<SPAN name="startofbook"></SPAN>
<h1>Captain Billy’s Whiz Bang, Vol. II. No. 13, October, 1920</h1>
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<p><span class="pagenum"><SPAN name="Page_1" id="Page_1">[1]</SPAN></span></p>
<div class="bbox w40">
<h2>AN OPEN LETTER</h2>
<p class="right">The Whiz Bang Farm,<br/>
Rural Route No. 2, Robbinsdale, Minn.</p>
<p>To Our Readers:</p>
<p>With this issue, Captain Billy’s Whiz Bang discards
swaddling clothes and starts bounding on
its second year of existence. In this number,
which we have termed “Our Annual,” the writer
has taken the liberty to review many of the stories
and poems from the 12 previous issues. It is
obvious that a new publication must start with
no circulation. If it strikes a popular appeal in
the heart-chord of human existence it succeeds;
otherwise, it sinks into journalistic oblivion.</p>
<p>Thanks to a legion of loyal readers and volunteer
scribes, The Whiz Bang has weathered the
colicky and diarrhoetic stage of life. Our eye-teeth
have been cut and the worst is over. This
little family journal of uplift has no one to thank
but its readers. It is your magazine and it is you
who send in the snappy articles to fill its pages
each month. Again we extend our heartiest
thanks.</p>
<p>We are now spread from the mackerel munching
macaroons of Manhattan’s bright isle to the
squawking squabs of sunny California; from the
wily, wicked pole-cats of Northern Minnesota to
the perk and prim creoles of feverish Orleans.</p>
<p>On this month, the month of our birth, the
editor feels as happy as a kid sucking a lollypop
and smearing its chin with an ice cream cone. All
we lack to complete the illusion is about three
fingers in a wash-tub. Adios until November
rolls ’round.</p>
<p class="right">CAPTAIN BILLY.</p>
</div>
<hr />
<div class="figcenter"> <ANTIMG src="images/titlepage.jpg" width-obs="400" height-obs="600" alt="Title page image" /> <p class="caption"><i>Captain Billy’s<br/> Whiz Bang</i></p>
<p class="caption">OUR MOTTO:<br/>
“<i>Make It Snappy</i>”</p>
<p class="caption">October, 1920 <span class="spacer">Vol. II. No. 13</span></p>
<p class="caption">Published Monthly by<br/>
W. H. Fawcett,<br/>
Rural Route No. 2<br/>
at Robbinsdale, Minnesota</p>
<p class="caption">Entered as second-class matter May 1, 1920, at the post office at
Robbinsdale, Minnesota, under the Act of March 3, 1879.</p>
<p class="caption"><i>Price 25 cents</i> <span class="spacer"><i>$2.50 per year</i></span></p>
</div>
<hr />
<p><span class="pagenum"><SPAN name="Page_2" id="Page_2">[2]</SPAN></span></p>
<p class="center"><i>“We have room for but one soul loyalty and that is
loyalty to the American People”—Theodore Roosevelt.</i></p>
<p class="center">Copyright 1920<br/>
By W. H. Fawcett</p>
<div class="figcenter"> <ANTIMG src="images/copyright.jpg" width-obs="120" height-obs="50" alt="Allied Printing Trades Union Council Label" /></div>
<p class="center"><i>Edited by a Spanish and World War Veteran and dedicated
to the fighting forces of the United States, past,
present and future.</i></p>
<hr />
<p><span class="pagenum"><SPAN name="Page_3" id="Page_3">[3]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Skipping with the Skipper</i></h2></div>
<p class="dropcap">Just one short year ago, under the above caption:
“Skipping With the Skipper,” Captain Billy’s
Whiz Bang exploded for the first time. It was the
publisher’s idea at that time to compile a snappy joke-book
for former soldiers, sailors and marines living in
the immediate vicinity of the village of Robbinsdale.
The demand greatly exceeded the initial press run, and
we’ve been running ever since.</p>
<p>For the benefit of new readers, the opening explanation
for our existence on this mundane sphere is
herewith re-published. It explains itself, I believe:</p>
<div class="blockquote">
<p class="bold">Whiz-z Bang!!! We’re off and in our trail
follows a mighty explosion of pedigreed bull.
“Make It Snappy” is our motto. Snap!
Pep! Ginger! Even more. The first issue of
CAPTAIN BILLY’S WHIZ BANG is off the
press and with its advent the editor and contributors
hope to have added something really
worth while to brighten the atmosphere of human
existence. Captain Billy’s only and original
WHIZ BANG will explode in every issue.
No “duds” allowed in our monthly Literary
Indigestion. Today we are the Cherry Sisters<span class="pagenum"><SPAN name="Page_4" id="Page_4">[4]</SPAN></span>
of journalism with the fond hopes for “Big
Time” sometime.</p>
<p class="bold">As the old saying goes, “Laugh and the
world laughs with you, near beer and you
drink alone.” If we dance we must pay the
jazz band; no matter what we get we must
“put up or shut up.” Doctors of Dope and
Doctors of Divinity must have the price of our
life and love and the undertaker smiles with a
self-satisfied grin as our mortal flesh and
bones are delivered to the charnel house.</p>
<p class="bold">Therefore the motto of the WHIZ BANG
will be: Be happy while you live; live a full
life and while you are living, live on the square
so you may be able to follow that quaint western
philosophy and look every man in the face
and tell him to go to Hell.</p>
<p class="bold">Please do not get the impression from the
title page that the WHIZ BANG is to be a
military publication only. There will be 100
laughs for the service man and 97¼ laughs for
the civilian. We will give the soldier, sailor
and marine the benefit of two and three-quarters
per cent because we believe he is fairly
entitled to it. (Brewers please note.)</p>
<p class="bold">THE WHIZ BANG is only in its infancy,
so look for the November issue. Then we will
burst out and explode into a full-grown bull.
We will be fatter, lovelier, snappier and juicier
and—oh, girls, we just hate to tell you. Watch
for Mr. November and see if we don’t make<span class="pagenum"><SPAN name="Page_5" id="Page_5">[5]</SPAN></span>
Bill Bryan’s Commoner drier than an Algerian
caravan in the Sahara desert, 20 miles from
the oasic grog shop and the Cliquot Special
two weeks overdue. The bull is only half
grown and he surely will be some lively animal
next month when we sling him over to our
readers.</p>
<p class="bold">Those of us who have lived through the
past five years have the satisfaction of knowing
that we have seen the mightiest and most
stirring five years in history, and we are
watching from day to day the unfolding and
ending of the colossal drama. Never has there
been such a crashing of empires, such a falling
of thrones, such righting of wrongs and
deliverance of the oppressed, such vivid demonstration
of the wickedness, the folly and the
weakness, the nobility, the wisdom and the
courage of which human nature is capable.</p>
<p class="bold">As a grand finale, an alleviation from the
terrific strain, Billy’s WHIZ BANG will come
as a relieving Balsam—an ointment on the
checkered skein of life. Please remember that
the oldest truths are the freshest. They are
rich with the blood of humanity. As the
apple tree in your yard may be a sprout from
the apple tree in the Garden of Eden, so the
idea that just came to you may be the same
that struck King Solomon. Thoughts are deciduous,
as trees, and appear green and fresh
to each generation, and like desert soil, we are
unfurrowed and unfettered. THE EDITOR.</p>
</div>
<hr />
<p><span class="pagenum"><SPAN name="Page_6" id="Page_6">[6]</SPAN></span></p>
<div class="bbox w40">
<h2><i>The Crap Shooting Major</i></h2></div>
<p class="by">By SKIPPER BILL.</p>
<p class="dropcap">This is a story of a major in the Motor Mechanics
brigade, Signal Corps, U. S. Army,—A. C. Rebadow,
by name. He hails from the city of Buffalo,
N. Y., where he was employed in an automobile manufacturing
plant and received his commission because
of the supposition that he was a motor sharp.</p>
<p>“Soldiering” and gambling go hand in hand. The
greatest indoor sport of the military man is to riffle
the “pasteboards,” while his outdoor pastime consists
of blowing on a pair of galloping dominoes as he prays
for a “natural” to rear itself heavenward. Rebadow
is neither soldier nor gambler but a dyed-in-the-wool
squawker.</p>
<p>The “major’s” system was simple. If he lost he
merely issued checks on his bank at Tonawanda, N. Y.,
and then “Stopped Payment,” on them. So simple, in
fact, that his racial instinct led him promptly to the
telegraph office to void the payment.</p>
<p>The Major relied upon military discipline to save
him from his outraged victims. He believed that none
would have nerve enough to make complaint against
his ungentlemanly and indecent behavior, but at least
on one occasion he reckoned without his host. That<span class="pagenum"><SPAN name="Page_7" id="Page_7">[7]</SPAN></span>
was at Camp Hancock, Georgia, where Rebadow lost
$400 during several days’ indulgence at craps. The
victim, however, took the matter up with the superior
officers.</p>
<p>Rebadow was traced to an air post far behind the
whiz bangs’ zone where he possibly imagined himself
safe from his debtors as well as from the Jerries. This
is a letter which compelled payment. It was written
by one superior officer to another, the commandant at
the air post where Rebadow was then situated:</p>
<p>“1. It is requested that the Commanding Officer
of A. A. A. P. No. 1 take this matter up personally with
Major Rebadow, as the following are the facts in the
case, as can be supported by the record of the Motor
Mechanics Brigade, which records I have personally
inspected. Several months ago an exhaustive investigation
of the merits of this case was made and it was
shown that Major Rebadow was entirely in the wrong
in this matter and was dropped on account of an indorsement
he signed in which he stated he would make
good the amount of these checks, approximately $400.</p>
<p>“2. The unprincipled manner in which Major
Rebadow now treats this matter is considered so reprehensible
that effort is being made to secure the forwarding
of the personal file of Major Rebadow and he
may be informed that unless this account has been
settled by the time those records are received that this
office will make all efforts to have Major Rebadow
brought to trial as a result of his derelictions.”</p>
<p>Needless to say, Major Rebadow cowered before
the eye of his superior officer and forthwith repaid
the broken pledge.</p>
<p><span class="pagenum"><SPAN name="Page_8" id="Page_8">[8]</SPAN></span></p>
<p>I look back on my days in the ranks, where a man
was a man, true blue and shorn of falsity, insolence,
domineering and double-crossing ways. They were the
days when we got paid together, painted the town together,
and went broke together, where every man
“shot square” with his “buddie.”</p>
<p>As for this crap-shooting major, he is in civies
again and military discipline will afford him no protection
for such breeches.</p>
<div class="starbreak">* * *</div>
<div class="poetry-container smaller">
<div class="poetry">
<div class="stanza">
<div class="verse">Willie and Mollie played in the sand,</div>
<div class="verse indent1">Indulging in youthful folly;</div>
<div class="verse">The sun was hot on Willie’s back,</div>
<div class="verse indent1">And the sand was hot to Mollie.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>’Twas Ever Thus</h3>
<p>Every time we see an article offered at an uncommonly
low price—whether it be shoes, prunes, fountain
pens, wood blocks, or a personal service of some kind—we
are reminded of Chief Big Smoke.</p>
<p>The owner of this picturesque name was a copper-colored
native employed as a missionary to his fellow
smokes out in Oklahoma. A tourist once asked him
what he did for a living.</p>
<p>“Umph!” said Big Smoke, “me preachum.”</p>
<p>“That so? What do you get for preaching?”</p>
<p>“Me get ten dollars a year.”</p>
<p>“Well,” commented the white man, “that’s
d——n poor pay.”</p>
<p>“Umph!” replied Big Smoke, “me d——n poor
preacher.”</p>
<p><span class="pagenum"><SPAN name="Page_9" id="Page_9">[9]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>The Eternal Feminine</h3>
<p>Women want marriage and a home. They should.
And there are more women than men. Even before
the war there was, in Europe and America, an extra
sixth woman for every five men, and the sixth woman
brings competition. She bulls the market, and makes
feminine sex solidarity impossible. And, of course,
added to that is the woman who requires three or four
men to make her happy, one to marry and support her,
and one to take her to the theatre and to luncheon at
Delmonico’s, and generally fetch and carry for her,
and one to remember her as she was at nineteen and
remain a bachelor and have a selfish, delightful life,
while blaming her.—Mary Roberts Rinehart.</p>
<div class="starbreak">* * *</div>
<h3>Move Over</h3>
<p>Bridget failed to get up one morning to cook
breakfast for the Smith family. Instead she yelled
downstairs that she was “pretty sick.”</p>
<p>Mr. Smith promptly summoned his family doctor
who gave the “sick” servant a thorough examination.
The doctor was unable to find anything wrong with
Bridget.</p>
<p>“My good woman,” he said, “you’re not sick at
all.”</p>
<p>“I know I’m not,” Bridget replied, “but the
Smiths owe me $20 and I’m going to stay in bed until
they pay me.”</p>
<p>“Well, if that’s the case, move over; they owe me
$50.”</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_10" id="Page_10">[10]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Golightly Highballs</i></h2></div>
<p class="by">BY REV. “GOLIGHTLY” MORRILL.</p>
<h3>Mexico</h3>
<p class="dropcap">V. C. in Vera Cruz stands for Venereal City. “El
Dictamen” is the leading newspaper. It has
only four pages, yet whole columns are filled
with advertised cures for scrofula, syphilis, locomotor-ataxia
and all the rotten ills that licentious Latin-America
is heir to. The space we give to weather reports
on the front page, or to special news with extra
headlines, is given up here to nauseating advertisements.
