<SPAN name="startofbook"></SPAN>
<h1>MOLLENTRAVE ON WOMEN</h1>
<p class="old-english large">A Comedy in Three Acts</p>
<p>BY</p>
<p class="xlarge">ALFRED SUTRO</p>
<h2><SPAN name="ACT_I" id="ACT_I">ACT I.</SPAN></h2>
<p class="center"><span class="smcap">Sir Joseph Balsted's</span> <i>study, in his house in Hans
Place</i>.</p>
<div class="hangindent">
<p><span class="smcap">Miss Treable</span>, <span class="smcap">Margaret's</span> <i>companion, a faded
lady of uncertain age, is fingering the photograph
on the mantelpiece</i> <span class="smcap">R.</span> <span class="smcap">Mrs. Martelli</span>,
<i>the housekeeper, a grim-faced, elderly woman,
dressed in stiff black silk, opens the door and
enters</i> <span class="smcap">L. 3 E.</span> <span class="smcap">Miss Treable</span>, <i>absorbed in a
photograph she holds in her hand, does not
notice her</i>. <span class="smcap">Mrs. Martelli</span> <i>coughs emphatically</i>.</p>
</div>
<p><span class="smcap">Miss Tre.</span> (<i>coming</i> <span class="smcap">C.</span> <i>turning</i>) Oh!... Dear
Mrs. Martelli, do you know who this is?</p>
<p><span class="smcap">Mrs. Mar.</span> (<span class="smcap">C.</span> <i>shortly</i>) Sir Joseph's sister.</p>
<p><span class="smcap">Miss Tre.</span> What an angelic face! The outline
so pure. Such heavenly eyes. (<i>returns</i> <span class="smcap">R.</span> <i>and
puts frame back</i>)</p>
<p><span class="smcap">Mrs. Mar.</span> (<span class="smcap">C.</span>) She was marked with smallpox,
and had a pronounced squint.</p>
<p><span class="smcap">Miss Tre.</span> (<i>disconcerted</i>) Ah! I have noticed
these photographs before. I have a passion for
photographs. This one—? (<i>coming</i> <span class="smcap">C.</span>—<i>she takes
up another</i>)</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>takes photo from</i> <span class="smcap">Miss Tre.</span>) Sir<span class="pagenum"><SPAN name="Page_6" id="Page_6">[Pg 6]</SPAN></span>
Joseph's mother. The other ladies are his cousin,
his aunt by marriage, and—me. (<span class="smcap">Miss Tre.</span> <i>goes</i>
<span class="smcap">R.</span>)</p>
<p><span class="smcap">Miss Tre.</span> (<i>with surprise</i>) You!</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>with dignity</i>) My late husband,
Captain Martelli, of his Majesty's Indian army,
was a friend of Sir Joseph's (<span class="smcap">C.</span>). I trust you
find nothing remarkable in his widow's photograph
reposing on Sir Joseph's mantelpiece?</p>
<p><span class="smcap">Miss Tre.</span> (<i>comes down</i> <span class="smcap">R.</span> <i>and sits</i> <span class="smcap">R. C.</span> <i>chair</i>)
Oh, not at all, not at all.... My father was Canon
Treable—he preached before the Queen.</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>puts photo back</i> <span class="smcap">R.</span> <i>and comes
down</i> <span class="smcap">R. C.</span>) So I have frequently heard. But I
admit it is a theme on which one cannot dwell
too often. None the less I consider it my duty, as
Sir Joseph's housekeeper, to inform Canon
Treable's daughter that this room is, as it were,
consecrated to Sir Joseph.</p>
<p class="center">(<span class="smcap">Miss Tre.</span> <i>rises and crosses</i> <span class="smcap">L.</span> <i>and sits on stool</i>.)</p>
<p>And that it is his wish, his formally expressed
instruction, that none but myself should enter it.</p>
<p><span class="smcap">Miss Tre.</span> Oh!</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>to desk</i> <span class="smcap">C.</span>) I allow no housemaid
here—I dust it myself. Sir Joseph, in common
with most legal gentlemen, is partial to dust, but
I control his partiality. So you understand—(<i>down</i>
<span class="smcap">C.</span>)</p>
<p><span class="smcap">Miss Tre.</span> But the Courts have risen to-day,
dear Mrs. Martelli! The Long Vacation, they
call it, do they not? For nigh on three months
Sir Joseph ceases to be the brilliant advocate;
Parliament is not sitting, so the House will not
hear his inspired accents—</p>
<p><span class="smcap">Mrs. Mar.</span> My accents may be less inspired,
but they rest on authority; and I beg you to heed
them. This room is private.</p>
<p><span class="pagenum"><SPAN name="Page_7" id="Page_7">[Pg 7]</SPAN></span></p>
<p><span class="smcap">Miss Tre.</span> (<i>sweetly</i>) I can quite understand
that, to the servants, it is a sanctuary.</p>
<p><span class="smcap">Mrs. Mar.</span> To the servants, and the upper
servants, Miss Treable. You and I are both upper
servants.</p>
<p><span class="smcap">Miss Tre.</span> (<i>rise, indignantly</i>) Mrs. Martelli!
This is intolerable. I am dear Margaret's companion—(<i>sit
on stool</i> <span class="smcap">L. C.</span>) her trusted friend—</p>
<p><span class="smcap">Mrs. Mar.</span> At so much per annum, paid quarterly.
Sir Joseph has confided the government
of his household to me.</p>
<p><span class="smcap">Miss Tre.</span> (<i>proudly</i>) I am not a member of
your household, madam! I take orders from Sir
Joseph alone—and then they come in form of
requests!</p>
<p><span class="smcap">Mrs. Mar.</span> You compel me, therefore, to inform
Sir Joseph of your truculent attitude—and demand
your dismissal.</p>
<p><span class="smcap">Miss Tre.</span> (<i>rise</i>) Dismissal!</p>
<p><span class="smcap">Mrs. Mar.</span> It would of course be within my
province to dismiss you myself—</p>
<p><span class="smcap">Miss Tre.</span> (<i>up to her</i> <span class="smcap">C.</span>) Insolent!</p>
<p><span class="smcap">Mrs. Mar.</span> But I shall leave that disagreeable
duty to Sir Joseph; and I have no doubt that it
will come, as you say, in the form of a request. I
have the honour to wish you good morning.</p>
<p class="center">(<span class="smcap">Exit. L. 1 E.</span>)</p>
<div class="hangindent">
<p>(<span class="smcap">Miss Treable</span> <i>sinks on the sofa</i> <span class="smcap">R. C.</span> <i>and sobs</i>.
<span class="smcap">Everard</span> <i>comes in from back</i> <span class="smcap">L. 3 E.</span>, <i>a good-looking
youngster of 25</i>.)</p>
</div>
<p><span class="smcap">Everard.</span> (<span class="smcap">R. C.</span>) Why, Treaby, what's the matter?</p>
<p><span class="smcap">Miss Tre.</span> (<i>stamping her foot</i>) How dare you
call me Treaby!</p>
<p><span class="smcap">Everard.</span> Oh, I beg your pardon—but Margaret
always does.</p>
<p><span class="pagenum"><SPAN name="Page_8" id="Page_8">[Pg 8]</SPAN></span></p>
<p><span class="smcap">Miss Tre.</span> Am I to be forever insulted in this
house? First by a wretched servant—then by
a mere boy!</p>
<p><span class="smcap">Everard.</span> A boy—hang it! I shall be a full-fledged
doctor soon. But I apologise—there!
And Martelli's a hedgehog. Leave off sobbing
(<i>over back of settee</i>) do!</p>
<p><span class="smcap">Miss Tre.</span> (<i>through her tears</i>) I will tell Sir
Joseph he must choose between her—and me!</p>
<p><span class="smcap">Everard.</span> She's an awful Tartar—I wonder my
uncle puts up with her. But come now, dear
Miss—Evangeline—</p>
<p><span class="smcap">Miss Tre.</span> (<i>coyly</i>) Mr. Swenboys?</p>
<p><span class="smcap">Everard.</span> (<i>eagerly</i>) Did you give Margaret
those verses?</p>
<p><span class="smcap">Miss Tre.</span> I did.</p>
<p><span class="smcap">Everard.</span> (<i>excited, away</i> <span class="smcap">R. C.</span>) Well? Well?</p>
<p><span class="smcap">Miss Tre.</span> She—laughed.</p>
<p><span class="smcap">Everard.</span> (<i>aghast</i>) Laughed!</p>
<p><span class="smcap">Miss Tre.</span> But really—why did you steal them
from Swinburne?</p>
<p><span class="smcap">Everard.</span> (<i>comes</i> <span class="smcap">C.</span>) The devil! She spotted
it?</p>
<p><span class="smcap">Miss Tre.</span> Naturally. She adores Swinburne.</p>
<p><span class="smcap">Everard.</span> I altered a word or two—I did, I
swear. And of course poetry's not in my line.
