<SPAN name="chap05"></SPAN>
<h3>CHAPTER V</h3>
<h2><i>SIGHTS AND NOISES</i></h2>
<p> </p>
<p>There is not an old house in England of which the servants and
young people who live in it do not cherish some traditions of
the ghostly. Knowl has its shadows, noises, and marvellous
records. Rachel Ruthyn, the beauty of Queen Anne's time, who
died of grief for the handsome Colonel Norbrooke, who was
killed in the Low Countries, walks the house by night, in crisp
and sounding silks. She is not seen, only heard. The tapping of
her high-heeled shoes, the sweep and rustle of her brocades, her
sighs as she pauses in the galleries, near the bed-room doors;
and sometimes, on stormy nights, her sobs.</p>
<p>There is, beside, the 'link-man', a lank, dark-faced, black-haired man, in
a sable suit, with a link or torch in his hand. It
usually only smoulders, with a deep red glow, as he visits his
beat. The library is one of the rooms he sees to. Unlike 'Lady
Rachel,' as the maids called her, he is seen only, never heard.
His steps fall noiseless as shadows on floor and carpet. The lurid
glow of his smouldering torch imperfectly lights his figure and
face, and, except when much perturbed, his link never blazes.
On those occasions, however, as he goes his rounds, he ever and
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anon whirls it around his head, and it bursts into a dismal
flame. This is a fearful omen, and always portends some direful
crisis or calamity. It occurs, only once or twice in a
century.</p>
<p>I don't know whether Madame had heard anything of these
phenomena; but she did report which very much frightened me
and Mary Quince. She asked us who walked in the gallery on
which her bed-room opened, making a rustling with her dress,
and going down the stairs, and breathing long breaths here and
there. Twice, she said, she had stood at her door in the dark,
listening to these sounds, and once she called to know who
it was. There was no answer, but the person plainly turned
back, and hurried towards her with an unnatural speed, which
made her jump within her door and shut it.</p>
<p>When first such tales are told, they excite the nerves of the
young and the ignorant intensely. But the special effect, I have
found, soon wears out The tale simply takes it's place with
the rest. It was with Madame's narrative.</p>
<p>About a week after its relation, I had my experience of a
similar sort. Mary Quince went down-stairs for a night-light,
leaving me in bed, a candle burning in the room, and being
tired. I fell asleep before her return. When I awoke the candle
had been extinguished. But I heard a step softly approaching.
I jumped up—quite forgetting the ghost, and thinking only of
Mary Quince—and opened the door, expecting to see the light
of her candle. Instead, all was dark, and near me I heard the
fall of a bare foot on the oak floor. It was as if some one had
stumbled. I said, 'Mary,' but no answer came, only a rustling of
clothes and a breathing at the other side of the gallery, which
passed off towards the upper staircase. I turned into my room,
freezing with horror, and clapt my door. The noise wakened
Mary Quince, who had returned and gone to her bed half an
hour before.</p>
<p>About a fortnight after this, Mary Quince, a very veracious
spinster, reported to me, that having got up to fix the window,
which was rattling, at about four o'clock in the morning, she
saw a light shining from the library window. She could swear
to its being a strong light, streaming through the chinks of the
shutter, and moving. No doubt the link was waved about his
head by the angry 'link-man.'</p>
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<p>These strange occurrences helped, I think, just then to make
me nervous, and prepared the way for the odd sort of
ascendency which, through my sense of the mysterious and
super-natural, that repulsive Frenchwoman was gradually, and it
seemed without effort, establishing over me.</p>
<p>Some dark points of her character speedily emerged from the
prismatic mist with which she had enveloped it.</p>
<p>Mrs. Rusk's observation about the agreeability of new-comers
I found to be true; for as Madame began to lose that character,
her good-humour abated very perceptibly, and she began to
show gleams of another sort of temper, that was lurid and
dangerous.</p>
<p>Notwithstanding this, she was in the habit of always having
her Bible open by her, and was austerely attentive at morning
and evening services, and asked my father, with great humility,
to lend her some translations of Swedenborg's books, which she
laid much to heart.</p>
<p>When we went out for our walk, if the weather were bad we
generally made our promenade up and down the broad terrace
in front of the windows. Sullen and malign at times she used to
