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<h2> Chapter Eleven </h2>
<p>The next day Charles had the child brought back. She asked for her mamma.
They told her she was away; that she would bring her back some playthings.
Berthe spoke of her again several times, then at last thought no more of
her. The child's gaiety broke Bovary's heart, and he had to bear besides
the intolerable consolations of the chemist.</p>
<p>Money troubles soon began again, Monsieur Lheureux urging on anew his
friend Vincart, and Charles pledged himself for exorbitant sums; for he
would never consent to let the smallest of the things that had belonged to
HER be sold. His mother was exasperated with him; he grew even more angry
than she did. He had altogether changed. She left the house.</p>
<p>Then everyone began "taking advantage" of him. Mademoiselle Lempereur
presented a bill for six months' teaching, although Emma had never taken a
lesson (despite the receipted bill she had shown Bovary); it was an
arrangement between the two women. The man at the circulating library
demanded three years' subscriptions; Mere Rollet claimed the postage due
for some twenty letters, and when Charles asked for an explanation, she
had the delicacy to reply—</p>
<p>"Oh, I don't know. It was for her business affairs."</p>
<p>With every debt he paid Charles thought he had come to the end of them.
But others followed ceaselessly. He sent in accounts for professional
attendance. He was shown the letters his wife had written. Then he had to
apologise.</p>
<p>Felicite now wore Madame Bovary's gowns; not all, for he had kept some of
them, and he went to look at them in her dressing-room, locking himself up
there; she was about her height, and often Charles, seeing her from
behind, was seized with an illusion, and cried out—</p>
<p>"Oh, stay, stay!"</p>
<p>But at Whitsuntide she ran away from Yonville, carried off by Theodore,
stealing all that was left of the wardrobe.</p>
<p>It was about this time that the widow Dupuis had the honour to inform him
of the "marriage of Monsieur Leon Dupuis her son, notary at Yvetot, to
Mademoiselle Leocadie Leboeuf of Bondeville." Charles, among the other
congratulations he sent him, wrote this sentence—</p>
<p>"How glad my poor wife would have been!"</p>
<p>One day when, wandering aimlessly about the house, he had gone up to the
attic, he felt a pellet of fine paper under his slipper. He opened it and
read: "Courage, Emma, courage. I would not bring misery into your life."
It was Rodolphe's letter, fallen to the ground between the boxes, where it
had remained, and that the wind from the dormer window had just blown
towards the door. And Charles stood, motionless and staring, in the very
same place where, long ago, Emma, in despair, and paler even than he, had
thought of dying. At last he discovered a small R at the bottom of the
second page. What did this mean? He remembered Rodolphe's attentions, his
sudden, disappearance, his constrained air when they had met two or three
times since. But the respectful tone of the letter deceived him.</p>
<p>"Perhaps they loved one another platonically," he said to himself.</p>
<p>Besides, Charles was not of those who go to the bottom of things; he
shrank from the proofs, and his vague jealousy was lost in the immensity
of his woe.</p>
<p>Everyone, he thought, must have adored her; all men assuredly must have
coveted her. She seemed but the more beautiful to him for this; he was
seized with a lasting, furious desire for her, that inflamed his despair,
and that was boundless, because it was now unrealisable.</p>
<p>To please her, as if she were still living, he adopted her predilections,
her ideas; he bought patent leather boots and took to wearing white
cravats. He put cosmetics on his moustache, and, like her, signed notes of
hand. She corrupted him from beyond the grave.</p>
<p>He was obliged to sell his silver piece by piece; next he sold the
drawing-room furniture. All the rooms were stripped; but the bedroom, her
own room, remained as before. After his dinner Charles went up there. He
pushed the round table in front of the fire, and drew up her armchair. He
sat down opposite it. A candle burnt in one of the gilt candlesticks.
