Back Aa

Mine with the Iron Door

<hr class="full" /> <div class="figcenter"> <ANTIMG src="images/cover.jpg" height-obs="550" alt="" /></div> THE MINE WITH THE IRON DOOR <div class="bbox"> <big>BOOKS BY HAROLD BELL WRIGHT</big> THAT PRINTER OF UDELL’S THE SHEPHERD OF THE HILLS THE CALLING OF DAN MATTHEWS THE WINNING OF BARBARA WORTH THEIR YESTERDAYS THE EYES OF THE WORLD WHEN A MAN’S A MAN THE RE-CREATION OF BRIAN KENT THE UNCROWNED KING HELEN OF THE OLD HOUSE THE MINE WITH THE IRON DOOR D. APPLETON & COMPANY New York London </div> {i}  {ii}  {iii}  <div class="figcenter"> <ANTIMG src="images/frontispiece.jpg" height-obs="600" alt="[Image unavailable.]" /> SHE CAUGHT HIM BY THE ARM.... “THE SHERIFF IS HERE!”</div> <div class="bbox1"> <div class="bboxx1"> <h1>THE MINE WITH THE IRON DOOR</h1> A ROMANCE BY HAROLD BELL WRIGHT AUTHOR OF “HELEN OF THE OLD HOUSE,” “THE SHEPHERD OF THE HILLS,” “THE WINNING OF BARBARA WORTH,” ETC. THE RYERSON PRESS TORONTO 1923 </div> </div> {iv} COPYRIGHT, 1923, BY D. APPLETON AND COMPANY PRINTED IN THE UNITED STATES OF AMERICA {v} TO MY FRIENDS IN THE OLD PUEBLO TUCSON {vi}  {vii}  <h2>CONTENTS</h2> <table border="0" cellpadding="3" cellspacing="0" summary=""> <tr><td class="rt">CHAPTER</td><td> </td> <td class="rt">PAGE</td></tr> <tr><td class="rt">I.</td><td class="pdd">The Cañon of Gold</td><td class="rt" valign="bottom">1</td></tr> <tr><td class="rt">II.</td><td class="pdd">At the Oracle Store</td><td class="rt" valign="bottom">7</td></tr> <tr><td class="rt">III.</td><td class="pdd">The Pardners’ Girl</td><td class="rt" valign="bottom">13</td></tr> <tr><td class="rt">IV.</td><td class="pdd">Saint Jimmy</td><td class="rt" valign="bottom">25</td></tr> <tr><td class="rt">V.</td><td class="pdd">The Prospector’s Story</td><td class="rt" valign="bottom">34</td></tr> <tr><td class="rt">VI.</td><td class="pdd">Night</td><td class="rt" valign="bottom">45</td></tr> <tr><td class="rt">VII.</td><td class="pdd">The Stranger’s Quest</td><td class="rt" valign="bottom">50</td></tr> <tr><td class="rt">VIII.</td><td class="pdd">The New Neighbor</td><td class="rt" valign="bottom">58</td></tr> <tr><td class="rt">IX.</td><td class="pdd">“Gold is Where You Find It”</td><td class="rt" valign="bottom">80</td></tr> <tr><td class="rt">X.</td><td class="pdd">Summer</td><td class="rt" valign="bottom">90</td></tr> <tr><td class="rt">XI.</td><td class="pdd">The Lizard</td><td class="rt" valign="bottom">103</td></tr> <tr><td class="rt">XII.</td><td class="pdd">Ghosts</td><td class="rt" valign="bottom">108</td></tr> <tr><td class="rt">XIII.</td><td class="pdd">The Awakening</td><td class="rt" valign="bottom">120</td></tr> <tr><td class="rt">XIV.</td><td class="pdd">The Storm</td><td class="rt" valign="bottom">132</td></tr> <tr><td class="rt">XV.</td><td class="pdd">Marta’s Flight</td><td class="rt" valign="bottom">149</td></tr> <tr><td class="rt">XVI.</td><td class="pdd">Natachee</td><td class="rt" valign="bottom">156</td></tr> <tr><td class="rt">XVII.</td><td class="pdd">The Sheriff’s Visit</td><td class="rt" valign="bottom">172</td></tr> <tr><td class="rt">XVIII.</td><td class="pdd">An Indian’s Advice</td><td class="rt" valign="bottom">185</td></tr> <tr><td class="rt">XIX.</td><td class="pdd">On Equal Terms</td><td class="rt" valign="bottom">191</td></tr> <tr><td class="rt">XX.</td><td class="pdd">The Only Chance</td><td class="rt" valign="bottom">196 {viii}</td></tr> <tr><td class="rt">XXI.</td><td class="pdd">The Way of a Red Man</td><td class="rt" valign="bottom">208</td></tr> <tr><td class="rt">XXII.</td><td class="pdd">The Lost Mine</td><td class="rt" valign="bottom">217</td></tr> <tr><td class="rt">XXIII.</td><td class="pdd">Sonora Jack</td><td class="rt" valign="bottom">225</td></tr> <tr><td class="rt">XXIV.</td><td class="pdd">The Way of a White Man</td><td class="rt" valign="bottom">235</td></tr> <tr><td class="rt">XXV.</td><td class="pdd">The Ways of God</td><td class="rt" valign="bottom">247</td></tr> <tr><td class="rt">XXVI.</td><td class="pdd">Tragedy</td><td class="rt" valign="bottom">256</td></tr> <tr><td class="rt">XXVII.</td><td class="pdd">On the Trail</td><td class="rt" valign="bottom">263</td></tr> <tr><td class="rt">XXVIII.</td><td class="pdd">The Outlaws</td><td class="rt" valign="bottom">276</td></tr> <tr><td class="rt">XXIX.