<h2 id="c19"><span class="h2line1">CHAPTER XVIII</span> <br/><span class="h2line2">THE CHAMOIS LEATHER PACKET</span></h2>
<p>Three times in the course of the ensuing
week the Chief’s life was attempted.
There is reason to believe, Desmond
Okewood says, that, previously to this,
other attempts had been made; but he has
certain knowledge only of these three plots.
No word of the outrages passed the inmost
circle of the Service represented by the Chief
himself and Collins, his confidential clerk,
and Desmond learned of them only when,
visiting headquarters one day, he observed
that liftman, doormen, messengers, and
clerks had all been changed.</p>
<p>“Some one tampered with the lock of the
gate of the lift which works automatically
after hours,” the Chief explained reluctantly
when Desmond tackled him, “and, but for
a certain instinctive caution that has served
me well before now, I should have taken a
drop of six floors. Somebody inside did it,
so I made a clean sweep of the office staff
with the exception of Collins!”</p>
<p>But it was not until months afterwards
that Desmond heard of the youth who,
caught lurking in the area of the Chief’s London
house, was found to be carrying a hypodermic
needle filled with prussic acid, and of
the endeavour to derail the train by which the
Chief was travelling to a conference in the
north.</p>
<p>But when, one spring morning, the Chief
arrived by car at Desmond Okewood’s Surrey
bungalow, Desmond saw at once by
his face that the strain was beginning to tell.
The steady grey eyes were as keen as ever
and the mouth had lost nothing of its firmness;
but there was a set air of restraint
about the big man which did not deceive Desmond.</p>
<p>They breakfasted together and, the meal
done, the Chief proposed a walk in the garden.</p>
<p>“We can talk better in the open air,” he
remarked as he filled his pipe.</p>
<p>It was an old garden whose high red
walls, now clothed with the blossom of peach
and apple, were a guarantee against eavesdroppers.
For a spell they strolled in silence
along the paths bordering the beds bright
with spring flowers, the busy clamour of
thrush and blackbird the only sound.</p>
<p>“Two days will see us through now,” the
Chief remarked suddenly. “Bliss has
reached Berlin with the jewels, Okewood.
He has had the most express injunctions to
hand them over there to a trustworthy messenger
of his choosing, for he himself, unless
I am greatly mistaken, is by this time a
marked man. The messenger will immediately
convey the jewels to Brussels where
you will take charge of them. A plane will
be waiting for you at the Brussels aerodrome,
you will fly straight back to Croydon where
a car will be in readiness day or night to take
you to the Bank of England. There you will
hand the jewels over to the Governor against
his receipt. Is that clear?”</p>
<p>“Perfectly!”</p>
<p>“To prevent leakage I forbade Bliss
throughout his trip to communicate with me
at all. I, however, have been able to send
him instructions from time to time. His
messenger was due to leave Berlin last night,
and will report to you to-morrow evening at
Box A at the Flora Theatre—it’s a music-hall—in
Brussels!”</p>
<p>Desmond nodded. “Who is it?”</p>
<p>“Bliss had no means of telling me. But
I have arranged a recognition signal. The
messenger will ask you the question: ‘Do
you know the Albany?’ to which you will
reply: ‘From the Mansion to Vigo Street!’
On that answer, and on that answer only, the
jewels will be handed over. Have you got
that?”</p>
<p>Desmond repeated question and answer.</p>
<p>“It sounds idiotic,” said the Chief apologetically,
“but I had to improvise something
on the spot.”</p>
<p>“And when do I leave?” Desmond asked.</p>
<p>“By the morning train from Victoria to-morrow.
You will be in Brussels by four
in the afternoon. A red Minerva car will
meet you at the station and will be at your
disposal for the whole of your stay. Just
say to the driver ‘Albany’ and he will obey
your orders. He will take you to the theatre
and afterwards drive you out to the aerodrome
to the machine that we have ordered
for you. I honestly believe that nothing can
go wrong, for the details I have given to you
were sent sealed by air to Bliss in Berlin, and
I have word that Bliss has received them.
Our plan is, therefore, known only to myself,
Bliss, and you . . .”</p>
<p>“And the messenger . . .” Desmond
put in.</p>
<p>“Quite so. But you can trust Bliss to
have picked a reliable person. He is, without
exception, the most suspicious-minded cove
I’ve ever come across . . . Hallo,
what’s this?”</p>
<p>A maid came hurrying up the garden path.</p>
<p>“The gentleman is wanted on the telephone,
please, sir,” she said to Desmond.</p>
<p>They went into the house, where Desmond,
discreetly, left the Chief at the telephone in
the study. He returned to find the Chief
staring moodily out of the window in an
attitude of abstraction most unusual for him.