The first thing one sees as he enters the plaza
are billboards, walls and buildings with sure-cure advertisements.</p>
<p>L. A. in Latin America stands for “licentious animals.”
In Vera Cruz the principal male pastime is to
talk about girls and not of God. From 4 P. M. to
2 A. M. men sit in the plaza portales drinking, smoking
and talking about the women who pass by. The leading
subject of “town talk” is girls, the one they went
to the movie with last, the other one the night before,
and the one they hope to get tonight.</p>
<p>The people make themselves a sewer for immoral
filth, court the devil Lust that eats and burns up their
blood; are spendthrifts of body and soul; waste their<span class="pagenum"><SPAN name="Page_11" id="Page_11">[11]</SPAN></span>
inheritance to purchase dirty, loathed disease; pawn
their bodies to a dry-rot evil; make themselves patients
for Lust’s rendezvous, a hospital, where their bill of
fare is pills, not beef, and the doctor’s bill is longer
than the moral law they have violated. What I have
written here about Vera Cruz morals applies to the rest
of Mexico where conditions are the same or worse.</p>
<p>The Ten Commandments are little in evidence in
the country and free love prevails with the fruit of seventy-five
per cent of illegitimate births. A respectable
bachelor is not qualified to enter society until several
children call him “papa.” Few men are without a
separate establishment for affinities.</p>
<h3>Honolulu</h3>
<p>The Hawaiians are out and out in their dancing.
They do not gloss it over and wear no hypocritical fig-leaves.
They do not throw masks or mantles over their
viciousness, under the guise of religious charity balls
and philanthropic society parties. The hula is a hip
dance, but the Hawaiians are not “hip”—ocritical in
doing it. The dance is not sad or hippish but one of
joy.</p>
<p>I have seen many dances—the Apache in Paris,
du ventre in Cairo, the can-can in Buenos Aires, and
with money here in Honolulu one can arrange with a
chauffeur or at a hula house to see a hula combining
all these vile and violent exhibitions. It is a composite
of the compost of all dirty dances, most delightfully depraved,
innocent of decency and shame, the dancers
being quite careless about the exposure of their legs,
arms and charms. What captivating indelicacy, so<span class="pagenum"><SPAN name="Page_12" id="Page_12">[12]</SPAN></span>
disturbing to the looker-on. But this it not the native
hula. There is sufficient of the sun and volcano without
it. The whites have taken away the native naivete
and added their own nastiness. As a physiological
study the dance is informing. In antiquity these
antics were a religious service, combining poetry, pantomime
and passion. The old edition of the heathen
hula dance has been expurgated, but Christian foot-notes
suggest more.</p>
<p>At one hula house I witnessed an unscheduled
fight between several sailors who had quarreled over
the charms of a hula girl with the result of broken
heads, hearts and furniture. The native proprietor
welcomed us with characteristic Hawaiian hospitality—we
could eat, drink and stay as long as we pleased—all
night in fact, with his hula girls for company. I
thanked him for his ancient, beautiful and unbounded
generosity but told him I was married and a minister,
although he seemed unable to understand why that
should make any difference with me, since it made
little to some of the local clergy and laity.</p>
<p>One day at high noon, not night, I saw several
native women bathing at Waikiki beach. All they had
on was a holoku night-gown that was as good as nothing
when wet. Three white, male strangers sauntered up
from the nearby hotel, waded in, threw their arms
around the girls and were guilty of “divers” familiarities.
The girls didn’t object to the conduct of the
boys. I couldn’t help seeing or thinking whether the
fishes swam away or stayed and blushed all colors.
Here was a “freedom of the seas” I refer to the naval
board for diplomatic discussion.</p>
<p><span class="pagenum"><SPAN name="Page_13" id="Page_13">[13]</SPAN></span></p>
<p>God’s righteousness is like the great mountains. I
often thought, as I marvelled at the islands’ scenery,
that there are sermons in stones, but men do not listen;
summits preach high ideals and purity, but people are
deaf; and nature’s green only looks down on the mud
and mire of lucre, lies, lust and laziness.</p>
<h3>Havana</h3>
<p>Havana is a fool’s Paradise—a lunatic limbo for
people with loud clothes, lots of money, loose morals
and light heads. It is the place where bad folks go to
have a good time. The more disreputable a city is, the
more popular it is to high society.</p>
<p>I have visited Havana many times and found the
H in its name stood for Hell, not Heaven. On a recent
sojourn I asked a traveling companion what the state
of religion was and if Havana’s morals were improved.
“Oh, yes, there has been a great reformation.” He
had scarcely made this gratifying statement when a
young man came up to me and showed some vile postcards
and postals which he offered for sale. This did
not happen in a side street at night, but in Central
Park at noon.</p>
<p>Havana has reformed! The city has no “segregation,”
but you may walk for miles along streets to the
waterfront and find every other house with a seductive
senorita at the door or window with extended hand or
winsome voice urging you in broken Spanish or
English to forsake the counsel of your mother’s Bible.
Regular saloons and concert halls had scores of the
women of the town at the tables sitting with motley
men, while glasses clinked and phonographs scratched<span class="pagenum"><SPAN name="Page_14" id="Page_14">[14]</SPAN></span>
their screechy music. This was all bad enough but the
lowest hell was reached when I saw a woman standing
in the doorway offering to sell a girl of about 14 who
stood by her side. At the end of certain streets the
police were on watch to keep the women off the sidewalks,
and so maintain an appearance of decency and
order. Other places were unwatched and free.</p>
<p>Havana has reformed! The sporting women of the
town advertise in several of the local magazines, where
you find their photos, house address and some such
paragraph in Spanish or in English for the benefit of
the American tourist: “Tourist! Do you wish a good
house in Havana, with plenty of women, pretty and
elegant? Go to —— street, No. ——, ask for Helena.
Go today.” Here’s another: “Artistic Academy. If
you want a place for pleasure and a good time, go to
——, plenty of nice girls.” Another want ad
reads: “Ladies from all nations,” and still another,
“Violeta has moved to —— street, and with her
Parisian arts welcomes the Havana public.”</p>
<p>Poor pleasure-seekers, whose law is fashion and
folly their pursuit! Bubbles on the wave of pleasure,
a tracery on the sand which Time’s tide will soon erase.
Every year the siren voice of Havana calls, “Come in
your private yacht on the Gulf Stream of gold; come
with full purse and empty head and heart; come, you
‘best’ society, that you may be seen at your worst;
come, all ye who would desert the temple of your mind
and soul for this Circe’s palace of fleshy pleasures!”</p>
<h3>Central America</h3>
<p>Hamlet found something “rotten in the state of
Denmark,” but it was sweet compared with what I discovered<span class="pagenum"><SPAN name="Page_15" id="Page_15">[15]</SPAN></span>
in Central America—the land of eruption and
corruption, of dirt, disease, destitution, darkness, dilapidation,
despots, delay, debt, deviltry and degeneracy,
where a conservative estimate makes 90 per cent of the
women immoral, 95 per cent of the men thieves, and
100 per cent of the population liars.</p>
<p>While strolling about the sultry seaport of Amapala,
Spanish Honduras, and thinking of Morazan, the
great Honduran liberator, two deceitful dames sought
to enslave me. I was a stranger and they tried to take
me in—their home nearby. Fortunately a policeman
came up and warned me in broken English that these
girls were “always—very—bad—to—everybody.”
Each one took my arm and I thought it was time to
take to my legs and get away. Anticipating my flight,
one of them sprang upon me, wrapped her nether limbs
about my waist and her arms around my neck. Thus
in broad daylight in the heart of the town and in full
view of the passerby I was attacked and assaulted.
What a shipwreck of character might have happened
had I landed at night! I hurried back to the ship and
sought the seclusion my cabin afforded. The captain
congratulated me on my narrow escape and informed
me that on nearly every trip to this port native women
of the town attempt to smuggle themselves at night
on board to exchange their morals for the sailors’
money.</p>
<h3>Panama</h3>
<p>The last time I visited the Panama Canal it was
closed, but the town was wide open. Former streets
called straight were crooked and some rescued territory
had relapsed. Just off the main street the scarlet<span class="pagenum"><SPAN name="Page_16" id="Page_16">[16]</SPAN></span>
woman and the red light flourished and flaunted. Posing
as bar-girls these women came out boldly with the
bar-sinister of their profession, came with forbidden
fruit from the “Cocoa Grove,” and exposed it for sale
on West Sixteenth street, contaminating the young.
The groves may have been God’s first temples, but
not this Panama “Cocoa” one. Here Satan conducts
services every day of the year and passion-fruit is
offered all who walk its thoroughfares. One finds all
colors, classes and conditions of carnality. The U. S.
soldiers are the police because the Panamanian police
hate our boys sober or drunk, and when our boys had
a fight the Panamanians beat them up. There are dens
of high and low degree, full of filth, profanity, drunkenness,
disease and debauchery, I know, for I saw, and
I saw because I was there for local color and it was
black enough.</p>
<p>Panama is famous for its canal, the wedlock of the
oceans, but the city Panama is infamous, knows little
of the family word “wedlock” and its red light “Cocoa
Light” would make the fabled Daphne Grove wither
up with envy. From the first to the fifteenth of each
month the U. S. soldiers receive their pay and spend a
large amount of it here in wine, women and song. In
this pandemonium of profligacy, one may see, at any
hour of the day or night, a brave soldier boy, intoxicated
with love or liquor, sitting in a doorway with a
half-dressed, bare-legged girl in his lap. These girls
are o. k.’d by an M. D. twice a week and pronounced
all right. Our soldiers cannot leave camp and visit
them without a card certificate of good character. After
they have made a night of it the boys repair to the<span class="pagenum"><SPAN name="Page_17" id="Page_17">[17]</SPAN></span>
“House of Lords” in the district and receive a bath
and inoculation of anti-venereal dope. If they fail to
take this treatment and are contaminated, they suffer
more ways than one, being compelled to pay a fine.
This is all too bad. Pleasures pure and simple should
be given them at camp or in barracks. As it is, many
of them are “shot to hell” before they ever go to war.
If they have any extra money, strength or inclination,
they may hit the opium-pipe, buy a get-rich-quick lottery
ticket, or on Sunday attend a bullfight. A modern
St. Anthony would find it difficult to withstand the
temptations of this zone. More than one Pan-American
religious conference is needed to make the moral
atmosphere as pure as the city streets are clean. It is
a bigger job to kill the devil than to exterminate the
yellow-fever mosquito.</p>
<div class="starbreak">* * *</div>
<h3>Friendship and Love</h3>
<p>What causes the majority of women to be so little
touched by friendship is that it is insipid when they
have once tasted of love.</p>
<div class="starbreak">* * *</div>
<h3>She Quit the Union</h3>
<p>A party went to the opera and occupied a box.
One of the men saw a raveling on the shoulder of one
of the ladies. He picked it, and it kept on coming. He
pulled and pulled till he had a tremendous mass, which
he threw behind the door. Some days after the men
met and talked it over. One of them said: “My wife
had a good time, but she cannot figure out how she lost
her union suit.”</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_18" id="Page_18">[18]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Highty-tighty Aphrodite</i></h2></div>
<p class="dropcap">At present, partly owing to what is very modestly
called “barefoot” dancing, a severe season of
clothelessness prevails; and the aforementioned
exercises afford the public quite a fair idea of
“the most admirable spectacle in nature”—that is to
say, bowlegs, knock-knees, thick ankles, spray feet,
shoulders scraggy or pudgy, knees bony or lumpy, and
weirdly shaped legs.</p>
<p>The modernist poets also have been seized by the
mania for nudity—but let us hope that with them it is
rather theory than practice; for the average literator
is not usually “a dream of form in days of thought.”
One mocking rhymester thus makes game of such poetic
aspirations:</p>
<div class="poetry-container sans">
<div class="poetry">
<div class="stanza">
<div class="verse">All the poets have been stripping,</div>
<div class="verse">Quaintly into moonbeams slipping,</div>
<div class="verse">Running out like wild Bacchantes,</div>
<div class="verse">Minus lingerie and panties.</div>
<div class="verse">Never knew of such a frantic</div>
<div class="verse">Belvederean, corybantic,</div>
<div class="verse">Highty-tighty Aphrodite,</div>
<div class="verse">Stepping out without a nightie.</div>
</div></div>
</div>
<p>One of these modernist bards puts her own fancies
into the brain of an old-time lady, stiff in pink and
silver brocade, as she walks in a prim garden awaiting
the coming of her suitor. She would like to leave “all
that pink and silver crumpled on the ground”; for,</p>
<p><span class="pagenum"><SPAN name="Page_19" id="Page_19">[19]</SPAN></span></p>
<div class="poetry-container sans">
<div class="poetry">
<div class="stanza">
<div class="verse">Underneath my stiffened gown</div>
<div class="verse">Is the softness of a woman bathing in a marble basin.</div>
</div></div>
</div>
<p>Thus divested of raiment, “I would be the pink
and silver as I ran along the paths,” and her lover,
seeing her, would pursue “till he caught me in the
shade.” A writer of free verse is more candid; it is
herself she would disrobe. “Since the earliest days I
have dressed myself in fanciful clothes,” she says, trying
to express herself in this manner; but now she is
weary of putting “romance and fantasy into my raiment.”
