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<h2> BOOK EIGHTH.—CEMETERIES TAKE THAT WHICH IS COMMITTED THEM </h2>
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<h2> CHAPTER I—WHICH TREATS OF THE MANNER OF ENTERING A CONVENT </h2>
<p>It was into this house that Jean Valjean had, as Fauchelevent expressed
it, "fallen from the sky."</p>
<p>He had scaled the wall of the garden which formed the angle of the Rue
Polonceau. That hymn of the angels which he had heard in the middle of the
night, was the nuns chanting matins; that hall, of which he had caught a
glimpse in the gloom, was the chapel. That phantom which he had seen
stretched on the ground was the sister who was making reparation; that
bell, the sound of which had so strangely surprised him, was the
gardener's bell attached to the knee of Father Fauchelevent.</p>
<p>Cosette once put to bed, Jean Valjean and Fauchelevent had, as we have
already seen, supped on a glass of wine and a bit of cheese before a good,
crackling fire; then, the only bed in the hut being occupied by Cosette,
each threw himself on a truss of straw.</p>
<p>Before he shut his eyes, Jean Valjean said: "I must remain here
henceforth." This remark trotted through Fauchelevent's head all night
long.</p>
<p>To tell the truth, neither of them slept.</p>
<p>Jean Valjean, feeling that he was discovered and that Javert was on his
scent, understood that he and Cosette were lost if they returned to Paris.
Then the new storm which had just burst upon him had stranded him in this
cloister. Jean Valjean had, henceforth, but one thought,—to remain
there. Now, for an unfortunate man in his position, this convent was both
the safest and the most dangerous of places; the most dangerous, because,
as no men might enter there, if he were discovered, it was a flagrant
offence, and Jean Valjean would find but one step intervening between the
convent and prison; the safest, because, if he could manage to get himself
accepted there and remain there, who would ever seek him in such a place?
To dwell in an impossible place was safety.</p>
<p>On his side, Fauchelevent was cudgelling his brains. He began by declaring
to himself that he understood nothing of the matter. How had M. Madeleine
got there, when the walls were what they were? Cloister walls are not to
be stepped over. How did he get there with a child? One cannot scale a
perpendicular wall with a child in one's arms. Who was that child? Where
did they both come from? Since Fauchelevent had lived in the convent, he
had heard nothing of M. sur M., and he knew nothing of what had taken
place there. Father Madeleine had an air which discouraged questions; and
besides, Fauchelevent said to himself: "One does not question a saint." M.
Madeleine had preserved all his prestige in Fauchelevent's eyes. Only,
from some words which Jean Valjean had let fall, the gardener thought he
could draw the inference that M. Madeleine had probably become bankrupt
through the hard times, and that he was pursued by his creditors; or that
he had compromised himself in some political affair, and was in hiding;
which last did not displease Fauchelevent, who, like many of our peasants
of the North, had an old fund of Bonapartism about him. While in hiding,
M. Madeleine had selected the convent as a refuge, and it was quite simple
that he should wish to remain there. But the inexplicable point, to which
Fauchelevent returned constantly and over which he wearied his brain, was
that M. Madeleine should be there, and that he should have that little
girl with him. Fauchelevent saw them, touched them, spoke to them, and
still did not believe it possible. The incomprehensible had just made its
entrance into Fauchelevent's hut. Fauchelevent groped about amid
conjectures, and could see nothing clearly but this: "M. Madeleine saved
my life." This certainty alone was sufficient and decided his course. He
said to himself: "It is my turn now." He added in his conscience: "M.
Madeleine did not stop to deliberate when it was a question of thrusting
himself under the cart for the purpose of dragging me out." He made up his
mind to save M. Madeleine.</p>
<p>Nevertheless, he put many questions to himself and made himself divers
replies: "After what he did for me, would I save him if he were a thief?
Just the same. If he were an assassin, would I save him? Just the same.
Since he is a saint, shall I save him? Just the same."</p>
<p>But what a problem it was to manage to have him remain in the convent!
Fauchelevent did not recoil in the face of this almost chimerical
undertaking; this poor peasant of Picardy without any other ladder than
his self-devotion, his good will, and a little of that old rustic cunning,
on this occasion enlisted in the service of a generous enterprise,
undertook to scale the difficulties of the cloister, and the steep
escarpments of the rule of Saint-Benoit. Father Fauchelevent was an old
man who had been an egoist all his life, and who, towards the end of his
days, halt, infirm, with no interest left to him in the world, found it
sweet to be grateful, and perceiving a generous action to be performed,
flung himself upon it like a man, who at the moment when he is dying,
should find close to his hand a glass of good wine which he had never
tasted, and should swallow it with avidity. We may add, that the air which
he had breathed for many years in this convent had destroyed all
personality in him, and had ended by rendering a good action of some kind
absolutely necessary to him.</p>
<p>So he took his resolve: to devote himself to M. Madeleine.</p>
<p>We have just called him a poor peasant of Picardy. That description is
just, but incomplete. At the point of this story which we have now
reached, a little of Father Fauchelevent's physiology becomes useful. He
was a peasant, but he had been a notary, which added trickery to his
cunning, and penetration to his ingenuousness. Having, through various
causes, failed in his business, he had descended to the calling of a
carter and a laborer. But, in spite of oaths and lashings, which horses
seem to require, something of the notary had lingered in him. He had some
natural wit; he talked good grammar; he conversed, which is a rare thing
in a village; and the other peasants said of him: "He talks almost like a
gentleman with a hat." Fauchelevent belonged, in fact, to that species,
which the impertinent and flippant vocabulary of the last century
qualified as demi-bourgeois, demi-lout, and which the metaphors showered
by the chateau upon the thatched cottage ticketed in the pigeon-hole of
the plebeian: rather rustic, rather citified; pepper and salt.