On the sound of Desmond’s entrance he
turned round.</p>
<p>“Bliss was found dead in his hotel in
Berlin with his throat cut this morning,” he
said. “A remarkable man, your friend Clubfoot!”
he added.</p>
<p>Desmond whistled. Then, with a shade
of anxiety in his voice, he added: “I hope
you’ll be cautious for a bit, sir!”</p>
<p>The Chief laughed dryly. “The warning
applies to you with stronger force, young
fellow,” he retorted. “Bliss’s messenger left
Berlin for Brussels last night <i>with the
packet</i>, as the message puts it. If only he
isn’t followed! . . .”</p>
<p class="tb">“If only he isn’t followed! . . .” The
Chief’s phrase accompanied Desmond across
the North Sea. The wheels of the Pullman
hammered it out as the boat train bore him
swiftly to the Channel shores, and it resounded
in the rhythmic thudding of the
waves against the sides of the Ostend packet.
He had a mental picture of the unknown
messenger being whirled across Germany,
even as he was speeding over land and sea,
towards that enigmatical point of contact,
Box A, at the Flora Theatre in Brussels.</p>
<p>“If only he isn’t followed! . . .” The
phrase recurred to Desmond as the Brussels
train pulled out of Ostend’s shabby station.
Had they really eluded the long grasp of
the man of might and mystery? If not, at
what stage would he intervene? Would he
interpose his massy bulk between the two
emissaries speeding towards one another to
meet? Or would he let contact be established
and, once made, break it? . . .</p>
<p>It was satisfactory to know, at any rate,
Desmond reflected, that, so far as his experienced
eye could detect, he had not been
shadowed since leaving London. That he
could set his mind similarly at rest about the
man he was to meet! In the square outside
the Brussels terminus the red Minerva car
was waiting, and its driver, a button-nosed
cockney with a surprising bilingual gift,
showed his recognition of the password by
the cheeriest of smiles.</p>
<p>Desmond drove to the Flora at once,
though it was only four o’clock. To his
great satisfaction, for he wished to make a
reconnaissance, he found that a matinée was
in progress. He was not in the theatre for
more than twenty minutes, and he spent the
remainder of the afternoon on the field of
Waterloo. Visits to La Haye Sainte and
Hougomont and the attempt to snatch from
their rather mournful atmosphere something
of that mighty clash of arms effectively
took his thoughts off the work before him.</p>
<p>In reality, however, he was looking forward
with the keenest relish to the surprises
of the evening. He dined well but wisely at
the “Filet de Bœuf,” and the half-pint of
champagne, which was his modest allowance,
seemed to quicken in him that lurking delight
in adventure which had first drawn him
towards the Secret Service.</p>
<p>The evening performance at the Flora was
billed to begin at nine o’clock, but when
towards that hour, the ouvreuse showed Desmond
into Box A, the house was not half
full. Comfortable-looking bourgeoisie with
their wives and often their children, mugs of
beer on the ledge before them, formed the
bulk of the audience, and Desmond, whose
thoughts were with the auditorium rather
than the stage, found some amusement in observing
them.</p>
<p>The performance had been proceeding for
about half an hour and a troupe of comic
acrobats were giving their turn when behind
him he heard the door of the box open. He
felt a thrill—the Unknown had arrived. He
heard the wheezy voice of the ouvreuse:
“Voici, Madame! Merci, Madame!” the
door swung to with a click and, as he turned,
Desmond found himself facing a girl.</p>
<p>She was in evening dress, which, after the
fashion of women at theatres on the Continent,
she was wearing with a large black
hat. Petite and dainty, from the nape of
her neck almost to her feet she was swathed
in a long Spanish shawl, white, on which
huge crimson flowers were embroidered,
with a deep silken fringe.</p>
<p>“Madame, je regrette . . .”</p>
<p>Desmond stood up. The girl’s arrival was
most untimely. At any moment now the
messenger might appear. Seemingly, she
had mistaken the box. Yet the grim old
ouvreuse had let her in. She was a pretty
girl, about twenty-five, he judged, and her
dark eyes, with their curling lashes, the
smooth curve of her cheek, were admirable.</p>
<p>The band was playing an interminable
quick-step, to which the tumblers performed
their tricks and contortions. The girl did
not advance into the box, but remained in
the half-light at the back.</p>
<p>“I demand a thousand pardons, Monsieur,”
she murmured in French from the
back of the box. “I was to have met some
. . . friends who have not yet arrived. If
I might remain a little at the back of the box.
It is impossible to wait in the promenade!”</p>
<p>“Je vous en prie, Madame!” said Desmond
politely, and advanced to the front of the
box to fetch a chair. But the next moment
he had stepped swiftly back from the red
velvet ramp and remained rooted where he
stood, staring, staring . . .</p>
<p>In the opposite box, with a party of men,
Clubfoot was seated. He occupied the place
of honour in the centre of the box, big, burly,
and determined. With an opera-glass he
was slowly sweeping the stalls.</p>
<p>“Damnation!” Desmond swore aloud.