She realizes that “my clothes are not me,
myself”; hence the stern resolve:</p>
<div class="poetry-container sans">
<div class="poetry">
<div class="stanza">
<div class="verse">I think I shall go naked into the streets,</div>
<div class="verse">And wander unclothed into people’s parlors.</div>
<div class="verse">The incredulous eyes of the bewildered world</div>
<div class="verse">Might give me back my true image ...</div>
<div class="verse">Maybe in the glances of others</div>
<div class="verse">I would find out what I really am.</div>
</div></div>
</div>
<p>Doubtless she would; but perhaps not exactly as
she means it. Wandering “unclothed into people’s
parlors,” if police vigilance could be eluded, might be
a way of seeing ourselves as others see us, since the
owners of the parlors would probably be startled into
candid comment, instead of, as usual, waiting until the
unclad back of the visitant was turned. It would be a
happy arrangement if only the truly symmetrical would
indulge in semi-nudity. Such exhibitions are a form
of female vanity; but if the average woman will but
realize it, she owes any admiration she may excite to
the saving graces of clothes. If she is wise she will
foster the illusion. As a poet of another era expressed
it, “Oh, the little less, and what worlds away!”</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_20" id="Page_20">[20]</SPAN></span></p>
<div class="bbox w40">
<h2><i>In the Grip of a Dream</i></h2></div>
<p class="dropcap">The dreamer is with us. From early youth there
comes anon a time when the sense of great loneliness
and mysticism leads one out to the wilderness
of the Dream God. Conceptions of dreams and of
love are two difficult tasks, but Robert W. Chambers
seems to have made greater headway than other
authors. In his book, “The Danger Mark,” he thus
describes the feelings that passed over poor, troubled
Geraldine:</p>
<p>“We’re pretty young yet, Geraldine.... I
never saw a girl I cared for as I might have cared for
you. It’s true, no matter what I have done, or may
do.... But you’re quite right, a man of that
sort isn’t to be considered,” he laughed and pulled on
one glove, “only—I knew as soon as I saw you that it
was to be you or—everybody. First, it was anybody;
then it was you—now it’s everybody. Good-bye.”</p>
<p>“Good-bye,” she managed to say. The dizzy waves
swayed her; she rested her cheeks between both hands
and, leaning there heavily, closed her eyes to fight
against it. She had been seated on the side of a
lounge; and now, feeling blindly behind her, she moved
the cushions aside, turned and dropped among them,
burying her blazing face. Over her the scorching
vertigo swept, subsided, rose, and swept again. Oh,<span class="pagenum"><SPAN name="Page_21" id="Page_21">[21]</SPAN></span>
the horror of it!—the shame, the agonized surprise.
What was this dreadful thing that, for the second time,
she had unwittingly done? And this time it was so
much more terrible. How could such an accident have
happened to her? How could she face her own soul in
the disgrace of it?</p>
<p>Fear, loathing, frightened incredulity that this
could really be herself, stiffened her body, and clinched
her hands under her parted lips. On them her hot
breath fell irregularly.</p>
<p>Rigid, motionless, she lay, breathing faster and
more feverishly. Tears came after a long while, and
with them relaxation and lassitude. She felt that the
dreadful thing which had seized and held her was letting
go its hold, was freeing her body and mind; and
as it slowly released her and passed on its terrible
silent way, she awoke and sat up with a frightened
cry, to find herself lying on her own bed in utter darkness.</p>
<div class="starbreak">* * *</div>
<p>In France, we are told, the English officers stepped
about as though they owned the whole d——d country,
whereas</p>
<p>The Americans walked about as though they didn’t
give a d——n who owned the country.</p>
<div class="starbreak">* * *</div>
<p>New York liquor spotters have discovered liquor
in baby dolls. That’s nothing new. Lots of baldheads
have been buying wine for baby dolls in New York for
generations!</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_22" id="Page_22">[22]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Questions and Answers</i></h2></div>
<p><b>Dear Captain Billy</b>—I am 15 years old and have a
sweetheart who is just 18. He owns a flivver and wants
me to go riding with him. Should I?—<b>Lizzie.</b></p>
<p>Walking is healthier.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—I have a girl friend who insists
on writing to me and demanding an answer. What
shall I do?—<b>Charlie.</b></p>
<p>Tell her to enclose a stamp.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—My husband is going out with
another woman all the time. What can I do to keep
him home nights.—<b>Mrs. Brown.</b></p>
<p>Take the other woman in as a boarder.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—I am a young lady attending
a church college. Do you think it would be all right for
me to wear skirts 15 inches from the ground.—<b>Marie.</b></p>
<p>That depends on your height. If you are six feet
tall it would be all right, but if you are only 29 inches
“tall,” Not Yet Marie.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Bill</b>—What would you call the unoccupied
side of an old maid’s bed?—<b>Simple Susan.</b></p>
<p>No Man’s Land.</p>
<div class="starbreak">* * *</div>
<p><span class="pagenum"><SPAN name="Page_23" id="Page_23">[23]</SPAN></span></p>
<p><b>Dear Captain Billy</b>—My daughter has a sweetheart
who just got back from France. He talks to her in
French and says: “Villa vouz promenade,” or something
like that, and then they go to some park. What
does that mean?—<b>Anxious Father.</b></p>
<p>That’s all right, old man. Your daughter’s sweetheart
was only asking her to take a walk.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—What’s good for cooties?—<b>Returned
Soldier.</b></p>
<p>Bread crumbs.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—Please explain the uses of salpeter.—<b>Tommy.</b></p>
<p>You are hereby referred to any soldier who will
tell you its principal usage is in the manufacture of
high explosives.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Bill</b>—What’s worse than a cow with
the cooties?—<b>Hi Ball.</b></p>
<p>A horse with a buggy behind.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Bill</b>—We are organizing a new lodge
in ’Frisco to be known as the “Ancient Order of Modern
Cavemen.” Will you kindly suggest a motto for
our lodge? Yours truly—<b>Rough on Cats.</b></p>
<p>My suggestion is: “Catch ’em young; treat ’em
rough, and tell ’em nothin’.”</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—Why do they use castor oil in
racing automobiles and aeroplanes?—<b>Eunice.</b></p>
<p>To make them run, of course, Eunice.</p>
<p><span class="pagenum"><SPAN name="Page_24" id="Page_24">[24]</SPAN></span></p>
<div class="starbreak">* * *</div>
<p><b>Dear Bilious Billy</b>—What would you write about
if the country went wet again and you didn’t have the
dry reformers to poke fun at and kid about?—<b>Reginald
Pewter.</b></p>
<p>We cannot tell a lie—we wouldn’t be able to write
during the first few weeks.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Whiz Bang</b>—My husband, a returned soldier,
did not get home until 3 o’clock this morning. He said
he was at the Fort all night playing golf. Do soldiers
play golf in the middle of the night?—<b>Worried War
Bride.</b></p>
<p>Yes, Worried Wifie, they do. One of the favorite
sports of the naughty doughboy is the game known as
African golf. Two galloping dominoes are used in
place of a small ball. Instead of the greens, the latrine
floor is usually garnished with greenbacks and set off
in silver. “Big Dick” and “Little Joe” act as caddies
and there is more cussing at a “flock of box cars” than
a minister foozling a putt. I indulged in a friendly
game of dancing dominoes last night with my old
buddy, Mr. “Eighter from Decatur.” “Jimmy Hicks”
and “Long Legged Liz” were there, but before I got
through I had “fever in the South” and “crapped”
out several points under par.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Bill</b>—Please tell me what is golf?—<b>Ignoramus.</b></p>
<p>Well, Ig., golf is a game where old men chase little
balls around when they are too old to chase anything
else.</p>
<p><span class="pagenum"><SPAN name="Page_25" id="Page_25">[25]</SPAN></span></p>
<div class="starbreak">* * *</div>
<p><b>Dearest Billy</b>—What’s the difference between a
bachelor and a worm?—<b>Andy Gump.</b></p>
<p>Somebody told me there was no difference—the
chickens get them both.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—I have been married a year
and am the mother of triplets who are now three
months old. My husband has asked me to take dancing
lessons this winter because he says he cannot afford to
have any more children and that dancing will keep
one’s mind off maternal cares. What do you think
about it?—<b>Triple Trixy.</b></p>
<p>Dancing’s all right, Trixy, providing you tango in
the morning, fox trot in the afternoon and hesitate at
night. Fine exercise, I say.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Bill</b>—I am struggling with myself to
keep from falling in love with a handsome football
player because I heard that football players were so
terribly rough.—<b>Troubled Tillie.</b></p>
<p>Move to the South Sea islands where it’s too hot to
play football, or else to Norway where the summer
sport is fishing and in winter it’s too cold to fish.</p>
<div class="starbreak">* * *</div>
<p><b>Dear William</b>—I recently met a cute little second
lieutenant on the train and am very anxious to get in
touch with him. He said his name was Joe Latrino and
that he was in the Sanitary Corps. How may I find
him?—<b>Winsome Winnifred.</b></p>
<p>Write to him in care of the Captain of the Head,
U. S. Navy.</p>
<p><span class="pagenum"><SPAN name="Page_26" id="Page_26">[26]</SPAN></span></p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Billy</b>—What is the difference between
Spanish Flu and Spanish Fly?—<b>Swede Harriet.</b></p>
<p>Spanish Flu is a disease. Spanish Fly is a drug,
technically known as cantharides and is used as a
plaster to cure rheumatism.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Billy</b>—I am infatuated with a handsome
young man from Akron, Ohio, but when he comes to
visit me in a neighboring village he acts so embarrassed
and appears always to be in a mood of deep thought.
Do you suppose he wants to pop the question but hasn’t
the nerve?—<b>Hellenic Helen.</b></p>
<p>Now, Hellenic Helen, how in Hell’s Gate or Helena
do I know? Overlook his seeming taciturnity and remember
that “deep rivers move with silent majesty;
small brooks are noisy as hell, and actions speak louder
than words.”</p>
<div class="starbreak">* * *</div>
<p><b>Dear Doctor Billy</b>—Please give me the definition
of the spinal column.—<b>Slippery Lizz.</b></p>
<p>It’s a long disjointed bone, covered with knots—your
head sits on one end and you sit on the other.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Captain Bill</b>—What is meant by “bigamy?”
<b>Dandy Dillon.</b></p>
<p>Bigamy is a form of insanity which causes a man
to pay three board bills instead of two.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Billy</b>—What’s the definition of a “humdinger?”—<b>Iva
Hangover.</b></p>
<p>A man who can make a deaf and dumb girl say:
“O, daddy.”</p>
<p><span class="pagenum"><SPAN name="Page_27" id="Page_27">[27]</SPAN></span></p>
<div class="starbreak">* * *</div>
<p><b>Dear Bilious Billy</b>—I was married last June and
my wife wants me to obtain some polish in my manners
so suggests that I take music lessons. What do you
think about it?—<b>Silas Hopkins.</b></p>
<p>It’s a very good idea, Si. You’ll soon gain a musical
education by playing second fiddle. But beware
of the jazz.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Skipper</b>—Why is a certain specie of beans
called Navy Beans?—<b>Battle-Axe Liz.</b></p>
<p>I dunno, Liz. You might as well ask me why I
labelled The Whiz Bang an “Explosion of Pedigreed
Bull.” No reason at all.</p>
<div class="starbreak">* * *</div>
<p><b>Dear Bill</b>—They say there are germs on money.
Do you think, then, it is safe for a poor working girl to
carry her salary home in her stocking?—<b>Sadie Woolworth.</b></p>
<p>Perfectly safe, I’d say. A germ couldn’t live on a
working girl’s salary.</p>
<div class="starbreak">* * *</div>
<h3>Betty’s Better Batter</h3>
<div class="poetry-container smaller">
<div class="poetry">
<div class="stanza">
<div class="verse">Betty Botter bought some butter,</div>
<div class="verse">“But,” she said, “this butter’s bitter.</div>
<div class="verse">If I put it in my batter,</div>
<div class="verse">It will make my batter bitter.</div>
<div class="verse">But a bit of better butter</div>
<div class="verse">Will make my batter better.”</div>
<div class="verse">So she bought a bit o’ butter</div>
<div class="verse">Better than the bitter butter,</div>
<div class="verse">And made her bitter batter better.</div>
<div class="verse">So ’twas better Betty Botter</div>
<div class="verse">Bought a bit of better butter.</div>
</div></div>
</div>
<hr />
<p><span class="pagenum"><SPAN name="Page_28" id="Page_28">[28]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Seeing Los Angeles</i></h2></div>
<p class="by">By JACK ANDREWS</p>
<p class="dropcap">Rubbernecking via the bally-ho wagons has
received a terrible set-back in the beautiful city
of the Angels. No more will the gossip-hungry
tourists be fed on the scandal of the movie colony from
a megaphone in the hands of a husky-voiced “spieler.”