</td><td class="pdd">The Rescue</td><td class="rt" valign="bottom">291</td></tr> <tr><td class="rt">XXX.</td><td class="pdd">Pardners Still</td><td class="rt" valign="bottom">305</td></tr> <tr><td class="rt">XXXI.</td><td class="pdd">The Mexican’s Confession</td><td class="rt" valign="bottom">312</td></tr> <tr><td class="rt">XXXII.</td><td class="pdd">Revelation</td><td class="rt" valign="bottom">320</td></tr> <tr><td class="rt">XXXIII.</td><td class="pdd">Gold</td><td class="rt" valign="bottom">324</td></tr> <tr><td class="rt">XXXIV.</td><td class="pdd">Morning</td><td class="rt" valign="bottom">330</td></tr> <tr><td class="rt">XXXV.</td><td class="pdd">Freedom</td><td class="rt" valign="bottom">337</td></tr> </table> {ix}  {x}  {1}  <h1>THE MINE WITH THE IRON DOOR</h1> <h2>CHAPTER I THE CAÑON OF GOLD</h2> <div class="blockquot">And yet—those who look for it still find “color” in the Cañada del Oro. Romance and adventure still live in the Cañon of Gold. The treasures of life are not all hidden in a lost mine behind an iron door. </div> FROM every street and corner in Tucson we see the mountains. From our places of business, from our railway depots and hotels, from our University campus and halls, and from the windows and porches of our homes we look up to the mighty hills. But of all the peaks and ranges that keep their sentinel posts around this old pueblo there are none so bold in the outlines of their granite heights and rugged cañons, so exquisitely beautiful in their soft colors of red and blue and purple, or so luring in the call of their remote and hidden fastnesses, as the Santa Catalinas. Every morning they are there—looking down upon our little city in the desert with a brooding, Godlike tolerance—remote yet very near. All day{2} long they watch with world-old patience our fretful activities, our puny strivings and our foolish pretenses. And when evening is come and the dusk of our desert basin deepens, their castle crags and turret peaks signal, with the red fire of the sunset, “good-night” to us who dwell in the gloom below. Even in the darkness we see their shadowy might against the sky, and feel the still and solemn mystery of their enduring strength under the desert stars. This is a story of some people who lived in the Catalinas. If you would find more exactly the scenes of this romance you must take the new Bankhead Highway that, in its course from Tucson to Florence and Phœnix, runs for miles in the shadow of these mountains. From the old Mexican quarter of the city—picturesque still with the colorful life of the West that is vanishing—you go straight north on Main Street, where the dust of your passing is the dust of the crumbled adobe buildings and fortifications of the ancient pueblo that had its beginning somewhere in the forgotten centuries. Leaving the outskirts of the town your way leads over rolling lands of greasewood and cacti, down the long grade past the cemetery, past the Government hospital in the valley, to the bridge that spans the Rillito. From the little river you climb quickly up to the desert slopes that form the western base of the main range and that lie under their wide skies unmarked by human hands since the beginning of deserts and mountains. Beyond the famous Steam{3} Pump Ranch, some sixteen miles from Tucson, the road to Oracle branches off from the Bankhead Highway and climbs higher and higher until from a wide mesa you can see the place of my story—the mighty Cañada del Oro—the Cañon of Gold. But if you know the way you may turn aside from the main road before you come to this new Oracle branch and take instead the old road that winds closer to the mountains and for several miles follows the bed of the lower cañon. It was along this ancient trail that the eventful and romantic life of this southern Arizona country, through its many ages, moved. This way, centuries ago, came the Spaniards—lured by tales of a strange people who used silver and gold as we use tin and iron, and who set turquoise in the gates of their houses. This way came the Franciscan Fathers to find in the Cañada del Oro gold for their mission at San Xavier. This way, from the San Pedro and the Aravaipa, came savage Apache to raid the peaceful farming Papagos and later to war against the pale-face settlers in the valley of the Santa Cruz. Prehistoric