But I didn't think girls were allowed to read
Swinburne!</p>
<p><span class="smcap">Miss Tre.</span> An old-fashioned prejudice. To-day
we throw open the whole book of life.</p>
<p><span class="smcap">Everard.</span> I didn't know! (<i>returning to back
of settee</i> <span class="smcap">R. C.</span>) But—Miss Treable—you're my
friend, aren't you? You'll help me?</p>
<p><span class="smcap">Miss Tre.</span> I am always on the side of love.</p>
<p><span class="smcap">Everard.</span> Have I a chance, do you think? A
millionth part of a chance?</p>
<p><span class="smcap">Miss Tre.</span> You never speak to her!</p>
<p><span class="smcap">Everard.</span> How can I? She's too—magnificent—she
dazzles me! Her eyes scorch me—I become<span class="pagenum"><SPAN name="Page_9" id="Page_9">[Pg 9]</SPAN></span>
idiotic! I can talk, as a rule, I've something to
say—but not to her, not to her! Although Martelli
thinks—</p>
<p><span class="smcap">Miss Tre.</span> Martelli! That hateful name! Oh!</p>
<div class="hangindent">
<p>(<i>Her sobs begin again.</i> <span class="smcap">Margaret</span> <i>enters from
back</i> <span class="smcap">L. 3 E.</span>: <i>she pauses shyly at seeing</i>
<span class="smcap">Everard</span>.)</p>
</div>
<p><span class="smcap">Margaret.</span> (<span class="smcap">C.</span>) Oh Everard! Have you got
the flowers—the white roses?</p>
<p><span class="smcap">Everard.</span> Yes, here they are. (<i>up</i> <span class="smcap">L. C.</span>)</p>
<p><span class="smcap">Margaret.</span> How good of you. (<i>turning to</i>
<span class="smcap">Miss Treable</span>, <i>and throwing her arms round
her</i>) What, dearest Treaby! Crying!—(<i>cross</i>
<span class="smcap">R. C.</span>)</p>
<p><span class="smcap">Everard.</span> (<i>coming</i> <span class="smcap">C.</span>) Martelli has upset her.</p>
<p><span class="smcap">Margaret.</span> Again! Oh, the wretch! How I
wish that my guardian would send her away!
(<span class="smcap">R. C.</span>)</p>
<p><span class="smcap">Everard.</span> You have only to—to—to ask!
Could he—is there a man who—who could—anything,
anything, Margaret! Oh!</p>
<p class="center"><i>(He flies, overcome with confusion, and</i> <span class="smcap">Exit</span>
<i>back</i> <span class="smcap">L. 3 E.</span>)</p>
<p><span class="smcap">Margaret.</span> Poor Everard! (<i>she gazes pensively
after him for a moment—then turns to</i> <span class="smcap">Miss
Treable</span> <i>again</i>) Do not cry! I will speak to
Sir Joseph; he shall see that this woman makes
me unhappy.</p>
<p><span class="smcap">Miss Tre.</span> (<i>drying her eyes</i>) Dearest Margaret!</p>
<p><span class="smcap">Margaret</span> (<i>looking around—sitting chair</i> <span class="smcap">C.</span>)
Oh, how my heart beats when I find myself in
his room!</p>
<p><span class="smcap">Miss Tre.</span> He is the grandest, greatest of
men—</p>
<p><span class="smcap">Margaret.</span> In this morning's paper they men<span class="pagenum"><SPAN name="Page_10" id="Page_10">[Pg 10]</SPAN></span>tion
his name three times. And they've his portrait
in the Sketch!</p>
<p><span class="smcap">Miss Tre.</span> And so like him!</p>
<p><span class="smcap">Margaret.</span> His speech in that copyright case
yesterday! His triumph!</p>
<p><span class="smcap">Miss Tre.</span> I felt you quiver as you sat beside
me—</p>
<p><span class="smcap">Margaret.</span> He saw us there, I think.... As his
eye swept past, I noticed a tremble in his voice.
And, after that, I felt that he was speaking—for
me!</p>
<p><span class="smcap">Miss Tre.</span> His peroration was sublime.</p>
<p><span class="smcap">Margaret.</span> (<i>rise, down</i> <span class="smcap">R. C.</span> <i>and sit in chair</i>)
It was odious of that old man's daughter to thank
him so effusively. I detest Lady Claude!</p>
<p><span class="smcap">Miss Tre.</span> (<i>rising and</i> <span class="smcap">R. C.</span>) Jealous, my Margaret?
They knew each other, in the long ago.
I have an idea that he once—but he has not her
photograph! I came here to see!</p>
<p><span class="smcap">Margaret.</span> It is not on the mantelpiece.</p>
<p><span class="smcap">Miss Tre.</span> Nor in his desk. I looked!</p>
<p><span class="smcap">Margaret.</span> Oh! You should not have done
that!</p>
<p><span class="smcap">Miss Tre.</span> There is no limit to my devotion. It
is true Lady Claude is handsome.</p>
<p><span class="smcap">Margaret.</span> (<i>indignantly</i>) Handsome! A
widow—and old! Why, she's thirty-five, at least!</p>
<p><span class="smcap">Miss Tre.</span> (<i>tartly away</i> <span class="smcap">L.</span>) My age, Margaret!</p>
<p><span class="smcap">Margaret.</span> (<i>rise and across to her</i>) Ah, dear
Treaby, forgive me! But—when I am here—in
his room—and think of—a possible rival! (<i>up to
desk</i> <span class="smcap">C.</span>) Here, where he sits, and works! Every
day I steal in, and let fall a flower. I love to
think of him kissing that flower, perhaps—who
knows, wearing it next his heart! If he only
would speak to me! Little girl, he calls me, then
turns his eyes timidly away. Little girl! Oh
never did lover's epithet sound so sweet!</p>
<p><span class="pagenum"><SPAN name="Page_11" id="Page_11">[Pg 11]</SPAN></span></p>
<p class="center">(<i>Since having the flowers</i> <span class="smcap">Margaret</span> <i>has been undoing
them and dropping them about the room</i>.)</p>
<p><span class="smcap">Miss Tre.</span> (<i>sit on settee</i> <span class="smcap">L.</span>) I have seen him,
when your name was mentioned, change colour,
and murmur something beneath his breath.</p>
<p><span class="smcap">Margaret.</span> (<i>sit on stool</i> <span class="smcap">L.</span>) What was it?
Oh, what?</p>
<p><span class="smcap">Miss Tre.</span> Nay, I could not catch. But Margaret,
tell me—Everard has been imploring—</p>
<p><span class="smcap">Margaret.</span> (<i>softly</i>) Ah, poor Everard! It
was not till you opened my eyes, dear Treaby,
that I—of course I am fond of Everard—oh, very
fond! But—can I hesitate! Between a boy—and
a great man—a leader of men! Dear Treaby,
(<i>rise and up</i> <span class="smcap">C.</span>) I beseech you—leave me here,
for a moment!</p>
<p><span class="smcap">Miss Tre.</span> (<i>rise and up</i> <span class="smcap">L. C.</span>) I go, dear child,
I go—I feel that my eyes are red—I must wash
away these tears. Plead for me with your guardian,
Margaret—rid us of the hateful Martelli!</p>
<p><span class="smcap">Margaret.</span> (<i>round to</i> <span class="smcap">L. C.</span> <i>and embracing</i>
<span class="smcap">Miss Tre.</span>) I will try—oh, I will try!</p>
<div class="hangindent">
<p>(<span class="smcap">Miss Treable</span> <i>kisses her devotedly and goes</i> <span class="smcap">L.
3 E.</span> <span class="smcap">Margaret</span>, <i>after a glance round the room,
to make sure she is unobserved, takes a rose,
kisses it, and lays it on</i> <span class="smcap">Sir Joseph's</span> <i>desk—up</i>
<span class="smcap">C. R.</span> <i>of desk</i>.)</p>
</div>
<p>Speak for me, rose, and tell him of my love! Lie
fondly on his heart, dear rose!</p>
<div class="hangindent">
<p>(<span class="smcap">Sir Joseph's</span> <i>voice is heard outside, talking to</i>
<span class="smcap">Mrs. Mar.</span> <span class="smcap">Margaret</span> <i>starts and retreats to
down</i> <span class="smcap">C.</span> <span class="smcap">Sir Joseph</span> <i>enters from</i> <span class="smcap">R.</span> <i>talking to</i>
<span class="smcap">Mrs. Martelli</span>.)</p>
</div>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span>) Come, come, Mrs. Martelli, she
didn't mean anything! She couldn't have, you<span class="pagenum"><SPAN name="Page_12" id="Page_12">[Pg 12]</SPAN></span>
know! (<i>he sees</i> <span class="smcap">Margaret</span>) Ah, little girl, you
there? Er—er—Mrs. Martelli and I—</p>
<p><span class="smcap">Margaret.</span> (<span class="smcap">C.</span>) I go, guardian, I go! But—one
word—for poor Miss Treable. She is the only
friend I have in the world!</p>
<p class="center">(<i>She goes out</i> <span class="smcap">L. 3 E.</span>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) There, you hear that? The only
friend she has in the world! Now, can I send her
away? (<i>up to desk and sitting</i>) I put it to you!</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>grimly</i>) Every companion Miss
Messilent has had has been her only friend. And
let the lady stay by all means, Sir Joseph. (<span class="smcap">R. C.</span>)
Only you will permit me to take my departure.</p>
<p><span class="smcap">Sir J.</span> (<i>very annoyed, sitting at his desk, taking
up the rose and dropping it in the waste-paper
basket</i>) I wish that girl wouldn't let her confounded
flowers trail all over the place! Why
does she come in here? Can't I have one room
in the house to myself?</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>picking up flowers which</i> <span class="smcap">Margaret</span>
<i>has dropped</i>) That was precisely the cause of my
altercation with Miss Treable, Sir Joseph. I
found her inspecting the photographs on the
mantelpiece.</p>
<p><span class="smcap">Sir J.</span> Confound her impudence! I'll say a
word to her. We'd better keep the door locked
in future, eh?</p>
<p><span class="smcap">Mrs. Mar.</span> (<span class="smcap">R. C.</span> <i>adamant</i>) You will have to
choose, Sir Joseph, between Miss Treable and me.</p>
<p><span class="smcap">Sir J.</span> (<i>wheedling, rise and down</i> <span class="smcap">R. C.</span>) Come,
come, Mrs. Martelli, you and I have been together
too long to allow a trifle like this to part us.
