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In Our Town

<h2><SPAN name="VIII" id="VIII"></SPAN>VIII</h2> <h3>"A Bundle of Myrrh"</h3> <p>One of the first things that a new reporter on our paper has to learn is the kinology of the town. Until he knows who is kin to whom, and how, a reporter is likely at any time to make a bad break. Now, the kinology of a country town is no simple proposition. After a man has spent ten years writing up weddings, births and deaths, attending old settlers' picnics, family reunions and golden weddings, he may run into a new line of kin that opens a whole avenue of hitherto unexplainable facts to him, showing why certain families line up in the ward primaries, and why certain others are fighting tooth and toe-nail.</p> <p>The only person in town who knows all of our kinology—and most of that in the county, where it is a separate and interminable study—is "Aunt" Martha Merryfield. She has lived here since the early fifties, and was a Perkins, one of the eleven Perkins children that grew up in town; and the Perkinses were related by marriage to the Mortons, of whom there are over fifty living adult descendants on the town-site now. So one begins to see why she is called "Aunt Martha" Merryfield. She is literally aunt to over a hundred people here, and the habit of calling her aunt has spread from them to the rest of the population.</p> <p>She lives alone in the big brick house on the hill, though her children and grandchildren and great-grandchildren are in and out all day and most of the night, so that she is not at all lonesome. She is the only person to whom we can look for accurate information about local history, and when a man dies who has been at all prominent in affairs of the town or county or State, we always call up "Aunt" Martha on the 'phone, or send a reporter to her, to learn the real printable and unprintable truth about him. She knows whom he "went with" before he was married, and why they "broke off," and what crowd he associated with in the early days; how he got his money, and what they used to "say" about him. If a family began putting on frills, she can tell how the head of the house got his start by stealing "aid" sent to the grasshopper sufferers and opening a store with the goods. If a woman begins speaking of the hired girl as her "maid," contrary to the vernacular rules of the town, Aunt Martha does not hesitate to bring up the subject of the flour-sack underwear which the woman wore when she was a girl during the drought of '60.</p> <p>Aunt Martha used to bring us flowers for the office table, and it was her delight to sit down and take out her corn-knife—as she called it—and go after the town shams. She has promised a dozen times to write an article for the paper, which she says we dare not print, entitled "Self-made Women I Have Known." She says that men were always bragging about how they had clerked, worked on farms, dug ditches and whacked mules across the plains before the railroads came; but that their wives insisted that they were princesses of the royal blood. She says she is going to include in her Self-made Women only those who have worked out, and she maintains that we will be surprised at the list.</p> <p>Her particular animosity in the town is Mrs. Julia Neal Worthington. Aunt Martha told us that when Tim Neal came to town he had a brogue you could scrape with a knife and an "O" before his name you could hoop a hogshead with. "And that woman," exclaimed Aunt Martha, when she was under full sail, "that woman, because she has two bookcases in the front room and reads the book-reviews in the <i>Delineator</i>, thinks that she is cultured. When her folks first came to town they were as poor as Job's turkey, which was not to their discredit—everyone was poor in those days. The old man Neal was as honest an old Mick as you'd meet in a day's journey, or at a fair, and he used to run a lemonade and peanut stand down by the bank corner. But his girls, who were raised on it, until they began teaching school, used to refer to the peanut stand as 'papa's hobby,' pretend that he only ran it for recreation, and say: 'Now <i>why</i> do you suppose papa enjoys it?—We just can't get him to give it up!' And now Julia is president of the Woman's Federation, has stomach trouble, has had two operations, and is suffering untold agonies with acute culturitis. And yet," Aunt Martha would say through a beatific smile, "she's a good-enough woman in many ways, and I wouldn't say anything against her for the world."</p> <p>Once Miss Larrabee, the society editor, brought back this from a visit to Aunt Martha: "I know, my dear, that your paper says there are no cliques and crowds in society in this town, and that it is so democratic. But you and I know the truth. We know about society in this town. We know that if there ever was a town that looked like a side of bacon—streak of lean and streak of fat all the way down—it is this blessed place. Crowds?—why, I've lived here over fifty years and it was always crowds. 'Way back in the days when the boys used to pick us up and carry us across Elm Creek when we went to dances, there were crowds. The girls who crossed on the boys' backs weren't considered quite proper by the girls who were carried over in the boys' arms. And they didn't dance in the same set."</p> <p>Miss Larrabee says she looked into the elder woman's eyes to find which crowd Aunt Martha belonged to, when she flashed out:</p> <p>"Oh, child, you needn't look at me—I did both; it depended on who was looking! But, as I was saying, if anyone knows about society in this town, I do. I went to every dance in town for the first twenty-five years, and I have made potato salad to pay the salary of every Methodist preacher for the past thirty years, and I ought to know what I'm talking about." There was fire enough to twinkle in her old eyes as she spoke. "Beginning at the bottom, one may say that the base of society is the little tads, ranging down from what your paper calls the Amalgamated Hand-holders, to the trundle-bed trash just out of their kissing games. It's funny to watch the little tads grow up and pair off and see how bravely they try to keep in the swim. I've seen ten grandchildren get out and I've a great-grandchild whose mother will be pushing her out before she is old enough to know anything. When young people get married they all say they're not going to be old-marriedy, and they hang on to the dances and little hops until the first baby comes. Then they don't get out to the dances much, but they join a card club."</p> <p>In her dissertation on the social progress of young married people, Aunt Martha explained that after the second year the couple go only to the big dances where everyone is invited, but they pay more attention to cards. The young mother begins going to afternoon parties, and has the other young married couples in for dinner. Then, before they know it, they are invited out to receptions and parties, where little tads preside at the punch-bowls and wait on table, and are seen and not heard. Aunt Martha continued:</p> <p>"By the time the second baby comes they take one of two shoots—either go in for church socials or edge into a whist club. In this town, I think, on the whole, that the Congregational Whist Club is younger and gayer than the Presbyterian Whist Club, but in most towns the Episcopalians have the really fashionable club. Of course, these clubs never call themselves by the church names, but they are generally made up along church lines—except we poor Methodists and Baptists—we have to divide ourselves out among the others to keep the preacher from going after us."</p> <p>Aunt Martha's eyes danced with the mischief in her heart as she went on: "Now, if after the second baby comes, the young parents begin to feel like saving money, and being someone at the bank, they join the church and go in for church socials, which don't take so much time or money as the whist clubs and receptions. The babies keep coming and the young people keep on improving their home, moving from the little house to the big house; the young man's name begins to creep into lists of directors at the bank, and they are invited out to the big parties, and she goes to all the stand-up and 'gabble-gobble-and-git' receptions. As they grow older, they are asked with the preachers and widows for the first night of a series of parties at a house to get them out of the way and over with before the young folks come later in the week. When they get to a point where the young folks laugh and clap their hands at little pudgy daddy when he dances 'Old Dan Tucker' at the big parties in the brick houses, it's all up with them—they are old married folks, and the next step takes them to the old folks' whist club, where the bankers' wives and the insurance widows run things. That is the inner sanctuary, the holy of holies in the society of this town."</p> <p>After a pause Aunt Martha added: "You'd think, to hear these chosen people talk, that the benighted souls who go to missionary teas, Woman's Relief Corps chicken-pie suppers, and get up bean-dinners for the church on election day, live on another planet. Yet I guess we're all made of the same kind of mud.</p> <p>"That reminds me of the Winthrops. When they came here, back in the sixties, it happened to be Fourth of July, and the band was out playing in the grove by the depot. Mrs. Winthrop got off the train quite grandly and bowed and waved her hand to the band, and the Judge walked over and gave the band leader five dollars. They said afterward that they felt deeply touched to find a raw Western town so appreciative of the coming of an old New England family, that it greeted them with a band. Before Mrs. Winthrop had been here three weeks she called on me, 'as one of the first ladies of the town,' she said, to organise and see if we couldn't break up the habit of the hired girls eating at the table with the family." Aunt Martha smiled and her eyes glittered as she added: "After they organised, the titled aristocracy of this town did their own work and sent the washing out for a year or more."