An edict has gone forth forbidding these caterers to
wet the appetites of the unlearned and seeking visitors
of Los Angeles to exploit the “affairs” of the celebrities
in press agent fashion.</p>
<p>Los Angeles officials contend that it is no nice way
to entertain their guests where skeletons are said to
exist in every closet in Hollywood.</p>
<p>There is no question but what the moving picture
business has a lot of deserving people in it, and some
of the most admirable characters to be found are of the
cinema crowd, but we have recently had a few stellar
lights before the international eye in roles that were
disgusting.</p>
<p>Here are some of the utterances the city fathers
say should be dispensed with:</p>
<div class="blockquote">
<p class="bold">“To your right, folks, is the home of
Charlie, now used exclusively by Mildred and
her mother, who is also her business manager.”</p>
<p><span class="pagenum"><SPAN name="Page_29" id="Page_29">[29]</SPAN></span></p>
<p class="bold">“On your left is the home of Lottie, sister
of Mary, who has a standing offer to fight any
woman in the business.”</p>
<p class="bold">“Jack, who is also one of the family, was
living in the bungalow on yonder hill before
his wife came back from New York. He left
for Arkansas on the advice of his doctor the
day before she arrived. He was also in the
service during the war.”</p>
<p class="bold">“Now folks this beautiful chateau on the
right covering ten acres is the possession of an
illiterate cow-puncher, whose salary is
greater than the President’s.”</p>
<p class="bold">“To your left is the former home of
Mable, when she wasn’t at Vernon, and who is
credited with staging a “come-back” after
the star of Sennett passed below her horizon.”</p>
<p class="bold">“The one who was once called “America’s
Sweetheart” used to live in sweet simplicity
in the white bungalow on the right.
She used to be the idol of all children, but the
page of her book is closed that the youth
should learn aright.”</p>
</div>
<p>Is it any wonder that these “rubberneck” wagons
did a thriving business in Los Angeles? It is said that
each “spieler” tried to outrival his competitor and
from all reports the tourists were well supplied with
scandal.</p>
<div class="starbreak">* * *</div>
<p>Girls should remember that when they confide in
a married woman they are probably confiding in her
husband also.</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_30" id="Page_30">[30]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Whiz Bang Bunk</i></h2></div>
<p>As you show so shall we peep.</p>
<div class="starbreak">* * *</div>
<p>A shimmy dancer has to struggle for a living.</p>
<div class="starbreak">* * *</div>
<p>Many a rough neck is hidden by a silk collar.</p>
<div class="starbreak">* * *</div>
<p>Be it ever so homely there’s no face like your own.</p>
<div class="starbreak">* * *</div>
<p>You can’t feather your nest running after chickens.</p>
<div class="starbreak">* * *</div>
<p>Keeping whisky in your home is no crime—it’s
an art.</p>
<div class="starbreak">* * *</div>
<p>Never slap children on the face; Nature provides
a more suitable place.</p>
<div class="starbreak">* * *</div>
<p>Close the saloon and save the boys; close the garage
and save the girls.</p>
<div class="starbreak">* * *</div>
<p>Sign in dry goods store: “Our woolen underwear
will tickle you to death.”</p>
<p><span class="pagenum"><SPAN name="Page_31" id="Page_31">[31]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>A Shorthorn Bull</h3>
<p>A man called for hair restorer at the drug store.
The new clerk gave him something to apply. In the
course of time the man returned with a complaint. He
declared the stuff powerful enough for some purpose
but not to grow hair. His head was as bald as ever
but he was getting two big lumps like cocoanuts on the
top. The clerk looked at the empty bottle and turned
ghastly pale as he exclaimed “My Gawd, man, I’ve
made a terrible mistake. I gave you bust developer.”</p>
<div class="starbreak">* * *</div>
<h3>Gosh All Hemlocks!</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Listen my children and you shall hear</div>
<div class="verse indent1">Of the midnight ride of a bucket of beer;</div>
<div class="verse">Up the street and down the line,</div>
<div class="verse indent1">I’ve got the bucket; who’s got the dime?</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>“What’s Sauce for the Goose”</h3>
<p>A colored woman and her husband were conversing
together when the latter happened to express curiosity
as to the meaning of the word “propaganda”
which he was constantly running across in the newspapers.</p>
<p>“Well,” said his wife, “ah is not sure, but ah
thinks ah know what propaganda is. F’r instance, wif
mah fust husband ah had one chile, and two wif mah
second. You’re mah third husband an’ we hain’t got
none at all. Now, I’m the propah goose, but you ain’t
the propahganda.”</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_32" id="Page_32">[32]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Whiz Bang Editorials</i></h2>
<p class="by">“<i>The Bull is Mightier Than the Bullet</i>”</p>
</div>
<p>Is the theater becoming immoral? The majority
of critics claim it is. The WHIZ BANG disagrees on
this point. We claim the motion picture development
has stopped the sporadic growth of suggestive plays on
the legitimate stage.</p>
<p>The immoral, or at least suggestive plays made
their first appearance in any large number twenty
years ago. Witness “Three Weeks,” “Sappho,” “Du
Barry,” and others, and still today you will find these
plays in oblivion. Together with them, the women who
starred in such plays are almost unheard of today.
Most prominent among these is Olga Nethersole.</p>
<p>She was an English governess in the ’80’s and
startled London with her portrayals of “The Transgressor,”
“Magda” and other productions of like character.</p>
<p>Twenty years ago Miss Nethersole shocked two
continents with her “Sappho Kiss.” She always maintained
that playing the parts of these easy women
would “make” her. Witness her interview of more
than five years ago, in which she is quoted as having
said:</p>
<p>“People have not understood that I chose to play<span class="pagenum"><SPAN name="Page_33" id="Page_33">[33]</SPAN></span>
prostitutes because I have felt it my work to aid the
world by showing the suffering in it. If I felt that I
had not been chosen for this task I should never have
given my life to it.</p>
<p>“Do you know the story of Alexander Dumas, the
younger? He was an illegitimate son, whose father
refused to wed his mother. Thereupon the son gave
up his life to the cause of woman and wrote his plays
with the suffering of woman uppermost. ‘Camille’ will
live forever.</p>
<p>“I have felt that if I could show the suffering and
the misery that illicit passion causes I could do something
for the world, could point a way toward removing
the evil.”</p>
<p>And today, Olga Nethersole’s prediction has fallen
flat. Her name, or the names of her mimics, no longer
are blazoned on the electric signs of Broadway. Olga
Nethersole, and the principle for which she stood, are
in oblivion.</p>
<div class="starbreak">* * *</div>
<p>This is the era of keepers, too. Our collective national
appetite has been entrusted to the keeping of
four Bills. I refer to Bill Bryan, Billy Sunday, Bill
Anderson of the Antisaloon League and Billy-Be-Damned.
Those of us who once owned thirsts rapidly
are becoming reconciled to the prospect of seeing about
every other man in this country established in the role
of his brother’s keeper—not his barkeeper, perish the
thought—but the sort of keeper who keeps his charges
locked up in an iron barred cage and whacks them
across the nose with a steel rod of sumptuary discipline<span class="pagenum"><SPAN name="Page_34" id="Page_34">[34]</SPAN></span>
should they manifest a desire once in a while to indulge
in a little personal liberty.</p>
<p>It has become the custom for many police departments
to resort to underhanded methods in obtaining
evidence wherewith to bring guilty persons to trial for
certain offences, the plan adopted being the employment
of what is commonly known as “stool pigeons”—go-betweens
who act in direct conjunction with the police.
Concerning those who allow themselves to be so
employed there is little to be said other than that they
are not fit for decent society. It is a sneaking way of
securing a living and those who lend themselves to it
ought to be ostracized by citizens who believe in conforming
to the ordinary decencies of life.</p>
<div class="starbreak">* * *</div>
<p>Moral reformers are altogether too ambitious. They
want to abolish vice but they cannot do it. Vice is not
crime, although the two things are often confounded.
The word “vice” literally means a fault or error. A
crime is a deliberate violation of the law of God or man.</p>
<p>Why should we be so serious and so violent in our
attitude toward human vice? The root of the evil is in
the weakness or wickedness of human nature. What
is needed is to invigorate humanity with that moral
strength which resists the inroads of vice. There
are periods in the history of every nation when
certain forms of vice are particularly flagrant. This
was so when civilized Greece had lost her pristine manliness.
It was so when pagan Rome was near her fall.
It was so, unhappily, in England in the nineties of the
last century, which saw the popularity of such literary
and artistic decadents as Oscar Wilde and Aubrey<span class="pagenum"><SPAN name="Page_35" id="Page_35">[35]</SPAN></span>
Beardsley. Wise reformers will not ever deceive themselves
by thinking that they can eradicate vice. They
will try to lessen vice by moral suasion and by removing
the economic causes which are the promoters of
evil living. To put wretched people into jail is not the
best way to reform them. It is better to make them see
that a life of virtue pays better than a life of vice. This
may be a low utilitarian standard, but it will appeal to
those who are altogether guided by considerations of
profit or loss.</p>
<div class="starbreak">* * *</div>
<p>The alimentary canal of the business world needs
a physic. It’s the same in business as with the human
system, when things get clogged. We’ve been gorging
the system of the business world until its tripe needs
scraping. We’ve kept the hopper too full for a healthy
elimination, and we need calomel and rhubarb for a
change. Capital has allowed its cormorant-like propensities
to assume the proportions of a boa constrictor
in trying to swallow not only the calf but the whole
herd. Labor, following closely in the wake of capital
and profiting by its example, has pulled the bridle off
of the horse and started it down the road of reason for
a head-on collision with the captain of industry, who is
stepping on the tail of his big Packard, and both will
be injured. Cornering the earth and setting the price
of all things required for man’s welfare has come home
to roost in demands for wages double and treble what
they used to be, and both capital and labor must be
purged of this overload on the liver of righteousness
or the undertaker will have an unusually thriving
business very soon.</p>
<p><span class="pagenum"><SPAN name="Page_36" id="Page_36">[36]</SPAN></span></p>
<p>The tendency of present-day writers and authors
of fiction stories to deal in suggestiveness is perhaps
explained in the popularity of the magazines which
cater to these outpourings. Gouverneur Morris is one
of these, and who can say that Mr. Morris is not one of
the foremost writers of the day? In his latest masterpiece,
“The Wild Goose,” which appeared recently in
Hearst’s, he writes, for instance:</p>
<p>One of the shoulder-straps of her night-gown had
slipped so that Diana’s left breast was almost wholly
bare. At her husband’s next words she hastily pulled
the night-gown back into place, as she might have done
if he had stepped suddenly into view.</p>
<p>“I could crawl to you on my hands and knees,” he
said, “if I could lay my head on your breast just one
little moment.”</p>
<p>“Frank,” she exclaimed, “I am so sorry! But
please, please—this is no time to discuss what’s been
and gone and happened. Do go back to bed....
Count the sheep going over the hurdle.... Don’t
you know I’d do anything—anything—anything—except
the things I can’t do?...”</p>
<p>There was a long silence. Then the man spoke
again.</p>
<p>“Do have pity,” he said, “for Christ’s sake!”</p>
<div class="starbreak">* * *</div>
<p>Then we have Arthur Somers Roche who quite
often reveals much truth in his fiction. Writing recently
in the Cosmopolitan, Roche, perhaps unconsciously,
reveals a time-worn trick of the woman of
the street in “working” a male victim. He writes:</p>
<p>The difficulty with the Waiters’ Union had resulted<span class="pagenum"><SPAN name="Page_37" id="Page_37">[37]</SPAN></span>
in the engaging of girls as waitresses at the
Central. An extremely pretty girl had just served
Mr. Dabney with something. Inspiration had come to
him as he started to tip her.</p>
<p>“Worth just fifty cents, m’dear, if I put it in your
hand. Worth five dollars if I put it in your stocking.