Besides, we're all going off in a day or two—Miss
Treable may get married in the Long Vacation—</p>
<p><span class="smcap">Mrs. M.</span> Married—she! She'll never see forty
again!</p>
<p><span class="smcap">Sir J.</span> Won't she, though? Well, after all,<span class="pagenum"><SPAN name="Page_13" id="Page_13">[Pg 13]</SPAN></span>
that's no concern of mine. <i>I</i> don't want her to
see forty again—for the matter of that I don't
want to see <i>her</i> again. But she's the girl's companion—and
the girl must have a companion—and
if the Treable woman goes I shall have to
find another companion. That's so, isn't it?</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>still adamant</i>) Sir Joseph—</p>
<p><span class="smcap">Sir J.</span> And I want to be off to Scotland to-morrow!
Come, come, Mrs. Martelli—</p>
<p><span class="smcap">Mrs. Mar.</span> Sir Joseph, that person has made
use of certain expressions to me that render further
residence with her under the same roof impossible.
I regret it—for my dear husband's sake,
I regret it. But you will have to choose.</p>
<div class="hangindent">
<p>(<i>She goes</i> <span class="smcap">R. I. E.</span> <i>with majesty</i>. <span class="smcap">Sir Joseph</span> <i>is exceedingly
vexed. He pishes and pshaws, seizes
his blotting pad, hurls it to the other end of
the room, then goes and fetches it—then
takes up paper</i> <span class="smcap">R.</span> <i>and reads, swearing softly
to himself</i>. <span class="smcap">Peters</span>, <i>the butler</i>, <i>enters</i> <span class="smcap">L. 3 E.</span>)</p>
</div>
<p><span class="smcap">Peters.</span> (<i>up</i> <span class="smcap">L. C.</span>) Mr. Mollentrave and Lady
Claude Derenham have called, Sir Joseph.</p>
<p><span class="smcap">Sir J.</span> (<i>puts paper down eagerly</i>, <span class="smcap">R. C.</span>) Ah,
I'll go down. They're in the drawing-room, I
suppose?</p>
<p><span class="smcap">Peters.</span> (<i>up</i> <span class="smcap">L. C.</span>) No, Sir Joseph—Miss Messilent
and Miss Treable are playing a duet in
the drawing-room—</p>
<p><span class="smcap">Sir J.</span> (<i>discontentedly</i>) Ah—in the library,
then?</p>
<p><span class="smcap">Peters.</span> No, Sir Joseph—Mr. Swenboys is
smoking a pipe in the library—</p>
<p><span class="smcap">Sir J.</span> (<i>furious</i>) Not a room in my house!
Where in Heaven's name are they?</p>
<p><span class="smcap">Peters.</span> In the dining-room, Sir Joseph.</p>
<p><span class="smcap">Sir J.</span> (<i>stamping his foot</i>) The dining-room!
Bring them up here, Peters—quick!</p>
<p><span class="pagenum"><SPAN name="Page_14" id="Page_14">[Pg 14]</SPAN></span></p>
<div class="hangindent">
<p>(<span class="smcap">Peters</span> <i>goes</i> <span class="smcap">L. 3 E.</span> <span class="smcap">Sir Joseph</span> <i>goes to glass</i> <span class="smcap">R.</span>
<i>and arranges tie, etc.</i> <span class="smcap">Peters</span> <i>returns with</i>
<span class="smcap">Mr. Mollentrave</span> <i>and</i> <span class="smcap">Lady Claude</span>. <span class="smcap">Mollentrave</span>
<i>is a very old man, with masses of snow-white
hair; notwithstanding his age, he is alert
and agile, with no trace of feebleness</i>. <span class="smcap">Lady
Claude</span> <i>is a beautiful and fascinating woman</i>.
<span class="smcap">Lady C.</span> <i>enters, shakes hands with</i> <span class="smcap">Sir J.</span> <span class="smcap">C.</span>,
<i>and gets away</i> <span class="smcap">L. C.</span> <i>as</i> <span class="smcap">Mollen.</span> <i>enters</i>.)</p>
</div>
<p><span class="smcap">Mollen.</span> (<i>with outstretched hands</i>—<span class="smcap">C.</span>) My
dear Balsted! Forgive this intrusion. But I had
to come and congratulate you again on the way
you conducted my case. You were masterly!
Masterly.</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) You are very good, Mr. Mollentrave.
Our copyright law is intricate. (<span class="smcap">Mol.</span>
<i>crosses behind</i> <span class="smcap">Sir J.</span> <i>to</i> <span class="smcap">R.</span> <i>and undoes book</i>) It
was a very nice point (<i>he shakes hands with</i>
<span class="smcap">Lady Claude</span>) And you, Lady Claude, are you
pleased?</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">R. C.</span>) Need you ask, when my book
was in question! Rosamund is naturally proud
of her father's work!</p>
<p><span class="smcap">Lady C.</span> (<span class="smcap">L. C.</span>) And I am especially glad of
the opportunity the case has given me of renewing
an ancient friendship.</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) Yes—we are very old friends, you
and I! You have been abroad a long time?</p>
<p><span class="smcap">Lady C.</span> Yes—in Italy—since my husband's
death.</p>
<p><span class="smcap">Sir J.</span> I trust you have now returned for
good?</p>
<p><span class="smcap">Mollen.</span> (<i>comes</i> <span class="smcap">C.</span> <i>a step</i>) I don't mean to
part with her any more, Balsted! Italian cypresses
may set off a widow's weeds—but now,
that two years have passed! (<span class="smcap">Lady C.</span> <i>sits on
stool. He produces a book</i>) Balsted, I have
taken the liberty to bring you my book—the <i>casus<span class="pagenum"><SPAN name="Page_15" id="Page_15">[Pg 15]</SPAN></span>
belli</i>—with an autograph inscription. (<span class="smcap">C.</span> <i>he
presents it with a flourish</i>) Allow me to offer it
to you!</p>
<p><span class="smcap">Sir J.</span> (<i>taking it</i>) I am very much obliged.</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">R. C.</span> <i>rubbing his hands</i>) "Mollentrave
on Women!" I venture to say it is in a
fair way to become a classic.</p>
<p><span class="smcap">Lady C.</span> (<i>smiling</i>) He has given away all our
secrets!</p>
<p><span class="smcap">Mollen.</span> I was an observer from boyhood.
Like Dante, I fell in love at the age of nine. Unlike
Dante, I made notes. In the interests of my
self-imposed study I married three times. (<i>by
chair</i> <span class="smcap">R.</span>) In short, you will find, between these
covers, a most careful, complete investigation on
scientific principles, of the baffling, perplexing
creature known to us as <span class="smcap">Woman</span>!</p>
<p><span class="smcap">Lady C.</span> (<i>in smiling protest</i>) Papa!</p>
<p><span class="smcap">Mollen.</span> (<i>comes</i> <span class="smcap">C.</span> <i>a step</i>) Your pardon, my
child! You are, of course, the topmost blossom
of the spreading tree. You have inherited, if I
may say so, my mental energy.</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span> <i>fingering the book</i>) I am disappointed
that Lady Claude's photograph does not
figure as frontispiece.</p>
<p><span class="smcap">Mollen.</span> Ha, ha, very good! (<i>away</i> <span class="smcap">R.</span> <i>and
returning</i>) But—in all seriousness (<i>takes book</i>),
Balsted—it is a guide, a hand-book, a Baedeker!
It conducts you personally to the most hidden
recesses of the feminine heart, opens every door,
strips every cupboard! (<span class="smcap">R. C.</span>) No marriage
license should be issued to the man who cannot
pass his examination in Mollentrave! (<i>Goes</i> <span class="smcap">R.</span>
<i>to table and puts book down</i>) As a result there
would be cobwebs in the Divorce Court! You
practise there, by the way?</p>
<p><span class="smcap">Sir J.</span> Heaven forbid! No—I am on the Chancery
side—</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">C.</span>) Ah—that's a pity—I should<span class="pagenum"><SPAN name="Page_16" id="Page_16">[Pg 16]</SPAN></span>
have valued expert criticism. I am at present
revising the book for its next edition—which will
be the twenty-third!</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span> <i>on his</i> <span class="smcap">L.</span>) The twenty-third?