He had forgotten all about the girl behind
him. Clubfoot had forestalled the messenger,
then, and had come to see the transfer
effected. It was ten o’clock already. What
<i>had</i> happened to Bliss’s man? . . .</p>
<p>“You are an Englishman, aren’t you?”
The girl’s voice, the voice of an educated
Englishwoman, broke in upon his meditation.
He swung round. “I beg your pardon for
swearing just now,” he answered in English.
“I’m afraid I forgot about you!” He cast
a swift glance at the box opposite.</p>
<p>The girl laughed. “You speak French so
well that I should never have taken you for
an Englishman,” she said.</p>
<p>“And, apart from your accent, I was convinced
from your appearance that you were
a Parisian,” retorted Desmond gallantly.
He kept back in the shadow as much as possible.</p>
<p>Few women are proof against compliments
on their good taste. The girl flushed
with appreciation.</p>
<p>“Are you from London?” she asked.</p>
<p>Desmond looked at her quickly. An incredible
suspicion had dawned upon him.
What if Bliss’s messenger were a woman?
There was no reason why it should not be.
Nothing had been said about the messenger
being a man.</p>
<p>“Yes,” he answered tensely.</p>
<p>The girl was at the mirror on the side of
the box arranging her hat.</p>
<p>“<i>Do you know the Albany?</i>” she said.</p>
<p>The question was uttered casually. Like
a flash the reply came back: “<i>From the
Mansion to Vigo Street!</i>”</p>
<p>The girl whipped round, one hand beneath
her enveloping shawl.</p>
<p>“Thank God!” she whispered. “Quick!
Take them!”</p>
<p>“Be careful!”</p>
<p>Desmond gripped her hand and drew her
back into the dim recesses of the box. He
could see that Clubfoot, facing them across
the auditorium, now had his glasses focussed
in their direction.</p>
<p>“They’re watching us,” the young man
whispered to the girl. “Pass them to me
behind your back!”</p>
<p>A heavy packet, wrapped in soft chamois
leather, about the size of a cigar-box, was
thrust into his outstretched hand. It was
too large for any pocket of his suit, so Desmond
slipped it into the pocket of his grey
tweed overcoat, which he carried on his arm.</p>
<p>“I was . . . <i>scared</i>!” the girl murmured.
“Bliss told me that an Englishman
would meet me, and I thought, when I saw
you, that I had got into the wrong box. I
didn’t dare go out into the promenade again
on account of the man outside . . .”</p>
<p>“You were followed here?”</p>
<p>The girl nodded. “All the way from Berlin.
I thought I had given him the slip at the
station here, but, if I did, he evidently picked
up my trail again.”</p>
<p>“What’s he like, this man who shadowed
you?”</p>
<p>“A young man, slim and fair. He has a
long white scar on his face and . . .”</p>
<p>“H-sst!”</p>
<p>Desmond pressed her arm. The handle of
the box door was being slowly turned. They
drew back behind the door as it opened.
Then in the mirror hanging on the velvet
tapestry of the opposite wall Desmond saw
a face, bloodless and crafty, barred with a
livid cicatrice, the face of Heinrich, Clubfoot’s
aide. He, on his side, must have seen
Desmond mirrored in the glass, for he
gasped audibly. The face disappeared.</p>
<p>“He’s gone to warn the others!” Desmond
whispered. He glanced across the house.
“And Clubfoot’s left his box. If only this
turn would finish! They wouldn’t dare to
attack us when the lights are up . . .”</p>
<p>But the tumblers were the star turn, the
top of the bill. With shrill cries, to the
lilt of that never-ending quick-step, they
bounced and whirled across the stage, working
up to their grand climax.</p>
<p>Desmond turned to the girl. “Are you
game for a dash?” he demanded.</p>
<p>He plucked the door wide. The corridor
was deserted. Behind them, as they stepped
quickly outside, the theatre now rang with
the applause that marked the fall of the
curtain. Desmond, the girl behind him,
darted softly down a staircase marked
“Sortie d’Incendie” in red lights, that stood
almost opposite the box door. They descended
unmolested and Desmond congratulated
himself on his forethought in having
made that preliminary reconnaissance as he
pushed outwards the emergency door at the
foot of the flight.</p>
<p>In the street without, by the side of the
theatre, the red Minerva waited. Desmond
thrust the girl inside, sprang in after her,
the self-starter whirred, the engine throbbed,
and they glided out into the broad and
brightly lighted avenues of Brussels.</p>
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