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<p> </p>
<h1><i>THE MARRIAGE OF ELINOR</i></h1>
<p> </p>
<p> </p>
<h4><i>BY</i></h4>
<p> </p>
<h3><i>MRS. OLIPHANT</i></h3>
<p> </p>
<p> </p>
<h5><i>CHICAGO</i></h5>
<h4><i>W. B. CONKEY COMPANY</i></h4>
<p> </p>
<h6><span class="smallcaps">Copyright</span>, 1891,<br/>
<br/>
BY</h6>
<h5>UNITED STATES BOOK COMPANY</h5>
<h6>[<i>All rights reserved.</i>]</h6>
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<p> </p>
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<p> </p>
<h3>CONTENTS</h3>
<div class="center">
<table class="sm" style="margin: 0 auto" cellpadding="3" summary="contents">
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_I">CHAPTER I.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_II">CHAPTER II.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_III">CHAPTER III.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_IV">CHAPTER IV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_V">CHAPTER V.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_VI">CHAPTER VI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_VII">CHAPTER VII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_VIII">CHAPTER VIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_IX">CHAPTER IX.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_X">CHAPTER X.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XI">CHAPTER XI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XII">CHAPTER XII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XIII">CHAPTER XIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XIV">CHAPTER XIV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XV">CHAPTER XV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XVI">CHAPTER XVI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XVII">CHAPTER XVII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XVIII">CHAPTER XVIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XIX">CHAPTER XIX.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XX">CHAPTER XX.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXI">CHAPTER XXI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXII">CHAPTER XXII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXIII">CHAPTER XXIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXIV">CHAPTER XXIV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXV">CHAPTER XXV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXVI">CHAPTER XXVI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXVII">CHAPTER XXVII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXVIII">CHAPTER XXVIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXIX">CHAPTER XXIX.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXX">CHAPTER XXX.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXI">CHAPTER XXXI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXII">CHAPTER XXXII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXIII">CHAPTER XXXIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXIV">CHAPTER XXXIV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXV">CHAPTER XXXV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXVI">CHAPTER XXXVI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXVII">CHAPTER XXXVII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXVIII">CHAPTER XXXVIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XXXIX">CHAPTER XXXIX.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XL">CHAPTER XL.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLI">CHAPTER XLI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLII">CHAPTER XLII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLIII">CHAPTER XLIII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLIV">CHAPTER XLIV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLV">CHAPTER XLV.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLVI">CHAPTER XLVI.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLVII">CHAPTER XLVII.</SPAN></td></tr>
<tr><td align="left" valign="top"><SPAN href="#CHAPTER_XLVIII">CHAPTER XLVIII.</SPAN></td></tr>
</table></div>
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<h2>THE MARRIAGE OF ELINOR.</h2>
<p> </p>
<h3><SPAN name="CHAPTER_I" id="CHAPTER_I"></SPAN>CHAPTER I.</h3>
<p> </p>
<p>John Tatham, barrister-at-law, received one summer
morning as he sat at breakfast the following letter. It
was written in what was once known distinctively as a
lady's hand, in pointed characters, very fine and delicate,
and was to this effect:—</p>
<p> </p>
<p>"<span class="smallcaps">Dear John</span>, Have you heard from Elinor of her
new prospects and intentions? I suppose she must
have written to you on the subject. Do you know anything
of the man?… You know how hard it is to
convince her against her will of anything, and also how
poorly gifted I am with the power of convincing any
one. And I don't know him, therefore can speak with
no authority. If you can do anything to clear things
up, come and do so. I am very anxious and more than
doubtful; but her heart seems set upon it.</p>
<p class="signature">
<span class="ind4r">"Your affect.</span><br/>
"M. S. D."</p>
<p> </p>
<p>Mr. Tatham was a well-built and vigorous man of
five-and-thirty, with health, good behaviour, and well-being
in every line of his cheerful countenance and
every close curl of his brown hair. His hair was very
curly, and helped to give him the cheerful look which
was one of his chief characteristics. Nevertheless,
when these innocent seeming words, "Do you know
the man?" which was more certainly demonstrative of
certain facts than had those facts been stated in the
fullest detail, met his eye, Mr. Tatham paused and laid
down the letter with a start. His ruddy colour paled
for the moment, and he felt something which was like
the push or poke of a blunt but heavy weapon somewhere
in the regions of the heart. For the moment he
felt that he could not read any more. "Do you know
the man?" He did not even ask what man in the momentary
sickness of his heart. Then he said to himself,
almost angrily, "Well!" and took up the letter
again and read to the end.</p>
<p>Well! of course it was a thing that he knew might
happen any day, and which he had expected to happen
for the last four or five years. It was nothing to him
one way or another. Nothing could be more absurd
than that a hearty and strong young man in the full
tide of his life and with a good breakfast before him
should receive a shock from that innocent little letter
as if he had been a sentimental woman. But the fact
is that he pushed his plate away with an exclamation of
disgust and a feeling that everything was bad and uneatable.
He drank his tea, though that also became
suddenly bad too, full of tannin, like tea that has stood
too long, a thing about which John was very particular.
He had been half an hour later than usual this
morning consequent on having been an hour or two
later than usual last night. These things have their
reward, and that very speedily; but as for the letter,
what could that have to do with the bad toasting of the
bacon and the tannin in the tea? "Do you know the
man?" There was a sort of covert insult, too, in the
phraseology, as if no explanation was needed, as if he
must know by instinct what she meant—he who knew
nothing about it, who did not know there was a man at
all!</p>
<p>After a while he began to smile rather cynically to
himself. He had got up from the breakfast table,
where everything was so bad, and had gone to look out
of one of the windows of his pleasant sitting-room. It
was in one of the wider ways of the Temple, and looked
out upon various houses with a pleasant misty light
upon the redness of their old brickwork, and a stretch
of green grass and trees, which were scanty in foliage,
yet suited very well with the bright morning sun,
which was not particularly warm, but looked as if it
were a good deal for effect and not so very much for
use. That thought floated across his mind with others,
and was of the same cynical complexion. It was very
well for the sun to shine, making the glistening poplars
and plane-trees glow, and warming all the mellow redness
of the old houses, but what did he mean by it?
No warmth to speak of, only a fictitious gleam—a thing
got up for effect. And so was the affectionateness of
woman—meaning nothing, only an effect of warmth
and geniality, nothing beyond that. As a matter of
fact, he reminded himself after a while that he had
never wanted anything beyond, neither asked for it, nor
wished it. He had no desire to change the conditions
of his life: women never rested till they had done so,
manufacturing a new event, whatever it might be,
pleased even when they were not pleased, to have a
novelty to announce. That, no doubt, was the state of
mind in which the lady who called herself his aunt was:
pleased to have something to tell him, to fire off her
big guns in his face, even though she was not at all
pleased with the event itself. But John Tatham, on the
other hand, had desired nothing to happen; things
were very well as they were. He liked to have a place
where he could run down from Saturday to Monday
whenever he pleased, and where his visit was always a
cheerful event for the womankind. He had liked to
take them all the news, to carry the picture-papers,
quite a load; to take down a new book for Elinor; to
taste doubtfully his aunt's wine, and tell her she had
better let him choose it for her. It was a very pleasant
state of affairs: he wanted no change; not, certainly,
above everything, the intrusion of a stranger whose
very existence had been unknown to him until he was
thus asked cynically, almost brutally, "Do you know
the man?"</p>
<p>The hour came when John had to assume the costume
of that order of workers whom a persistent popular
joke nicknames the "Devil's Own:"—that is, he
had to put on gown and wig and go off to the courts,
where he was envied of all the briefless as a man who
for his age had a great deal to do. He "devilled" for
Mr. Asstewt, the great Chancery man, which was the
most excellent beginning: and he was getting into a
little practice of his own which was not to be sneezed
at. But he did not find himself in a satisfactory frame
of mind to-day. He found himself asking the judge,
"Do you know anything of the man?" when it was his
special business so to bewilder that potentate with
elaborate arguments that he should not have time to
consider whether he had ever heard of the particular
man before him. Thus it was evident that Mr. Tatham
was completely <i>hors de son assiette</i>, as the French say;
upset and "out of it," according to the equally vivid
imagination of the English manufacturer of slang.
John Tatham was a very capable young lawyer on
ordinary occasions, and it was all the more remarkable
that he should have been so confused in his mind to-day.</p>
<p>When he went back to his chambers in the evening,
which was not until it was time to dress for dinner, he
saw a bulky letter lying on his table, but avoided it as
if it had been an overdue bill. He was engaged to dine
out, and had not much time: yet all the way, as he
drove along the streets, just as sunset was over and a
subduing shade came over the light, and that half-holiday
look that comes with evening—he kept thinking of
the fat letter upon his table. Do you know anything
of the man? That would no longer be the refrain of
his correspondent, but some absurd strain of devotion
and admiration of the man whom John knew nothing
of, not even his name. He wondered as he went along
in his hansom, and even between the courses at dinner,
while he listened with a smile, but without hearing a
word, to what the lady next him was saying—what she
would tell him about this man? That he was everything
that was delightful, no doubt; handsome, of
course; probably clever; and that she was fond of him,
confound the fellow! Elinor! to think that she should
come to that—a girl like her—to tell him, as if she was
saying that she had caught a cold or received a present,
that she was in love with a man! Good heavens! when
one had thought her so much above anything of that
kind—a woman, above all women that ever were.</p>
<p>"Not so much as that," John said to himself as he
walked home. He always preferred to walk home in
the evening, and he was not going to change his habit
now out of any curiosity about Elinor's letter. Oh, not
so much as that! not above all women, or better than
the rest, perhaps—but different. He could not quite
explain to himself how, except that he had always
known her to be Elinor and not another, which was a
quite sufficient explanation. And now it appeared that
she was not different, although she would still profess
to be Elinor—a curious puzzle, which his brain in its
excited state was scarcely able to tackle. His thoughts
got somewhat confused and broken as he approached
his chambers. He was so near the letter now—a few
minutes and he would no longer need to wonder or
speculate about it, but would know exactly what she
said. He turned and stood for a minute or so at the
Temple gates, looking out upon the busy Strand. It
was still as lovely as a summer night could be overhead,
but down here it was—well, it was London, which is
another thing. The usual crowd was streaming by,
coming into bright light as it streamed past a brilliant
shop window, then in the shade for another moment,
and emerging again. The faces that were suddenly lit
up as they passed—some handsome faces, pale in the
light; some with heads hung down, either in bad health
or bad humour; some full of cares and troubles, others
airy and gay—caught his attention. Did any of them all
know anything of this man, he wondered—knowing how
absurd a question it was. Had any of them written to-day
a letter full of explanations, of a matter that could
not be explained? There were faces with far more
tragic meaning in them than could be so easily explained
as that—the faces of men, alas! and women too,
who were going to destruction as fast as their hurrying
feet could carry them; or else were languidly drifting
no one knew where—out of life altogether, out of all
that was good in life. John Tatham knew this very
well too, and had it in him to do anything a man could
to stop the wanderers in their downward career. But
to-night he was thinking of none of these things. He
was only wondering how she would explain it, how she
could explain it, what she would say; and lingering to
prolong his suspense, not to know too soon what it was.</p>
<p>At last, however, as there is no delay but must come
to an end one time or another, he found himself at last
in his room, in his smoking-coat and slippers, divested
of his stiff collar—at his ease, the windows open upon
the quiet of the Temple Gardens, a little fresh air
breathing in. He had taken all this trouble to secure
ease for himself, to put off a little the reading of the
letter. Now the moment had come when it would be
absurd to delay any longer. It was so natural to see
her familiar handwriting—not a lady's hand, angular
and pointed, like her mother's, but the handwriting of
her generation, which looks as if it were full of character,
until one perceives that it <i>is</i> the writing of the generation,
and all the girls and boys write much the same.
He took time for this reflection still as he tore open the
envelope. There were two sheets very well filled, and
written in at the corners, so that no available spot was
lost. "My dear old John," were the first words he
saw. He put down the letter and thought over the
address. Well, she had always called him so. He was
old John when he was fourteen, to little Elinor. They
had always known each other like that—like brother
and sister. But not particularly like brother and sister—like
cousins twice removed, which is a more interesting
tie in some particulars. And now for the letter.</p>
<p> </p>
<p>"<span class="smallcaps">My Dear Old John</span>: I want to tell you myself of a
great thing that has happened to me—the very greatest
thing that could happen in one's life. Oh, John, dear
old John, I feel as if I had nobody else I could open
my heart to; for mamma—well, mamma is mamma, a
dear mother and a good one; but you know she has
her own ways of thinking<span class="norewrap">——</span>"</p>
<p> </p>
<p>He put down the letter again with a rueful little
laugh. "And have not I my own ways of thinking,
too?" he said to himself.</p>
<p> </p>
<p>"Jack dear," continued the letter, "you must give
me your sympathy, all your sympathy. You never
were in love, I suppose (oh, what an odious way that
is of putting it! but it spares one's feelings a little, for
even in writing it is too tremendous a thing to say
quite gravely and seriously, as one feels it). Dear
John, I know you never were in love, or you would
have told me; but still<span class="norewrap">——</span>"</p>
<p> </p>
<p>"Oh," he said to himself, with the merest suspicion
of a little quiver in his lip, which might, of course,
have been a laugh, but, on the other hand, might have
been something else, "I never was—or I would have
told her—That's the way she looks at it." Then he
took up the letter again.</p>
<p> </p>
<p>"Because—I see nothing but persecution before me.
It was only a week ago that it happened, and we wanted
to keep it quiet for a time; but things get out in spite
of all one can do—things of that sort, at least. And,
oh, dear Jack, fancy! I have got three letters already,
all warning me against him; raking up trifling things
that have occurred long ago, long before he met me,
and holding them up before me like scarecrows—telling
me he is not worthy of me, and that I will be
wretched if I marry him, and other dreadful lies like
that, which show me quite plainly that they neither
know him nor me, and that they haven't eyes to see
what he really is, nor minds to understand. But
though I see the folly of it and the wickedness of it,
mamma does not. She is ready to take other people's
words; indeed, there is this to be said for her, that
she does not know him yet, and therefore cannot be
expected to be ready to take his own word before all.