Really!</p>
<p><span class="smcap">Mollen.</span> My dear sir, the work has been translated
into every living tongue. I am told there
are women's clubs where it is the custom solemnly
to execrate me after dinner. In Dover Street "to
be mollentraved" has passed into the language.
It means—to be found out!</p>
<p><span class="smcap">Lady C.</span> (<i>rising</i>) Papa, we must not take up
Sir Joseph's time.</p>
<p><span class="smcap">Sir J.</span> On the contrary! And my interviews
with you have been too brief, these many years
past, for me to desire to curtail them. Besides,
I find myself to-day in a position of some perplexity—and
truly, should value your advice!</p>
<p><span class="smcap">Lady C.</span> (<i>archly</i>) Mine—or papa's?</p>
<p><span class="smcap">Sir J.</span> Both! Please sit down. Will you listen
to my tale of woe?</p>
<p class="center">(<span class="smcap">Lady C.</span> <i>sits settee</i> <span class="smcap">L.</span>)</p>
<p><span class="smcap">Mollen.</span> Gladly. It is the least we can do
for you, after your magnificent service. (<span class="smcap">Mol.</span>
<i>gets chair</i> <span class="smcap">R. C.</span> <i>and sits</i>)</p>
<p class="center">(<i>They sit.</i>)</p>
<p><span class="smcap">Sir J.</span> (<i>sits up</i> <span class="smcap">C.</span> <i>front of desk</i>) Well then,
here goes! As you are aware, I am unmarried.
Many years ago (<i>he looks at</i> <span class="smcap">Lady Claude</span> <i>who
drops her eyes</i>) I loved a lady, who, very wisely,
preferred another. (<span class="smcap">Mollentrave</span> <i>points waggishly
to the book</i>) Ah, Mr. Mollentrave, had I
then been able to consult your work!</p>
<p><span class="smcap">Mollen.</span> I was labouring at it for twenty
years before I gave it to the world.</p>
<p><span class="smcap">Sir J.</span> My misfortune to have been born too<span class="pagenum"><SPAN name="Page_17" id="Page_17">[Pg 17]</SPAN></span>
soon! Well, I settled down to single blessedness,
and worked hard. My existence was tranquil.
An elderly lady, widow of a man I had known,
kept house for me, and left me undisturbed. My
life was all work, with an occasional game at
bridge. I had never been a ... lady's man ...
the sex did not—let us say, appreciate me—and I,
while admiring them from a distance, have
avoided their closer neighborhood.</p>
<p><span class="smcap">Mollen.</span> My dear friend, you have denied
yourself one of the most fruitful sources of amusement!</p>
<p><span class="smcap">Sir J.</span> That may be, but I am constitutionally
shy. And law and politics, you see, took up all
my time—I settled down—contentedly enough,
into old fogeydom. My one care was a nephew,
a good lad, who walked the hospitals and has just
passed his final exam. Well, so far all was untroubled.
But now comes the catastrophe. A
year ago an old friend of mine died in Australia—a
companion of my boyhood—and bequeathed
me—his daughter!</p>
<p><span class="smcap">Mollen.</span> (<i>alert</i>) Ah!</p>
<p><span class="smcap">Sir J.</span> His motherless daughter! I received
her letter by the morning's post—she came in the
afternoon! A girl! Imagine it! My austere
dwelling invaded by a bouncing, flouncing girl!</p>
<p><span class="smcap">Mollen.</span> (<i>chuckling</i>) Terrible!</p>
<p><span class="smcap">Sir J.</span> It <i>was</i> terrible. Lady Claude will excuse
me—</p>
<p><span class="smcap">Lady C.</span> (<i>smiling</i>) Oh yes!</p>
<p><span class="smcap">Sir J.</span> My feelings at that moment could only
be expressed in camera. There was no way out—he
had appointed me her guardian—it was a
sacred trust—I could do nothing. (<i>rise</i>) She
was too old to send to school—too young to live
alone. And here was I, to whom girls are esoteric,
mysterious things, of strange, uncanny ways—I,
who don't know what to say to them, how to<span class="pagenum"><SPAN name="Page_18" id="Page_18">[Pg 18]</SPAN></span>
feed them or amuse them, I who go into no
society, have no small-talk, don't dance or play
ping-pong—here was I suddenly overwhelmed by
this avalanche of laces and muslins!</p>
<p><span class="smcap">Mollen.</span> Heaven sent you a full-grown
daughter, without the expensive preliminaries!</p>
<p><span class="smcap">Sir J.</span> Let us hope Heaven meant it kindly—but
there are occasions, doubtless, when even
Providence nods! Well, after a considerable
struggle with myself, I accepted the inevitable. I
moved from my comfortable bachelor's quarters,
took this house, found her a companion—who at
once proceeded to quarrel with the housekeeper.
I had to dismiss her and engage another—the same
story! (<i>sits on settee</i> <span class="smcap">L.</span> <i>by</i> <span class="smcap">Lady C.</span>) In twelve
months I have had five companions. To-day another
disturbance—for the sixth time I am bidden
choose between them—and I had hoped to go to
Scotland to-morrow. This may all sound very
trivial—but truly I'm in despair!</p>
<p><span class="smcap">Lady C.</span> (<i>laughing</i>) Poor Sir Joseph!</p>
<p><span class="smcap">Mollen.</span> (<i>rise and go</i> <span class="smcap">L. C.</span> <i>Earnestly</i>) My
dear child, I can enter into our friend's feelings—this
is no laughing matter!—Tell me now, Balsted—what
is she like, your ward?</p>
<p><span class="smcap">Sir J.</span> (<i>puzzled</i>) Like? Like all other girls, I
imagine. I scarcely have looked at her. Pretty, I
suppose, in a feeble kind of way. I have said
good morning and good evening, taken her to an
occasional theatre, and allowed her to prattle.
She is only a child.</p>
<p><span class="smcap">Mollen.</span> (<i>quickly</i>) A mistake! They <i>never</i>
are children!—How old is she?</p>
<p><span class="smcap">Sir J.</span> Eighteen, I believe—or nineteen, perhaps—possibly
twenty.</p>
<p><span class="smcap">Mollen.</span> Of the sentimental order?</p>
<p><span class="smcap">Sir J.</span> (<i>laughing</i>) Truly, I've no idea!</p>
<p><span class="smcap">Mollen.</span> At least you can tell me her taste
in literature?</p>
<p><span class="pagenum"><SPAN name="Page_19" id="Page_19">[Pg 19]</SPAN></span></p>
<p><span class="smcap">Sir J.</span> (<i>searching in his memory</i>) Literature?
She reads a good deal—though what, I've
no notion. Stay, though—I remember, one night
when I couldn't sleep, taking a book of hers upstairs,
and having a superb night's rest. It was
Somebody's Love-Letters.</p>
<p><span class="smcap">Lady C.</span> The Englishwoman's?</p>
<p><span class="smcap">Sir J.</span> Yes. That was it.</p>
<p><span class="smcap">Mollen.</span> Good. Were passages marked?</p>
<p><span class="smcap">Sir J.</span> The pages were peppered with lines
and crosses.</p>
<p><span class="smcap">Mollen.</span> The boards protected with a cover?</p>
<p><span class="smcap">Sir J.</span> I rather imagine they were.</p>
<p><span class="smcap">Mollen.</span> Notes scribbled on the margin?</p>
<p><span class="smcap">Sir J.</span> I fancy so—yes, I am sure! Heaps of
'em!</p>
<p><span class="smcap">Mollen.</span> Clue No. 1. Perfect. (<i>triumphant</i>)
In her clothing she will affect the darker shades?</p>
<p><span class="smcap">Sir J.</span> (<i>with an effort at memory</i>) Er—yes—</p>
<p><span class="smcap">Mollen.</span> Fond of flowers?</p>
<p><span class="smcap">Sir J.</span> She litters the place with them!</p>
<p><span class="smcap">Mollen.</span> I have her! Devours poetry, of
course? Adores Wagner? Appetite languid,
member of the Stage Society, and worships
Ibsen?</p>
<p><span class="smcap">Sir J.</span> The name's familiar—I've heard her
mention it—</p>
<p><span class="smcap">Mollen.</span> Of course! My dear fellow, I haven't
seen the lady—and I prefer, as a rule, to visit the
patient before pronouncing upon her case. But
here all is simple, and there is no further need of
analysis. She belongs to the large class, known
as <i>Invertebrate Sentimentalists</i>. (<i>away</i> <span class="smcap">R. C.</span>)</p>
<p><span class="smcap">Sir J.</span> (<i>rise and go</i> <span class="smcap">C.</span>) The deuce she does!</p>
<p><span class="smcap">Mollen.</span> Harmless, my dear fellow—quite
harmless! Now tell me—your nephew?</p>
<p><span class="smcap">Sir J.</span> Yes?</p>
<p><span class="smcap">Mollen.</span> Has he been here all the time?</p>
<p><span class="pagenum"><SPAN name="Page_20" id="Page_20">[Pg 20]</SPAN></span></p>
<p><span class="smcap">Sir J.</span> The last month only—he studied in
Germany.</p>
<p><span class="smcap">Mollen.</span> Good. A normal, healthy lad?</p>
<p><span class="smcap">Sir J.</span> Quite.</p>
<p><span class="smcap">Mollen.</span> Age?</p>
<p><span class="smcap">Sir J.</span> Twenty-four or twenty-five.</p>
<p><span class="smcap">Mollen.</span> A little melancholy lately?</p>
<p><span class="smcap">Sir J.</span> Ah! The fact is. I <i>have</i> noticed—</p>
<p><span class="smcap">Mollen.</span> With the quickness of the trained
advocate you have guessed my drift! My dear
sir, your troubles are at an end. To restore your
tranquillity, all you need do is to—add the ward
to the nephew!</p>
<p><span class="smcap">Sir J.</span> (<i>gleefully</i>) By Jove! I should never
have thought of it!</p>
<p><span class="smcap">Mollen.</span> That is where <i>I</i> come in. You talked
of a will—she has money?</p>
<p><span class="smcap">Sir J.</span> Ten thousand pounds.</p>
<p><span class="smcap">Mollen.</span> Admirable. Now listen—</p>
<p class="center">(<span class="smcap">Lady C.</span> <i>rises and goes up</i> <span class="smcap">L. C.</span>)</p>
<p><span class="smcap">Mollen.</span> (<i>sit in chair</i> <span class="smcap">R. C.</span> <i>down stage</i>) It
will take you exactly ten minutes. You will send
for your nephew—meet him coldly—wave him to
a chair. A set frown on your face. You will tell
him severely you have detected his secret, (<span class="smcap">Sir J.</span>
<i>sits</i> <span class="smcap">C.</span>) remarked his passion for your ward. You
will upbraid him—remember, his adoration is
certain! He will confess and beat his bosom.
