<h2><SPAN name="V" id="V"></SPAN>V</h2>
<h3>ST. EDWARD AND THE NORMAN KINGS</h3>
<p>The reader may be surprised at the disproportionate importance given to
the name which stands first in the title of this chapter. I put it there
as the best way of emphasizing, at the beginning of what we may call the
practical part of our history, an elusive and rather strange thing. It
can only be described as the strength of the weak kings.</p>
<p>It is sometimes valuable to have enough imagination to unlearn as well
as to learn. I would ask the reader to forget his reading and everything
that he learnt at school, and consider the English monarchy as it would
then appear to him. Let him suppose that his acquaintance with the
ancient kings has only come to him as it came to most men in simpler
times, from nursery tales, from the names of places, from the
dedications of churches and charities, from the tales in the tavern, and
the tombs in the churchyard. Let us suppose such a person going upon
some open and ordinary English way, such as the Thames valley to
Windsor, or visiting some old seats of culture, such as Oxford or
Cambridge.<span class='pagenum'><SPAN name="Page_44" id="Page_44"></SPAN></span> One of the first things, for instance, he would find would
be Eton, a place transformed, indeed, by modern aristocracy, but still
enjoying its mediæval wealth and remembering its mediæval origin. If he
asked about that origin, it is probable that even a public schoolboy
would know enough history to tell him that it was founded by Henry VI.
If he went to Cambridge and looked with his own eyes for the college
chapel which artistically towers above all others like a cathedral, he
would probably ask about it, and be told it was King's College. If he
asked which king, he would again be told Henry VI. If he then went into
the library and looked up Henry VI. in an encyclopædia, he would find
that the legendary giant, who had left these gigantic works behind him,
was in history an almost invisible pigmy. Amid the varying and
contending numbers of a great national quarrel, he is the only cipher.
The contending factions carry him about like a bale of goods. His
desires do not seem to be even ascertained, far less satisfied. And yet
his real desires are satisfied in stone and marble, in oak and gold, and
remain through all the maddest revolutions of modern England, while all
the ambitions of those who dictated to him have gone away like dust upon
the wind.</p>
<p>Edward the Confessor, like Henry VI., was not only an invalid but almost
an idiot. It is said that he was wan like an albino, and that the awe
men had of him was partly that which is felt for a monster of mental
deficiency. His Christian<span class='pagenum'><SPAN name="Page_45" id="Page_45"></SPAN></span> charity was of the kind that borders on
anarchism, and the stories about him recall the Christian fools in the
great anarchic novels of Russia. Thus he is reported to have covered the
retreat of a common thief upon the naked plea that the thief needed
things more than he did. Such a story is in strange contrast to the
claims made for other kings, that theft was impossible in their
dominions. Yet the two types of king are afterwards praised by the same
people; and the really arresting fact is that the incompetent king is
praised the more highly of the two. And exactly as in the case of the
last Lancastrian, we find that the praise has really a very practical
meaning in the long run. When we turn from the destructive to the
constructive side of the Middle Ages we find that the village idiot is
the inspiration of cities and civic systems. We find his seal upon the
sacred foundations of Westminster Abbey. We find the Norman victors in
the hour of victory bowing before his very ghost. In the Tapestry of
Bayeux, woven by Norman hands to justify the Norman cause and glorify
the Norman triumph, nothing is claimed for the Conqueror beyond his
conquest and the plain personal tale that excuses it, and the story
abruptly ends with the breaking of the Saxon line at Battle. But over
the bier of the decrepit zany, who died without striking a blow, over
this and this alone, is shown a hand coming out of heaven, and declaring
the true approval of the power that rules the world.</p>
<p><span class='pagenum'><SPAN name="Page_46" id="Page_46"></SPAN></span></p>
<p>The Confessor, therefore, is a paradox in many ways, and in none more
than in the false reputation of the "English" of that day. As I have
indicated, there is some unreality in talking about the Anglo-Saxon at
all. The Anglo-Saxon is a mythical and straddling giant, who has
presumably left one footprint in England and the other in Saxony. But
there was a community, or rather group of communities, living in Britain
before the Conquest under what we call Saxon names, and of a blood
probably more Germanic and certainly less French than the same
communities after the Conquest. And they have a modern reputation which
is exactly the reverse of their real one. The value of the Anglo-Saxon
is exaggerated, and yet his virtues are ignored. Our Anglo-Saxon blood
is supposed to be the practical part of us; but as a fact the
Anglo-Saxons were more hopelessly unpractical than any Celt. Their
racial influence is supposed to be healthy, or, what many think the same
thing, heathen. But as a fact these "Teutons" were the mystics. The
Anglo-Saxons did one thing, and one thing only, thoroughly well, as they
were fitted to do it thoroughly well. They christened England. Indeed,
they christened it before it was born. The one thing the Angles
obviously and certainly could not manage to do was to become English.
