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<h2> CHAPTER I. </h2>
<p>Along this particular stretch of line no express had ever passed. All the
trains—the few that there were—stopped at all the stations.
Denis knew the names of those stations by heart. Bole, Tritton, Spavin
Delawarr, Knipswich for Timpany, West Bowlby, and, finally,
Camlet-on-the-Water. Camlet was where he always got out, leaving the train
to creep indolently onward, goodness only knew whither, into the green
heart of England.</p>
<p>They were snorting out of West Bowlby now. It was the next station, thank
Heaven. Denis took his chattels off the rack and piled them neatly in the
corner opposite his own. A futile proceeding. But one must have something
to do. When he had finished, he sank back into his seat and closed his
eyes. It was extremely hot.</p>
<p>Oh, this journey! It was two hours cut clean out of his life; two hours in
which he might have done so much, so much—written the perfect poem,
for example, or read the one illuminating book. Instead of which—his
gorge rose at the smell of the dusty cushions against which he was
leaning.</p>
<p>Two hours. One hundred and twenty minutes. Anything might be done in that
time. Anything. Nothing. Oh, he had had hundreds of hours, and what had he
done with them? Wasted them, spilt the precious minutes as though his
reservoir were inexhaustible. Denis groaned in the spirit, condemned
himself utterly with all his works. What right had he to sit in the
sunshine, to occupy corner seats in third-class carriages, to be alive?
None, none, none.</p>
<p>Misery and a nameless nostalgic distress possessed him. He was
twenty-three, and oh! so agonizingly conscious of the fact.</p>
<p>The train came bumpingly to a halt. Here was Camlet at last. Denis jumped
up, crammed his hat over his eyes, deranged his pile of baggage, leaned
out of the window and shouted for a porter, seized a bag in either hand,
and had to put them down again in order to open the door. When at last he
had safely bundled himself and his baggage on to the platform, he ran up
the train towards the van.</p>
<p>"A bicycle, a bicycle!" he said breathlessly to the guard. He felt himself
a man of action. The guard paid no attention, but continued methodically
to hand out, one by one, the packages labelled to Camlet. "A bicycle!"
Denis repeated. "A green machine, cross-framed, name of Stone. S-T-O-N-E."</p>
<p>"All in good time, sir," said the guard soothingly. He was a large,
stately man with a naval beard. One pictured him at home, drinking tea,
surrounded by a numerous family. It was in that tone that he must have
spoken to his children when they were tiresome. "All in good time, sir."
Denis's man of action collapsed, punctured.</p>
<p>He left his luggage to be called for later, and pushed off on his bicycle.
He always took his bicycle when he went into the country. It was part of
the theory of exercise. One day one would get up at six o'clock and pedal
away to Kenilworth, or Stratford-on-Avon—anywhere. And within a
radius of twenty miles there were always Norman churches and Tudor
mansions to be seen in the course of an afternoon's excursion. Somehow
they never did get seen, but all the same it was nice to feel that the
bicycle was there, and that one fine morning one really might get up at
six.</p>
<p>Once at the top of the long hill which led up from Camlet station, he felt
his spirits mounting. The world, he found, was good. The far-away blue
hills, the harvests whitening on the slopes of the ridge along which his
road led him, the treeless sky-lines that changed as he moved—yes,
they were all good. He was overcome by the beauty of those deeply embayed
combes, scooped in the flanks of the ridge beneath him. Curves, curves: he
repeated the word slowly, trying as he did so to find some term in which
to give expression to his appreciation. Curves—no, that was
inadequate. He made a gesture with his hand, as though to scoop the
achieved expression out of the air, and almost fell off his bicycle. What
was the word to describe the curves of those little valleys? They were as
fine as the lines of a human body, they were informed with the subtlety of
art...</p>
<p>Galbe. That was a good word; but it was French. Le galbe evase de ses
hanches: had one ever read a French novel in which that phrase didn't
occur? Some day he would compile a dictionary for the use of novelists.
Galbe, gonfle, goulu: parfum, peau, pervers, potele, pudeur: vertu,
volupte.</p>
<p>But he really must find that word. Curves curves...Those little valleys
had the lines of a cup moulded round a woman's breast; they seemed the
dinted imprints of some huge divine body that had rested on these hills.
Cumbrous locutions, these; but through them he seemed to be getting nearer
to what he wanted. Dinted, dimpled, wimpled—his mind wandered down
echoing corridors of assonance and alliteration ever further and further
from the point. He was enamoured with the beauty of words.</p>
<p>Becoming once more aware of the outer world, he found himself on the crest
of a descent. The road plunged down, steep and straight, into a
considerable valley. There, on the opposite slope, a little higher up the
valley, stood Crome, his destination. He put on his brakes; this view of
Crome was pleasant to linger over. The facade with its three projecting
towers rose precipitously from among the dark trees of the garden. The
house basked in full sunlight; the old brick rosily glowed. How ripe and
rich it was, how superbly mellow! And at the same time, how austere! The
hill was becoming steeper and steeper; he was gaining speed in spite of
his brakes. He loosed his grip of the levers, and in a moment was rushing
headlong down. Five minutes later he was passing through the gate of the
great courtyard. The front door stood hospitably open. He left his bicycle
leaning against the wall and walked in. He would take them by surprise.</p>
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