What say?”</p>
<p>The waitress essayed coyness, but failed in her
endeavor. Five dollars was five dollars. She turned
slightly to one side; her skirt was raised; into her
stocking-top Dabney slipped the five-dollar bill.</p>
<p>No invention of modern history has ever been
acclaimed with the enthusiasm that greeted Mr. Dabney’s
strikingly original idea. There was a yell from
Mr. Ladd’s table; as explanation shot about the room,
hilarity reached its highest pitch. Immediately a
dozen girls stood close to tables, while unsteady hands
that held bills fumbled at the tops of stockings.</p>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Mary, Mary, quite contrary,</div>
<div class="verse">How did your brewing do?</div>
<div class="verse">It has the smell, and kicks like hell,</div>
<div class="verse">But tastes like rotten glue.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Pass Her a Palm Fan</h3>
<p>“What sort of tree is that?” queried a Chicago
girl, touring California.</p>
<p>“Fig tree,” replied her escort.</p>
<p>“My goodness, I thought the leaves were larger.”</p>
<div class="starbreak">* * *</div>
<p>A. W. O. L. means, according to officers who ought
to know, “After Women Or Liquor.” Usually it’s both.</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_38" id="Page_38">[38]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Smokehouse Poetry</i></h2></div>
<h3>The Passing of Old Smokehouse</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">When memory keeps me company and moves to smiles or tears,</div>
<div class="verse">A weather-beaten object looms through the mist of years,</div>
<div class="verse">Behind the house and barn it stood, a half a mile or more,</div>
<div class="verse">And hurrying feet a path had made, straight to its swinging door.</div>
<div class="verse">Its architecture was a type of simple classic art,</div>
<div class="verse">But in the tragedy of life it played a leading part;</div>
<div class="verse">And oft the passing traveler drove slow and heaved a sigh</div>
<div class="verse">To see the modest hired girl slip out with glances shy.</div>
</div>
<div class="stanza">
<div class="verse">We had our posey garden that the women loved so well.</div>
<div class="verse">I loved it, too, but better still I loved the stronger smell</div>
<div class="verse">That filled the evening breezes so full of homely cheer,</div>
<div class="verse">And told the night-o’ertaken tramp that human life was near.</div>
<div class="verse">On lazy August afternoons it made a little bower,</div>
<div class="verse">Delighted, where my grandsire sat and whiled away an hour.</div>
<div class="verse">For there the summer morning its very cares entwined,</div>
<div class="verse">And berry bushes reddened in the steaming soil behind.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Poor Girlie</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">My parents told me not to smoke;</div>
<div class="verse indent2">I don’t.</div>
<div class="verse">Nor listen to a naughty joke;</div>
<div class="verse indent2">I don’t.</div>
<div class="verse">They told me it was wrong to wink</div>
<div class="verse">At handsome men, or even think</div>
<div class="verse">About intoxicating drink;</div>
<div class="verse indent2">I don’t.</div>
</div>
<div class="stanza">
<div class="verse">To dance or flirt was very wrong;</div>
<div class="verse indent2">I don’t.</div>
<div class="verse">Wild girls chase men and wine and song;</div>
<div class="verse indent2">I don’t.</div>
<div class="verse">I kiss no men, not even one—</div>
<div class="verse">In fact, I don’t know how it’s done;</div>
<div class="verse">You wouldn’t think I have much fun—</div>
<div class="verse indent2">I don’t.</div>
</div></div>
</div>
<p><span class="pagenum"><SPAN name="Page_39" id="Page_39">[39]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Hunting the Wily Pole Cat</h3>
<p class="center">(As told by a French-Canadian).</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">I’m hunt de bear, I’m hunt de rat</div>
<div class="verse indent1">Sometimes I’m hunt de cat;</div>
<div class="verse">Las week I’m tak ma ax an go</div>
<div class="verse indent1">To hunt de skunk pole cat.</div>
</div>
<div class="stanza">
<div class="verse">Ma fren Bill says hees ver good fur,</div>
<div class="verse indent1">Same time good for eat,</div>
<div class="verse">So I tell ma wife, “I get fur coat</div>
<div class="verse indent1">Same time get some meat.”</div>
</div>
<div class="stanza">
<div class="verse">I walk, one, two, three, four mile.</div>
<div class="verse indent1">I feel one awful smell—</div>
<div class="verse">I theenk that skunk hees gone and died</div>
<div class="verse indent1">And fur coat’s gone to hal.</div>
</div>
<div class="stanza">
<div class="verse">Bime-by I get up ver ver close,</div>
<div class="verse indent1">I raise ma ax up high—</div>
<div class="verse">Dat gaddum skunk he up and plunk,</div>
<div class="verse indent1">Trow something in ma eye.</div>
</div>
<div class="stanza">
<div class="verse">Sacre blu; I tink ahm blin—</div>
<div class="verse indent1">Gee Cri! Ah cannot see,</div>
<div class="verse">Ah run aroun and roun and roun</div>
<div class="verse indent1">Till bump in gaddum tree.</div>
</div>
<div class="stanza">
<div class="verse">Bime-bye I drop de ax</div>
<div class="verse indent1">An light out for de shack</div>
<div class="verse">I tink about a milyun skunk</div>
<div class="verse indent1">Hees climb upon ma back.</div>
</div>
<div class="stanza">
<div class="verse">Ma wife she meet me at de door,</div>
<div class="verse indent1">She sick on me de dog,</div>
<div class="verse">She say, “You no sleep here tonight,</div>
<div class="verse indent1">Go out and sleep wit hog.”</div>
</div>
<div class="stanza">
<div class="verse">I try to get in hog pen,</div>
<div class="verse indent1">Gee Cri, now what you tink,</div>
<div class="verse">Dat gaddum hog no stan for dat</div>
<div class="verse indent1">On count of awful stink.</div>
</div>
<div class="stanza">
<div class="verse">So I no hunt de skunk no more</div>
<div class="verse indent1">To get hees fur and meat;</div>
<div class="verse">For if hees breath he smell so bad,</div>
<div class="verse indent1">Gee Cri! what if he speet.</div>
</div></div>
</div>
<p><span class="pagenum"><SPAN name="Page_40" id="Page_40">[40]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>The Girl with the Blue Velvet Band</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">In that city of wealth, beauty and fashion;</div>
<div class="verse">Dear old Frisco, where I first saw the light,</div>
<div class="verse">And the many frolics that I had there</div>
<div class="verse">Are still fresh in my memory tonight.</div>
</div>
<div class="stanza">
<div class="verse">One evening while out for a ramble;</div>
<div class="verse">Here or there without thought or design,</div>
<div class="verse">I chanced on a young girl tall and slender,</div>
<div class="verse">On the corner of Kearney and Pine.</div>
</div>
<div class="stanza">
<div class="verse">On her face was the first flush of nature,</div>
<div class="verse">And bright eyes seemed to expand;</div>
<div class="verse">While her hair fell in rich, brilliant masses,</div>
<div class="verse">Was entwined in a Blue Velvet Band.</div>
</div>
<div class="stanza">
<div class="verse">To a house of gentle ruination,</div>
<div class="verse">She invited me with a sweet smile;</div>
<div class="verse">She seemed so ready, inviting;</div>
<div class="verse">That I thought I would tarry awhile.</div>
</div>
<div class="stanza">
<div class="verse">She then shared with me a collection</div>
<div class="verse">Of wines of an excellent brand,</div>
<div class="verse">And conversed in politest language;</div>
<div class="verse">This girl with the Blue Velvet Band.</div>
</div>
<div class="stanza">
<div class="verse">After lunch, to a well-kept apartment,</div>
<div class="verse">We repaired to the third floor above;</div>
<div class="verse">And I thought myself truly in heaven,</div>
<div class="verse">Where reigneth the goddess of love.</div>
</div>
<div class="stanza">
<div class="verse">Her lady’s taste was resplendent,</div>
<div class="verse">From the graceful arrangement of things;</div>
<div class="verse">From the pictures that stood on the bureau,</div>
<div class="verse">To a little bronze Cupid with wings.</div>
</div>
<div class="stanza">
<div class="verse">But what struck me the most was an object</div>
<div class="verse">Designed by an artistic hand;</div>
<div class="verse">’Twas the costly “lay-out” of a hop-fiend,</div>
<div class="verse">And that fiend was my Blue Velvet Band.</div>
</div>
<div class="stanza">
<div class="verse">On a pile of soft robes and pillows;</div>
<div class="verse">She reclined, I declare, on the floor,</div>
<div class="verse">Then we both hit the pipe and I slumbered,</div>
<div class="verse">I ponder it over and o’er.</div>
</div>
<div class="stanza">
<div class="verse">’Tis months since the craven arm grasped me,</div>
<div class="verse">And in bliss did my life glide away;</div>
<div class="verse">From opium to “dipping” and thieving,</div>
<div class="verse">She artfully led day by day.</div>
<span class="pagenum"><SPAN name="Page_41" id="Page_41">[41]</SPAN></span></div>
<div class="stanza">
<div class="verse">One evening, coming home wet and dreary,</div>
<div class="verse">With the swag from a jewelry store;</div>
<div class="verse">I heard the soft voice of my loved one,</div>
<div class="verse">As I gently opened the door.</div>
</div>
<div class="stanza">
<div class="verse">“If you’ll give me a clue to convict him,”</div>
<div class="verse">Said a stranger, in tones soft and grand,</div>
<div class="verse">“You’ll then prove to me that you love me”;</div>
<div class="verse">“It’s a go,” said my Blue Velvet Band.</div>
</div>
<div class="stanza">
<div class="verse">Ah! How my heart filled with anger,</div>
<div class="verse">At woman, so fair, false and vile,</div>
<div class="verse">And to think that I once true adored her;</div>
<div class="verse">Brought to my lips a mock smile.</div>
</div>
<div class="stanza">
<div class="verse">All ill-gotten gains we had squandered,</div>
<div class="verse">And my life was hers to command;</div>
<div class="verse">Betrayed and deserted for another—</div>
<div class="verse">Could this be my Blue Velvet Band?</div>
</div>
<div class="stanza">
<div class="verse">Just a few moments before I was hunted</div>
<div class="verse">By the cops, who wounded me, too.</div>
<div class="verse">And my temper was none the sweetest,</div>
<div class="verse">As I swung myself into their view.</div>
</div>
<div class="stanza">
<div class="verse">And the copper, not liking the glitter</div>
<div class="verse">Of the “44” Colt in my hand;</div>
<div class="verse">Hurriedly left through the window,</div>
<div class="verse">Leaving me with my Blue Velvet Band.</div>
</div>
<div class="stanza">
<div class="verse">Had she been true when I met her,</div>
<div class="verse">Great future for us was in store,</div>
<div class="verse">For I was an able mechanic,</div>
<div class="verse">And honest and square to the core.</div>
</div>
<div class="stanza">
<div class="verse">What happened to me I will tell you;</div>
<div class="verse">I was “ditched” for a desperate crime;</div>
<div class="verse">There was hell in a bank about midnight,</div>
<div class="verse">And my pal was shot down in his prime.</div>
</div>
<div class="stanza">
<div class="verse">As a convict of hard reputation,</div>
<div class="verse">Ten years of hard grind I did land,</div>
<div class="verse">And I often thought of the pleasures</div>
<div class="verse">I had with my Blue Velvet Band.</div>
</div>
<div class="stanza">
<div class="verse">One night as bed time was ringing</div>
<div class="verse">I was standing close to the bars</div>
<div class="verse">I fancied I heard a girl singing</div>
<div class="verse">Far out in the ocean of stars.</div>
</div>
<div class="stanza">
<div class="verse">Her voice had the same touch of sadness</div>
<div class="verse">I knew that but one could command,</div>
<div class="verse">It had the same thrill of gladness</div>
<div class="verse">As that of my Blue Velvet Band.</div>
<span class="pagenum"><SPAN name="Page_42" id="Page_42">[42]</SPAN></span></div>
<div class="stanza">
<div class="verse">Dear pals, when my “hitch” is completed,</div>
<div class="verse">Back to Frisco I’ll journey again;</div>
<div class="verse">Where my chances are worth a few dollars—</div>
<div class="verse">All the way from a thousand to ten.</div>
</div>
<div class="stanza">
<div class="verse">Once again I will try to live honest;</div>
<div class="verse">Though I go to some far distant land,</div>
<div class="verse">And bid adios to dear Frisco</div>
<div class="verse">And the girl with the Blue Velvet Band.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>The Little Red God</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Here’s a little red song to the god of guts,</div>
<div class="verse">Who dwells in palaces, brothels, huts;</div>
<div class="verse">The little Red God with the craw of grit;</div>
<div class="verse">The god who never learned how to quit;</div>
<div class="verse">He is neither a fool with a frozen smile,</div>
<div class="verse">Or a sad old toad in a cask of bile;</div>
<div class="verse">He can dance with a shoe-nail in his heel</div>
<div class="verse">And never a sign of his pain reveal;</div>
<div class="verse">He can hold a mob with an empty gun</div>
<div class="verse">And turn a tragedy into fun;</div>
<div class="verse">Kill a man in a flash, a breath,</div>
<div class="verse">Or snatch a friend from the claws of death;</div>
<div class="verse">Swallow the pill of assured defeat</div>
