<h3><SPAN name="CHAPTER_XLV" id="CHAPTER_XLV"></SPAN>CHAPTER XLV.</h3>
<p> </p>
<p>Philip did not know how long he remained, almost
paralysed, in the court, dazed in his mind, incapable of
movement. He was in the centre of a long row of
people, and to make his way out was difficult. He felt
that the noise would call attention to him, and that he
might be somehow identified—identified, as what?
He did not know—his head was not clear enough to
give any reason. When he came more to himself, and
his eyes regained a little their power of vision, it seemed
to him that everybody had stolen away. There was the
judge, indeed, still sitting imperturbable, the jury restless
in their box, the lawyers going on with their eternal
quarrel over a bewildered witness, all puppets carrying
on some unintelligible, wearisome, automaton process,
contending, contending for ever about nothing. But all
that had secured Philip's attention was gone. John
Tatham's head was no longer visible under the witness-box;
the ladies had disappeared from their elevated
seats; the man with the opera-glass was gone. They
were all gone, and the empty husks of a question which
only concerned the comfort and life of the commonplace
culprit in the dock were being turned over and over
like chaff by the wind. And yet it was some time before
poor young Pippo, shy of attracting attention, feeling
some subtle change even in himself which he did
not understand, afraid to have people look at him and
divine him, knowing more of him perhaps than he himself
knew, could make up his mind to move. He might
have remained there till the court broke up but for the
movement of some one beside him, who gathered up his
hat and umbrella, and with some commotion pushed his
way between the rows of seats. Philip followed, thankful
of the opportunity, and, as it happened, the sensation
of the day being over, many others followed too,
and thus he got out into the curious, wondering
daylight, which seemed to look him in the face, as if this
Philip had never been seen by it before. That was the
impression given him—that when he first came out the
atmosphere quivered round him with a strange novelty,
as if he were some other being, some one without a
name, new to the world, new to himself. He did not
seem sure that he would know his way home, and yet
he did not call a passing hansom, as he would have
done yesterday, with a schoolboy's pleasure in assuming
a man's careless, easy ways. It is a long way from the
Law Courts to Ebury Street, but it seemed a kind of
satisfaction to be in motion, to walk on along the
crowded streets. And, as a matter of fact, Philip did
lose his way, and got himself entangled in a web of
narrow streets and monotonous little openings, all so
like each other that it took him a long time to extricate
himself and find again the thread of a locality known to
him. He did not know what he was to do when he got
in. Should he find her there, in the little dingy drawing-room
as usual, with the tea on the table? Would she receive
him with her usual smile, and ask where he had
been and what he had seen, and if the Musgraves had
enjoyed it, exactly as if nothing had happened? Even
this wonder was faint in Philip's mind, for the chief
wonder to him was himself, and to find out how he had
changed since the morning—what he was now, who he
was? what were the relations to him of other people, of
that other Philip Compton who had been seated in the
court with the opera-glass, who had arrived at Windyhill
to visit Elinor Dennistoun on the 6th of September,
1863, twenty years ago? Who was that man? and
what was he, himself Philip Compton, of Lakeside,
named Pippo, whom his mother had never once in all
his life called by his real name?</p>
<p>To his great wonder, and yet almost relief, Philip
found that his mother had not yet returned when he
got to Ebury Street. "Mrs. Compton said as she would
very likely be late. Can I get you some tea, sir? or,
perhaps you haven't had your lunch? you're looking
tired and worrited," said the landlady, who had known
Pippo all his life. He consented to have tea, partly to
fill up the time, and went up languidly to the deserted
room, which looked so miserable and desert a place
without her who put a soul into it and made it home.
He did not know what to do with himself, poor boy,
but sat down vacantly, and stared into empty space,
seeing, wherever he turned, the rows of faces, the ladies
making signs to each other, the red robes of the judge,
the lawyers contending, and that motionless pale figure
in the witness-box. He shut his eyes and saw the whole
scene, then opened them again, and still saw it—the
dingy walls disappearing, the greyness of the afternoon
giving a depth and distance to the limited space. Should
he always carry it about with him wherever he went,
the vision of that court, the shock of that revelation?
And yet he did not yet know what the revelation was;
the confusion in his mind was too great, and the dust
and mist that rose up about him as all the old building
of his life crumbled and fell away.</p>
<p>"I'm sure as it's that nasty trial, sir, as has been turning
your mamma all out of her usual ways," said the
landlady, appearing with her tray.</p>
<p>"Oh, the trial! Did you know about the trial?"
said Philip.</p>
<p>"Not, Mr. Pippo, as ever she mentioned it to me.
Mrs. Compton is a lady as isn't that confidential, though
always an affable lady, and not a bit proud; but when
you've known folks for years and years, and take an interest,
and put this and that together<span class="norewrap">——</span> Dear, dear,
I hope as you don't think it's taking a liberty. It's
more kindness nor curiosity, and I hope as you won't
mention it to your mamma."</p>
<p>Pippo shook his head and waved his hand, at once to
satisfy the woman and dismiss her if possible; but this
was not so easy to do.</p>
<p>"And Lord St. Serf so bad, sir," she said. "Lord,
to think that before we know where we are there may
be such changes, and new names, and no knowing what
to say! But it's best not to talk of it till it comes to
pass, for there's many a slip between the cup and the
lip, and there's no saying what will happen with a man
that's been a-dying for years and years."</p>
<p>What did the woman mean? He got rid of her at
length, chiefly by dint of making no reply: and then,
to tell the truth, Pippo's eye had been caught by the
pile of sandwiches which the kind woman, pitying his
tired looks, had brought up with the tea. He was
ashamed of himself for being hungry in such a dreadful
emergency as this, but he was so, and could not help
it, though nothing would have made him confess so
much, or even touch the sandwiches till she had gone
away. He pretended to ignore them till the door was
shut after her, but could not help vividly remembering
that he had eaten nothing since the morning. The
sandwiches did him a little good in his mind as well as
in his body. He got rid of the vision of the faces and
of the red figure on the bench. He began to believe
that when he saw her she would tell him. Had she
not said so? That after awhile he should hear everything,
and that all should be as it was before? All as
it was before—in the time when she told him everything,
even things that Granny did not know. But she
had never told him this, and the other day she had told
him that it was other people's secrets, not her own, that
she was keeping from him. "Other people's secrets"—the
secrets of the man who was Philip Compton, who
went to Windyhill on the 6th of September, ten days
before Elinor Dennistoun's marriage day. "What
Philip Compton? Who was he? What had he to do
with her? What, oh, what," Pippo said to himself, "has
he to do with me?" After all, that was the most tremendous
question. The others, or anything that had
happened twenty years ago, were nothing to that.</p>
<p>Meanwhile Elinor, of all places in the world, was in
John Tatham's chambers, to which he had taken her to
rest. I cannot tell how Mr. Tatham, a man so much
occupied, managed to subtract from all he had to do
almost a whole day to see his cousin through the trial,
and stand by her, sparing her all the lesser annoyances
which surround and exaggerate such a great fact. He
had brought her out into the fresh air, feeling that
movement was the best thing for her, and instead of
taking her home in the carriage which was waiting, had
made her walk with him, supported on his arm, on
which she hung in a sort of suspended life, across the
street to the Temple, hoping thus to bring her back, by
the necessity of exertion, to herself. And indeed she
was almost more restored to herself by this remedy than
John Tatham had expected or hoped. For though he
placed her in the great easy-chair, in which her slender
person was engulfed and supported, expecting her to
rest there and lie motionless, perhaps even to faint, as
women are supposed to do when it is particularly inconvenient
and uncomfortable, Elinor had not been
there two minutes before she rose up again and began
to walk about the room, with an aspect so unlike that
of an exhausted and perhaps fainting woman, that even
John, used as he was to her capricious ways, was confounded.
Instead of being subdued and thankful that
it was over, and this dreadful crisis in her life accomplished,
Elinor walked up and down, wringing her
hands, moaning and murmuring to herself; what was it
she was saying? "God forgive me! God forgive me!"
over and over and over, unconscious apparently that she
was not alone, that any one heard or observed her. No
doubt there is in all our actions, the very best, much
for God to forgive; mingled motives, imperfect deeds,
thoughts full of alloy and selfishness; but in what her
conscience could accuse her now he could not understand.
She might be to blame in respect to her husband,
though he was very loth to allow the possibility;
but in this act of her life, which had been so great a
strain upon her, it was surely without any selfishness,
for his interest only, not for her own. And yet John
had never seen such a fervour of penitence, so strong a
consciousness of evil done. He went up to her and laid
his hand upon her arm.</p>
<p>"Elinor, you are worn out. You have done too
much. Will you try and rest a little here, or shall I
take you home?"</p>
<p>She started violently when he touched her. "What
was I saying?" she said.</p>
<p>"It does not matter what you were saying. Sit
down and rest. You will wear yourself out. Don't
think any more. Take this and rest a little, and then
I will take you home."</p>
<p>"It is easy to say so," she said, with a faint smile.
"Don't think! Is it possible to stop thinking at one's
pleasure?"</p>
<p>"Yes," said John, "quite possible; we must all do
it or we should die. And now your trial's over, Nelly,
for goodness' sake exert yourself and throw it off. You
have done your duty."</p>
<p>"My duty! do you think that was my duty? Oh,
John, there are so many ways to look at it."</p>
<p>"Only one way, when you have a man's safety in
your hands."</p>
<p>"Only one way—when one has a man's safety—his
honour, honour! Do you think a woman is justified in
whatever she does, to save that?"</p>
<p>"I don't understand you, Elinor; in anything you
have done, or could do, certainly you are justified.
My dear Nelly, sit down and take this. And then I
will take you home."</p>
<p>She took the wine from his hand and swallowed a
little of it; and then looking up into his face with the
faint smile which she put on when she expected to be
blamed, and intended to deprecate and disarm him, as
she had done so often: "I don't know," she said,
"that I am so anxious to get home, John. You were
to take Pippo to dine with you, and to the House to-night."</p>
<p>"So I was," he said. "We did not know what day
you would be called. It is a great nuisance, but if you
think the boy would be disappointed not to go<span class="norewrap">——</span>"</p>
<p>"He would be much, much disappointed. The first
chance he has had of hearing a debate."</p>
<p>"He would be much better at home, taking care of
you."</p>
<p>"As if I wanted taking care of! or as if the boy,
who has always been the object of everybody's care
himself, would be the proper person to do it! If he
had been a girl, perhaps—but it is a little late at this
time of day to wish for that now."</p>
<p>"You were to tell him everything to-night, Elinor."</p>
<p>"Oh, I was to tell him! Do you think I have not
had enough for one day? enough to wear me out body
and soul? You have just been telling me so, John."</p>
<p>He shook his head. "You know," he said, "and I
know, that in any case you will have it your own way,
Elinor; but you have promised to tell him."</p>
<p>"John, you are unkind. You take advantage of me
being here, and so broken down, to say that I will have
my own way. Has this been my own way at all? I
would have fled if I could, and taken the boy far, far
away from it all; but you would not let me. Yes, yes,
I have promised. But I am tired to death. How
could I look him in the face and tell him<span class="norewrap">——</span>" She
hid her face suddenly in her hands with a moan.</p>
<p>"It will be in the papers to-morrow morning, Elinor."</p>
<p>"Well! I will tell him to-morrow morning," she
said.</p>
<p>John shook his head again; but it was done behind
her, where she could not see the movement. He had
more pity of her than words could say. When she
covered her face with her hands in that most pathetic
of attitudes, there was nothing that he would not have
forgiven her. What was to become of her now? Her
position through all these years had never been so
dangerous, in John's opinion, never so sad, as now.