Then you melt—and send for the maiden.</p>
<p><span class="smcap">Sir J.</span> (<i>alarmed</i>) I? I speak to her?
Never!</p>
<p><span class="smcap">Mollen.</span> In the interests of celerity! If you
leave it to him he will bungle it. He will be abject,
and she tyrannical. She will say "no" for
certain, to see how he takes it. She will demand
time—in short, there will be delay. You will
find all this set down in my fourteenth chapter,
called "The Cat and the Mouse."</p>
<p><span class="pagenum"><SPAN name="Page_21" id="Page_21">[Pg 21]</SPAN></span></p>
<p><span class="smcap">Sir J.</span> (<i>rise and down stage</i>) I can't do it,
Mollentrave. I shouldn't know what to say!</p>
<p><span class="smcap">Mollen.</span> (<i>rise, put chair back</i> <span class="smcap">R.</span>) You, the
great orator! Imagine you're addressing a jury
of—girls! Wallow in sentiment—reek of it!
(<span class="smcap">R. C.</span>) Put the boy's love—draw a pathetic picture—tears
in your voice, and so on! In a minute
she'll cry, and accept him! Oh, I guarantee
the complete success of the operation! And see
here—Rosy and I are going to Swanage to-morrow—why
not join us there, with the young
couple?</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) That's exceedingly good of you—I
had meant to trot off to Scotland—</p>
<p><span class="smcap">Mollen.</span> You can't—at once! Remember—they
are engaged! But you can go in a day or
two, and leave them with us. The house is large.</p>
<p><span class="smcap">Sir J.</span> Really—that is too kind—</p>
<p><span class="smcap">Mollen.</span> Copy for me, my dear fellow—They'll
be under the microscope, but they won't
know. (<span class="smcap">Lady C.</span> <i>comes down</i> <span class="smcap">L. C.</span>) And I'll
give the boy some wrinkles. You'll come?</p>
<p><span class="smcap">Sir J.</span> (<i>turn</i> <span class="smcap">L.</span>) Does Lady Claude join in
the invitation?</p>
<p><span class="smcap">Lady C.</span> Most cordially.</p>
<p><span class="smcap">Mollen.</span> So that's all settled. (<i>He gets up,
goes to the back, and proceeds to wrestle with his
overcoat</i>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span> <i>to</i> <span class="smcap">Lady Claude</span>) Though I should
ask you to explain a few points in your father's
work?</p>
<div class="hangindent">
<p>(<span class="smcap">Mollen.</span>, <i>seized by a sudden inspiration, takes
book, sits on settee, and turns down pages</i> <span class="smcap">Sir
J.</span> <i>will have to consult</i>.)</p>
</div>
<p><span class="smcap">Lady C.</span> (<span class="smcap">L. C.</span> <i>merrily</i>) It contains an index,
an appendix, and a glossary.</p>
<p><span class="smcap">Sir J.</span> I am very dull. If I needed help—</p>
<p><span class="pagenum"><SPAN name="Page_22" id="Page_22">[Pg 22]</SPAN></span></p>
<p><span class="smcap">Lady C.</span> The book will tell you how dangerous
it is to invite a woman's assistance.</p>
<p><span class="smcap">Sir J.</span> But suppose I seek the danger?</p>
<p><span class="smcap">Lady C.</span> There is a chapter on widows.</p>
<p><span class="smcap">Sir J.</span> Which I shall not read. There <i>you</i>
shall be my author.</p>
<p><span class="smcap">Lady C.</span> <i>My</i> book is to be on man.</p>
<p><span class="smcap">Sir J.</span> If you need a collaborator!</p>
<p><span class="smcap">Lady C.</span> I shall ask your ward to assist—But,
Sir Joseph, I thought you could not talk to
women?</p>
<p><span class="smcap">Sir J.</span> I cannot—but there is one, all these
years, to whom I have said so much, and so
often!</p>
<p><span class="smcap">Lady C.</span> I am glad you have made an exception.
Well, you know where we live, at Swanage?</p>
<p><span class="smcap">Sir J.</span> I have not forgotten—I have a memory....
There was an elm-tree there—</p>
<p><span class="smcap">Lady C.</span> Which still remains, though it has
grown older! (<span class="smcap">Mollen.</span> <i>bustles up</i>) To-morrow
then? You will let us know by what train?
Good-bye—and you have my best wishes. (B.
<i>goes up to door</i> <span class="smcap">L. 3 E.</span>) Papa (<i>goes up</i> <span class="smcap">L.</span> <i>and</i>
<span class="smcap">Exit L. 3 E.</span>)</p>
<p><span class="smcap">Mollen.</span> (<i>rise, round back</i> <span class="smcap">C.</span> <i>to</i> <span class="smcap">L. C.</span>) Yes—send
us a wire! Good-bye, my dear fellow. And
remember—gallons of sentiment!</p>
<p class="center">(<span class="smcap">Mollentrave</span> <i>turns to the door; as he goes</i> <span class="smcap">Sir
Joseph</span> <i>clutches him</i>.)</p>
<p><span class="smcap">Sir J.</span> (<i>away</i> <span class="smcap">R. C.</span>) Mollentrave, I can't do
it! I can't! At the mere thought of it I feel a
chill down my spine. I can't!</p>
<p><span class="smcap">Mollen.</span> (<i>coming</i> <span class="smcap">C.</span>) Balsted!</p>
<p><span class="smcap">Sir J.</span> Look here, why not speak to her yourself?</p>
<p><span class="smcap">Mollen.</span> I?</p>
<p><span class="smcap">Sir J.</span> Why not? It's your business, after<span class="pagenum"><SPAN name="Page_23" id="Page_23">[Pg 23]</SPAN></span>
all, this sort of thing. (<span class="smcap">C.</span>) You're an expert, a
professional. I won your case for you yesterday—win
mine for me now!</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">L. C.</span>) But it's a delicate subject
to bring before a lady one has never met before—</p>
<p><span class="smcap">Sir J.</span> I'll introduce you in proper form—tell
her you are my mouthpiece—Oh, I'll make <i>that</i>
all right. And I'll be there, of course, while you—do
it—</p>
<p><span class="smcap">Mollen.</span> Naturally, if you insist—</p>
<p><span class="smcap">Sir J.</span> I do—You will?</p>
<p><span class="smcap">Mollen.</span> Certainly—though—(<i>getting away</i>
<span class="smcap">L.</span>)</p>
<p><span class="smcap">Sir J.</span> (<i>following him to</i> <span class="smcap">L.</span>) I'm immensely
grateful! I'll send for the boy at once and talk
to him. I can manage <i>that</i> part. You'll see
Lady Claude into her carriage, walk to the corner
of the street and come back. Then, if you're
right about him—</p>
<p><span class="smcap">Mollen.</span> <i>If</i> I'm right!</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">L. C.</span>) You will put the other little
matter before her, in your own inimitable fashion.