But they did become Christians, and indeed showed a particular
disposition to become monks. Moderns who talk vaguely of them as our
hardy ancestors never do justice to the real good they<span class='pagenum'><SPAN name="Page_47" id="Page_47"></SPAN></span> did us, by thus
opening our history, as it were, with the fable of an age of innocence,
and beginning all our chronicles, as so many chronicles began, with the
golden initial of a saint. By becoming monks they served us in many very
valuable and special capacities, but not notably, perhaps, in the
capacity of ancestors.</p>
<p>Along the northern coast of France, where the Confessor had passed his
early life, lay the lands of one of the most powerful of the French
king's vassals, the Duke of Normandy. He and his people, who constitute
one of the most picturesque and curious elements in European history,
are confused for most of us by irrelevant controversies which would have
been entirely unintelligible to them. The worst of these is the inane
fiction which gives the name of Norman to the English aristocracy during
its great period of the last three hundred years. Tennyson informed a
lady of the name of Vere de Vere that simple faith was more valuable
than Norman blood. But the historical student who can believe in Lady
Clara as the possessor of the Norman blood must be himself a large
possessor of the simple faith. As a matter of fact, as we shall see also
when we come to the political scheme of the Normans, the notion is the
negation of their real importance in history. The fashionable fancy
misses what was best in the Normans, exactly as we have found it missing
what was best in the Saxons. One does not know whether to thank the
Normans more for appearing or for disappearing. Few<span class='pagenum'><SPAN name="Page_48" id="Page_48"></SPAN></span> philanthropists
ever became so rapidly anonymous. It is the great glory of the Norman
adventurer that he threw himself heartily into his chance position; and
had faith not only in his comrades, but in his subjects, and even in his
enemies. He was loyal to the kingdom he had not yet made. Thus the
Norman Bruce becomes a Scot; thus the descendant of the Norman Strongbow
becomes an Irishman. No men less than Normans can be conceived as
remaining as a superior caste until the present time. But this alien and
adventurous loyalty in the Norman, which appears in these other national
histories, appears most strongly of all in the history we have here to
follow. The Duke of Normandy does become a real King of England; his
claim through the Confessor, his election by the Council, even his
symbolic handfuls of the soil of Sussex, these are not altogether empty
forms. And though both phrases would be inaccurate, it is very much
nearer the truth to call William the first of the English than to call
Harold the last of them.</p>
<p>An indeterminate debate touching the dim races that mixed without record
in that dim epoch, has made much of the fact that the Norman edges of
France, like the East Anglian edges of England, were deeply penetrated
by the Norse invasions of the ninth century; and that the ducal house of
Normandy, with what other families we know not, can be traced back to a
Scandinavian seed. The unquestionable power of captaincy and creative
legislation which belonged<span class='pagenum'><SPAN name="Page_49" id="Page_49"></SPAN></span> to the Normans, whoever they were, may be
connected reasonably enough with some infusion of fresh blood. But if
the racial theorists press the point to a comparison of races, it can
obviously only be answered by a study of the two types in separation.
And it must surely be manifest that more civilizing power has since been
shown by the French when untouched by Scandinavian blood than by the
Scandinavians when untouched by French blood. As much fighting (and more
ruling) was done by the Crusaders who were never Vikings as by the
Vikings who were never Crusaders. But in truth there is no need of such
invidious analysis; we may willingly allow a real value to the
Scandinavian contribution to the French as to the English nationality,
so long as we firmly understand the ultimate historic fact that the
duchy of Normandy was about as Scandinavian as the town of Norwich. But
the debate has another danger, in that it tends to exaggerate even the
personal importance of the Norman. Many as were his talents as a master,
he is in history the servant of other and wider things. The landing of
Lanfranc is perhaps more of a date than the landing of William. And
Lanfranc was an Italian—like Julius Cæsar. The Norman is not in history
a mere wall, the rather brutal boundary of a mere empire. The Norman is
a gate. He is like one of those gates which still remain as he made
them, with round arch and rude pattern and stout supporting columns; and
what entered by that<span class='pagenum'><SPAN name="Page_50" id="Page_50"></SPAN></span> gate was civilization. William of Falaise has in
history a title much higher than that of Duke of Normandy or King of
England. He was what Julius Cæsar was, and what St. Augustine was: he
was the ambassador of Europe to Britain.</p>
<p>William asserted that the Confessor, in the course of that connection
which followed naturally from his Norman education, had promised the
English crown to the holder of the Norman dukedom. Whether he did or not
we shall probably never know: it is not intrinsically impossible or even
improbable. To blame the promise as unpatriotic, even if it was given,
is to read duties defined at a much later date into the first feudal
chaos; to make such blame positive and personal is like expecting the
Ancient Britons to sing "Rule Britannia." William further clinched his
case by declaring that Harold, the principal Saxon noble and the most
probable Saxon claimant, had, while enjoying the Duke's hospitality
after a shipwreck, sworn upon sacred relics not to dispute the Duke's
claim. About this episode also we must agree that we do not know; yet we
shall be quite out of touch with the time if we say that we do not care.
