<h2><SPAN name="Letter_43" id="Letter_43"></SPAN>Letter 43.</h2>
<p class="right"><span class="smcap">Strasburg.</span></p>
<p><span class="smcap">Dear Charley</span>:—</p>
<p class="text">Long before we entered this city, we obtained a
fine view of its great glory, the Cathedral spire.
What an object! It does not seem as if hammer
and chisel had had any thing to do here. I can
almost fancy that this spire was thought out and
elaborated by mere intellect. It would be long ere
I grew weary of looking at this wondrous work of
man. The more you examine this edifice, the more
you are impressed with its magnificence. Let me
tell you about this same minster, as it is called. The
spire is four hundred and seventy-four feet high—one
hundred and forty feet higher than St. Paul's, and
twenty-four feet higher than the Pyramids of Egypt.
The architect was Erwin of Steinbach, and his
plans survived him. He died in 1318, when the
work was carried on by his son. The tower was
<span class='pagenum'><SPAN class="page" name="Page_286" id="Page_286" title="286"></SPAN></span>not finished till four hundred and twenty-five years
after the commencement of the building, and then
Hültz, from Cologne, came to effect the undertaking.
The tracery of this lofty pinnacle is inimitably beautiful.
We ascended the spire, and I can assure you
that the prospect amply repays the trouble. We saw
the winding, silvery Rhine, the Black Forest, and
the long line of the Vosges Mountains. I never felt
more keenly my inability to describe a place than
when I walked through this gorgeous sanctuary.
You must see it, to form an adequate idea of its
grandeur. The nave was begun in 1015, and completed
in 1275. The choir is yet older, and is
thought to belong to the times of Charlemagne.
The large rose window, over the front entrance, is
thought to be the finest specimen of stained glass
now existing. The stone pulpit of 1486 is the
grandest we have yet seen, and in better taste than
some of the carved wood pulpits in Belgium. The
columns are very massive. One of the chief attractions
in this church is the mechanical clock, which
occupies a large space at the left hand as you enter
the building. The true time to see it is at twelve
o'clock, when Death strikes the hour, the apostles all
pass before you, a large cock up above flaps his
wings and crows admirably three times, flags are
waved, and the affair ends. Here, close by, is the
architect Erwin's effigy, in stone.</p>
<p class="text"><span class='pagenum'><SPAN class="page" name="Page_287" id="Page_287" title="287"></SPAN></span>We next went to St. Thomas's Church, to see
the superb tomb of Marshal Saxe, which is a work
of great merit. In a vault we saw the remains of
a Count of Nassau and his daughter, who had been
coffined down for—I forget how long, but I think
more than two centuries. It was here that Guttemburg
began his experiments in printing, which he
perfected at Mayence. We made some purchases
here of embroidery, which we thought very beautiful,
and also cheap. General Kleber's tomb and
monument are in the Place d'Armes. Of course,
we did not visit Strasburg and forget that it furnishes
<i>pâté's des fois gras</i>. We obtained some
good engravings of the churches and other points
of interest, and, on a fine afternoon, took the railroad
for Basle.</p>
<p class="center">Yours affectionately,</p>
<p class="right"><span class="smcap">george.</span></p>
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