Eh?</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">L.</span>) I'll be back in ten minutes.</p>
<p class="center">(<span class="smcap">Mollentrave</span> <i>exits</i> <span class="smcap">L. 3 E.</span> <span class="smcap">Sir Joseph</span> <i>has rung</i>
<span class="smcap">R.</span> <span class="smcap">Peters</span> <i>comes in</i> <span class="smcap">L. 3 E.</span>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span>) Tell Mr. Swenboys I want him.</p>
<p><span class="smcap">Peters.</span> Yes, Sir Joseph.</p>
<div class="hangindent">
<p>(<span class="smcap">Peters</span> <i>goes</i> <span class="smcap">L. 3 E.</span> <span class="smcap">Sir Joseph</span> <i>hums cheerfully,
takes up the book, and glances at it</i>. <span class="smcap">Everard</span>
<i>enters</i>. <span class="smcap">Sir J.</span> <i>frowns, throws down book and
waves him to a chair</i>.)</p>
</div>
<p><span class="smcap">Everard.</span> (<span class="smcap">L. C.</span>) You want me, uncle?</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span>) Yes, sit down, sit down. (<span class="smcap">Everard</span>
<i>sits on stool</i> <span class="smcap">L. C.</span>) Oh, Everard!</p>
<p><span class="pagenum"><SPAN name="Page_24" id="Page_24">[Pg 24]</SPAN></span></p>
<p class="center">(<span class="smcap">Sir J.</span> <i>sits in chair</i> <span class="smcap">R. C.</span> <i>down stage</i>.)</p>
<p><span class="smcap">Everard.</span> (<i>wonderingly</i>) Why, uncle, what is
it? Have I done anything?</p>
<p><span class="smcap">Sir J.</span> Done anything, unhappy boy! (<i>He
pauses, perplexedly, then resumes, with melodrama</i>)
I should never have believed it—never!</p>
<p><span class="smcap">Everard.</span> (<i>rise and going</i> <span class="smcap">C.</span>) But, uncle, tell
me—</p>
<p><span class="smcap">Sir J.</span> (<i>waving him back</i>) If ever a trust was
sacred ... if ever a man had a right to expect—and
you—you!</p>
<p><span class="smcap">Everard.</span> (<span class="smcap">C.</span> <i>in absolute dismay</i>) Why—what—</p>
<p><span class="smcap">Sir J.</span> Isn't the world full of girls whom you
could fall in love with? Don't they—pullulate?
Aren't there a hundred thousand more women
than men in London alone? And must you
select, out of them all, the very one whom you—shouldn't?</p>
<p><span class="smcap">Everard.</span> (<i>sinking his head</i>) That wretched
Treable woman has told you about the verses!</p>
<p><span class="smcap">Sir J.</span> Verses! You stooped to verses!</p>
<p><span class="smcap">Everard.</span> (<i>humbly</i>) I cribbed them.</p>
<p><span class="smcap">Sir J.</span> An attempt to obtain credit—under
false pretences! Confess it then, degenerate boy!
You love my ward!</p>
<p><span class="smcap">Everard.</span> (<i>drawing himself up</i>) Uncle, I do!
With every drop of my blood!</p>
<p><span class="smcap">Sir J.</span> (<i>delighted, but simulating great grief</i>)
Ha! It is true then!</p>
<p><span class="smcap">Everard.</span> I was wrong—there is no doubt I
was wrong. But could I help it—put it that way—how
could I?</p>
<p><span class="smcap">Sir J.</span> I must decline to put it that way.</p>
<p><span class="smcap">Everard.</span> (<i>passionately</i>) Why did you let me
come here, and be in her presence, day after day?
How live in the same house with her, sit opposite
her at meals, and not adore? How look upon<span class="pagenum"><SPAN name="Page_25" id="Page_25">[Pg 25]</SPAN></span>
that matchless face, listen to the sound of her
voice, its silvery music (<i>down</i> <span class="smcap">L.</span>) and not—fall
prostrate?</p>
<p><span class="smcap">Sir J.</span> (<i>making a note on his shirt-cuff</i>)
Matchless face—silvery music—</p>
<p><span class="smcap">Everard.</span> (<i>to</i> <span class="smcap">R. C.</span>) I worship her, uncle!
She is the—very star and loadstone of my existence,
the—</p>
<p><span class="smcap">Sir J.</span> (<i>rise</i>) I see. But, tell me—have you
said all this—to her?</p>
<p><span class="smcap">Everard.</span> (<span class="smcap">C.</span> <i>mournfully</i>) To her not a
word! My fingers may have pleaded, as I passed
the bread and butter—my eyes may have spoken—but
my lips—never! The verses, the fatal
verses, merely compared her to the (<i>away</i> <span class="smcap">L. C.</span>)
Capitoline Venus—</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span>) And the Venus, I suppose,
wasn't in it?</p>
<p><span class="smcap">Everard.</span> (<i>up to him</i> <span class="smcap">R. C.</span>) Ah, uncle, don't
make fun of me! I confess my fault to you
frankly—I know it was wrong—I've always
known it. Send me away, sir—I'll do what you
bid me. Get me a berth in Africa where the
climate's deadliest (<i>sit</i> <span class="smcap">C.</span> <i>front of table</i>) I'll go
without a word—and you'll soon be rid of me!</p>
<p><span class="smcap">Sir J.</span> (<i>up</i> <span class="smcap">R. C.</span>) But, my dear lad, I don't
want to be rid of you—and I'm not sure that I
altogether approve of the deadly climate scheme.
All I say is—</p>
<p><span class="smcap">Everard.</span> You can say nothing to me that I
have not said already to myself—ah, many times!
(<i>rise</i>) It was a presumption—a mad presumption.
Don't be too hard on me!</p>
<p><span class="smcap">Sir J.</span> (<i>gravely</i>) Everard, I've tried to do my
duty by you—</p>
<p><span class="smcap">Everard.</span> You have been more than a father
to me. Be merciful, sir!</p>
<p><span class="smcap">Sir J.</span> I will, I will.</p>
<p><span class="smcap">Everard.</span> All I ask is—</p>
<p><span class="pagenum"><SPAN name="Page_26" id="Page_26">[Pg 26]</SPAN></span></p>
<p><span class="smcap">Sir J.</span> All <i>I</i> ask is that we now drop heroics
and descend to more commonplace ground.
Leave Olympus and return to the London pavement——</p>
<p><span class="smcap">Everard.</span> (<span class="smcap">L. C.</span> <i>bewildered</i>) I don't understand—</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span>) Why, after all, when one comes
to think of it, there is no especial crime in a young
man falling in love with a young woman—</p>
<p><span class="smcap">Everard.</span> (<i>up</i> <span class="smcap">R. C.</span>) A young woman! Margaret!</p>
<p><span class="smcap">Sir J.</span> A young goddess, then—but still, it is
not unnatural. And, as I say, I don't see—</p>
<p><span class="smcap">Everard.</span> (<i>springing wildly to his feet</i>) You
don't mean that there is a hope for me!</p>
<p><span class="smcap">Sir J.</span> But I do, I do! I have reason to believe
that she is not altogether indifferent.</p>
<p><span class="smcap">Everard.</span> (<i>gasping</i>) Uncle!</p>
<p><span class="smcap">Sir J.</span> Has she given you no sign?</p>
<p><span class="smcap">Everard.</span> (<i>shyly</i>) When we played chess last
Thursday, she allowed her hand to rest on mine
for the appreciable fraction of a second—</p>
<p><span class="smcap">Sir J.</span> (<i>triumphantly</i>) You see! Mollentrave
on Women—the text-book on the subject—would,
I am sure, interpret that as encouragement.</p>
<p><span class="smcap">Everard.</span> Uncle! Don't tell me that you
think—(<i>he rushes wildly about the room</i>)</p>
<p><span class="smcap">Sir J.</span> But I do, I do! What's more, I am
convinced! Come, my boy, sit down. (<span class="smcap">Everard</span>
<i>down</i> <span class="smcap">R.</span> <i>back to</i> <span class="smcap">C.</span> <span class="smcap">Sir J.</span> <i>seizes him and sits him</i>
<span class="smcap">R. C.</span>) and don't pace the room like an undischarged
bankrupt. (<i>sits</i> <span class="smcap">C.</span>) Let us discuss the
matter.</p>
<p><span class="smcap">Everard.</span> Margaret to be mine!</p>
<p><span class="smcap">Sir J.</span> Again I say, why not? I shall buy you
a practice as a wedding-present, and—as they say
in the fairy-stories, you will live happily ever
after. Do you authorize me to—sound the lady?</p>
<p><span class="pagenum"><SPAN name="Page_27" id="Page_27">[Pg 27]</SPAN></span></p>
<p class="center">(<span class="smcap">Everard</span> <i>rises and away</i> <span class="smcap">R.</span>)</p>
<p class="center">(<span class="smcap">Mollentrave</span> <i>comes bustling into the room</i>
<span class="smcap">L. 3 E.</span>)</p>
<p><span class="smcap">Sir J.</span> (<i>rise</i> <span class="smcap">C.</span>—<i>going eagerly to him and whispering
into his ear</i>) Splendid, Mollentrave,
splendid! (<i>aloud</i>) Let me introduce my nephew,
Mr. Everard Swenboys. Everard, this is an old
friend of mine—whom we can admit to our
fullest confidence. (<i>down</i> <span class="smcap">C.</span>) Mollentrave—my
nephew has just confessed to me that he loves my
ward!</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">L. C.</span>) You don't say so! Remarkable!
Really! (<i>up</i> <span class="smcap">L. C.</span> <i>puts hat down table</i> <span class="smcap">C.</span>
<i>and crosses to down</i> <span class="smcap">R.</span>)</p>
<p><span class="smcap">Sir J.</span> I have your authority, Everard, to—ask
the lady?</p>
<p><span class="smcap">Everard.</span> (<span class="smcap">R. C.</span>) Oh, uncle, if you would!