The element of sacrilege in the alleged perjury of Harold probably
affected the Pope when he blessed a banner for William's army; but it
did not affect the Pope much more than it would have affected the
people; and Harold's people quite as much as William's. Harold's people
presumably denied the fact; and their denial is<span class='pagenum'><SPAN name="Page_51" id="Page_51"></SPAN></span> probably the motive of
the very marked and almost eager emphasis with which the Bayeux Tapestry
asserts and reasserts the reality of the personal betrayal. There is
here a rather arresting fact to be noted. A great part of this
celebrated pictorial record is not concerned at all with the well-known
historical events which we have only to note rapidly here. It does,
indeed, dwell a little on the death of Edward; it depicts the
difficulties of William's enterprise in the felling of forests for
shipbuilding, in the crossing of the Channel, and especially in the
charge up the hill at Hastings, in which full justice is done to the
destructive resistance of Harold's army. But it was really after Duke
William had disembarked and defeated Harold on the Sussex coast, that he
did what is historically worthy to be called the Conquest. It is not
until these later operations that we have the note of the new and
scientific militarism from the Continent. Instead of marching upon
London he marched round it; and crossing the Thames at Wallingford cut
off the city from the rest of the country and compelled its surrender.
He had himself elected king with all the forms that would have
accompanied a peaceful succession to the Confessor, and after a brief
return to Normandy took up the work of war again to bring all England
under his crown. Marching through the snow, he laid waste the northern
counties, seized Chester, and made rather than won a kingdom. These
things are the foundations of historical England; but of these<span class='pagenum'><SPAN name="Page_52" id="Page_52"></SPAN></span> things
the pictures woven in honour of his house tell us nothing. The Bayeux
Tapestry may almost be said to stop before the Norman Conquest. But it
tells in great detail the tale of some trivial raid into Brittany solely
that Harold and William may appear as brothers in arms; and especially
that William may be depicted in the very act of giving arms to Harold.
And here again there is much more significance than a modern reader may
fancy, in its bearing upon the new birth of that time and the ancient
symbolism of arms. I have said that Duke William was a vassal of the
King of France; and that phrase in its use and abuse is the key to the
secular side of this epoch. William was indeed a most mutinous vassal,
and a vein of such mutiny runs through his family fortunes: his sons
Rufus and Henry I. disturbed him with internal ambitions antagonistic to
his own. But it would be a blunder to allow such personal broils to
obscure the system, which had indeed existed here before the Conquest,
which clarified and confirmed it. That system we call Feudalism.</p>
<p>That Feudalism was the main mark of the Middle Ages is a commonplace of
fashionable information; but it is of the sort that seeks the past
rather in Wardour Street than Watling Street. For that matter, the very
term "mediæval" is used for almost anything from Early English to Early
Victorian. An eminent Socialist applied it to our armaments, which is
like applying it to our aeroplanes. Similarly the just description<span class='pagenum'><SPAN name="Page_53" id="Page_53"></SPAN></span> of
Feudalism, and of how far it was a part and how far rather an impediment
in the main mediæval movement, is confused by current debates about
quite modern things—especially that modern thing, the English
squirearchy. Feudalism was very nearly the opposite of squirearchy. For
it is the whole point of the squire that his ownership is absolute and
is pacific. And it is the very definition of Feudalism that it was a
tenure, and a tenure by military service. Men paid their rent in steel
instead of gold, in spears and arrows against the enemies of their
landlord. But even these landlords were not landlords in the modern
sense; every one was practically as well as theoretically a tenant of
the King; and even he often fell into a feudal inferiority to a Pope or
an Emperor. To call it mere tenure by soldiering may seem a
simplification; but indeed it is precisely here that it was not so
simple as it seems. It is precisely a certain knot or enigma in the
nature of Feudalism which makes half the struggle of European history,
but especially English history.</p>
<p>There was a certain unique type of state and culture which we call
mediæval, for want of a better word, which we see in the Gothic or the
great Schoolmen. This thing in itself was above all things logical. Its
very cult of authority was a thing of reason, as all men who can reason
themselves instantly recognize, even if, like Huxley, they deny its
premises or dislike its fruits. Being logical, it was very exact about<span class='pagenum'><SPAN name="Page_54" id="Page_54"></SPAN></span>
who had the authority. Now Feudalism was not quite logical, and was
never quite exact about who had the authority. Feudalism already
