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<h2> CHAPTER IX—THE MAN WITH THE BELL </h2>
<p>He walked straight up to the man whom he saw in the garden. He had taken
in his hand the roll of silver which was in the pocket of his waistcoat.</p>
<p>The man's head was bent down, and he did not see him approaching. In a few
strides Jean Valjean stood beside him.</p>
<p>Jean Valjean accosted him with the cry:—</p>
<p>"One hundred francs!"</p>
<p>The man gave a start and raised his eyes.</p>
<p>"You can earn a hundred francs," went on Jean Valjean, "if you will grant
me shelter for this night."</p>
<p>The moon shone full upon Jean Valjean's terrified countenance.</p>
<p>"What! so it is you, Father Madeleine!" said the man.</p>
<p>That name, thus pronounced, at that obscure hour, in that unknown spot, by
that strange man, made Jean Valjean start back.</p>
<p>He had expected anything but that. The person who thus addressed him was a
bent and lame old man, dressed almost like a peasant, who wore on his left
knee a leather knee-cap, whence hung a moderately large bell. His face,
which was in the shadow, was not distinguishable.</p>
<p>However, the goodman had removed his cap, and exclaimed, trembling all
over:—</p>
<p>"Ah, good God! How come you here, Father Madeleine? Where did you enter?
Dieu-Jesus! Did you fall from heaven? There is no trouble about that: if
ever you do fall, it will be from there. And what a state you are in! You
have no cravat; you have no hat; you have no coat! Do you know, you would
have frightened any one who did not know you? No coat! Lord God! Are the
saints going mad nowadays? But how did you get in here?"</p>
<p>His words tumbled over each other. The goodman talked with a rustic
volubility, in which there was nothing alarming. All this was uttered with
a mixture of stupefaction and naive kindliness.</p>
<p>"Who are you? and what house is this?" demanded Jean Valjean.</p>
<p>"Ah! pardieu, this is too much!" exclaimed the old man. "I am the person
for whom you got the place here, and this house is the one where you had
me placed. What! You don't recognize me?"</p>
<p>"No," said Jean Valjean; "and how happens it that you know me?"</p>
<p>"You saved my life," said the man.</p>
<p>He turned. A ray of moonlight outlined his profile, and Jean Valjean
recognized old Fauchelevent.</p>
<p>"Ah!" said Jean Valjean, "so it is you? Yes, I recollect you."</p>
<p>"That is very lucky," said the old man, in a reproachful tone.</p>
<p>"And what are you doing here?" resumed Jean Valjean.</p>
<p>"Why, I am covering my melons, of course!"</p>
<p>In fact, at the moment when Jean Valjean accosted him, old Fauchelevent
held in his hand the end of a straw mat which he was occupied in spreading
over the melon bed. During the hour or thereabouts that he had been in the
garden he had already spread out a number of them. It was this operation
which had caused him to execute the peculiar movements observed from the
shed by Jean Valjean.</p>
<p>He continued:—</p>
<p>"I said to myself, 'The moon is bright: it is going to freeze. What if I
were to put my melons into their greatcoats?' And," he added, looking at
Jean Valjean with a broad smile,—"pardieu! you ought to have done
the same! But how do you come here?"</p>
<p>Jean Valjean, finding himself known to this man, at least only under the
name of Madeleine, thenceforth advanced only with caution. He multiplied
his questions. Strange to say, their roles seemed to be reversed. It was
he, the intruder, who interrogated.</p>
<p>"And what is this bell which you wear on your knee?"</p>
<p>"This," replied Fauchelevent, "is so that I may be avoided."</p>
<p>"What! so that you may be avoided?"</p>
<p>Old Fauchelevent winked with an indescribable air.</p>
<p>"Ah, goodness! there are only women in this house—many young girls.
It appears that I should be a dangerous person to meet. The bell gives
them warning. When I come, they go."</p>
<p>"What house is this?"</p>
<p>"Come, you know well enough."</p>
<p>"But I do not."</p>
<p>"Not when you got me the place here as gardener?"</p>
<p>"Answer me as though I knew nothing."</p>
<p>"Well, then, this is the Petit-Picpus convent."</p>
<p>Memories recurred to Jean Valjean. Chance, that is to say, Providence, had
cast him into precisely that convent in the Quartier Saint-Antoine where
old Fauchelevent, crippled by the fall from his cart, had been admitted on
his recommendation two years previously. He repeated, as though talking to
himself:—</p>
<p>"The Petit-Picpus convent."</p>
<p>"Exactly," returned old Fauchelevent. "But to come to the point, how the
deuce did you manage to get in here, you, Father Madeleine? No matter if
you are a saint; you are a man as well, and no man enters here."</p>
<p>"You certainly are here."</p>
<p>"There is no one but me."</p>
<p>"Still," said Jean Valjean, "I must stay here."</p>
<p>"Ah, good God!" cried Fauchelevent.</p>
<p>Jean Valjean drew near to the old man, and said to him in a grave voice:—</p>
<p>"Father Fauchelevent, I saved your life."</p>
<p>"I was the first to recall it," returned Fauchelevent.</p>
<p>"Well, you can do to-day for me that which I did for you in the olden
days."</p>
<p>Fauchelevent took in his aged, trembling, and wrinkled hands Jean
Valjean's two robust hands, and stood for several minutes as though
incapable of speaking. At length he exclaimed:—</p>
<p>"Oh! that would be a blessing from the good God, if I could make you some
little return for that! Save your life! Monsieur le Maire, dispose of the
old man!"</p>
<p>A wonderful joy had transfigured this old man. His countenance seemed to
emit a ray of light.</p>
<p>"What do you wish me to do?" he resumed.</p>
<p>"That I will explain to you. You have a chamber?"</p>
<p>"I have an isolated hovel yonder, behind the ruins of the old convent, in
a corner which no one ever looks into. There are three rooms in it."</p>
<p>The hut was, in fact, so well hidden behind the ruins, and so cleverly
arranged to prevent it being seen, that Jean Valjean had not perceived it.</p>
<p>"Good," said Jean Valjean. "Now I am going to ask two things of you."</p>
<p>"What are they, Mr. Mayor?"</p>
<p>"In the first place, you are not to tell any one what you know about me.
In the second, you are not to try to find out anything more."</p>
<p>"As you please. I know that you can do nothing that is not honest, that
you have always been a man after the good God's heart. And then, moreover,
you it was who placed me here. That concerns you. I am at your service."</p>
<p>"That is settled then. Now, come with me. We will go and get the child."</p>
<p>"Ah!" said Fauchelevent, "so there is a child?"</p>
<p>He added not a word further, and followed Jean Valjean as a dog follows
his master.</p>
<p>Less than half an hour afterwards Cosette, who had grown rosy again before
the flame of a good fire, was lying asleep in the old gardener's bed. Jean
Valjean had put on his cravat and coat once more; his hat, which he had
flung over the wall, had been found and picked up. While Jean Valjean was
putting on his coat, Fauchelevent had removed the bell and kneecap, which
now hung on a nail beside a vintage basket that adorned the wall. The two
men were warming themselves with their elbows resting on a table upon
which Fauchelevent had placed a bit of cheese, black bread, a bottle of
wine, and two glasses, and the old man was saying to Jean Valjean, as he
laid his hand on the latter's knee: "Ah! Father Madeleine! You did not
recognize me immediately; you save people's lives, and then you forget
them! That is bad! But they remember you! You are an ingrate!"</p>
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