room we can find them. Search the room. Tom, Mr.
Hubbard, Dobleman. They must be recovered at any cost.</p>
<p>(<i>While a thorough search of the room is being made, Mrs. Starkweather,
overcome, has Connie assist her to seat at left. Margaret also seats
herself, in same chair at desk.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Pausing from search, while others continue.</i>) There is no place to
look for them. They are not in the room. Are you sure you didn't mislay
them?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Nonsense. Margaret took them. They are a bulky package and not easily
hidden. If they aren't in the room, then she has them on her.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Madge, give them up.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I haven't them.</p>
<p>(<i>Chalmers, stepping suddenly up to her, starts feeling for the papers,
running his hands over her dress.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Springing to her feet and striking him in the face with her open palm.</i>)
How dare you!</p>
<p>(<i>Chalmers recoils, Mrs. Starkweather is threatened with hysteria and is
calmed by the frightened Connie, while Starkweather looks on grimly.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Giving up search of room.</i>) Possibly it would be better to let me
retire, Mr. Starkweather.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>No; those papers are here in this room. If nobody leaves there will be no
possible chance for the papers to get out of the room. What would you
recommend doing, Hubbard?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Hesitatingly.</i>) Under the circumstances I don't like to suggest—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Go on.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>First, I would make sure that she—er—Mrs. Chalmers has taken
them.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I have made that certain.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>But what motive could she have for such an act?</p>
<p>(<i>Hubbard looks wise.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Hubbard.</i>) You know more about this than would appear. What is
it?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I'd rather not. It is too—</p>
<p>(<i>Looks significantly at Mrs. Starkweather and Connie.</i>)—er—delicate.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>This affair has gone beyond all delicacy. What is it?</p>
<p><br/><br/><b>Margaret</b></p>
<p>No! No!</p>
<p>(<i>Chalmers and Starkweather look at her with sudden suspicion.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Go on, Mr. Hubbard.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I'd—I'd rather not.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Savagely.</i>) I say go on.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>With simulated reluctance.</i>) Last night—I saw—I was in
Knox's rooms—</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Interrupting.</i>) One moment; please. Let him speak, but first send
Connie away.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>No one shall leave this room till the documents are produced. Margaret,
give me the letters, and Connie can leave quietly, and even will Hubbard's
lips remain sealed. They will never breathe a word of whatever shameful
thing his eyes saw. This I promise you.</p>
<p>(<i>A pause, wherein he waits vainly for Margaret to make a decision.</i>)
Go on, Hubbard.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Who is terror-stricken, and has been wavering.</i>) No! Don't! I'll
tell. I'll give you back the documents.</p>
<p>(<i>All are expectant She wavers again, and steels herself to resolution.</i>)
No; I haven't them. Say all you have to say.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You see. She has them. She said she would give them back.</p>
<p>(<i>To Hubbard.</i>) Go on.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Last night—</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Springing up.</i>) I won't stay!</p>
<p>(<i>She rushes to left rear and finds door locked.</i>) Let me out! Let me
out!</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Moaning and lying back in chair, legs stretched out and giving
preliminary twitches and jerks of hysteria.</i>) I shall die! I shall die!
I know I shall die!</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Sternly, to Connie.</i>) Go back to your mother.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Returning reluctantly to side of Mrs. Starkweather, sitting down
beside her, and putting fingers in her own ears.</i>) I won't listen! I
won't listen!</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Sternly.</i>) Take your fingers down.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Hang it all, Chalmers, I wish I were out of this. I don't want to testify.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Take your fingers down.</p>
<p>(<i>Connie reluctantly removes her fingers.</i>) Now, Hubbard.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I protest. I am being dragged into this.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>You can't help yourself now. You have cast black suspicions on my wife.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>All right. She—Mrs. Chalmers visited Knox in his rooms last night.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Bursting out.</i>) Oh! Oh! My Madge! It is a lie! A lie! (<i>Kicks
violently with her legs.</i>) (<i>Connie soothes her.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>You've got to prove that, Hubbard. If you have made any mistake it will go
hard with you.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Indicating Margaret.</i>) Look at her. Ask her.</p>
<p>(<i>Chalmers looks at Margaret with growing suspicion.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>Linda was with me. And Tommy. I had to see Mr. Knox on a very important
matter. I went there in the machine. I took Linda and Tommy right into Mr.
Knox's room.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Relieved.</i>) Ah, that puts a different complexion on it.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>That is not all. Mrs. Chalmers sent the maid and the boy down to the
machine and remained.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Quickly.</i>) But only for a moment</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Much longer—much, much longer. I know how long I was kicking my
heels and waiting.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Desperately.</i>) I say it was but for a moment—a short moment.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Abruptly, to Hubbard.</i>) Where were you?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>In Knox's bedroom. The fool had forgotten all about me. He was too
delighted with his—er—new visitor.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You said you saw.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>The bedroom door was ajar. I opened it.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>What did you see?</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Appealing to Hubbard.</i>) Have you no mercy? I say it was only a
moment.</p>
<p>(<i>Hubbard shrugs his shoulders.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>We'll settle the length of that moment Tommy is here, and so is the maid.
Connie, Margaret's maid is here, isn't she? (<i>Connie does not answer.</i>)
Answer me!</p>
<p><br/><br/><b>Connie</b></p>
<p>Yes.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Dobleman, ring for a maid and tell her to fetch Tommy and Mrs. Chalmer's
maid.</p>
<p>(<i>Dobleman goes to desk and pushes button once.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>No! Not Tommy!</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Looking shrewdly at Margaret, to Dobleman.</i>) Mrs. Chalmer's maid
will do.</p>
<p>(<i>A knock is heard at left rear. Dobleman opens door and talks to maid.
Closes door.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Lock it.</p>
<p>(<i>Dobleman locks door.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Coming over to Margaret.</i>) So you, the immaculate one, have been
playing fast and loose.</p>
<p><br/><br/><b>Margaret</b></p>
<p>You have no right to talk to me that way, Tom—</p>
<p><br/><br/><b>Chalmers</b></p>
<p>I am your husband.</p>
<p><br/><br/><b>Margaret</b></p>
<p>You have long since ceased being that.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>What do you mean?</p>
<p><br/><br/><b>Margaret</b></p>
<p>I mean just what you have in mind about yourself right now.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Madge, you are merely conjecturing. You know nothing against me.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I know everything—and without evidence, if you please. I am a woman.
It is your atmosphere. Faugh! You have exhaled it for years. I doubt not
that proofs, as you would call them, could have been easily obtained. But
I was not interested. I had my boy. When he came, I gave you up, Tom. You
did not seem to need me any more.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>And so, in retaliation, you took up with this fellow Knox.</p>
<p><br/><br/><b>Margaret</b></p>
<p>No, no. It is not true, Tom. I tell you it is not true.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>You were there, last night, in his rooms, alone—how long we shall
soon find out—</p>
<p>(<i>Knock is heard at left rear. Dobleman proceeds to unlock door.</i>)
And now you have stolen your father's private papers for your lover.</p>
<p><br/><br/><b>Margaret</b></p>
<p>He is not my lover.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>But you have acknowledged that you have the papers. For whom, save Knox,
could you have stolen them?</p>
<p>(<i>Linda enters. She is white and strained, and looks at Margaret for
some cue as to what she is to do.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>That is the woman.</p>
<p>(<i>To Linda.</i>) Come here.</p>
<p>(<i>Linda advances reluctantly.</i>) Where were you last night? You know
what I mean.</p>
<p>(<i>She does not speak.</i>) Answer me.</p>
<p><br/><br/><b>Linda</b></p>
<p>I don't know what you mean, sir—unless—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Yes, that's it. Go on.</p>
<p><br/><br/><b>Linda</b></p>
<p>But I don't think you have any right to ask me such questions. What if I—if
I did go out with my young man—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Margaret.</i>) A very faithful young woman you've got.</p>
<p>(<i>Briskly, to the others.</i>) There's nothing to be got out of her.
Send for Tommy. Dobleman, ring the bell.</p>
<p>(<i>Dobleman starts to obey.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Stopping Dobleman.</i>) No, no; not Tommy. Tell them, Linda.</p>
<p>(<i>Linda looks appealingly at her.</i>)</p>
<p>(<i>Kindly.</i>) Don't mind me. Tell them the truth.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Breaking in.</i>) The whole truth.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Yes, Linda, the whole truth.</p>
<p>(<i>Linda, looking very woeful, nerves herself for the ordeal.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Never mind, Dobleman.</p>
<p>(<i>To Linda.</i>) Very well. You were at Mr. Knox's rooms last night,
with your mistress and Tommy.</p>
<p><br/><br/><b>Linda</b></p>
<p>Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Your mistress sent you and Tommy out of the room.</p>
<p><br/><br/><b>Linda</b></p>
<p>Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You waited in the machine.</p>
<p><br/><br/><b>Linda</b></p>
<p>Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Abruptly springing the point he has been working up to.</i>) How long?</p>
<p>(<i>Linda perceives the gist of the questioning just as she is opening her
mouth to reply, and she does not speak.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>With deliberate calmness of despair.</i>) Half an hour—an hour—any
length of time your shameful minds dictate. That will do, Linda. You can
go.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>No you don't. Stand over there to one side.</p>
<p>(<i>To the others.</i>) The papers are in this room, and I shall keep my
mind certain on that point.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I think I have shown the motive.</p>
<p><br/><br/><b>Connie</b></p>
<p>You are a beast!</p>
<p><br/><br/><b>Chalmers</b></p>
<p>You haven't told what you saw.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I saw them in each other's arms—several times. Then I found the
stolen documents where Knox had thrown them down. So I pocketed them and
closed the door.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>How long after that did they remain together?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Quite a time, quite a long time.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>And when you last saw them?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>They were in each other's arms—quite enthusiastically, I may say, in
each other's arms. (<i>Chalmers is crushed.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>To Hubbard.</i>) You coward.</p>
<p>(<i>Hubbard smiles.</i>)</p>
<p>(<i>To Starkweather.</i>) When are you going to call off this hound of
yours?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>When I get the papers. You see what you've been made to pay for them
already. Now listen to me closely. Tom, you listen, too. You know the
value of these letters. If they are not recovered they will precipitate a
turn-over that means not merely money but control and power. I doubt that
even you would be re-elected. So what we have heard in this room must be
forgotten—absolutely forgotten. Do you understand?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>But it is adultery.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>It is not necessary for that word to be mentioned. The point is that
everything must be as it was formerly.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Yes, I understand.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Margaret.</i>) You hear. Tom will make no trouble. Now give me the
papers. They are mine, you know.</p>
<p><br/><br/><b>Margaret</b></p>
<p>It seems to me the people, who have been lied to, and cajoled, and stolen
from, are the rightful owners, not you.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Are you doing this out of love for this—this man, this demagogue?</p>
<p><br/><br/><b>Margaret</b></p>
<p>For the people, the children, the future.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Faugh! Answer me.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Slowly.</i>) Almost I do not know. Almost I do not know.</p>
<p>(<i>A knock is heard at left rear. Dobleman answers.</i>)</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Looking at card Maid has given him, to Starkweather.</i>) Mr. Rutland.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Making an impatient gesture, then abruptly changing his mind, speaking
grimly.</i>) Very well. Bring him in. I've paid a lot for the Church, now
we'll see what the Church can do for me.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Impulsively crossing stage to Margaret, putting arms around her, and
weeping.</i>)</p>
<p>Please, please, Madge, give up the papers, and everything will be hushed
up. You heard what father said. Think what it means to me if this scandal
comes out. Father will hush it up. Not a soul will dare to breathe a word
of it. Give him the papers.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Kissing her, shaking head, and setting her aside.</i>) No; I can't.
But Connie, dearest—</p>
<p>(<i>Connie pauses.</i>) It is not true, Connie. He—he is not my
lover. Tell me that you believe me.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Caressing her.</i>) I do believe you. But won't you return the papers—for
my sake?</p>
<p>(<i>A knock at door.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>I can't.</p>
<p>(<i>Enter Rutland.</i>)</p>
<p>(<i>Connie returns to take care of Mrs. Starkweather.</i>)</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Advances beamingly upon Starkweather.</i>) My, what a family
gathering. I hastened on at once, my dear Mr. Starkweather, to thank you
in person, ere you fled away to New York, for your generously splendid—yes,
generously splendid—contribution—</p>
<p>(<i>Here the strained situation dawns upon him, and he remains helplessly
with mouth open, looking from one to another.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>A theft has been committed, Mr. Rutland. My daughter has stolen something
very valuable from me—a package of private papers, so important—well,
if she succeeds in making them public I shall be injured to such an extent
financially that there won't be any more generously splendid donations for
you or anybody else. I have done my best to persuade her to return what
she has stolen. Now you try. Bring her to a realization of the madness of
what she is doing.</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Quite at sea, hemming and hawing.</i>) As your spiritual adviser, Mrs.
Chalmers—if this be true—I recommend—I suggest—I—ahem—I
entreat—</p>
<p><br/><br/><b>Margaret</b></p>
<p>Please, Mr. Rutland, don't be ridiculous. Father is only making a stalking
horse out of you. Whatever I may have done, or not done, I believe I am
doing right. The whole thing is infamous. The people have been lied to and
robbed, and you are merely lending yourself to the infamy of perpetuating
the lying and the robbing. If you persist in obeying my father's orders—yes,
orders—you will lead me to believe that you are actuated by desire
for more of those generously splendid donations. (<i>Starkweather sneers.</i>)</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Embarrassed, hopelessly at sea.</i>) This is, I fear—ahem—too
delicate a matter, Mr. Starkweather, for me to interfere. I would suggest
that it be advisable for me to withdraw—ahem—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Musingly.</i>) So the Church fails me, too.</p>
<p>(<i>To Rutland.</i>) No, you shall stay right here.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Father, Tommy is down in the machine alone. Won't you let me go?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Give me the papers.</p>
<p>(<i>Mrs. Starkweather rises and totters across to Margaret, moaning and
whimpering.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>Madge, Madge, it can't be true. I don't believe it. I know you have not
done this awful thing. No daughter of mine could be guilty of such
wickedness. I refuse to believe my ears—</p>
<p>(<i>Mrs. Starkweather sinks suddenly on her knees before Margaret, with
clasped hands, weeping hysterically.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Stepping to her side.</i>) Get up.</p>
<p>(<i>Hesitates and thinks.</i>) No; go on. She might listen to you.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Attempting to raise her mother.</i>) Don't, mother, don't. Please get
up.</p>
<p>(<i>Mrs. Starkweather resists her hysterically.</i>) You don't understand,
mother. Please, please, get up.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>Madge, I, your mother, implore you, on my bended knees. Give up the papers
to your father, and I shall forget all I have heard. Think of the family
name. I don't believe it, not a word of it; but think of the shame and
disgrace. Think of me. Think of Connie, your sister. Think of Tommy.
You'll have your father in a terrible state. And you'll kill me. (<i>Moaning
and rolling her head.</i>)</p>
<p>I'm going to be sick. I know I am going to be sick.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Bending over mother and raising her, while Connie comes across stage
to help support mother.</i>) Mother, you do not understand. More is at
stake than the good name of the family or—(<i>Looking at Rutland.</i>)—God.
You speak of Connie and Tommy. There are two millions of Connies and
Tommys working as child laborers in the United States to-day. Think of
them. And besides, mother, these are all lies you have heard. There is
nothing between Mr. Knox and me. He is not my lover. I am not the—the
shameful thing—these men have said I am.</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Appealingly.</i>) Madge.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Appealingly.</i>) Connie. Trust me. I am right. I know I am right.</p>
<p>(<i>Mrs. Starkweather, supported by Connie, moaning incoherently, is led
back across stage to chair.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Margaret, a few minutes ago, when you told me there was nothing between
you and this man, you lied to me—lied to me as only a wicked woman
can lie.</p>
<p><br/><br/><b>Margaret</b></p>
<p>It is clear that you believe the worst.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>There is nothing less than the worst to be believed. Besides, more heinous
than your relations with this man is what you have done here in this room,
stolen from me, and practically before my very eyes. Well, you have
crossed your will with mine, and in affairs beyond your province. This is
a man's game in which you are attempting to play, and you shall take the
consequences. Tom will apply for a divorce.</p>
<p><br/><br/><b>Margaret</b></p>
<p>That threat, at least, is without power.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>And by that means we can break Knox as effectually as by any other. That
is one thing the good stupid people will not tolerate in a chosen
representative. We will make such a scandal of it—</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Shocked.</i>) Anthony!</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Glancing irritably at his wife and continuing.</i>) Another thing.
Being proven an adulterous woman, morally unfit for companionship with
your child, your child will be taken away from you.</p>
<p><br/><br/><b>Margaret</b></p>
<p>No, no. That cannot be. I have done nothing wrong. No court, no
fair-minded judge, would so decree on the evidence of a creature like
that.</p>
<p>(<i>Indicating Hubbard.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>My evidence is supported. In an adjoining room were two men. I happen to
know, because I placed them there. They were your father's men at that.
There is such a thing as seeing through a locked door. They saw.</p>
<p><br/><br/><b>Margaret</b></p>
<p>And they would swear to—to anything.</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I doubt not they will know to what to swear.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Margaret, I have told you some, merely some, of the things I shall do. It
is not too late. Return the papers, and everything will be forgotten.</p>
<p><br/><br/><b>Margaret</b></p>
<p>You would condone this—this adultery. You, who have just said that I
was morally unfit to have my own boy, will permit me to retain him. I had
never dreamed, father, that your own immorality would descend to such vile
depths. Believing this shameful thing of me, you will forgive and forget
it all for the sake of a few scraps of paper that stand for money, that
stand for a license to rob and steal from the people. Is this your
morality—money?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>I have my morality. It is not money. I am only a steward; but so highly do
I conceive the duties of my stewardship—</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Interrupting, bitterly.</i>) The thefts and lies and all common little
sins like adulteries are not to stand in the way of your high duties—that
the end hallows the means.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Shortly.</i>) Precisely.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>To Rutland.</i>) There is Jesuitism, Mr. Rutland. I would suggest that
you, as my father's spiritual adviser—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Enough of this foolery. Give me the papers.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I haven't them.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>What's to be done, Hubbard?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>She has them. She has as much as acknowledged that they are not elsewhere
in the room. She has not been out of the room. There is nothing to do but
search her.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Nothing else remains to be done. Dobleman, and you, Hubbard, take her
behind the screen. Strip her. Recover the papers.</p>
<p>(<i>Dobleman is in a proper funk, but Hubbard betrays no unwillingness.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>No; that I shall not permit. Hubbard shall have nothing to do with this.</p>
<p><br/><br/><b>Margaret</b></p>
<p>It is too late, Tom. You have stood by and allowed me to be stripped of
everything else. A few clothes do not matter now. If I am to be stripped
and searched by men, Mr. Hubbard will serve as well as any other man.
Perhaps Mr. Rutland would like to lend his assistance.</p>
<p><br/><br/><b>Connie</b></p>
<p>Oh, Madge! Give them up.</p>
<p>(<i>Margaret shakes her head.</i>)</p>
<p>(<i>To Starkweather.</i>) Then let me search her, father.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You are too willing. I don't want volunteers. I doubt that I can trust you
any more than your sister.</p>
<p><br/><br/><b>Connie</b></p>
<p>Let mother, then.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Sneering.</i>) Margaret could smuggle a steamer-trunk of documents
past her.</p>
<p><br/><br/><b>Connie</b></p>
<p>But not the men, father! Not the men!</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Why not? She has shown herself dead to all shame.</p>
<p>(<i>Imperatively.</i>) Dobleman!</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Thinking his time has come, and almost dying.</i>) Y-y-yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Call in the servants.</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Crying out in protest.</i>) Anthony!</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Would you prefer her to be searched by the men?</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Subsiding.</i>) I shall die, I shall die. I know I shall die.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Dobleman. Ring for the servants.</p>
<p>(<i>Dobleman, who has been hesitant, crosses to desk and pushes button,
then returns toward door.</i>) Send in the maids and the housekeeper.</p>
<p>(<i>Linda, blindly desiring to be of some assistance, starts impulsively
toward Margaret.</i>) Stand over there—in the corner.</p>
<p>(<i>Indicating right front.</i>)</p>
<p>(<i>Linda pauses irresolutely and Margaret nods to her to obey and smiles
encouragement. Linda, protesting in every fiber of her, goes to right
front.</i>)</p>
<p>(<i>A knock at right rear and Dobleman unlocks door, confers with maid,
and closes and locks door.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Margaret.</i>) This is no time for trifling, nor for mawkish
sentimentality. Return the papers or take the consequences.</p>
<p>(<i>Margaret makes no answer.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>You have taken a hand in a man's game, and you've got to play it out or
quit. Give up the papers.</p>
<p>(<i>Margaret remains resolved and impassive.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Suavely.</i>) Allow me to point out, my dear Mrs. Chalmers, that you
are not merely stealing from your father. You are playing the traitor to
your class.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>And causing irreparable damage.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Firing up suddenly and pointing to Lincoln's portrait</i>) I doubt not
he caused irreparable damage when he freed the slaves and preserved the
Union. Yet he recognized no classes. I'd rather be a traitor to my class
than to him.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Demagoguery. Demagoguery.</p>
<p>(<i>A knock at right rear. Dobleman opens door. Enter Mrs. Middleton who
is the housekeeper, followed by two Housemaids. They pause at rear.
Housekeeper to the fore and looking expectantly at Starkweather. The Maids
appear timid and frightened.</i>)</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Mrs. Middleton, you have the two maids to assist you. Take Mrs. Chalmers
behind that screen there and search her. Strip all her clothes from her
and make a careful search. (<i>Maids show perturbation.</i>)</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>(<i>Self-possessed. </i>) Yes, sir. What am I to search for?</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Papers, documents, anything unusual. Turn them over to me when you find
them.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>In a sudden panic.</i>) This is monstrous! This is monstrous!</p>
<p><br/><br/><b>Starkweather</b></p>
<p>So is your theft of the documents monstrous.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Appealing to the other men, ignoring Rutland and not considering
Dobleman at all.</i>)</p>
<p>You cowards! Will you stand by and permit this thing to be done? Tom, have
you one atom of manhood in you?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Doggedly.</i>) Return the papers, then.</p>
<p><br/><br/><b>Margaret</b></p>
<p>Mr. Rutland—</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Very awkwardly and oilily.</i>) My dear Mrs. Chalmers. I assure you
the whole circumstance is unfortunate. But you are so palpably in the
wrong that I cannot interfere—(<i>Margaret turns from him in
withering scorn.</i>)—That I cannot interfere.</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Breaking down unexpectedly.</i>) I cannot stand it. I leave your
employ, sir. It is outrageous. I resign now, at once. I cannot be a party
to this.</p>
<p>(<i>Striving to unlock door.</i>) I am going at once. You brutes! You
brutes!</p>
<p>(<i>Breaks into convulsive sobbings.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Ah, another lover, I see.</p>
<p>(<i>Dobleman manages to unlock door and starts to open it.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You fool! Shut that door!</p>
<p>(<i>Dobleman hesitates.</i>) Shut it!</p>
<p>(<i>Dobleman obeys.</i>) Lock it!</p>
<p>(<i>Dobleman obeys.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Smiling wistfully, benignantly.</i>) Thank you, Mr. Dobleman.</p>
<p>(<i>To Starkweather.</i>) Father, you surely will not perpetrate this
outrage, when I tell you, I swear to you—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Interrupting.</i>) Return the documents then.</p>
<p><br/><br/><b>Margaret</b></p>
<p>I swear to you that I haven't them. You will not find them on me.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You have lied to me about Knox, and I have no reason to believe you will
not lie to me about this matter.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Steadily.</i>) If you do this thing you shall cease to be my father
forever. You shall cease to exist so far as I am concerned.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>You have too much of my own will in you for you ever to forget whence it
came. Mrs. Middleton, go ahead.</p>
<p>(<i>Housekeeper, summoning Maids with her eyes, begins to advance on
Margaret.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>In a passion.</i>) Father, if you do this I shall never speak to you
again.</p>
<p>(<i>Breaks down weeping.</i>) (<i>Mrs. Starkweather, during following
scene, has mild but continuous shuddering and weeping hysteria.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Briskly, looking at watch.</i>) I've wasted enough time on this. Mrs.
Middleton, proceed.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Wildly, backing away from Housekeeper.</i>) I will not tamely submit.