<div class="verse">And plan attack in his slow retreat;</div>
<div class="verse">Spin the wheel till the numbers dance,</div>
<div class="verse">And bite his thumb at the god of Chance;</div>
<div class="verse">Drink straight water with whisky-soaks,</div>
<div class="verse">Or call for liquor with temperance folks;</div>
<div class="verse">Tearless stand at the graven stone,</div>
<div class="verse">Yet weep in the silence of night, alone;</div>
<div class="verse">Worship a sweet, white virgin’s glove,</div>
<div class="verse">Or teach a courtesan how to love;</div>
<div class="verse">Dare the dullness of fireside bliss,</div>
<div class="verse">Or stake his soul for a wanton’s kiss;</div>
<div class="verse">Blind his soul to a woman’s eyes</div>
<div class="verse">When she says she loves and he knows she lies;</div>
<div class="verse">Shovel dung in the city mart</div>
<div class="verse">To earn a crust for his chosen art;</div>
<div class="verse">Build where the builders all have failed,</div>
<div class="verse">And sail the seas that no man has sailed;</div>
<div class="verse">Run a tunnel or dam a stream,</div>
<div class="verse">Or damn the men who financed the dream;</div>
<div class="verse">Tell a pal what his work is worth,</div>
<div class="verse">Though he lost his last best friend on earth;</div>
<div class="verse">Lend the critical monkey-elf</div>
<div class="verse">A razor—hoping he’ll kill himself;</div>
<span class="pagenum"><SPAN name="Page_43" id="Page_43">[43]</SPAN></span>
<div class="verse">Wear the garments he likes to wear,</div>
<div class="verse">Never dreaming that people stare;</div>
<div class="verse">Go to church if his conscience wills,</div>
<div class="verse">Or find his own—in the far, blue hills.</div>
</div>
<div class="stanza">
<div class="verse">He is kind and gentle, or harsh and gruff;</div>
<div class="verse">He is tender as love—or he’s rawhide tough;</div>
<div class="verse">A rough-necked rider in spurs and chaps,</div>
<div class="verse">Or well-groomed son of the town—perhaps;</div>
<div class="verse">And this is the little Red God I sing,</div>
<div class="verse">Who cares not a wallop for anything</div>
<div class="verse">That walks or gallops, that crawls or struts,</div>
<div class="verse">No matter how clothed—if it hasn’t guts.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Me for the Cave Man</h3>
<p class="center">By Charles C. Walts.</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">I want a Cave-man rugged and tough</div>
<div class="verse">To bite my neck and treat me rough.</div>
<div class="verse">To hold me whether I screech or bluff;</div>
<div class="verse">Me for the Cave-man stuff!</div>
</div>
<div class="stanza">
<div class="verse">I want a Cave-man who can pick me up,</div>
<div class="verse">Slam me around like an ornery pup,</div>
<div class="verse">Out of his hand I would eat and sup—</div>
<div class="verse">Me for the Cave-man stuff!</div>
</div>
<div class="stanza">
<div class="verse">I want a Cave-man when I’ve the blues</div>
<div class="verse">To take me and shake me out of my shoes,</div>
<div class="verse">To swear by note in lurid hues—</div>
<div class="verse">Me for the Cave-man stuff.</div>
</div>
<div class="stanza">
<div class="verse">I want a Cave-man just for luck,</div>
<div class="verse">I’ll not be any sissy’s “duck,”</div>
<div class="verse">I’m no “honey” or any such truck—</div>
<div class="verse">Me for the Cave-man stuff!</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>The Profiteer</h3>
<p class="center">By George D. Brewer</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">When God made the buzzard, the toad and the snake;</div>
<div class="verse indent2">As well as the worm and the rat,</div>
<div class="verse">He stirred what was left of the entrails and ends,</div>
<div class="verse indent2">In an air-tight asbestos vat.</div>
<div class="verse">From this corrupt mass of intestines and muck</div>
<div class="verse indent2">He skimmed the most rancid, I hear,</div>
<div class="verse">And took it away to a corner in hell</div>
<div class="verse indent2">And from it produced a food profiteer.</div>
</div></div>
</div>
<p><span class="pagenum"><SPAN name="Page_44" id="Page_44">[44]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Explosion of Pedigreed Cat</h3>
<p class="center">(With Apologies to Captain Billy’s “Explosion of Pedigreed Bull”)</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">A Persian kitty, perfumed and fair,</div>
<div class="verse">Strayed out through the kitchen door for air,</div>
<div class="verse">When a Tom Cat, lean and lithe and strong</div>
<div class="verse">And dirty and yellow came along.</div>
</div>
<div class="stanza">
<div class="verse">He sniffed at the perfumed Persian cat,</div>
<div class="verse">As she strutted about with much eclat,</div>
<div class="verse">And thinking a bit of time to pass,</div>
<div class="verse">He whispered: “Kiddo, you sure have class.”</div>
</div>
<div class="stanza">
<div class="verse">“That’s fitting and proper,” was her reply</div>
<div class="verse">As she arched the whiskers over her eye,</div>
<div class="verse">“I’m ribboned, I sleep in a pillow of silk</div>
<div class="verse">And daily they bathe me in certified milk.”</div>
</div>
<div class="stanza">
<div class="verse">“Yet we’re never contented with what we’ve got</div>
<div class="verse">I try to be happy, but happy I’m not.</div>
<div class="verse">And I should be joyful, I should, indeed,</div>
<div class="verse">For I certainly am highly pedigreed.”</div>
</div>
<div class="stanza">
<div class="verse">“Cheer up,” said the Tom Cat, with a smile,</div>
<div class="verse">“And trust your new found friend a while.</div>
<div class="verse">You need to escape from your back yard fence;</div>
<div class="verse">My dear, all you need is experience.”</div>
</div>
<div class="stanza">
<div class="verse">New joys of life he then unfurled,</div>
<div class="verse">As he told her tales of the outside world,</div>
<div class="verse">Suggesting at last, with a luring laugh,</div>
<div class="verse">A trip for the two down the “Primrose Path.”</div>
</div>
<div class="stanza">
<div class="verse">The morning after the night before</div>
<div class="verse">The “Cat Came Back” at the hour of four,</div>
<div class="verse">The look in her innocent eyes had went</div>
<div class="verse">But the smile on her face was the smile of content.</div>
</div>
<div class="stanza">
<div class="verse">And in the after days when children came</div>
<div class="verse">To the Persian kitty of pedigreed fame,</div>
<div class="verse">They weren’t Persian—they were black and tan,</div>
<div class="verse">And she told them their pa was a traveling man.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Summer Idyl</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">The dragon-flies are on the wing—</div>
<div class="verse indent2">Oh, would some power command ’em</div>
<div class="verse">To fly like any decent thing,</div>
<div class="verse indent2">Instead of traveling tandem!</div>
</div></div>
</div>
<p><span class="pagenum"><SPAN name="Page_45" id="Page_45">[45]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Bomb, Bomb, Bomb</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">We were bombed last night, we were bombed the night before</div>
<div class="verse">And we’re gonna be bombed tonight as we were never bombed before;</div>
<div class="verse">When we’re bombed, we’re as scared as we can be,</div>
<div class="verse">They can bomb the whole damned army if they don’t bomb me!</div>
</div>
<div class="stanza">
<div class="verse center">CHORUS</div>
</div>
<div class="stanza">
<div class="verse indent2">They’re over us, they’re over us,</div>
<div class="verse indent2">One little cave for the four of us;</div>
<div class="verse indent2">Glory be to God there are no more of us</div>
<div class="verse indent2">Or they’d bomb the whole damned crew!</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Wild Woman</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">If she drinks, we have taught her.</div>
<div class="verse indent2">If she smokes, we showed her how.</div>
<div class="verse">If she has any bad habits,</div>
<div class="verse indent2">What’s the use to knock her now?</div>
</div>
<div class="stanza">
<div class="verse">For God made man, and God made woman,</div>
<div class="verse indent2">Both on a different plan.</div>
<div class="verse">So if women do go wrong,</div>
<div class="verse indent2">It’s done by us, the man.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>It Used to Be</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Booze, booze, you’re my guest.</div>
<div class="verse">You often keep me from my rest;</div>
<div class="verse">You often make my friends my foes;</div>
<div class="verse">You often make me wear old clothes;</div>
<div class="verse">But as you are so near my nose—</div>
<div class="verse">Tip her up, pals, and down she goes.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Memory</h3>
<p class="center">By Oscar C. Williams.</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">When I review the days we spent up there</div>
<div class="verse">Upon Youth’s mountain-top, when we had thrilled</div>
<div class="verse">To the throbbing of a love that God had willed,</div>
<div class="verse">And sipped together joyously the rare,</div>
<div class="verse">Rich strangeness of the brimming hours and fair—</div>
<div class="verse">When I review all this, those days so filled</div>
<div class="verse">With life, I realize how much was spilled.</div>
<div class="verse">We did not mind, we had so much to spare!</div>
</div></div>
</div>
<p><span class="pagenum"><SPAN name="Page_46" id="Page_46">[46]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Friend Wife</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Here’s to the girl I love the best.</div>
<div class="verse">I’ve kissed her without ’em</div>
<div class="verse">And I’ve kissed her dressed;</div>
<div class="verse">I’ve kissed her sitting</div>
<div class="verse">And I’ve kissed her lying,</div>
<div class="verse">And—Gol darn her soul—</div>
<div class="verse">If she had wings I’d kiss her flying.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Hold Fast</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Poet, never chase the dream.</div>
<div class="verse indent2">Laugh yourself and turn away.</div>
<div class="verse">Mask your hunger, let it seem</div>
<div class="verse indent2">Small matter if he come or stay;</div>
<div class="verse">But when he nestles in your hand at last,</div>
<div class="verse">Close up your fingers tight and hold him fast.</div>
</div>
<div class="stanza">
<div class="verse right">—Robert Graves.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Sam’s Girl</h3>
<p class="center">By Charles C. Walts</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Sam’s girl is tall and slender;</div>
<div class="verse">My girl is fat and low.</div>
</div>
<div class="stanza">
<div class="verse">Sam’s girl wears silks and satins;</div>
<div class="verse">My girl wears calico.</div>
</div>
<div class="stanza">
<div class="verse">Sam’s girl is swift and speedy;</div>
<div class="verse">My girl demure and good.</div>
</div>
<div class="stanza">
<div class="verse">Do you think I’d swap for Sam’s girl?</div>
<div class="verse">You know darn well I would!</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Good Night</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">You sing a little song or two,</div>
<div class="verse indent2">You have a little chat,</div>
<div class="verse">You make a little candy fudge</div>
<div class="verse indent2">And then you take your hat.</div>
</div>
<div class="stanza">
<div class="verse">You hold her hand and say “good night,”</div>
<div class="verse indent2">As sweetly as you can—</div>
<div class="verse">Ain’t that a heluva an evening</div>
<div class="verse indent2">For a great big healthy man?</div>
</div></div>
</div>
<p><span class="pagenum"><SPAN name="Page_47" id="Page_47">[47]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Twentieth Century Jazz</h3>
<p class="center">By Carrie Blaine Yeiser</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">I ain’t a-comin’ back</div>
<div class="verse indent1">Till I know why,</div>
<div class="verse">I ain’t a-goin to live</div>
<div class="verse indent1">Where I have to die!</div>
</div>
<div class="stanza">
<div class="verse">Man drifts to earth</div>
<div class="verse indent1">Like a summer cloud—</div>
<div class="verse">Next comes the hearse</div>
<div class="verse indent1">And a linen shroud.</div>
</div>
<div class="stanza">
<div class="verse">Nailed in a box,</div>
<div class="verse indent1">Served to the worms,</div>
<div class="verse">’Thout bein’ consulted</div>
<div class="verse indent1">Nor asked to make terms.</div>
</div>
<div class="stanza">
<div class="verse">This thing o’ livin’</div>
<div class="verse indent1">An’ dyin’ again,</div>
<div class="verse">Is same as a hog</div>
<div class="verse indent1">Cooped up in a pen.</div>
</div>
<div class="stanza">
<div class="verse">He’s got just so long</div>
<div class="verse indent1">To wallow in swill,</div>
<div class="verse">So he grunts about—</div>
<div class="verse indent1">Never gettin’ his fill.</div>
</div>
<div class="stanza">
<div class="verse">Then his light is put out</div>
<div class="verse indent1">An’ he’s served in chops,</div>
<div class="verse">On a linen cloth</div>
<div class="verse indent1">To a bunch o’ wops.</div>
</div>
<div class="stanza">
<div class="verse">So, I won’t be squeezed into a body again</div>
<div class="verse">Till I know the wherefore, why, an’ when.</div>