Berthe by his side was painting prints.</p>
<p>He suffered, poor man, at seeing her so badly dressed, with laceless
boots, and the arm-holes of her pinafore torn down to the hips; for the
charwoman took no care of her. But she was so sweet, so pretty, and her
little head bent forward so gracefully, letting the dear fair hair fall
over her rosy cheeks, that an infinite joy came upon him, a happiness
mingled with bitterness, like those ill-made wines that taste of resin. He
mended her toys, made her puppets from cardboard, or sewed up half-torn
dolls. Then, if his eyes fell upon the workbox, a ribbon lying about, or
even a pin left in a crack of the table, he began to dream, and looked so
sad that she became as sad as he.</p>
<p>No one now came to see them, for Justin had run away to Rouen, where he
was a grocer's assistant, and the druggist's children saw less and less of
the child, Monsieur Homais not caring, seeing the difference of their
social position, to continue the intimacy.</p>
<p>The blind man, whom he had not been able to cure with the pomade, had gone
back to the hill of Bois-Guillaume, where he told the travellers of the
vain attempt of the druggist, to such an extent, that Homais when he went
to town hid himself behind the curtains of the "Hirondelle" to avoid
meeting him. He detested him, and wishing, in the interests of his own
reputation, to get rid of him at all costs, he directed against him a
secret battery, that betrayed the depth of his intellect and the baseness
of his vanity. Thus, for six consecutive months, one could read in the
"Fanal de Rouen" editorials such as these—</p>
<p>"All who bend their steps towards the fertile plains of Picardy have, no
doubt, remarked, by the Bois-Guillaume hill, a wretch suffering from a
horrible facial wound. He importunes, persecutes one, and levies a regular
tax on all travellers. Are we still living in the monstrous times of the
Middle Ages, when vagabonds were permitted to display in our public places
leprosy and scrofulas they had brought back from the Crusades?"</p>
<p>Or—</p>
<p>"In spite of the laws against vagabondage, the approaches to our great
towns continue to be infected by bands of beggars. Some are seen going
about alone, and these are not, perhaps, the least dangerous. What are our
ediles about?"</p>
<p>Then Homais invented anecdotes—</p>
<p>"Yesterday, by the Bois-Guillaume hill, a skittish horse—" And then
followed the story of an accident caused by the presence of the blind man.</p>
<p>He managed so well that the fellow was locked up. But he was released. He
began again, and Homais began again. It was a struggle. Homais won it, for
his foe was condemned to life-long confinement in an asylum.</p>
<p>This success emboldened him, and henceforth there was no longer a dog run
over, a barn burnt down, a woman beaten in the parish, of which he did not
immediately inform the public, guided always by the love of progress and
the hate of priests. He instituted comparisons between the elementary and
clerical schools to the detriment of the latter; called to mind the
massacre of St. Bartholomew a propos of a grant of one hundred francs to
the church, and denounced abuses, aired new views. That was his phrase.
Homais was digging and delving; he was becoming dangerous.</p>
<p>However, he was stifling in the narrow limits of journalism, and soon a
book, a work was necessary to him. Then he composed "General Statistics of
the Canton of Yonville, followed by Climatological Remarks." The
statistics drove him to philosophy. He busied himself with great
questions: the social problem, moralisation of the poorer classes,
pisciculture, caoutchouc, railways, etc. He even began to blush at being a
bourgeois. He affected the artistic style, he smoked. He bought two chic
Pompadour statuettes to adorn his drawing-room.</p>
<p>He by no means gave up his shop. On the contrary, he kept well abreast of
new discoveries. He followed the great movement of chocolates; he was the
first to introduce "cocoa" and "revalenta" into the Seine-Inferieure. He
was enthusiastic about the hydro-electric Pulvermacher chains; he wore one
himself, and when at night he took off his flannel vest, Madame Homais
stood quite dazzled before the golden spiral beneath which he was hidden,
and felt her ardour redouble for this man more bandaged than a Scythian,
and splendid as one of the Magi.</p>
<p>He had fine ideas about Emma's tomb. First he proposed a broken column
with some drapery, next a pyramid, then a Temple of Vesta, a sort of
rotunda, or else a "mass of ruins." And in all his plans Homais always