I will resist, I promise you.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Use force, if necessary.</p>
<p>(<i>The Maids are reluctant, but Housekeeper commands them with her eyes
to close in on Margaret, and they obey.</i>)</p>
<p>(<i>Margaret backs away until she brings up against desk.</i>)</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>Come, Mrs. Chalmers.</p>
<p>(<i>Margaret stands trembling, but refuses to notice Housekeeper.</i>) (<i>Housekeeper
places hand on Margaret's arm.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Violently flinging the hand off, crying imperiously.</i>) Stand back!</p>
<p>(<i>Housekeeper instinctively shrinks back, as do Maids. But it is only
for the moment. They close in upon Margaret to seise her.</i>)</p>
<p>(<i>Crying frantically for help.</i>) Linda! Linda!</p>
<p>(<i>Linda springs forward to help her mistress, but is caught and held
struggling by Chalmers, who twists her arm and finally compels her to
become quiet.</i>)</p>
<p>(<i>Margaret, struggling and resisting, is hustled across stage and behind
screen, the Maids warming up to their work. One of them emerges from
behind screen for the purpose of getting a chair, upon which Margaret is
evidently forced to sit. The screen is of such height, that occasionally,
when standing up and struggling, Margaret's bare arms are visible above
the top of it. Muttered exclamations are heard, and the voice of
Housekeeper trying to persuade Margaret to sub-mit.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Abruptly, piteously.</i>) No! No!</p>
<p>(<i>The struggle becomes more violent, and the screen is overturned,
disclosing Margaret seated on chair, partly undressed, and clutching an
envelope in her hand which they are trying to force her to relinquish.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Crying wildly.</i>) Anthony! They are taking her clothes off!</p>
<p>(<i>Renewed struggle of Linda with Chalmers at the sight.</i>)</p>
<p>(<i>Starkweather, calling Rutland to his assistance, stands screen up
again, then, as an afterthought, pulls screen a little further away from
Margaret.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>No! No!</p>
<p>(<i>Housekeeper appears triumphantly with envelope in her hand and hands
it to Hubbard.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Immediately.</i>) That's not it.</p>
<p>(<i>Glances at address and starts.</i>) It's addressed to Knox.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Tear it open. Read it.</p>
<p>(<i>Hubbard tears envelope open.</i>) (<i>While this is going on, struggle
behind screen is suspended.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Withdrawing contents of envelope.</i>) It is only a photograph—of
Mrs. Chalmers.</p>
<p>(<i>Reading.</i>) "For the future—Margaret."</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Thrusting Linda back to right front and striding up to Hubbard.</i>)
Give it to me. (<i>Hubbard passes it to him, and he looks at it, crumples
it in his hand, and grinds it under foot.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>That is not what we wanted, Mrs. Middleton. Go on with the search.</p>
<p>(<i>The search goes on behind the screen without any further struggling.</i>)
(<i>A pause, during which screen is occasionally agitated by the searchers
removing Margaret's garments.</i>)</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>(<i>Appearing around corner of screen.</i>) I find nothing else, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Is she stripped?</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Every stitch?</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>(<i>Disappearing behind screen instead of answering for a pause, during
which it is patent that the ultimate stitch is being removed, then
reappearing.</i>) Yes, sir.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Nothing?</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>Nothing.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Throw out her clothes—everything.</p>
<p>(<i>A confused mass of feminine apparel is tossed out, falling near
Dobleman's feet, who, in consequence, is hugely mortified and embarrassed.</i>)</p>
<p>(<i>Chalmers examines garments, then steps behind screen a moment, and
reappears.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Nothing.</p>
<p>(<i>Chalmers, Starkweather, and Hubbard gaze at each other dumbfoundedly.</i>)</p>
<p>(<i>The two Maids come out from behind screen and stand near door to right
rear.</i>)</p>
<p>(<i>Starkweather is loath to believe, and steps to Margaret's garments and
overhauls them.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Chalmers, looking inquiringly toward screen.</i>) Are you sure?</p>
<p><br/><br/><b>Chalmers</b></p>
<p>Yes; I made certain. She hasn't them.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Housekeeper.</i>) Mrs. Middleton, examine those girls.</p>
<p><br/><br/><b>Housekeeper</b></p>
<p>(<i>Passing hands over dresses of Maids.</i>) No, sir.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>From behind screen, in a subdued, spiritless voice.</i>) May I dress—now?</p>
<p>(<i>Nobody answers.</i>) It—it is quite chilly.</p>
<p>(<i>Nobody answers.</i>) Will you let Linda come to me, please?</p>