Philip Compton had been there looking on while she
put his accusers to silence, at what cost to herself John
only began dimly to guess—to divine, to forbid himself
to inquire. The fellow had been there all the time.
He had the grace not to look at her, not to distract her
with the sight of him—probably for his own sake,
John thought bitterly, that she might not risk breaking
down. But he was there, and knew where she was
to be found. And he had seen the boy, and had cared
enough to fix his gaze upon him, that gaze which John
had found intolerable at the theatre. And he was on
the eve of becoming Lord St. Serf, and Pippo his heir.
What was to be the issue of these complications?
What was to happen to her who had hid the boy so
long, who certainly could hide him no more?</p>
<p>He took her home to Ebury Street shortly after,
where Philip, weary of waiting, and having made a meal
he much wanted off the sandwiches, had gone out again
in his restlessness and unhappiness. Elinor, who had
become paler and paler as the carriage approached
Ebury Street, and who by the time she reached the
house looked really as if at last she must swoon, her
heart choking her, her breathing quick and feverish, had
taken hold of John to support herself, clutching at his arm,
when she was told that Philip was out. She came to
herself instantly on the strength of that news. "Tell
him when he comes in to make haste," she said, "for
Mr. Tatham is waiting for him. As for me I am fit for
nothing but bed. I have had a very tiring day."</p>
<p>"You do look tired, ma'am," said the sympathetic
landlady. "I'll run up and put your room ready, and
then I'll make you a nice cup of tea."</p>
<p>John Tatham thought that, notwithstanding her exhaustion,
her anxiety, all the realities of troubles present
and to come that were in her mind and in her way, there
was a flash something like triumph in Elinor's eyes.
"Tell Pippo," she said, "he can come up and say good-night
to me before he goes. I am good for nothing but
my bed. If I can sleep I shall be able for all that is
before me to-morrow." The triumph was quenched,
however, if there had been triumph, when she gave him
her hand, with a wistful smile, and a sigh that filled
that to-morrow with the terror and the trouble that
must be in it, did she do what she said. John went up
to the little drawing-room to wait for Pippo, with a
heavy heart. It seemed to him that never had Elinor
been in so much danger. She had exposed herself to
the chance of losing the allegiance of her son: she was
at the mercy of her husband, that husband whom she
had renounced, yet whom she had not refused to save,
whose call she had obeyed to help him, though she had
thrown off all the bonds of love and duty towards him.
She had not had the strength either way to be consistent,
to carry out one steady policy. It was cruel of
John to say this, for but for him and his remonstrances
Elinor would, or might have, fled, and avoided this last
ordeal. But he had not done so, and now here she was
in the middle of her life, her frail ship of safety driven
about among the rocks, dependent upon the magnanimity
of the husband from whom she had fled, and the
child whom she had deceived.</p>
<p>"Your mother is very tired, Philip," he said, when
the boy appeared. "I was to tell you to go up and bid
her good-night before you went out; for it will probably
be late before you get back, if you think you are
game to sit out the debate."</p>
<p>"I will sit it out," said Philip, with no laughter in
his eye, with an almost solemn air, as if announcing a
grave resolution. He went up-stairs, not three steps at
a time, as was his wont, but soberly, as if his years had
been forty instead of eighteen. And he showed no
surprise to find the room darkened, though Elinor was a
woman who loved the light. He gave his mother a kiss
and smoothed her pillow with a tender touch of pity.
"Is your head very bad?" he said.</p>
<p>"It is only that I am dreadfully tired, Pippo. I
hope I shall sleep: and it will help me to think you are
happy with Uncle John."</p>
<p>"Then I shall try to be happy with Uncle John," he
said, with a sort of smile. "Good-night, mother; I
hope you'll be better to-morrow."</p>
<p>"Oh, yes," she said. "To-morrow is always a new
day."</p>
<p>He seemed in the half light to nod his head, and then
to shake it, as one that assents, but doubts—having
many troubled thoughts and questions in his mind.
But Pippo did not at all expect to be happy with Uncle
John.</p>
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