races, explorers, Indians, priests, pioneers, prospectors, cattlemen, soldiers and adventurers of every sort from every land—all, all have come this way—along this old road through the Cañon of Gold. And because there was water here, and because there was gold here, this wild and adventurous life, through the passing centuries, made this place a camping ground and a battle field—a place of labor{4} and crime, of victory and defeat; of splendid heroism, noble sacrifice, and dreadful fear. Set amid the grandeur and the beauty of these vast deserts, lonely skies and wild and rugged mountains, the Cañada del Oro has been, most of all, as indeed it is to-day, a place of dreams that never came true; of hopes that were never fulfilled; of labor that was vain. Of all the stirring tales of this picturesque region of the Santa Catalinas, of all the romantic legends and traditions that have come down to us from its shadowy past, none is more filled with the essence of human life and love and hopes and dreams than is the tale of the Mine with the Iron Door. But this is not a story of those old Spaniards and padres and Indians and pioneers. It is a story of to-day. The old, old tale of the Mine with the Iron Door is as true for us as it ever was for those who lived and loved so many years ago. We too, in these days, have our dreams that must remain always, merely dreams and nothing more. We too, in these modern times, are called upon to bury in the secret places of our modern hearts hopes that are dead. In every life there are the ashes of fires that have burned out or, by some cold fate, have been extinguished. For every living one of us, I believe, there is a Cañada del Oro—a Cañon of Gold—there is a lost mine that will never be found—there are iron doors that may never be opened. And yet—those who look for it still find “color{5}” in the Cañada del Oro. Romance and adventure still live in the Cañon of Gold. The treasures of life are not all hidden in a lost mine behind an iron door. As the old prospector, Thad Grove, said to his pardner one time when their last pinch of dust was gone and their most promising lead had pinched out: “After all, it’s a dead immortal cinch that if we had a-happened to strike it rich like we was hopin’, we couldn’t never bin as rich as we was hopin’ to be. There jest naterally ain’t that much gold, nohow.” “Sure,” returned Bob Hill, the other old-timer, “and ain’t you never took notice how much richer a feller with one poor, little, old nugget in his pan is than the hombre what only thinks he’s got a bonanza somewheres on the insides of a mountain? An’ look at this, will you: If everybody was to certain sure find the mine he’s huntin’ there’d be so blame much gold in the world that it’d take a hundred-mule train to pack enough to buy a mess of frijoles. It’s a good thing, I say, that somebody, er something has fixed it somehow so’s all our fool dreams can’t come true.” “Speakin’ of love,” said Thad on another occasion, when the two were discussing the happiness that had so strangely come to them with their partnership daughter, “love ain’t no big deposit that a feller is allus hopin’ to find but mostly never does. Love is jest a medium high-grade ore that you got to dig for.{6}” “Yep,” agreed Bob, “an’ when you’ve got your ore you’ve sure got to run it through the mill an’ treat it scientific if you expect to recover much of the values.”   The affairs of the old Pardners and their daughter Marta were matters of great and never-failing interest to the loungers who gathered in front of the general store and post-office in Oracle. Bill Janson, known as the Lizard, invariably opened and led the discussions. The Janson family, it should be said, had drifted into the Cañada del Oro from Arkansas. They were, in the picturesque vernacular of the cattlemen, “nesters.” The Lizard, an only son, was one of those rat-faced, shifty-eyed, loose-mouthed, male creatures who know everything about everybody and spend the major part of their days telling it. It was on one of those social occasions when the Lizard was entertaining a group of idlers on the platform in front of the store that I first heard of the two old prospectors and their partnership girl.{7} <div style="break-after:column;"></div>

1 of 2

2 of 2

Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin.