<h3><SPAN name="CHAPTER_II" id="CHAPTER_II"></SPAN>CHAPTER II.</h3>
<p> </p>
<p>It was a blustering afternoon when John, with his bag
in his hand, set out from the station at Hurrymere for
Mrs. Dennistoun's cottage. Why that station should
have had "mere" in its name I have never been able to
divine, for there is no water to be seen for miles, scarcely
so much as a duckpond: but, perhaps, there are two
meanings to the words. It was a steep walk up a succession
of slopes, and the name of the one upon which
the cottage stood was Windyhill not an encouraging
title on such a day, but true enough to the character of
the place. The cottage lay, however, at the head of a
combe or shelving irregular valley, just sheltered from
the winds on a little platform of its own, and commanding
a view which was delightful in its long sweeping
distance, and varied enough to be called picturesque,
especially by those who were familiar with nothing
higher than the swelling slopes of the Surrey hills. It
was wild, little cultivated, save in the emerald green of
the bottom, a few fields which lay where a stream ought
to have been. Nowadays there are red-roofed houses
peeping out at every corner, but at that period fashion
had not even heard of Hurrymere, and, save for a farm-house
or two, a village alehouse and posting-house at a
corner of the high-road, and one or two great houses
within the circuit of six or seven miles, retired within
their trees and parks, there were few habitations. Mrs.
Dennistoun's cottage was red-roofed like the rest, but
much subdued by lichens, and its walls were covered by
climbing plants, so that it struck no bold note upon the
wild landscape, yet was visible afar off in glimpses, from
the much-winding road, for a mile or two before it could
be come at. There was, indeed, a nearer way, necessitating
a sharp scramble, but when John came just in
sight of the house his heart failed him a little, and, notwithstanding
that his bag had come to feel very heavy
by this time, he deliberately chose the longer round to
gain a little time—as we all do sometimes, when we are
most anxious to be at our journey's end, and hear what
has to be told us. It looked very peaceful seated in
that fold of the hill, no tossing of trees about it, though
a little higher up the slim oaks and beeches of the copse
were flinging themselves about against the grey sky in
a kind of agonised appeal. John liked the sound of the
wind sweeping over the hills, rending the trees, and
filling the horizon as with a crowd of shadows in pain,
twisting and bending with every fresh sweep of the
breeze. Sometimes such sounds and sights give a relief
to the mind. He liked it better than if all had been
undisturbed, lying in afternoon quiet as might have been
expected at the crown of the year—but the winds had
always to be taken into account at Windyhill.</p>
<p>When he came in sight of the gate, John was aware
of some one waiting for him, walking up and down the
sandy road into which it opened. Her face was turned
the other way, and she evidently looked for him by way
of the combe, the scrambling steep road which he had
avoided in despite: for why should he scramble and
make himself hot in order to hear ten minutes sooner
what he did not wish to hear at all? She turned round
suddenly as he knocked his foot against a stone upon
the rough, but otherwise noiseless road, presenting a
countenance flushed with sudden relief and pleasure to
John's remorseful eye. "Oh, there you are!" she said;
"I am so glad. I thought you could not be coming.
You might have been here a quarter of an hour ago by
the short road."</p>
<p>"I did not think there was any hurry," said John,
ungraciously. "The wind is enough to carry one
off one's feet; though, to be sure, it's quiet enough
here."</p>
<p>"It's always quiet here," she said, reading his face
with her eyes after the manner of women, and wondering
what the harassed look meant that was so unusual
in John's cheerful face. She jumped at the idea that
he was tired, that his bag was heavy, that he had been
beaten about by the wind till he had lost his temper,
always a possible thing to happen to a man. Elinor
flung herself upon the bag and tried to take possession
of it. "Why didn't you get a boy at the station to
carry it? Let me carry it," she said.</p>
<p>"That is so likely," said John, with a hard laugh,
shifting it to his other hand.</p>
<p>Elinor caught his arm with both her hands, and looked
up with wistful eyes into his face. "Oh, John, you are
angry," she said.</p>
<p>"Nonsense. I am tired, buffeting about with this
wind." Here the gardener and man-of-all-work about
the cottage came up and took the bag, which John parted
with with angry reluctance, as if it had been a sort of
weapon of offence. After it was gone there was nothing
for it but to walk quietly to the house through the flowers
with that girl hanging on his arm, begging a hundred
pardons with her eyes. The folly of it! as if she had
not a right to do as she pleased, or he would try to prevent
her; but finally, the soft, silent apology of that
clinging, and the look full of petitions touched his surly
heart. "Well—Nelly," he said, with involuntary softening.</p>
<p>"Oh, if you call me that I am not afraid!" she cried,
with an instant upleaping of pleasure and confidence in
her changeable face, which (John tried to say to himself)
was not really pretty at all, only so full of expression,
changing with every breath of feeling. The eyes, which
had only been brown a moment before, leaped up into
globes of light, yet not too dazzling, with some liquid
medium to soften their shining. Even though you know
that a girl is in love with another man, that she thinks
of you no more than of the old gardener who has just
hobbled round the corner, it is pleasant to be able to
change the whole aspect of affairs to her and make her
light up like that, solely by a little unwilling softening
of your gruff and surly tone.</p>
<p>"You know, John," she said, holding his arm tight
with her two hands, "that nobody ever calls me Nelly—except
you."</p>
<p>"Possibly I shall call you Nelly no longer. Why?
Why, because that fellow will object."</p>
<p>"That fellow! Oh, <i>he</i>!" Elinor's face grew very red
all over, from the chin, which almost touched John's
arm, to the forehead, bent back a little over those eyes
suffused with light which were intent upon all the
changes of John's face. This one was, like the landscape,
swept by all the vicissitudes of sun and shade.
It was radiant now with the unexpected splendour of the
sudden gleam.</p>
<p>"Oh, John, John, I have so much to say to you! He
will object to nothing. He knows very well you are
like my brother—almost more than my brother—for you
could help it, John. You almost chose me for your
friend, which a brother would not. He says, 'Get him
to be our friend and all will be well!'"</p>
<p><i>He</i> had not said this, but Elinor had said it to him,
and he had assented, which was almost the same—in
the way of reckoning of a girl, at least.</p>
<p>"He is very kind, I am sure," said John, gulping
down something which had almost made him throw off
Elinor's arm, and fling away from her in indignation.
Her brother<span class="norewrap">——</span>!! But there was no use making any
row, he said to himself. If anything were to be done
for her he must put up with all that. There had suddenly
come upon John, he knew not how, as he scanned
her anxious face, a conviction that the man was a scamp,
from whom at all hazards she should be free.</p>
<p>Said Elinor, unsuspecting, "That is just what he is,
John! I knew you would divine his character at once.
You can't think how kind he is—kind to everybody.
He never judges anyone, or throws a stone, or makes an
insinuation." ("Probably because he knows he cannot
bear investigation himself," John said, in his heart.)
"That was the thing that took my heart first. Everybody
is so censorious—always something to say against
their neighbours; he, never a word."</p>
<p>"That's a very good quality," said John, reluctantly,
"if it doesn't mean confounding good with bad, and
thinking nothing matters."</p>
<p>Elinor gave him a grieved, reproachful look, and
loosened the clasping of her hands. "It is not like you
to imagine that, John!"</p>
<p>"Well, what is a man to say? Don't you see, if you
do nothing but blow his trumpet, the only thing left for
me to do is to insinuate something against him? I
don't know the man from Adam. He may be an angel,
for anything I can say."</p>
<p>"No; I do not pretend he is that," said Elinor, with
impartiality. "He has his faults, like others, but they
are <i>nice</i> faults. He doesn't know how to take care of
his money (but he hasn't got very much, which makes
it the less matter), and he is sometimes taken in about
his friends. Anybody almost that appeals to his kindness
is treated like a friend, which makes precise people
think<span class="norewrap">——</span>but, of course, I don't share that opinion in
the very least."</p>
<p>("A very wasteful beggar, with a disreputable set,"
was John's practical comment within himself upon this
speech.)</p>
<p>"And he doesn't know how to curry favour with people
who can help him on; so that though he has been
for years promised something, it never turns up. Oh,
I know his faults very well indeed," said Elinor; "but
a woman can do so much to make up for faults like that.
We're naturally saving, you know, and we always keep
those unnecessary friends that were made before our
time at a distance; and it's part of our nature to coax
a patron—that is what Mariamne says."</p>
<p>"Mariamne?" said John.</p>
<p>"His sister, who first introduced him to me; and
I am very fond of her, so you need not say anything
against her, John. I know she is—fashionable, but
that's no harm."</p>
<p>"Mariamne," he repeated; "it is a very uncommon
name. You don't mean Lady Mariamne Prestwich, do
you? and not—not<span class="norewrap">——</span>Elinor! not Phil Compton, for
goodness' sake? Don't tell me he's the man?"</p>
<p>Elinor's hands dropped from his arm. She drew herself
up until she seemed to tower over him. "And why
should I say it is not Mr. Compton," she asked, with a
scarlet flush of anger, so different from that rosy red of
love and happiness, covering her face.</p>
<p>"Phil Compton! the <i>dis</i>-Honourable Phil! Why,
Elinor! you cannot mean it! you must not mean it!"
he cried.</p>
<p>Elinor said not a word. She turned from him with
a look of pathetic reproach but with the air of a queen,
and walked into the house, he following in a ferment of
wrath and trouble, yet humbled and miserable more
than words could say. Oh, the flowery, peaceful house!
jasmine and rose overleaping each other upon the porch,
honeysuckle scenting the air, all manner of feminine
contrivances to continue the greenness and the sweetness
into the little bright hall, into the open drawing-room,
where flowers stood on every table amid the hundred
pretty trifles of a woman's house. There was no
one in this room where she led him, and then turned
round confronting him, taller than he had ever seen
her before, pale, with her nostrils dilating and her lips
trembling. "I never thought it possible that you of
all people in the world, you, John—my stand-by since
ever I was a baby—my<span class="norewrap">——</span> Oh! what a horrid thing
it is to be a woman," cried Elinor, stamping her foot,
"to be ready to cry for everything!—you, John! that I
always put my trust in—that you should turn against
me—and at the very first word!"</p>
<p>"Elinor," he said, "my dear girl! not against you,
not against you, for all the world!"</p>
<p>"And what is <i>me</i>?" she said, with that sudden turning
of the tables and high scorn of her previous argument
which is common with women; "do I care what
you do to <i>me</i>? Oh, nothing, nothing! I am of no account,
you can trample me down under your feet if you
like. But what I will not bear," she said, clenching her
hands, "is injustice to him: that I will not bear, neither
from you, Cousin John, who are only my distant cousin,
after all, and have no right to thrust your advice upon
me—or from any one in the world."</p>
<p>"What you say is quite true, Elinor, I am only a distant
cousin—after all: but<span class="norewrap">——</span>"</p>
<p>"Oh, no, no," she cried, flying to him, seizing once
more his arm with her clinging hands, "I did not mean
that—you know I did not mean that, my more than
brother, my good, good John, whom I have trusted all
my life!"</p>
<p>And then the poor girl broke out into passionate
weeping with her head upon his shoulder, as she might
have leant upon the handy trunk of a tree, or on the
nearest door or window, as John Tatham said in his
heart. He soothed her as best he could, and put her
in a chair and stood with his hand upon the back of it,
looking down upon her as the fit of crying wore itself
out. Poor little girl! he had seen her cry often enough
before. A girl cries for anything, for a thorn in her
finger, for a twist of her foot. He had seen her cry and
laugh, and dash the tears out of her eyes on such occasions,
oh! often and often: there was that time when
he rushed out of the bushes unexpectedly and frightened
her pony, and she fell among the grass and vowed, sobbing
and laughing, it was her fault! and once when she
was a little tot, not old enough for boy's play, when she
fell upon her little nose and cut it and disfigured herself,
and held up that wounded little knob of a feature
to have it kissed and made well. Oh, why did he think
of that now! the little thing all trust and simple confidence!
There was that time too when she jumped up
to get a gun and shoot the tramps who had hurt somebody,
if John would but give her his hand! These
things came rushing into his mind as he stood watching
Elinor cry, with his hand upon the back of her
chair.</p>
<p>She wanted John's hand now when she was going
forth to far greater dangers. Oh, poor little Nelly!
poor little thing! but he could not put her on his
shoulder and carry her out to face the foe now.</p>
<p>She jumped up suddenly while he was thinking, with
the tears still wet upon her cheeks, but the paroxysm
mastered, and the light of her eyes coming out doubly
bright like the sun from the clouds. "We poor women,"
she said with a laugh, "are so badly off, we are so handicapped,
as you call it! We can't help crying like fools!
We can't help caring for what other people think, trying
to conciliate and bring them round to approve us—when
we ought to stand by our own conscience and
judgment, and sense of what is right, like independent
beings."</p>
<p>"If that means taking your own way, Elinor, whatever
any one may say to you, I think women do it at
least as much as men."</p>
<p>"No, it does not mean taking our own way," she cried,
"and if you do not understand any better than that,
why should I<span class="norewrap">——</span> But you do understand better, John,"
she said, her countenance again softening: "you know
I want, above everything in the world, that you should
approve of me and see that I am right. That is what I
want! I will do what I think right; but, oh, if I could
only have you with me in doing it, and know that you
saw with me that it was the best, the only thing to do!
Happiness lies in that, not in having one's own way."</p>
<p>"My dear Elinor," he said, "isn't that asking a great
deal? To prevent you from doing what you think right
is in nobody's power. You are of age, and I am sure
my aunt will force nothing; but how can we change
our opinions, our convictions, our entire points of view?
There is nobody in the world I would do so much for as
you, Elinor: but I cannot do that, even for you."</p>
<p>The hot tears were dried from her cheeks, the passion
was over. She looked at him, her efforts to gain him at
an end, on the equal footing of an independent individual
agreeing to differ, and as strong in her own view as
he could be.</p>
<p>"There is one thing you can do for me," she said.
"Mamma knows nothing about—fashionable gossip.
She is not acquainted with the wicked things that are
said. If she disapproves it is only because<span class="norewrap">——</span> Oh, I
suppose because one's mother always disapproves a
thing that is done without her, that she has no hand in,
what she calls pledging one's self to a stranger, and not
knowing his antecedents, his circumstances, and so
forth! But she hasn't any definite ground for it as
you—think you have, judging in the uncharitable way
of the world—not remembering that if we love one
another the more there is against him the more need
he has of me! But all I have to ask of you, John, is
not to prejudice my mother. I know you can do it if
you please—a hint would be enough, an uncertain
word, even hesitating when you answer a question—that
would be quite enough! John, if you put things
into her head<span class="norewrap">——</span>"</p>
<p>"You ask most extraordinary things of me," said John,
turning to bay. "To tell her lies about a man whom
everybody knows—to pretend I think one thing when I
think quite another. Not to say that my duty is to
inform her exactly what things are said, so that she may
judge for herself, not let her go forth in ignorance—that
is my plain duty, Elinor."</p>
<p>"But you won't do it; oh, you won't do it!" she
said. "Oh, John, for the sake of all the time that you
have been so good to Nelly—your own little Nelly, nobody
else's! Remember that I and everybody who
loves him know these stories to be lies—and don't,
don't put things into my mother's head! Let her
judge for herself—don't, don't prejudice her, John.
It can be no one's duty to repeat malicious stories
when there is no possibility of proving or disproving
them. Don't make her think<span class="norewrap">——</span> Oh, mamma! we
couldn't think where you had gone to. Yes, here is
John."</p>
<p>"So I perceive," said Mrs. Dennistoun. It was getting
towards evening, and the room was not very light.
She could not distinguish their looks or the agitation
that scarcely could have been hidden but for the dusk.
"You seem to have been having a very animated conversation.
I heard your voices all along the garden
walk. Let me have the benefit of it, if there is anything
to tell."</p>
<p>"You know well enough, mamma, what we must have
been talking about," said Elinor, turning half angrily
away.</p>
<p>"To be sure," said the mother, "I ought to have
known. There is nothing so interesting as that sort of
thing. I thought, however, you would probably have
put it off a little, Elinor."</p>
<p>"Put it off a little—when it is the thing that concerns
us more than anything else in the world!"</p>
<p>"That is true," said Mrs. Dennistoun, with a sigh.
"Did you walk all the way, John? I meant to have
sent the pony-cart for you, but the man was too late.
It is a nice evening though, and coming out of town it
is a good thing for you to have a good walk."</p>
<p>"Yes, I like it more than anything," said John, "but
the evening is not so very fine. The wind is high, and
I shouldn't wonder if we had rain."</p>
<p>"The wind is always high here," said Mrs. Dennistoun.
"We don't have our view for nothing; but the
sky is quite clear in the west, and all the clouds blowing
away. I don't think we shall have more than a
shower."</p>
<p>Elinor stood listening to this talk with restrained impatience,
as if waiting for the moment when they
should come to something worth talking about. Then
she gave herself a sort of shake—half weary, half indignant—and
left the room. There was a moment's
silence, until her quick step was heard going to the
other end of the house and up-stairs, and the shutting
of a door.</p>
<p>"Oh, John, I am very uneasy, very uneasy," said
Mrs. Dennistoun. "I scarcely thought she would have
begun to you about it at once; but then I am doing the
very same. We can't think of anything else. I am not
going to worry you before dinner, for you must be tired
with your walk, and want to refresh yourself before we
enter upon that weary, weary business. But my heart
misgives me dreadfully about it all. If I only had gone
with her! It was not for want of an invitation, but
just my laziness. I could not be troubled to leave my
own house."</p>
<p>"I don't see what difference it would have made had
you been with her, aunt."</p>
<p>"Oh, I should have seen the man: and been able to
judge what he was and his motive, John."</p>
<p>"Elinor is not rich. He could scarcely have had an
interested motive."</p>
<p>"There is some comfort in that. I have said that to
myself again and again. He could not have an interested
motive. But, oh! I am uneasy! There is the dressing-bell.
I will not keep you any longer, John; but in
the evening, or to-morrow, when we can get a quiet
moment<span class="norewrap">——</span>"</p>
<p>The dusk, was now pervading all the house—that
summer dusk which there is a natural prejudice everywhere
against cutting short by lights. He could not
see her face, nor she his, as they went out of the
drawing-room together and along the long passage, which
led by several arched doorways to the stairs. John had
a room on the ground floor which was kept for gentlemen
visitors, and in which the candles were twinkling
on the dressing-table. He was more than ever thankful
as he caught a glimpse of himself in the vague reflected
world of the mirror, with its lights standing up
reflected too, like inquisitors spying upon him, that
there had not been light enough to show how he was
looking: for though he was both a lawyer and a man
of the world, John Tatham had not been able to keep
the trouble which his interview with Elinor had caused
him out of his face.</p>
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