</p> <p>The talk drifted back to the old days, and Aunt Martha got out her photograph-album and showed Miss Larrabee the pictures of those whom she called "the rude forefathers of the village," in their quaint old costumes of war-times. In the book were baby pictures of middle-aged men and women, and youthful pictures of the old men and women of the town. But most interesting of all to Miss Larrabee were the daguerreotypes—quaint old portraits in their little black boxes, framed in plush and gilt. The old woman brought out picture after picture—her husband's among the others, in a broad beaver hat with a high choker taken back in Brattleboro before he came to Kansas. She looked at it for a long minute, and then said gaily to Miss Larrabee: "He was a handsome boy—quite the beau of the State when we were married—Judge of the District Court at twenty-four." She held the case in her hand and went on opening the others. She came to one showing a moustached and goateed youth in a captain's uniform—a slim, straight, soldierly figure. As she passed it to Miss Larrabee Aunt Martha looked sidewise at her, saying: "You wouldn't know him now. Yet you see him every day, I suppose." After the girl shook her head, the elder woman continued: "Well, that's Jim Purdy, taken the day he left for the army." She sighed as she said: "Let me see, I guess I haven't happened to run across Jim for ten years or more, but he didn't look much like this then. Poor old Jim, they tell me he's not having the best time in the world. Someway, all the old-timers that are living seem to be hard up, or in bad health, or unhappy. It doesn't seem right, after what they've done and what they've gone through. But I guess it's the way of life. It's the way life gets even with us for letting us outlive the others. Compensation—as Emerson says."</p> <hr style="width: 45%;" /> <div class="figcenter"> <SPAN name="gs07" id="gs07"></SPAN> <ANTIMG src="images/gs07.jpg" alt=""/></div> <h3>"Jim Purdy, taken the day he left for the army"</h3> <hr style="width: 45%;" /> <p>Miss Larrabee came down the lilac-bordered walk from the stately old brick house, carrying a great bouquet of sweet peas and nasturtiums and poppies and phlox, a fleeting memory of some association she had in her mind of Uncle Jimmy Purdy and Aunt Martha kept tantalising her. She could not get it out of the background of her consciousness, and yet it refused to form itself into a tangible conception. It was associated vaguely with her own grandmother, as though, infinite ages ago, her grandmother had said something that had lodged the idea in the girl's head.</p> <p>When the occasion made itself, Miss Larrabee asked her grandmother the question that puzzled her, and learned that Martha Perkins and Jim Purdy were lovers before the war, and that she was wearing his ring when he went away—thinking he would be back in a few weeks with the Rebellion put down. In his first fight he was shot in the head and was in the hospital for a year, demented; when he was put back in the ranks he was captured and his name given out among the killed. In prison his dementia returned and he stayed there two years. Then for a year after his exchange he followed the Union Army like a dumb creature, and not until two years after the close of the war did the poor fellow drift home again, as one from the dead—all uncertain of the past and unfitted for the future.</p> <p>And his sweetheart drank her cup alone. The old settlers say that she never flinched nor shrank, but for years, even after her marriage to the Judge, the young woman kept a little grave covered with flowers, that bore the simple words: "Martha, aged five months and three days." They say that she did not lose her courage and that she bent her head for no one. But the war brought her neighbours so many sorrows that Martha's trouble was forgotten, the years passed and only the old people of the community know about the little grave beside the Judge's and their little boy's. Jimmy Purdy grew into a smooth-faced, unwrinkled, rather blank-eyed old man, clerking in the bookstore for a time, serving as City Clerk for twenty years, and later living at the Palace Hotel on his pension. He worshipped Aunt Martha's children and her children's children, but he never saw her except when they met in some casual way. She was married when he came back from the war, and if he ever knew her agony he never spoke of it. Whenever he talked of the events before the war, his face wore a troubled, baffled look, and he did not seem to remember things clearly. He was a simple old man with a boyish face and heart who was confused by the world growing old around him.</p> <p>One day they found him dead in his bed. And Miss Larrabee hurried out to Aunt Martha's to get the facts about his life for the paper. It was a bright October morning as she went up the walk to the old brick house, and she heard someone playing on the piano, rolling the chords after the grandiose manner of pianists fifty years ago. A voice seemed to be singing an old ballad. As the girl mounted the steps the voice came more distinctly to her. It was quavering and unsure, but with a moan of passion the words came forth:</p> <div class="blockquot"><p>"As I lay my heart on your dead heart,—Douglas, Douglas, Douglas, tender and true——"</p> </div> <p>Suddenly the voice choked in a groan. As she stood by the open door Miss Larrabee could see in the darkened room the figure of an old woman racked with sobs on a great mahogany sofa, and on the floor beside her lay a daguerreotype, glinting its gilt and glass through the gloom.</p> <p>The girl tiptoed across the porch, down the steps through the garden and out of the gate.</p> <hr style="width: 65%;" /> <div style="break-after:column;"></div><br />

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