<h3>VI</h3></div>
<p>Old Martha was longer in New York than she had intended to be. There
were plenty of servants out of work on the lists of the various
employment agencies which she visited. But Martha's requirements were
such as the average servant can not meet or will not face, and
candidates for the place and wages she offered asked questions and were
not satisfied with her answers.</p>
<p>"And where is the house?"</p>
<p>"Canada."</p>
<p>"Is it a city?"</p>
<p>"It's country."</p>
<p>"Are there neighbors?"<SPAN class="pagenum" name="page_45" id="page_45" title="45"></SPAN></p>
<p>"No."</p>
<p>"What manner of man is the master?"</p>
<p>"A fine, kind man."</p>
<p>"Married?"</p>
<p>"Single."</p>
<p>"An old man?"</p>
<p>"A young man. But you'll not see the master."</p>
<p>"Me work for a man I don't see?"</p>
<p>"He don't see nobody but me."</p>
<p>"What ails him?"</p>
<p>"Nothing. 'Tis his way. He's shy o' people."</p>
<p>"There'll be no company, then?"</p>
<p>"None."</p>
<p>"What men will there be to help about the place?"</p>
<p>"The men that drive in from the village with supplies."<SPAN class="pagenum" name="page_46" id="page_46" title="46"></SPAN></p>
<p>"How far off is the village?"</p>
<p>"Twelve miles. When they can't drive they come in on snow-shoes."</p>
<p>"Hum!"</p>
<p>"What more can I tell you?"</p>
<p>"You've told enough. I would not touch the place with a pole, not for
twice the wages. I'd rather be dead than twelve miles from everywhere
and never a man in the house."</p>
<p>Girls who seemed able and willing wouldn't go, two were willing to try
the place for a month, but Martha did not like their faces or their
voices. She was in despair, until one day, far from any employment
agency, a chance meeting settled the matter.</p>
<p>"Why, Martha!"</p>
<p>"If it isn't Miss Joy!"</p>
<p>And for a moment old Martha was<SPAN class="pagenum" name="page_47" id="page_47" title="47"></SPAN> dazed, for except in the pursuit of
sport, tennis or golf, Miss Joceylin Grey was not the sort of girl who
is met walking. And here she was crossing Madison Square on the long
diagonal, in shoes that had not been blacked that day, and furthermore
she was not headed for the avenue but away from it, and dusk was
descending upon the city. And furthermore the color that had been her
chiefest glory in the old Palm Beach and Newport days was all gone, and
she looked very thin and delicate, and tired and discouraged. And where,
oh where, were the gardenias that she always wore during the time of
year when they are rarest and most expensive? Where even were the
child's gloves, old Martha asked herself, her sables? Her pearls?<SPAN class="pagenum" name="page_48" id="page_48" title="48"></SPAN></p>
<p>"Why, Miss Joy," she exclaimed, "you look as if your father had lost
every cint he had in the world."</p>
<p>The girl flushed uneasily, but her eyes did not fall from the old
woman's.</p>
<p>"Everybody knows that, Martha. Where <i>have</i> you been?"</p>
<p>"Stone deaf," said Martha, "among me own sorrows. But you're all in
black."</p>
<p>"I lost my father, too."</p>
<p>Old Martha made a soft, crooning sound of pity.</p>
<p>"So," and Miss Joy tried to speak bravely. "I live all alone now, and—"</p>
<p>"Have ye no money?"</p>
<p>"Not a penny, Martha. I had a job as a reporter until they asked me to
do things that I wouldn't do."</p>
<p>"And when did you lose this job?"<SPAN class="pagenum" name="page_49" id="page_49" title="49"></SPAN></p>
<p>"Day before yesterday."</p>
<p>"And now?"</p>
<p>"Oh, something will turn up."</p>
<p>"Meaning that nothing has."</p>
<p>"Not yet." She was beginning to shiver with the cold. "Good-by, Martha,
it's good to see you again, and I could stand here talking till all
hours if it wasn't for the wind."</p>
<p>She had given both her hands to Martha, but this one would not let them
go. Her fine, gentle, old face became set and obstinate.</p>
<p>"When did you eat last?"</p>
<p>The girl smiled wanly and shivered.</p>
<p>She felt her arm being drawn through Martha's. She felt herself pulled
rapidly toward the avenue.</p>
<p>Martha, satisfied with the face of a<SPAN class="pagenum" name="page_50" id="page_50" title="50"></SPAN> passing taxicab's driver, whistled
with sudden, piercing shrillness.</p>
<p>"Where are you taking me?"</p>
<p>Old Martha's eyes became humorous. It was pleasant to her to play fairy
godmother to a millionaire's daughter.</p>
<p>"To me suite in the St. Savior," said she. "To a hot tub, dearie, and a
hot dinner, and a warm bed."</p>
<p>In Martha's sitting-room were flowers. She could afford them. On the
bureau in her bedroom was a large photograph of the Poor Boy, in an
eighteen-carat gold frame, very plain and smart.</p>
<p>While Martha was undoing the hooks of her dress Miss Joy stood in front