<div class="verse">An’ I reckon—time I grow that wise,</div>
<div class="verse">I’ll be headin’ for the gates o’ Paradise.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>The Answer</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Why is it folks are drinking more</div>
<div class="verse">Since Prohibition than before?</div>
<div class="verse">The reason’s easy to perceive,</div>
<div class="verse">The same old Snake that tempted Eve</div>
<div class="verse">With the Forbidden Fruit to play</div>
<div class="verse">Is on the job again today,</div>
<div class="verse">And pious folk who never took</div>
<div class="verse">A drop in all their lives, now look</div>
<div class="verse">Upon the wine when it is red</div>
<div class="verse">Because it is prohibited!</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>The Old Dog</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">I’ve led a wild life,</div>
<div class="verse indent2">I’ve earned all I’ve spent.</div>
<div class="verse">I’ve paid all I’ve borrowed,</div>
<div class="verse indent2">I’ve lost all I’ve lent.</div>
</div>
<div class="stanza">
<div class="verse">I loved a woman,</div>
<div class="verse indent2">And then came the end.</div>
<div class="verse">Get a good dog, boys,</div>
<div class="verse indent2">He’ll be your friend.</div>
</div></div>
</div>
<hr />
<p><span class="pagenum"><SPAN name="Page_48" id="Page_48">[48]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Pasture Pot Pourri</i></h2></div>
<p class="sans">A bumble bee backed up to me and pushed.</p>
<div class="starbreak">* * *</div>
<p>When things come to a head it will be some tale.</p>
<div class="starbreak">* * *</div>
<p>She—I’ll have you understand I got my musical
education from abroad.</p>
<p>He—I got worse than that from abroad.</p>
<div class="starbreak">* * *</div>
<h3>It Isn’t What You Used to Was</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Here’s to the man of forty and past,</div>
<div class="verse">Who’s lived his young life and lived it fast;</div>
<div class="verse">And here’s to his wife of twenty-four,</div>
<div class="verse">Who kisses him sweetly and coaxes for more;</div>
<div class="verse">But all that he’ll do is to buzz and buzz</div>
<div class="verse">And tell what a guy he used to was.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p class="bold">“Oi, Oi, Ikey, I’ve got a joke on you. You forgot
to pull your vindow curtain down last night and I
could see you and your vife all de time.”</p>
<p class="bold">“No, No. Abie, the joke’s on you. I vasn’t home
at all last night.”</p>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">When I was young and had some sense,</div>
<div class="verse">I tried to jump a barb wire fence.</div>
</div>
<div class="stanza">
<div class="verse right">—Mascot.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p class="sans">Kissing a woman is like taking olives out of a bottle—get the
first one and the rest come easy.</p>
<p><span class="pagenum"><SPAN name="Page_49" id="Page_49">[49]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>That Famous Lullaby</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Sleep, baby, sleep,</div>
<div class="verse indent1">You’re mama’s pet;</div>
<div class="verse">Though your father voted dry,</div>
<div class="verse indent1">You were always wet.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p>It has been said that the only possible way to get
some men to the front is by kicking them in the rear,
which reminds us of the Russian Jewish battalion in
the recent Polish invasion that was cut off in the front
while running to the rear.</p>
<div class="starbreak">* * *</div>
<p>A few months ago the girls ran away from a
drunken man—now they run after him to see where
he got it.</p>
<div class="starbreak">* * *</div>
<p>You tell ’em, locomotive; you’ve got a tender behind
you.</p>
<div class="starbreak">* * *</div>
<p class="sans">Arabella: “Children are such an expense nowadays, I don’t
see why you have so many.”</p>
<p class="sans">Mrs. Murphy: “Well, you know there are moments in the lives
of all great men when they don’t care a darn for expenses.”</p>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Born in Kentucky,</div>
<div class="verse">Raised in Tennessee,</div>
<div class="verse">Won’t somebody come</div>
<div class="verse">And shimmie with me.</div>
</div>
<div class="stanza">
<div class="verse right">—Shakesbeer.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p>Youngblood, arrested in St. Paul, on trial:</p>
<p>Police Judge—“Who brought you here?”</p>
<p>Youngblood—“Two policemen.”</p>
<p>Judge—“Drunk, I suppose?”</p>
<p>Y. B.—“Yes, both of them.”</p>
<p><span class="pagenum"><SPAN name="Page_50" id="Page_50">[50]</SPAN></span></p>
<div class="starbreak">* * *</div>
<p>Father said: “My boy, when I was your age down on the farm,
I retired with the chickens.”</p>
<p>Son replied: “That’s nothing, dad, so do I.”</p>
<div class="starbreak">* * *</div>
<p>She may be a moonshiner’s daughter, but I love
her “still.”</p>
<div class="starbreak">* * *</div>
<div class="poetry-container sans">
<div class="poetry">
<div class="stanza">
<div class="verse">Oh, my daddy’s in the back yard</div>
<div class="verse indent1">A-sawing a log;</div>
<div class="verse">Baby’s in the cradle</div>
<div class="verse indent1">A-walking the dawg,</div>
<div class="verse">Oh! Honey, how long must I wait</div>
<div class="verse indent1">Shall I get you now</div>
<div class="verse">Or must I hesitate?</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Say a kind word for Patrick O’Toole</div>
<div class="verse">He borrowed a feather to tickle a mule.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Here’s to the girl with the high-heeled shoes</div>
<div class="verse">Who eats my lobsters and drinks my booze</div>
<div class="verse">And taxies home to mother to snooze.</div>
<div class="verse">I’ll marry her yet.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<h3>Too Obvious</h3>
<p>Sunday School Teacher—Which bird did Noah
send out of the Ark to find out what the weather was
like?</p>
<p>Small Girl—Please, teacher, a weather-cock.</p>
<div class="starbreak">* * *</div>
<h3>Foolish Rimes</h3>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">There was a young lady from France</div>
<div class="verse">Who got on the train by chance,</div>
<div class="verse indent1">Along came her sister</div>
<div class="verse indent1">Who immediately kissed her,</div>
<div class="verse">And the “brakie” went off in a trance.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p>It is never too hot to dance, if you are that young.</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_51" id="Page_51">[51]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Limericks</i></h2></div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">A beautiful queen named Miss Aster,</div>
<div class="verse">Wore a bathing suit, tight as a plaster;</div>
<div class="verse indent1">She sneezed a big sneeze</div>
<div class="verse indent1">And felt a cool breeze,</div>
<div class="verse">And knew she had met with disaster.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">There was an old fellow named Fife,</div>
<div class="verse">Who had a most wonderful wife,</div>
<div class="verse indent1">But he went to the “Follies”</div>
<div class="verse indent1">And winked at the dollies,</div>
<div class="verse">And now she is off him for life.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">There was a young lady from Natchez,</div>
<div class="verse">Who fell in some nettleweed patches,</div>
<div class="verse indent1">With a heart full of gloom</div>
<div class="verse indent1">She sits in her room</div>
<div class="verse">And scratches and scratches and scratches.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">A giddy old maid, Miss O’Hare,</div>
<div class="verse">Caught a man in her room unaware,</div>
<div class="verse indent1">“Come from under that bed,”</div>
<div class="verse indent1">She emphatically said,</div>
<div class="verse">“And escape from this room if you dare!”</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">A doughboy who’d just come from France,</div>
<div class="verse">At the clothes of the girls looked askance,</div>
<div class="verse indent1">He’d killed many a Hun</div>
<div class="verse indent1">And from bombs hadn’t run,</div>
<div class="verse">But the skirts made his breath come in pants.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">There once was a girlie from Litchen,</div>
<div class="verse">Stood scratching herself in the kitchen,</div>
<div class="verse indent1">Her father said, “Rose,</div>
<div class="verse indent1">“Coots, I suppose”;</div>
<div class="verse">“Yes, daddy, dear, and they’re itchen.”</div>
</div></div>
</div>
<hr />
<p><span class="pagenum"><SPAN name="Page_52" id="Page_52">[52]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Classified Ads</i></h2></div>
<h3>Maybe He Liked Stewed Ox Tail</h3>
<p class="center">(Sign on Minnesota Farmer’s Fence)</p>
<p class="sans">NOTIS: If any man’s or woman’s cows gets into these here
oats, his or her tail will be cut off as the case may be.</p>
<div class="starbreak">* * *</div>
<h3>Honesty in Advertising</h3>
<p class="center">(Sign, Casey’s Store, Golden Valley, Minn.)</p>
<p class="sans">Annual sale now on; don’t go elsewhere and be cheated; come
here.</p>
<div class="starbreak">* * *</div>
<h3>Everybody Likes a Sailor</h3>
<p class="center">(From the Southampton Times)</p>
<p class="sans">Wanted, by a respectable girl, her passage to New York; willing
to take care of children and a good sailor.</p>
<div class="starbreak">* * *</div>
<h3>Preparing for the Flood</h3>
<p class="center">(From the Alton Eagle)</p>
<p class="sans">Wanted small cottage for a small family with good drainage.</p>
<div class="starbreak">* * *</div>
<h3>Why the Street Car Stalled</h3>
<p class="center">(From the Dubuque News)</p>
<p class="sans">Will the person who took pair of pants off Main street car
Friday please return to this office?</p>
<div class="starbreak">* * *</div>
<h3>Why the Car?</h3>
<p class="center">(From the Buffalo Courier)</p>
<p class="sans">Wanted—Permanent gentleman boarder, with or without car,
in refined ladies’ own private home, with garage. Address Refined
Home, Courier.</p>
<p><span class="pagenum"><SPAN name="Page_53" id="Page_53">[53]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Full in a Full Cellar</h3>
<p class="center">(From the Keokuk Gate City)</p>
<p class="sans">For Sale—A good modern house on the south side with eight
rooms and full cellar for $2,600. Van Pappelendam Brothers.</p>
<div class="starbreak">* * *</div>
<h3>Power of the Press</h3>
<p class="center">(Lusk Herald)</p>
<p class="sans">Owing to the lack of space and the rush of the Herald’s prize
contest several births and deaths will be postponed until next week,
or until a later date.</p>
<div class="starbreak">* * *</div>
<h3>Some Prefer the Rear Veranda</h3>
<p class="center">(From the Lakefield Pilot)</p>
<p class="sans">House wanted by lady with large front porch and spacious rear
veranda; sun parlor and no bedbugs.</p>
<div class="starbreak">* * *</div>
<h3>Unnecessary Qualification</h3>
<p class="center">(From Johnson (S. C.) Leader)</p>
<p class="sans">Wanted—Girls to strip in a tobacco factory.</p>
<div class="starbreak">* * *</div>
<h3>If You Lamp Any Let Us Know</h3>
<p class="center">(From the Philadelphia Ledger)</p>
<p class="sans">Watches for women of superior design and perfection of movement.
Bailey, Banks & Biddle Co.</p>
<div class="starbreak">* * *</div>
<h3>New Fashioned Men Apply</h3>
<p class="center">(From the Detroit Free Press)</p>
<p class="sans">Room with two meals daily in one of the prettiest private homes
in city for one permanent gentleman with every convenience
imaginable.</p>
<div class="starbreak">* * *</div>
<h3>What’s the Fare?</h3>
<p class="center">(From Petaluma (Calif.) Courier)</p>
<p class="sans">I want to dispose of a lot of fancy chickens. Always home
nights.</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_54" id="Page_54">[54]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Jest Jokes and Jingles</i></h2></div>
<h3>The Wrong Husband</h3>
<p>A lady boarded a crowded train and rushing up
behind a bald-headed man, kissed him on the top of
his head. He turned to look at her, and in an embarrassed
and flustrated tone, she said: “I—I beg your
pardon. I thought you were my husband. Your head
behind looks just like his behind.”</p>
<div class="starbreak">* * *</div>
<p class="bold">The nice things of life are not always naughty,
but the naughty things are invariably nice.</p>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">In the Garden of Eden Adam slept;</div>
<div class="verse">Into his arms a chicken crept.</div>
<div class="verse">A voice said to Adam: “This is Eve”—</div>
<div class="verse">And Adam replied: “I’ve got you, Steve.”</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p class="bold">When we hear a woman say that all men are alike
we wonder how she found it out.</p>
<div class="starbreak">* * *</div>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">Little drops of water,</div>
<div class="verse indent1">That we used to think</div>
<div class="verse">Were simply made for chasers,</div>
<div class="verse indent1">Are now the whole damn drink.</div>
</div></div>
</div>
<p><span class="pagenum"><SPAN name="Page_55" id="Page_55">[55]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Did You Ever?</h3>
<p>A furrier was selling a coat to a woman customer.
“Yes, ma’am,” he said, “I guarantee this to be genuine
skunk fur that will wear for years.”</p>
<p>“But suppose I get it wet in the rain?” asked the
woman. “What effect will the water have on it?