look, and as suddenly she would pat me on the shoulder caressingly, and
smile with a grotesque benignity, asking tenderly,
'Are you fatigue, ma ch�re?' or 'Are you cold-a, dear Maud?'</p>
<p>At first these abrupt transitions puzzled me, sometimes half
frightened me, savouring, I fancied, of insanity. The key, however,
was accidentally supplied, and I found that these accesses
of demonstrative affection were sure to supervene whenever
my father's face was visible through the library windows.</p>
<p>I did not know well what to make of this woman, whom I
feared with a vein of superstitious dread. I hated being alone
with her after dusk in the school-room. She would sometimes
sit for half an hour at a time, with her wide mouth drawn
down at the corners, and a scowl, looking into the fire. If she
saw me looking at her, she would change all this on the instant,
affect a sort of languor, and lean her head upon her hand, and
ultimately have recourse to her Bible. But I fancied she did not
read, but pursued her own dark ruminations, for I observed that
the open book might often lie for half an hour or more under
her eyes and yet the leaf never turned.</p>
<p>I should have been glad to be assured that she prayed when
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on her knees, or read when that book was before her; I should
have felt that she was more canny and human. As it was, those
external pieties made a suspicion of a hollow contrast with realities
that helped to scare me; yet it was but a suspicion—I could not be
certain.</p>
<p>Our rector and the curate, with whom she was very gracious,
and anxious about my collects and catechism, had an exalted
opinion of her. In public places her affection for me was always
demonstrative.</p>
<p>In like manner she contrived conferences with my father.
She was always making excuses to consult him about my reading,
and to confide in him her sufferings, as I learned, from my
contumacy and temper. The fact is, I was altogether quiet and
submissive. But I think she had a wish to reduce me to a state
of the most abject bondage. She had designs of domination and
subversion regarding the entire household, I now believe, worthy
of the evil spirit I sometimes fancied her.</p>
<p>My father beckoned me into the study one day, and said he—</p>
<p>'You ought not to give poor Madame so much pain. She is
one of the few persons who take an interest in you; why should
she have so often to complain of your ill-temper and disobedience?—why
should she be compelled to ask my permission to
punish you? Don't be afraid, I won't concede that. But in so
kind a person it argues much. Affection I can't command—respect and
obedience I may—and I insist on your rendering <i>both</i>
to Madame.'</p>
<p>'But sir,' I said, roused into courage by the gross injustice of
the charge, 'I have always done exactly as she bid me, and never
said one disrespectful word to Madame.'</p>
<p>'I don't think, child, <i>you</i> are the best judge of that. Go, and
<i>amend</i>.' And with a displeased look he pointed to the door. My
heart swelled with the sense of wrong, and as I reached the door
I turned to say another word, but I could not, and only burst
into tears.</p>
<p>'There—don't cry, little Maud—only let us do better for the
future. There—there—there has been enough.'</p>
<p>And he kissed my forehead, and gently put me out and closed
the door.</p>
<p>In the school-room I took courage, and with some warmth
upbraided Madame.</p>
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<p>'Wat wicked cheaile!' moaned Madame, demurely. 'Read
aloud those three—yes, <i>those</i> three chapters of the Bible, my
dear Maud.'</p>
<p>There was no special fitness in those particular chapters, and
when they were ended she said in a sad tone—</p>
<p>'Now, dear, you must commit to memory this pretty priaire
for umility of art.'</p>
<p>It was a long one, and in a state of profound irritation I got
through the task.</p>
<p>Mrs. Rusk hated her. She said she stole wine and brandy
whenever the opportunity offered—that she was always asking
her for such stimulants and pretending pains in her stomach.
Here, perhaps, there was exaggeration; but I knew it was true
that I had been at different times despatched on that errand and
pretext for brandy to Mrs. Rusk, who at last came to her bedside with pills
and a mustard blister only, and was hated irrevocably ever after.</p>
<p>I felt all this was done to torture me. But a day is a long time
to a child, and they forgive quickly. It was always with a sense
of danger that I heard Madame say she must go and see Monsieur Ruthyn in
the library, and I think a jealousy of her growing influence was an
ingredient in the detestation in which honest Mrs. Rusk held her.</p>
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