of the bureau and looked at this photograph.<SPAN class="pagenum" name="page_51" id="page_51" title="51"></SPAN></p>
<p>"Poor Boy," she said presently.</p>
<p>"What's that?" said Martha.</p>
<p>"What's become of him, Martha?"</p>
<p>Martha told her.</p>
<p>"It was all so wicked," said the girl.</p>
<p>"Wicked," said Martha, "was no name for it. All his friends to believe
he'd do a thing like that! I could skin them alive, the lot of them!"</p>
<p>"I was one of his friends, Martha."</p>
<p>"I make no war on women," said Martha.</p>
<p>"I say I was one of his friends—but I never believed he did it—I mean
how could he, and why should he?"</p>
<p>"Perhaps you wrote to tell him you believed in him!"</p>
<p>"I wish I had," said the girl, "but<SPAN class="pagenum" name="page_52" id="page_52" title="52"></SPAN> I thought everybody would, and then
you know we had a sort of a misunderstanding; and I was going to, and
then my father's troubles got so bad that he couldn't hide them from me,
and we used to talk them over all night sometimes, and I couldn't think
about anybody else's troubles.—Is he up there all alone?"</p>
<p>"There's the last hook. And now I'll draw a tub."</p>
<p>Miss Joy undressed herself to the music of water roaring under high
pressure into a deep porcelain tub. She was no longer hungry, for she
had had a glass of milk on arriving at the hotel, but she was very tired
and a little dizzy in her head.</p>
<p>As is the custom with girls who have been brought up with maids to
dress<SPAN class="pagenum" name="page_53" id="page_53" title="53"></SPAN> and undress them, she flung her clothes upon a chair in a
disorderly heap, and was no more embarrassed at being naked before
Martha than if Martha had been a piece of furniture.</p>
<p>"Come and talk to me, Martha," she said, "while I soak."</p>
<p>So Martha sat by the tub as by a bedside, and Miss Joy with a sigh of
comfort lay at length in the hot water and they talked.</p>
<p>"Is he up there all alone?"</p>
<p>"He is now. The housework was too heavy for one old woman. He sent me to
New York to find a helper. But the wages don't make up for the
loneliness in the young biddy's mind—in what she is plazed to call her
mind—and I'm five days lookin' about and nothing done."<SPAN class="pagenum" name="page_54" id="page_54" title="54"></SPAN></p>
<p>"Wages?" sighed Miss Joy. "They sound good to me."</p>
<p>"To think of wages sounding good to you, Miss Joy!"</p>
<p>"But they do. I'd do almost anything for money."</p>
<p>"Ye would not, Miss Joy."</p>
<p>"You don't know me."</p>
<p>"I know well that you could 'a' had Mr. Ludlow for the taking, and him
nearly as rich as me Poor Boy."</p>
<p>"So I could," said Miss Joy, "and perhaps I shall marry him after all."</p>
<p>"What!" exclaimed Martha. "Marry that old devil! Tell me ye'd sooner
starve—or—get out of me tub, and take yourself off!"</p>
<p>Old Martha rose hurriedly with a squeak of dismay, and rushed to close
the door between the bedroom and<SPAN class="pagenum" name="page_55" id="page_55" title="55"></SPAN> the sitting-room. She returned
breathing fast.</p>
<p>"They were knocking with the dinner," she explained, "and all the doors
open! Ye've soaked long enough, deary. Come out."</p>
<p>"Not until you say that you know I wouldn't marry Mr. Ludlow to save me
from drowning."</p>
<p>"Full well I know it," said Martha heartily. "Come out."</p>
<p>The girl came out of the tub reluctantly, and presently, swathed in
Martha's best lavender dressing-gown (she had bought it that morning),
was lifting a spoonful of clear green-turtle soup to her lips.</p>
<p>"Martha!"</p>
<p>"Miss Joy!"</p>
<p>"I see champagne."<SPAN class="pagenum" name="page_56" id="page_56" title="56"></SPAN></p>
<p>"'Tis not only to look at, Miss Joy."</p>
<p>"It's wonderful," said Miss Joy, "starving—I meet you—champagne—and
to-morrow—"</p>
<p>Her sudden high spirits suddenly fell.</p>
<p>"Oh, Martha, from the top of even a small tree to the ground is a cruel,
hard fall!"</p>
<p>"We were speakin' of wages, Miss Joy. And of a certain young lady
willin' to do almost anything for money. Will ye come back to the woods
with me to help with the housework?"</p>
<p>"Oh, but Martha—it wouldn't do. It isn't as if I'd never known him—but
we were such good friends—and it would all be too uncomfortable and
embarrassing."</p>
<p>"Ye'd never see <i>him</i>, Miss Joy."<SPAN class="pagenum" name="page_57" id="page_57" title="57"></SPAN></p>
<p>"Never see him!"</p>
<p>"He will look no one in the face but me. The faces that he loved are
nightmares to him now—all but old Martha's. No, Miss Joy—ye might,
peepin' from behind curtains, set eyes on me Poor Boy, but as for you,
he'd not know if you was man or woman, old or young, unless I told him.