<p>(<i>Starkweather nods savagely to Linda, to obey.</i>) (<i>Linda crosses
to garments, gathers them up, and disappears behind screen.</i>)</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>To Housekeeper.</i>)</p>
<p>You may go.</p>
<p>(<i>Exit Housekeeper and the two Maids.</i>)</p>
<p><br/><br/><b>Dobleman</b></p>
<p>(<i>Hesitating, after closing door.</i>) Shall I lock it?</p>
<p>(<i>Starkweather does not answer, and Dobleman leaves door unlocked.</i>)</p>
<p><br/><br/><b>Connie</b></p>
<p>(<i>Rising.</i>) May I take mother away?</p>
<p>(<i>Starkweather, who is in a brown study, nods.</i>) (<i>Connie assists
Mrs. Starkweather to her feet.</i>)</p>
<p><br/><br/><b>Mrs. Starkweather</b></p>
<p>(<i>Staggering weakly, and sinking back into chair.</i>) Let me rest a
moment, Connie. I'll be better. (<i>To Starkweather, who takes no notice.</i>)
Anthony, I am going to bed. This has been too much for me. I shall be
sick. I shall never catch that train to-day.</p>
<p>(<i>Shudders and sighs, leans head back, closes eyes, and Connie fans her
or administers smelling salts.</i>)</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>To Hubbard.</i>) What's to be done?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Shrugging shoulders.</i>) I'm all at sea. I had just left the letters
with him, when Mrs. Chalmers entered the room. What's become of them? She
hasn't them, that's certain.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>But why? Why should she have taken them?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Dryly, pointing to crumpled photograph on floor.</i>) It seems very
clear to me.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>You think so? You think so?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>I told you what I saw last night at his rooms. There is no other
explanation.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Angrily.</i>) And that's the sort he is—vaunting his moral
superiority—mouthing phrases about theft—our theft—and
himself the greatest thief of all, stealing the dearest and sacredest
things—</p>
<p>(<i>Margaret appears from behind screen, pinning on her hat. She is
dressed, but somewhat in disarray, and Linda follows, pulling and touching
and arranging. Margaret pauses near to Rutland, but does not seem to see
him.</i>)</p>
<p><br/><br/><b>Rutland</b></p>
<p>(<i>Lamely.</i>) It is a sad happening—ahem—a sad happening. I
am grieved, deeply grieved. I cannot tell you, Mrs. Chalmers, how grieved
I am to have been compelled to be present at this—ahem—this
unfortunate—</p>
<p>(<i>Margaret withers him with a look and he awkwardly ceases.</i>)</p>
<p><br/><br/><b>Margaret</b></p>
<p>After this, father, there is one thing I shall do—</p>
<p><br/><br/><b>Chalmers</b></p>
<p>(<i>Interrupting.</i>) Go to your lover, I suppose.</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Coldly.</i>) Have it that way if you choose.</p>
<p><br/><br/><b>Chalmers</b></p>
<p>And take him what you have stolen—</p>
<p><br/><br/><b>Starkweather</b></p>
<p>(<i>Arousing suddenly from brown study.</i>) But she hasn't them on her.
She hasn't been out of the room. They are not in the room. Then where are
they?</p>
<p>(<i>During the following, Margaret goes to the door, which Dobleman opens.
She forces Linda to go out and herself pauses in open door to listen.</i>)</p>
<p><br/><br/><b>Hubbard</b></p>
<p>(<i>Uttering an exclamation of enlightenment, going rapidly across to
window at left and raising it.</i>) It is not locked. It moves
noiselessly. There's the explanation.</p>
<p>(<i>To Starkweather.</i>) While you were at the safe, with your back
turned, she lifted the window, tossed the papers out to somebody waiting—</p>
<p>(<i>He sticks head and shoulders out of window, peers down, then brings
head and shoulders back.</i>)—No; they are not there. Somebody was
waiting for them.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>But how should she know I had them? You had only just recovered them?</p>
<p><br/><br/><b>Hubbard</b></p>
<p>Didn't Knox know right away last night that I had taken them? I took the
up-elevator instead of the down when I heard him running along the hall.
Trust him to let her know what had happened. She was the only one who
could recover them for him. Else why did she come here so immediately this
morning? To steal the package, of course. And she had some one waiting
outside. She tossed them out and closed the window—</p>
<p>(<i>He closes window.</i>)—You notice it makes no sound.—and
sat down again—all while your back was turned.</p>
<p><br/><br/><b>Starkweather</b></p>
<p>Margaret, is this true?</p>
<p><br/><br/><b>Margaret</b></p>
<p>(<i>Excitedly.</i>) Yes, the window. Why didn't you think of it before? Of
course, the window. He—somebody was waiting. They are gone now—miles
and miles away. You will never get them. They are in his hands now. He
will use them in his speech this afternoon. (<i>Laughs wildly.</i>)</p>
<p>(<i>Suddenly changing her tone to mock meekness, subtle with defiance.</i>)
May I go—now?</p>
<p>(<i>Nobody answers, and she makes exit.</i>) (<i>A moments pause, during
which Starkweather, Chalmers, and Hubbard look at each other in
stupefaction.</i>)</p>
<p><b>Curtain</b></p>
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