What will happen to it then? Won’t it spoil?”</p>
<p>“Madam,” answered the furrier, “I have only
one answer: Did you ever hear of a skunk carrying
an umbrella?”</p>
<div class="starbreak">* * *</div>
<p class="bold">“So you deceived your husband,” said the judge
gravely.</p>
<p class="bold">“On the contrary, my lord, he deceived me. He
said he was going out of town and he didn’t go.”</p>
<div class="starbreak">* * *</div>
<p>He was a rather feminine young man, but he got
into an argument with his male companion. Said the
other fellow:</p>
<p>“Do you know, a company in Cincinnati named a
soap after you?”</p>
<p>“No, is that right?” asked the feminine youth, in
a high-pitched voice, “What is it called?”</p>
<p>“Fairy-soap,” was the reply.</p>
<div class="starbreak">* * *</div>
<p>A young lady on whose lap a bug had just lit, exclaimed:</p>
<p>“Oh, look at that funny little bug; what kind of
a bug is it?”</p>
<p>Her Escort: “That’s a lady bug.”</p>
<p>Young Lady: “My but you have good eyesight!”</p>
<p><span class="pagenum"><SPAN name="Page_56" id="Page_56">[56]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Oh, Tempore, Oh H——</h3>
<p class="sans">Wouldn’t Omar Khayam be sore if he was here. He’d change
his immortal “Rubiyait” to this:</p>
<div class="poetry-container sans">
<div class="poetry">
<div class="stanza">
<div class="verse">Beneath a bough, a can of near beer,</div>
<div class="verse">And thou—</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p class="bold">Here’s another ditty from the Jazz Review:</p>
<div class="poetry-container bold">
<div class="poetry">
<div class="stanza">
<div class="verse">Coffee in the Pantry,</div>
<div class="verse">Sugar in the Bowl,</div>
<div class="verse">Mother’s Down Town</div>
<div class="verse">Dancing Jellyroll.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p>She came down to breakfast very late and her
mother scanned her severely.</p>
<p>“Did that man kiss you last night?” she asked.</p>
<p>“Now, mother,” said the sweet young thing, blushing,
“do you suppose he came all the way from the
Great Lakes to hear me sing?”</p>
<div class="starbreak">* * *</div>
<div class="poetry-container smaller">
<div class="poetry">
<div class="stanza">
<div class="verse">If the ocean was beer and I was a duck,</div>
<div class="verse">I’d dive to the bottom and never come up.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p>Negro Woman to Drug Clerk: “Misto drug clerk,
do you all exchange things here?”</p>
<p>Drug Clerk: “Why, yes madam, we do.”</p>
<p>Negro Woman: “Well I was jist wonderin’ if yo’
would take back this here good fer nuffin rubber thing
an’ give me a bottle of Mellen’s food instead.”</p>
<div class="starbreak">* * *</div>
<p>A girl’s heart is like her vanity bag—overflowing
with tender little souvenirs of love; a man’s is like his
pipe—carefully emptied after each “flame” has gone
out.</p>
<p><span class="pagenum"><SPAN name="Page_57" id="Page_57">[57]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Second Spasm</h3>
<div class="poetry-container smaller">
<div class="poetry">
<div class="stanza">
<div class="verse">Said the big red rooster to the little brown hen:</div>
<div class="verse">“Meet me at the smoke-house at half past ten”;</div>
<div class="verse">Said the little brown hen to the big red rooster:</div>
<div class="verse">“I’ll not be there—in fact, I refuster”;</div>
<div class="verse">Said the big red rooster with a smirk of pride:</div>
<div class="verse">“Huh! I should worry, I’ll go outside”;</div>
<div class="verse">Said the little brown hen as she left on a run:</div>
<div class="verse">“So will I, too, you son of a gun.”</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p>Footman: “My lord, a lady waits without.”</p>
<p>Lord Wunckleberry: “Without what?”</p>
<p>“Without food or clothing, your lordship.”</p>
<p>“Well, give her some food and send her in.”</p>
<div class="starbreak">* * *</div>
<h3>Those Kilkenny Kats</h3>
<p>A story is told of an agent who accompanied a
prospective buyer to the vast granite quarries south of
St. Cloud, Minn. While there a cat passed them and
seemed to be in a hurry. The P. B. noticed it, but said
nothing. In a few moments another cat appeared and
ran in the same direction. The P. B. looked at the
agent, but he seemed to be paying no attention to the
cats. When the third cat finally flew by and vanished
in the distance, the P. B. could no longer withhold his
curiosity.</p>
<p>“What in the world is the matter with those
cats?” he asked.</p>
<p>“Nothing the matter with the cats,” answered the
agent, unconcernedly, “but it’s nine miles to dirt.”</p>
<div class="starbreak">* * *</div>
<p class="bold">Most women are pure and chaste—the less pure the
more chased.</p>
<hr />
<p><span class="pagenum"><SPAN name="Page_58" id="Page_58">[58]</SPAN></span></p>
<div class="bbox w40">
<h2><i>Our Rural Mail Box</i></h2></div>
<h3>Yes, God Bless ’Em</h3>
<p>Skipper Bill:</p>
<p>May you grant me the privilege of expostulating
to the tune of a jazz strain, which is indicative of life,
the melody of the living and the nemesis of the dead,
and dying.</p>
<p>Under the cloak of religion there are too many
one-cylinder brains functioning to the detriment of our
country, creed and constitution, and the space you
allotted to the vituperations of an ecclesiastic ass,
yclept Rev. J. Herbden Walters, was just two pages too
much.</p>
<p>Women have always been enigmas so far as man is
concerned, and it doesn’t require any brand of spiritual
interpretation to convince us mortals that such a
condition is in keeping with Allah’s plan of things.</p>
<p>No man who ever fell for the charms of a woman
can point an accusing finger at her. When she makes
herself “sweet to look upon” she is but fulfilling her
destiny on this earth, and the power of man was created
for the sole purpose of battering down her resistence—that’s
God’s law; it’s the same in all forms of
life.</p>
<p>No, Bill, his dose is diarrhoetic and we are not
seeking purgatives. His mentality is sadly lacking and<span class="pagenum"><SPAN name="Page_59" id="Page_59">[59]</SPAN></span>
his virility could well be questioned. Personally, such
festers on our social cosmos sort o’ rankles me, for I
try to atune myself to the Greater Law.</p>
<p>In closing, and ere I sign my John Henry to these
sentiments, let me enlist the eloquence of Alexander
Smith, whose brain gave birth to these lines:</p>
<div class="poetry-container">
<div class="poetry">
<div class="stanza">
<div class="verse">“The saddest thing that can befall a soul,</div>
<div class="verse">Is when it loses faith in God and woman.”</div>
</div></div>
</div>
<p class="center">One of the male specie,</p>
<p class="right">E. W. WELTY.</p>
<p>1819 West Seventh St., Los Angeles, Cal.</p>
<div class="starbreak">* * *</div>
<p><b>Mary D.</b>—No, Mary. Do not worry. Bank examiners
will not inspect your “First National.” I fear
when we reach that day there will be more candidates
for bank examiner than for president of this good old
U. S. A.</p>
<div class="starbreak">* * *</div>
<p><b>Knuts Gazoobus</b>—If you are certain your pet
skunk has fleas there is but one remedy I can suggest
and that is the tying of a good hefty chunk of dynamite
to the tail of the animal. I’ve been up against the polecat
of Northern Minnesota and the flea of dear old
Frisco and the devil save me from meeting both at
the same time.</p>
<div class="starbreak">* * *</div>
<p><b>Beautiful Katie</b>—This is the army recipe for hash:
See that the dog is a fairly fat one. Hit him over the
head with an axe and allow him to boil three hours.
Chop into mince meat and mix in a lot of potatoes,
onions and sage. Serve hot. Cats take only 20 minutes.</p>
<p><span class="pagenum"><SPAN name="Page_60" id="Page_60">[60]</SPAN></span></p>
<div class="starbreak">* * *</div>
<p><b>Dan M.</b>—Should you accidentally upset a cup of
coffee on the tablecloth, do not stare at it in consternation
and exclaim “This is a hell of a note!” Laugh it
off pleasantly and apologize to the hostess.</p>
<div class="starbreak">* * *</div>
<p><b>Daffy Dill</b>—Your question is rather absurd and
my answer is NO, I have never heard a porcupine for
its mate. But I have seen a gopher go for a gopher.</p>
<div class="starbreak">* * *</div>
<p><b>Oliver Towne</b>—I can’t quite agree with you as to
the world’s greatest historical event. How about the
time that Antony made a date with Cleopatra?</p>
<div class="starbreak">* * *</div>
<p><b>J. C. R.</b>—Yes, you are correct. The women’s wearing
apparel nowadays are held up by nothing more
than a string of beads on one side and the kindness of
heaven on the other.</p>
<div class="starbreak">* * *</div>
<p><b>Happy Harriet</b>—It is quite true that a teakettle
full of water sings, but whoinel wants to be a teakettle.</p>
<div class="starbreak">* * *</div>
<p><b>James B.</b>—I am not positive as to the number of
years the government has been trying to obliterate
moonshining in Kentucky. I do know, however, that
they’re taking in lots of territory now.</p>
<div class="starbreak">* * *</div>
<p>Hubby: “Let’s name our darling baby ‘Prohibition.’”</p>
<p>Wifelets: “I should say not. He’ll never be a
‘dry’.”</p>
<p><span class="pagenum"><SPAN name="Page_61" id="Page_61">[61]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Some Persuader</h3>
<p>Brumbaugh—“I can’t see why Bert Kitchins married
that ugly Miss Vanderpeel. Her money would not
have been an inducement to me!”</p>
<p>Gimble—“No? Well, her father’s shotgun might
have persuaded even you.”</p>
<div class="starbreak">* * *</div>
<h3>Too Bad</h3>
<p>Pelican: “Did you hear about the arrest of William
Jennings Bryan?”</p>
<p>Belican: “No, what was it all about?”</p>
<p>Helican: “For feeling out the women delegation
to see if they were wet or dry.”</p>
<div class="starbreak">* * *</div>
<h3>Or a Second Bill Sunday</h3>
<p>A father, wishing to satisfy himself as to the
future prospects of his son, decided to make the following
test:—“Now,” he said, “I will put here, where
he will see them the first thing when he comes in, a
Bible, some money, and a bottle of whiskey. If he
takes the Bible he will be a preacher, if he takes the
money he will be a business man, and if he takes the
whiskey he will be no good.” Having thus decided on
the plan, he arranged the articles and concealed himself
to await the son and watch results. Presently in
came the boy, saw the money and put it in his pocket,
took up the bottle of whiskey and drank it, put the
Bible under his arm and walked out whistling. “My
gracious!” exclaimed the father, “he will soon be a
United States Senator.”</p>
<p><span class="pagenum"><SPAN name="Page_62" id="Page_62">[62]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Doggonit</h3>
<p>A farmer friend of mine was standing in the road
with a gun tucked under his arm and an old dog at his
side. He was directly in the path of a motor car. The
chauffeur sounded his horn, but the dog did not move—until
he was struck. After that he did not move.</p>
<p>The automobile stopped and one of the men got
out and came forward. He had once paid a farmer $10
for killing a calf that belonged to another farmer. This
time he was wary.</p>
<p>“Was that your dog?”</p>
<p>“Yes.”</p>
<p>“You own him?”</p>
<p>“Yes.”</p>
<p>“Looks as if we’d killed him.”</p>
<p>“Certainly looks so.”</p>
<p>“Very valuable dog?”</p>
<p>“Well, not so very.”</p>
<p>“Will $5 satisfy you?”</p>
<p>“Yes.”</p>
<p>“Well, then, here you are.” He handed a $5 bill
to the man with the gun, and said pleasantly, “I’m
sorry to have broken up your hunt.”</p>
<p>“I wasn’t going hunting,” replied the other as he
pocketed the bill.</p>
<p>“Not going hunting? Then what were you doing
with the dog and the gun?”</p>
<p>“Going down to the river to shoot the dog.”</p>
<div class="starbreak">* * *</div>
<p class="bold">Too many women look upon a marriage certificate
as a license to operate a holdup game.</p>
<p><span class="pagenum"><SPAN name="Page_63" id="Page_63">[63]</SPAN></span></p>
<div class="starbreak">* * *</div>
<h3>Pickled Puppies</h3>
<p>A lady entering a crowded train, requested a little
boy if she might put his basket, which he had beside
him, up in the rack so that she might sit there. He
assented willingly.</p>
<p>A short time later the lady remarked, “Sonny, I’m
afraid your pickles are leaking.”</p>
<p>Little boy, disgustedly, “Them ain’t pickles, lady,
them’s puppies.”</p>
<div class="starbreak">* * *</div>
<div class="poetry-container smaller">
<div class="poetry">
<div class="stanza">
<div class="verse">Miss Marcella had a cat,</div>
<div class="verse indent1">The cat she had a feller;</div>
<div class="verse">Their backyard concerts so annoyed</div>
<div class="verse indent1">Ma made Marcella sell her.</div>
</div></div>
</div>
<div class="starbreak">* * *</div>
<p>Speaking of society, we heard a good one the other
night. A dude and his lady friend were tripping lightly
back from the reception room when a rather stout
lady whose gown started somewhere close to the ground
and never could get strength enough to get any nearer
to her shoulders, bumped into him. The dude was
peeved and said aloud to his lady friend: “Like
Balaam’s ass, some people are always getting in the
way.” The fat dame, quick to retort, replied, “You
are wrong. It was the angel who got in the way and
the ass that spoke.”</p>
<div class="starbreak">* * *</div>
<h3>Sayings of the Famous</h3>
<p>Rastus Johnsing—“Mandy, the only thing that
ever kept me a good man was your won’t power and
my will power.”</p>
<hr />
<div class="figcenter"> <p class="center larger">BATHING BEAUTIES!</p> <ANTIMG src="images/bathing.jpg" width-obs="400" height-obs="610" alt="Photograph of two young ladies in 1920s swimwear" />
<p class="caption">Real photographs
of the
famous Mack
Sennett water
nymphs.</p>
<p class="caption">Just the thing
for your den.</p>
<p class="caption">Size 3½×5½.</p>
<p class="caption">Positively the
best on the
market.</p>
<p class="caption">Assortment of
6 for 25 cents
or 25 for $1.00.</p>
<p class="caption">Send money
order or stamps.</p>
<p class="caption">Foreign money
not accepted unless
exchange
is included.</p>
<p class="caption">Egbert Brothers,
Dept. W. B., 303 Buena Vista Street,
LOS ANGELES, CALIFORNIA</p>
<p class="caption"><i>Wholesale agents wanted everywhere in the U. S. Write for wholesale terms.</i></p>
</div>
<hr />
<div class="bbox w20">
<p class="center larger"><i>If<br/>
BULL<br/>
Was Music<br/>
The Whiz Bang<br/>
Might be Called<br/>
a Brass<br/>
Band</i></p>
</div>
<hr />
<div class="bbox w20">
<p class="center larger"><i>Everywhere!</i></p>
<p><i>WHIZ BANG is on sale
at all leading hotels,
news stands, on trains,
25 cents single copies, or
may be ordered direct
from the publisher at
30 cents single copies;
two-fifty a year.</i></p>
<div class="figcenter"> <ANTIMG src="images/cow.jpg" width-obs="150" height-obs="75" alt="A bull" /></div>
</div>
<SPAN name="endofbook"></SPAN>
<div style="break-after:column;"></div><br />