stuck to the weeping willow, which he looked upon as the indispensable
symbol of sorrow.</p>
<p>Charles and he made a journey to Rouen together to look at some tombs at a
funeral furnisher's, accompanied by an artist, one Vaufrylard, a friend of
Bridoux's, who made puns all the time. At last, after having examined some
hundred designs, having ordered an estimate and made another journey to
Rouen, Charles decided in favour of a mausoleum, which on the two
principal sides was to have a "spirit bearing an extinguished torch."</p>
<p>As to the inscription, Homais could think of nothing so fine as Sta
viator*, and he got no further; he racked his brain, he constantly
repeated Sta viator. At last he hit upon Amabilen conjugem calcas**, which
was adopted.</p>
<p>* Rest traveler.<br/>
<br/>
** Tread upon a loving wife.<br/></p>
<p>A strange thing was that Bovary, while continually thinking of Emma, was
forgetting her. He grew desperate as he felt this image fading from his
memory in spite of all efforts to retain it. Yet every night he dreamt of
her; it was always the same dream. He drew near her, but when he was about
to clasp her she fell into decay in his arms.</p>
<p>For a week he was seen going to church in the evening. Monsieur Bournisien
even paid him two or three visits, then gave him up. Moreover, the old
fellow was growing intolerant, fanatic, said Homais. He thundered against
the spirit of the age, and never failed, every other week, in his sermon,
to recount the death agony of Voltaire, who died devouring his excrements,
as everyone knows.</p>
<p>In spite of the economy with which Bovary lived, he was far from being
able to pay off his old debts. Lheureux refused to renew any more bills. A
distraint became imminent. Then he appealed to his mother, who consented
to let him take a mortgage on her property, but with a great many
recriminations against Emma; and in return for her sacrifice she asked for
a shawl that had escaped the depredations of Felicite. Charles refused to
give it her; they quarrelled.</p>
<p>She made the first overtures of reconciliation by offering to have the
little girl, who could help her in the house, to live with her. Charles
consented to this, but when the time for parting came, all his courage
failed him. Then there was a final, complete rupture.</p>
<p>As his affections vanished, he clung more closely to the love of his
child. She made him anxious, however, for she coughed sometimes, and had
red spots on her cheeks.</p>
<p>Opposite his house, flourishing and merry, was the family of the chemist,
with whom everything was prospering. Napoleon helped him in the
laboratory, Athalie embroidered him a skullcap, Irma cut out rounds of
paper to cover the preserves, and Franklin recited Pythagoras' table in a
breath. He was the happiest of fathers, the most fortunate of men.</p>
<p>Not so! A secret ambition devoured him. Homais hankered after the cross of
the Legion of Honour. He had plenty of claims to it.</p>
<p>"First, having at the time of the cholera distinguished myself by a
boundless devotion; second, by having published, at my expense, various
works of public utility, such as" (and he recalled his pamphlet entitled,
"Cider, its manufacture and effects," besides observation on the
lanigerous plant-louse, sent to the Academy; his volume of statistics, and
down to his pharmaceutical thesis); "without counting that I am a member
of several learned societies" (he was member of a single one).</p>
<p>"In short!" he cried, making a pirouette, "if it were only for
distinguishing myself at fires!"</p>
<p>Then Homais inclined towards the Government. He secretly did the prefect
great service during the elections. He sold himself—in a word,
prostituted himself. He even addressed a petition to the sovereign in
which he implored him to "do him justice"; he called him "our good king,"
and compared him to Henri IV.</p>
<p>And every morning the druggist rushed for the paper to see if his
nomination were in it. It was never there. At last, unable to bear it any
longer, he had a grass plot in his garden designed to represent the Star
of the Cross of Honour with two little strips of grass running from the
top to imitate the ribband. He walked round it with folded arms,
meditating on the folly of the Government and the ingratitude of men.</p>
<p>From respect, or from a sort of sensuality that made him carry on his
investigations slowly, Charles had not yet opened the secret drawer of a
rosewood desk which Emma had generally used. One day, however, he sat down
before it, turned the key, and pressed the spring. All Leon's letters were