He has his rules; when the men come in from the village he disappears
like a ghost. When they have gone he comes back. There'd be hours for
housework, when he'd be out of the way, and that there was a born lady
helping old Martha out and kapin' the poor woman company—he'd never
know—never at all."</p>
<p>"Hum," said Miss Joy to the bubbles in her glass of champagne.</p>
<p>"The life," said Martha, "will bring<SPAN class="pagenum" name="page_58" id="page_58" title="58"></SPAN> back the color to your cheeks, the
flesh to your bones, the courage to your heart."</p>
<p>"Am I so dreadfully thin?"</p>
<p>"If I was that thin," said Martha, "I'd hate to have me best friends see
me without me clothes. But ye've the makin's of a Vanus, and that's more
than ever I had."</p>
<p>Miss Joy laughed aloud.</p>
<p>Then, after a silence, and very seriously: "You're sure he'd never know
that I was in the house?"</p>
<p>"Not unless I told him."</p>
<p>"But you wouldn't tell him?"</p>
<p>"Not if he hitched wild horses to me sacret and lashed them."</p>
<p>Another thoughtful silence.</p>
<p>"There's just one thing, Martha," said Miss Joy, "that I <i>won't</i> do."<SPAN class="pagenum" name="page_59" id="page_59" title="59"></SPAN></p>
<p>Martha flung up her hands in a gesture of despair.</p>
<p>"That's what they all say!" she cried. "That's how they all get out o'
comin'. Well, what is it that ye won't do?"</p>
<p>Miss Joy hated to say. She was a little ashamed. She had enjoyed the
reputation of being a good sport, a girl whom it was hard to dare. But
she had her weakness. "I won't," she said, "I won't—I can't—bring
myself to touch a live lobster."</p>
<p>Old Martha's face became extremely grave. She leaned forward. She was
all confidence.</p>
<p>"Deary," she said, "nor more can I."</p>
<p>The two women exploded into laughter, loud and prolonged.<SPAN class="pagenum" name="page_60" id="page_60" title="60"></SPAN></p>
<p>"Well," said Miss Joy at last, and she was still laughing, "it's a
sporting proposition.... When do we start?"</p>
<p>"Ye must have warm clothes first."</p>
<p>"I have no money, Martha."</p>
<p>"Do ye remember a house ye took one winter, while your poor father was
tearin' out the innerds of his own?"</p>
<p>"On Park Avenue and—"</p>
<p>"The same," said Martha. "The northwest corner. Ye were my tenants that
winter.... Yes, deary, I am a rich old woman. And, between you and me,
your poor father wanted that house the worst way, and me agents stuck
him good and plenty. There's a balance comin' to ye, Miss Joy. 'Tis what
they call conscience money, and 'twill buy ye warm clothes, and maybe a
bit jool to go at your throat."<SPAN class="pagenum" name="page_61" id="page_61" title="61"></SPAN></p>
<p>"Martha—Martha, what makes you so good to me?"</p>
<p>"Have ye not said ye never believed that me Poor Boy did what they said
he did?"</p>
<p>"Is that the only reason?"</p>
<p>"There's another," said Martha. "For in all the world, next to his,
ye've the swatest face and way with yez."</p>
<p>The old woman's emotions rose, and her brogue became heavier and heavier
upon her, until her words lost all semblance of meaning. And Miss Joy,
warm and well fed, leaned back in her deep chair and listened and tried
to understand, and looked into Martha's face with eyes that were dark
and misty with tenderness.</p>
<p>And she slept that night and late<SPAN class="pagenum" name="page_62" id="page_62" title="62"></SPAN> into the next morning, without
stirring. And when she waked there was already a little flicker of color
in her pale face.</p>
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