One word from you!</p>
<p><span class="smcap">Sir J.</span> Very well, then—send her to me! At
once!</p>
<p><span class="smcap">Everard.</span> (<i>with a look at</i> <span class="smcap">Mollentrave</span>)
Now, uncle? Had we not better—</p>
<p><span class="smcap">Sir J.</span> Now! The court of Love is sitting!
(<span class="smcap">Everard</span> <i>crosses to</i> <span class="smcap">L.</span>) Go, my boy—and tell
her to be quick!</p>
<p><span class="smcap">Everard.</span> (<i>shakes his uncle violently by the hand,
then rushes out of the room</i> <span class="smcap">L. 3 E.</span> <span class="smcap">Sir Joseph</span>
<i>turns to</i> <span class="smcap">Mollentrave</span> <i>down</i> <span class="smcap">R. C.</span> <i>with enthusiasm</i>,
<span class="smcap">C.</span>) You're a wizard, you know! It's marvellous!
Look here, I made a note or two for you—matchless
face, silvery music of her voice—you
might bring those in—</p>
<p><span class="smcap">Mollen.</span> Startingly original, aren't they?
You'll find half a dozen really <i>new</i> superlatives
in my book. So it seems I wasn't wrong, eh?
(<i>goes</i> <span class="smcap">R.</span> <i>by fireplace</i>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) Extraordinary! If only you're
right about her.</p>
<p><span class="pagenum"><SPAN name="Page_28" id="Page_28">[Pg 28]</SPAN></span></p>
<p><span class="smcap">Mollen.</span> We shall see. My dear friend, I have
other cases on hand besides this. (<i>comes</i> <span class="smcap">C.</span>)
Have you met Lord Contareen?</p>
<p><span class="smcap">Sir J.</span> No—I don't think so.</p>
<p><span class="smcap">Mollen.</span> I am, shall I say, "steering" <i>him</i>.
He's in love with my—with a lady, and the lady
loves him—without knowing it. (<span class="smcap">R. C.</span>) I give
you my word she has refused him, although she
adores him—merely <i>because</i> she doesn't know.</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) Funny! But <i>you</i> know, eh?</p>
<p><span class="smcap">Mollen.</span> <i>I</i> know, by what I call consequential
induction; and by the same process I'll answer
for your ward. By the way what will you do
while I—plead?</p>
<p><span class="smcap">Sir J.</span> Just go and sit at my desk, eh? (<i>sit</i> <span class="smcap">R.</span>
<i>of desk</i> <span class="smcap">C.</span>)</p>
<p><span class="smcap">Mollen.</span> Yes—that will be best. It won't
take long. I hope she'll come soon! (<i>down</i> <span class="smcap">R.</span>)
though! Ah—</p>
<div class="hangindent">
<p>(<span class="smcap">Margaret</span> <i>has come into the room</i> <span class="smcap">L. 3 E.</span>; <i>she
goes to</i> <span class="smcap">Sir Joseph</span> <i>and does not at first notice</i>
<span class="smcap">Mollen.</span> <i>who is at back</i>.)</p>
</div>
<p><span class="smcap">Margaret.</span> (<span class="smcap">L.</span> <i>of desk</i> <span class="smcap">C.</span>) You wish to speak
to me, guardian?</p>
<p><span class="smcap">Sir J.</span> (<i>very embarrassed</i>) Yes—er—yes.</p>
<p><span class="smcap">Margaret.</span> About Miss Treable? Oh, believe
me, she is the o—</p>
<p><span class="smcap">Sir J.</span> (<i>rising down</i> <span class="smcap">C.</span> <i>very fidgety and awkward</i>)
No, no, it's not about Miss Treable. Let
me introduce you to Mr. Mollentrave. Mollentrave,
this is my ward, Miss Messilent.</p>
<p class="center">(<span class="smcap">Marg.</span> <i>comes down</i> <span class="smcap">L. C.</span>)</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">R. C.</span> <i>bowing</i>) I am exceedingly
happy to make Miss Messilent's acquaintance.</p>
<p><span class="smcap">Sir J.</span> (<i>picking his words with considerable<span class="pagenum"><SPAN name="Page_29" id="Page_29">[Pg 29]</SPAN></span>
effort and difficulty</i>) Margaret, you will possibly—consider
it strange—but the fact is—there is
something—that I ought to have—said to you—myself—before
to-day perhaps (<span class="smcap">C.</span>)—but it's a—delicate
matter—and you know what a rugged
old bear I am—and—well, Everard's not much
better—and here's Mr. Mollentrave—a very old
friend—and he—well, you see, I told him of my—of
our—dilemma—and he, in the kindest way in
the world—eh, Mollentrave?—well, he'll just tell
you, you see, and I'll finish—what I was doing.</p>
<div class="hangindent">
<p>(<i>He beats a hasty retreat to his desk and buries
himself in his papers.</i> <span class="smcap">Mollentrave</span> <i>advances,
smiling and mincing</i>.)</p>
</div>
<p><span class="smcap">Mollen.</span> (<span class="smcap">R. C.</span> <i>very volubly</i>) My dear Miss
Messilent, I find myself in a rather embarrassing
position. Your guardian, who as you are aware,
has, in the most charming manner possible, retained
all the shyness of youth in the presence of
your adorable sex, has deputed me to speak for
him, phrase his sentiments, express his pious desires—in
a word, act as his mouthpiece in introducing
to your notice a subject that I trust will
enlist all your sympathy. Have I your permission?</p>
<p><span class="smcap">Margaret.</span> (<span class="smcap">L. C.</span> <i>her eyes roaming from him to</i>
<span class="smcap">Sir Joseph</span>) Certainly.</p>
<p class="center">(<span class="smcap">Marg.</span> <i>sits stool</i> <span class="smcap">L. C.</span> <span class="smcap">Mollen.</span> <i>takes chair from</i>
<span class="smcap">R. C.</span> <i>and sits</i> <span class="smcap">C.</span>)</p>
<p><span class="smcap">Mollen.</span> (<i>sitting</i> <span class="smcap">C.</span>) My dear young lady,
the sixty years that have passed over my head,
furrowing my brow and blanching my hair, give
me at least the privilege to address you with a
certain paternal simplicity, a mild but glowing
benevolence. Can you, without too great a
stretch of the imagination, look on me, for a very<span class="pagenum"><SPAN name="Page_30" id="Page_30">[Pg 30]</SPAN></span>
brief moment, as though I were actually your
guardian?</p>
<p><span class="smcap">Margaret.</span> (<i>more and more puzzled</i>) If you
wish it.</p>
<p><span class="smcap">Mollen.</span> Ten thousand thanks. You simplify
my task. Because the theme on which I have to
dwell is not one that can be coldly attacked—scarred
veteran as I am, there are still feeble pulsations
in my heart when I breathe the magic
word—Love! (<i>He looks searchingly at her</i>)</p>
<p><span class="smcap">Margaret</span>. (<i>startled</i>) Love! (<i>she throws a
quick glance at</i> <span class="smcap">Sir Joseph</span>, <i>who dives down
deeper behind his desk</i>)</p>
<p><span class="smcap">Mollen.</span> (<i>with much sentiment</i>) Love! I
am fresh from hearing a man tell of his love—oh,
the word is too cold!—of his deep, overpowering
passion! Miss Messilent, I am still under the
spell! I have been the recipient, in my time, of
many confidences—but never have I met a creature
so absolutely enslaved by the divine emotion,
so eager a captive in the chains of beauty—as is
this lover—of yours! (<i>Both rise</i>)</p>
<p><span class="smcap">Margaret.</span> Of mine! Mine! Me!</p>
<p><span class="smcap">Mollen.</span> Who but you? Are you not—but
forgive me if my advocacy becomes too ardent!
(<i>puts chair back</i> <span class="smcap">R.</span> <i>and goes up to</i> <span class="smcap">R.</span> <i>of</i> <span class="smcap">Sir J.</span>)
It is your guardian who should be saying these
things—but I speak for him, I am the reed into
which he has blown! (<span class="smcap">Marg.</span> <i>kneels on stool and
is facing</i> <span class="smcap">Sir J.</span>) It is your guardian who wishes
to know whether this man, this lover of yours
(<i>comes</i> <span class="smcap">C.</span>) this man who yearns for you, who for
the last month has been your satellite, shining
with your radiance and dark with your darkness,
who has set up a temple in his soul whereof you
are the goddess—whether this man shall be flung
by you into the shadows of hopeless misery, or
be made immortal by the knowledge that you—return—his
passion!</p>
<p><span class="pagenum"><SPAN name="Page_31" id="Page_31">[Pg 31]</SPAN></span></p>
<p><span class="smcap">Margaret.</span> (<i>off stool and sitting</i> <span class="smcap">L. C.</span> <i>looking
glowingly at</i> <span class="smcap">Sir J.</span>) Yes! Yes! Tell him yes!</p>
<p><span class="smcap">Mollen.</span> (<span class="smcap">C.</span> <i>beaming</i>) Ha! You can accord
him, then, a small fragment of—your affection?</p>
<p><span class="smcap">Margaret.</span> Can he doubt it! Oh, he is so
much above me! I had never dared to hope!</p>
<p><span class="smcap">Mollen.</span> (<i>triumphantly</i>) Miss Messilent, nor
he, I assure you—nor he! (<i>away</i> <span class="smcap">R. C.</span>) Ah,
lovers, lovers! Then your guardian may tell Mr.