there. There could be no doubt this time. He devoured them to the very
last, ransacked every corner, all the furniture, all the drawers, behind
the walls, sobbing, crying aloud, distraught, mad. He found a box and
broke it open with a kick. Rodolphe's portrait flew full in his face in
the midst of the overturned love-letters.</p>
<p>People wondered at his despondency. He never went out, saw no one, refused
even to visit his patients. Then they said "he shut himself up to drink."</p>
<p>Sometimes, however, some curious person climbed on to the garden hedge,
and saw with amazement this long-bearded, shabbily clothed, wild man, who
wept aloud as he walked up and down.</p>
<p>In the evening in summer he took his little girl with him and led her to
the cemetery. They came back at nightfall, when the only light left in the
Place was that in Binet's window.</p>
<p>The voluptuousness of his grief was, however, incomplete, for he had no
one near him to share it, and he paid visits to Madame Lefrancois to be
able to speak of her.</p>
<p>But the landlady only listened with half an ear, having troubles like
himself. For Lheureux had at last established the "Favorites du Commerce,"
and Hivert, who enjoyed a great reputation for doing errands, insisted on
a rise of wages, and was threatening to go over "to the opposition shop."</p>
<p>One day when he had gone to the market at Argueil to sell his horse—his
last resource—he met Rodolphe.</p>
<p>They both turned pale when they caught sight of one another. Rodolphe, who
had only sent his card, first stammered some apologies, then grew bolder,
and even pushed his assurance (it was in the month of August and very hot)
to the length of inviting him to have a bottle of beer at the
public-house.</p>
<p>Leaning on the table opposite him, he chewed his cigar as he talked, and
Charles was lost in reverie at this face that she had loved. He seemed to
see again something of her in it. It was a marvel to him. He would have
liked to have been this man.</p>
<p>The other went on talking agriculture, cattle, pasturage, filling out with
banal phrases all the gaps where an allusion might slip in. Charles was
not listening to him; Rodolphe noticed it, and he followed the succession
of memories that crossed his face. This gradually grew redder; the
nostrils throbbed fast, the lips quivered. There was at last a moment when
Charles, full of a sombre fury, fixed his eyes on Rodolphe, who, in
something of fear, stopped talking. But soon the same look of weary
lassitude came back to his face.</p>
<p>"I don't blame you," he said.</p>
<p>Rodolphe was dumb. And Charles, his head in his hands, went on in a broken
voice, and with the resigned accent of infinite sorrow—</p>
<p>"No, I don't blame you now."</p>
<p>He even added a fine phrase, the only one he ever made—</p>
<p>"It is the fault of fatality!"</p>
<p>Rodolphe, who had managed the fatality, thought the remark very offhand
from a man in his position, comic even, and a little mean.</p>
<p>The next day Charles went to sit down on the seat in the arbour. Rays of
light were straying through the trellis, the vine leaves threw their
shadows on the sand, the jasmines perfumed the air, the heavens were blue,
Spanish flies buzzed round the lilies in bloom, and Charles was
suffocating like a youth beneath the vague love influences that filled his
aching heart.</p>
<p>At seven o'clock little Berthe, who had not seen him all the afternoon,
went to fetch him to dinner.</p>
<p>His head was thrown back against the wall, his eyes closed, his mouth
open, and in his hand was a long tress of black hair.</p>
<p>"Come along, papa," she said.</p>
<p>And thinking he wanted to play; she pushed him gently. He fell to the
ground. He was dead.</p>
<p>Thirty-six hours after, at the druggist's request, Monsieur Canivet came
thither. He made a post-mortem and found nothing.</p>
<p>When everything had been sold, twelve francs seventy-five centimes
remained, that served to pay for Mademoiselle Bovary's going to her
grandmother. The good woman died the same year; old Rouault was paralysed,
and it was an aunt who took charge of her. She is poor, and sends her to a
cotton-factory to earn a living.</p>
<p>Since Bovary's death three doctors have followed one another at Yonville
without any success, so severely did Homais attack them. He has an
enormous practice; the authorities treat him with consideration, and
public opinion protects him.</p>
<p>He has just received the cross of the Legion of Honour.</p>
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