flourished before the mediæval renascence began. It was, if not the
forest the mediævals had to clear, at least the rude timber with which
they had to build. Feudalism was a fighting growth of the Dark Ages
before the Middle Ages; the age of barbarians resisted by
semi-barbarians. I do not say this in disparagement of it. Feudalism was
mostly a very human thing; the nearest contemporary name for it was
homage, a word which almost means humanity. On the other hand, mediæval
logic, never quite reconciled to it, could become in its extremes
inhuman. It was often mere prejudice that protected men, and pure reason
that burned them. The feudal units grew through the lively localism of
the Dark Ages, when hills without roads shut in a valley like a
garrison. Patriotism had to be parochial; for men had no country, but
only a countryside. In such cases the lord grew larger than the king;
but it bred not only a local lordship but a kind of local liberty. And
it would be very inadvisable to ignore the freer element in Feudalism in
English history. For it is the one kind of freedom that the English have
had and held.</p>
<p>The knot in the system was something like this. In theory the King owned
everything, like an earthly providence; and that made for despotism and
"divine right," which meant in substance a natural authority. In one
aspect the<span class='pagenum'><SPAN name="Page_55" id="Page_55"></SPAN></span> King was simply the one lord anointed by the Church, that is
recognized by the ethics of the age. But while there was more royalty in
theory, there could be more rebellion in practice. Fighting was much
more equal than in our age of munitions, and the various groups could
arm almost instantly with bows from the forest or spears from the smith.
Where men are military there is no militarism. But it is more vital that
while the kingdom was in this sense one territorial army, the regiments
of it were also kingdoms. The sub-units were also sub-loyalties. Hence
the loyalist to his lord might be a rebel to his king; or the king be a
demagogue delivering him from the lord. This tangle is responsible for
the tragic passions about betrayal, as in the case of William and
Harold; the alleged traitor who is always found to be recurrent, yet
always felt to be exceptional. To break the tie was at once easy and
terrible. Treason in the sense of rebellion was then really felt as
treason in the sense of treachery, since it was desertion on a perpetual
battlefield. Now, there was even more of this civil war in English than
in other history, and the more local and less logical energy on the
whole prevailed. Whether there was something in those island
idiosyncracies, shapeless as sea-mists, with which this story began, or
whether the Roman imprint had really been lighter than in Gaul, the
feudal undergrowth prevented even a full attempt to build the <i>Civitas
Dei</i>, or ideal mediæval state. What emerged was a compromise,<span class='pagenum'><SPAN name="Page_56" id="Page_56"></SPAN></span> which men
long afterwards amused themselves by calling a constitution.</p>
<p>There are paradoxes permissible for the redressing of a bad balance in
criticism, and which may safely even be emphasized so long as they are
not isolated. One of these I have called at the beginning of this
chapter the strength of the weak kings. And there is a complement of it,
even in this crisis of the Norman mastery, which might well be called
the weakness of the strong kings. William of Normandy succeeded
immediately, he did not quite succeed ultimately; there was in his huge
success a secret of failure that only bore fruit long after his death.
It was certainly his single aim to simplify England into a popular
autocracy, like that growing up in France; with that aim he scattered
the feudal holdings in scraps, demanded a direct vow from the
sub-vassals to himself, and used any tool against the barony, from the
highest culture of the foreign ecclesiastics to the rudest relics of
Saxon custom. But the very parallel of France makes the paradox
startlingly apparent. It is a proverb that the first French kings were
puppets; that the mayor of the palace was quite insolently the king of
the king. Yet it is certain that the puppet became an idol; a popular
idol of unparalleled power, before which all mayors and nobles bent or
were broken. In France arose absolute government, the more because it
was not precisely personal government. The King was already a
thing—like the Republic. Indeed<span class='pagenum'><SPAN name="Page_57" id="Page_57"></SPAN></span> the mediæval Republics were rigid with
divine right. In Norman England, perhaps, the government was too
personal to be absolute. Anyhow, there is a real though recondite sense
in which William the Conqueror was William the Conquered. When his two
sons were dead, the whole country fell into a feudal chaos almost like
that before the Conquest. In France the princes who had been slaves
became something exceptional like priests; and one of them became a
saint. But somehow our greatest kings were still barons; and by that
very energy our barons became our kings.</p>
<hr />
<p><span class='pagenum'><SPAN name="Page_58" id="Page_58"></SPAN></span></p>
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