Swenboys—</p>
<p><span class="smcap">Margaret.</span> (<i>sinking her head</i>) Ah—poor Everard!</p>
<p><span class="smcap">Mollen.</span>(<span class="smcap">C.</span> <i>smiling</i>) Poor Everard! I
don't think we need pity <i>him</i>! (<i>She rises</i>) Miss
Messilent, I have fulfilled my mission, and now I
will leave you. I relinquish my paternal role
with regret, with considerable regret—and join
the ranks of your other admirers. Miss Messilent,
I kiss your hand!</p>
<div class="hangindent">
<p>(<span class="smcap">Sir J.</span> <i>rises and steps forward: he is beaming with
joy</i>. <span class="smcap">Mollentrave</span> <i>bows to her and crosses her
over to his</i> <span class="smcap">R.</span> <i>and goes to the door</i> <span class="smcap">L. 3 E.</span> <span class="smcap">Sir
Joseph</span> <i>rises, accompanying him</i>. <span class="smcap">Margaret</span>
<i>remains standing</i> <span class="smcap">R. C.</span> <i>as though entranced</i>.)</p>
</div>
<p><span class="smcap">Mollen.</span> (<i>up</i> <span class="smcap">L.</span> <i>at the door, to</i> <span class="smcap">Sir J.</span>) Rather
good, eh, don't you think, for an impromptu?</p>
<p><span class="smcap">Sir J.</span> (<i>up</i> <span class="smcap">L. C.</span>) Good! Magnificent! How
can I thank you?</p>
<p><span class="smcap">Mollen.</span> Tut, tut, I've enjoyed it. Now make
her name the day while the ecstatic mood's still
on her! Good-bye! Till to-morrow!</p>
<p class="center">(<span class="smcap">Mollentrave</span> <i>goes</i> <span class="smcap">L. 3 E.</span>)</p>
<p class="center">(<span class="smcap">Sir Joseph</span> <i>returns to</i> <span class="smcap">Margaret</span>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span> <i>all his awkwardness returning</i>)<span class="pagenum"><SPAN name="Page_32" id="Page_32">[Pg 32]</SPAN></span>
My dear—Margaret, I am really most glad—most
glad. And Everard—well, well, I need say nothing
about Everard. And now that we—know—will
you regard me as—inconsiderate—if I press
for an—early—marriage?</p>
<p><span class="smcap">Margaret.</span> (<span class="smcap">C.</span> <i>coyly</i>) Sir Joseph!</p>
<p><span class="smcap">Sir J.</span> (<i>on her</i> <span class="smcap">L.</span>) You will have to—er—drop
that title soon, my dear and address me—er—less
formally.</p>
<p><span class="smcap">Margaret.</span> Not yet, not yet! Give me time.</p>
<p><span class="smcap">Sir J.</span> (<i>a little surprised</i>) Certainly, certainly—but
I trust it will not be too long. And
now, one final word. My—er—guardianship will
soon be at an end—but I have tried—to—er—fulfil
its duties. And I trust that—er—er—you will
never regret the—er—step—you are taking to-day!</p>
<div class="hangindent">
<p>(<i>He goes to her, cordially holding out both his
hands.</i> <span class="smcap">Margaret</span> <i>is about to throw herself
into his arms when the door opens and</i> <span class="smcap">Mrs.
Martelli</span> <i>appears</i> <span class="smcap">R. 1 E.</span> <i>She pauses, aghast.</i>
<span class="smcap">Margaret</span> <i>with a smothered cry, rushes out of
the room</i> <span class="smcap">L. 3 E.</span>)</p>
</div>
<p><span class="smcap">Mrs. M.</span> Sir Joseph! (<span class="smcap">R.</span>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span> <i>gleefully</i>) Well, Mrs. Martelli?</p>
<p><span class="smcap">Mrs. M.</span> (<span class="smcap">R. C.</span> <i>standing grimly on the threshold</i>)
I hope I do not intrude.</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) By no means, by no means! We
had finished! Ah, Mrs. Martelli, there will soon
be an end to Miss Treable!</p>
<p><span class="smcap">Mrs. Mar.</span> (<i>open-mouthed</i>) Sir Joseph!
(<i>with suppressed indignation</i>) I came to tell
you that your clerk is still waiting below.</p>
<p><span class="smcap">Sir J.</span> Noyes! Ah, I had forgotten about
Noyes! Send him up, (<i>across to</i> <span class="smcap">R.</span>) please. Oh,
it's splendid, Mrs. Martelli—splendid!</p>
<p><span class="pagenum"><SPAN name="Page_33" id="Page_33">[Pg 33]</SPAN></span></p>
<p class="center">(<span class="smcap">Mrs. Martelli</span> <i>exits</i> <span class="smcap">R. 1 E.</span>)</p>
<p class="center">(<i>The door at back opens and</i> <span class="smcap">Everard</span> <i>appears</i>.)</p>
<p><span class="smcap">Everard.</span> Uncle!</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span> <i>rushing to him, and slapping him
on the back</i>) Everard! It's all right! Go to
her, my boy!</p>
<p><span class="smcap">Everard.</span> (<span class="smcap">L. C.</span> <i>gasping</i>) Uncle!</p>
<p><span class="smcap">Sir J.</span> Go to her! She adores you! Unworthy,
et-cetera—never dared to look so high! Oh,
you couple of idiots! Give her the classic kiss,
and get her to name the day! She has promised
to make it soon. Quick, now—she's waiting!</p>
<p><span class="smcap">Everard.</span> Uncle!</p>
<p class="center">(<i>He rushes out wildly back</i> <span class="smcap">L. 3 E.</span> <span class="smcap">Sir Joseph</span>
<i>returns to</i> <span class="smcap">R. C.</span> <span class="smcap">Noyes</span> <i>enters</i> <span class="smcap">R. 1 E.</span>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span>) Ah, Noyes, I forgot about you!
Here—a present. Take it and read it! (<i>He
hands him the book</i>)</p>
<p><span class="smcap">Noyes.</span> (<span class="smcap">R.</span> <i>looking at the cover</i>) "Mollentrave
on Women." (<i>he stares</i>)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">R. C.</span> <i>takes book away from</i> <span class="smcap">Noyes</span>)
Stay though—it's an autograph copy—you must
buy one for yourself! Hurrooh! He knows a
thing or two, that old man. Well, now what
news?</p>
<p><span class="smcap">Noyes.</span> (<span class="smcap">R.</span>) I merely called to see whether
you were going to Scotland to-morrow, Sir
Joseph.</p>
<p><span class="smcap">Sir J.</span> No—not to-morrow—I must alter my
plans for a bit. Everard's going to marry my
ward, Noyes. A bit of luck, eh? We must see
about settlements, and so on. And buy the lad a
practice. There are agents for that sort of thing,
eh?</p>
<p><span class="smcap">Noyes.</span> Certainly, Sir Joseph. And permit
me to congratulate you.</p>
<p><span class="pagenum"><SPAN name="Page_34" id="Page_34">[Pg 34]</SPAN></span></p>
<p><span class="smcap">Sir J.</span> Thank you, thank you! And enquire
about the practice—at once!</p>
<p><span class="smcap">Noyes.</span> Have you any preference as regards
locality?</p>
<p><span class="smcap">Sir J.</span> H'm—a pleasant suburb—not <i>quite</i> too
near town, eh? Noyes? One doesn't want to be
<i>too</i> close—to the felicity of the young couple?
Turtle-doves demand solitude. Oh, blessings on
Mollentrave!</p>
<p class="center">(<span class="smcap">Everard</span> <i>returns</i> <span class="smcap">L. 3 E.</span> <i>the picture of hopeless
despair</i>.)</p>
<p><span class="smcap">Sir J.</span> (<span class="smcap">C.</span>) Hullo, what's this?</p>
<p><span class="smcap">Everard.</span> (<span class="smcap">L. C.</span>) Uncle, she thinks you meant
you!</p>
<p><span class="smcap">Sir J.</span> (<i>leaping up</i>) What!!!</p>
<p><span class="smcap">Everard.</span> She thinks you meant <span class="smcap">You</span>!! That
you were proposing for yourself! She says she's
engaged to—YOU!</p>
<p><span class="smcap">Sir J.</span> (<i>shaking him</i>) Speak, can't you?
What do you mean?</p>
<p><span class="smcap">Everard.</span> (<i>brokenly</i>) She does. I didn't undeceive
her. How could I? <i>She's happy</i>—<i>she
loves</i> you—she'll <i>marry</i> you! Oh!</p>
<p><span class="smcap">Sir J.</span> Oh! Mollentrave!</p>
<div class="hangindent">
<p>(<span class="smcap">Ever.</span> <i>buries his head in his hands and sinks into
settee</i> <span class="smcap">L.</span> <span class="smcap">Sir Joseph</span> <i>stands</i> <span class="smcap">C.</span> <i>shouting between
his clenched teeth</i>—"Oh, <span class="smcap">Mollentrave</span>!")</p>
</div>
<p class="center">CURTAIN.</p>
<p><span class="pagenum"><SPAN name="Page_35" id="Page_35">[Pg 35]</SPAN></span></p>
<div class="chapter"></div>
<hr class="chap" />
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