Dear Jack, my heart is so full, and I have so much to
tell you, and such perfect confidence in your sympathy,
and also in your insight and capacity to see through
all the lies and wicked stories which I foresee are going
to be poured upon us like a flood that—I don't know
how to begin, I have so many things to say. I know
it is the heart of the season, and that you are asked out
every night in the week, and are so popular everywhere;
but if you could but come down from Saturday
to Monday, and let me tell you everything and show
you his picture, and read you parts of his letters, I
know you would see how false and wrong it all is, and
help me to face it out with all those horrid people, and
to bring round mamma. You know her dreadful way
of never giving an opinion, but just saying a great deal
worse, and leaving you to your own responsibility,
which nearly drives me mad even in little things—so
you may suppose what it does in this. Of course, she
must see him, which is all I want, for I know after she
has had a half-hour's conversation with him that she
will be like me and will not believe a word—not one
word. Therefore, Jack dear, come, oh, come! I have
always turned to you in my difficulties, since ever I
have known what it was to have a difficulty, and you
have done everything for me. I never remember any
trouble I ever had but you found some means of clearing
it away. Therefore my whole hope is in you. I
know it is hard to give up all your parties and things;
but it would only be two nights, after all—Saturday
and Sunday. Oh, do come, do come, if you ever cared
the least little bit for your poor cousin! Come, oh,
come, dear old John!</p>
<p class="signature">
<span class="ind4r">"Your affect.</span><br/>
E———."</p>
<p>"Is that all?" he said to himself; but it was not all,
for there followed a postscript all about the gifts and
graces of the unknown lover, and how he was the victim
of circumstances, and how, while other men might steal
the horse, he dared not look over the wall, and other
convincing pleadings such as these, till John's head began
to go round. When he had got through this postscript
John Tatham folded the letter and put it away.
He had a smile on his face, but he had the air of a man
who had been beaten about the head and was confused
with the hurry and storm of the blows. She had always
turned to him in all her difficulties, that was
true: and he had always stood by her, and often, in
the freemasonry of youth, had thought her right and
vindicated her capacity to judge for herself. He had
been called often on this errand, and he had never refused
to obey. For Elinor was very wilful, she had
always been wilful—"a rosebud set about with wilful
thorns, But sweet as English air could make her, she."
He had come to her aid many a time. But he had
never thought to be called upon by her in such a way
as this. He folded the letter up carefully and put it in
a drawer. Usually when he had a letter from Elinor
he put it into his pocket, for the satisfaction of reading
it over again: for she had a fantastic way of writing,
adding little postscripts which escaped the eye at
first, and which it was pleasant to find out afterwards.
But with this letter he did not do so. He put it in a
drawer of his writing-table, so that he might find it
again when necessary, but he did not put it in his
breast pocket. And then he sat for some time doing
nothing, looking before him, with his legs stretched
out and his hand beating a little tattoo upon the table.
"Well: well? well!" That was about what he said
to himself, but it meant a great deal: it meant a vague
but great disappointment, a sort of blank and vacuum
expressed by the first of these words—and then it
meant a question of great importance and many divisions.
How could it ever have come to anything? Am
I a man to marry? What could I have done, just getting
into practice, just getting a few pounds to spend
for myself? And then came the conclusion. Since I
can't do anything else for her; since she's done it for
herself—shall I be a beast and not help her, because it
puts my own nose out of joint? Not a bit of it! The
reader must remember that in venturing to reflect a
young man's sentiments a dignified style is scarcely
possible; they express themselves sometimes with
much force in their private moments, but not as Dr.
Johnson would have approved, or with any sense of
elegance; and one must try to be truthful to nature.
He knew very well that Elinor was not responsible for
his disappointment, and even he was aware that if
she had been so foolish as to fix her hopes upon him,
it would probably have been she who would have been
disappointed, and left in the lurch. But still<span class="norewrap">——</span></p>
<p>John had gone through an interminable amount of
thinking, and a good deal of soda-water (with or without,
how should I know, some other moderate ingredient),
and a cigar or two—not to speak of certain hours
when he ought to have been in bed to keep his head
clear for the cases of to-morrow: when it suddenly
flashed upon him all at once that he was not a step further
on than when he had received Mrs. Dennistoun's
letter in the morning, for Elinor, though she had said
so much about him, had given no indication who her
lover was. Who was the man?</p>
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<p> </p>
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