Fauchelevent, though sorely tried and harshly used by fate, worn out, a
sort of poor, threadbare old soul, was, nevertheless, an impulsive man,
and extremely spontaneous in his actions; a precious quality which
prevents one from ever being wicked. His defects and his vices, for he had
some, were all superficial; in short, his physiognomy was of the kind
which succeeds with an observer. His aged face had none of those
disagreeable wrinkles at the top of the forehead, which signify malice or
stupidity.</p>
<p>At daybreak, Father Fauchelevent opened his eyes, after having done an
enormous deal of thinking, and beheld M. Madeleine seated on his truss of
straw, and watching Cosette's slumbers. Fauchelevent sat up and said:—</p>
<p>"Now that you are here, how are you going to contrive to enter?"</p>
<p>This remark summed up the situation and aroused Jean Valjean from his
revery.</p>
<p>The two men took counsel together.</p>
<p>"In the first place," said Fauchelevent, "you will begin by not setting
foot outside of this chamber, either you or the child. One step in the
garden and we are done for."</p>
<p>"That is true."</p>
<p>"Monsieur Madeleine," resumed Fauchelevent, "you have arrived at a very
auspicious moment, I mean to say a very inauspicious moment; one of the
ladies is very ill. This will prevent them from looking much in our
direction. It seems that she is dying. The prayers of the forty hours are
being said. The whole community is in confusion. That occupies them. The
one who is on the point of departure is a saint. In fact, we are all
saints here; all the difference between them and me is that they say 'our
cell,' and that I say 'my cabin.' The prayers for the dying are to be
said, and then the prayers for the dead. We shall be at peace here for
to-day; but I will not answer for to-morrow."</p>
<p>"Still," observed Jean Valjean, "this cottage is in the niche of the wall,
it is hidden by a sort of ruin, there are trees, it is not visible from
the convent."</p>
<p>"And I add that the nuns never come near it."</p>
<p>"Well?" said Jean Valjean.</p>
<p>The interrogation mark which accentuated this "well" signified: "it seems
to me that one may remain concealed here?" It was to this interrogation
point that Fauchelevent responded:—</p>
<p>"There are the little girls."</p>
<p>"What little girls?" asked Jean Valjean.</p>
<p>Just as Fauchelevent opened his mouth to explain the words which he had
uttered, a bell emitted one stroke.</p>
<p>"The nun is dead," said he. "There is the knell."</p>
<p>And he made a sign to Jean Valjean to listen.</p>
<p>The bell struck a second time.</p>
<p>"It is the knell, Monsieur Madeleine. The bell will continue to strike
once a minute for twenty-four hours, until the body is taken from the
church.—You see, they play. At recreation hours it suffices to have
a ball roll aside, to send them all hither, in spite of prohibitions, to
hunt and rummage for it all about here. Those cherubs are devils."</p>
<p>"Who?" asked Jean Valjean.</p>
<p>"The little girls. You would be very quickly discovered. They would
shriek: 'Oh! a man!' There is no danger to-day. There will be no
recreation hour. The day will be entirely devoted to prayers. You hear the
bell. As I told you, a stroke each minute. It is the death knell."</p>
<p>"I understand, Father Fauchelevent. There are pupils."</p>
<p>And Jean Valjean thought to himself:—</p>
<p>"Here is Cosette's education already provided."</p>
<p>Fauchelevent exclaimed:—</p>
<p>"Pardine! There are little girls indeed! And they would bawl around you!
And they would rush off! To be a man here is to have the plague. You see
how they fasten a bell to my paw as though I were a wild beast."</p>
<p>Jean Valjean fell into more and more profound thought.—"This convent
would be our salvation," he murmured.</p>
<p>Then he raised his voice:—</p>
<p>"Yes, the difficulty is to remain here."</p>
<p>"No," said Fauchelevent, "the difficulty is to get out."</p>
<p>Jean Valjean felt the blood rush back to his heart.</p>
<p>"To get out!"</p>
<p>"Yes, Monsieur Madeleine. In order to return here it is first necessary to
get out."</p>
<p>And after waiting until another stroke of the knell had sounded,
Fauchelevent went on:—</p>
<p>"You must not be found here in this fashion. Whence come you? For me, you
fall from heaven, because I know you; but the nuns require one to enter by
the door."</p>
<p>All at once they heard a rather complicated pealing from another bell.</p>
<p>"Ah!" said Fauchelevent, "they are ringing up the vocal mothers. They are
going to the chapter. They always hold a chapter when any one dies. She
died at daybreak. People generally do die at daybreak. But cannot you get
out by the way in which you entered? Come, I do not ask for the sake of
questioning you, but how did you get in?"</p>
<p>Jean Valjean turned pale; the very thought of descending again into that
terrible street made him shudder. You make your way out of a forest filled
with tigers, and once out of it, imagine a friendly counsel that shall
advise you to return thither! Jean Valjean pictured to himself the whole
police force still engaged in swarming in that quarter, agents on the
watch, sentinels everywhere, frightful fists extended towards his collar,
Javert at the corner of the intersection of the streets perhaps.</p>
<p>"Impossible!" said he. "Father Fauchelevent, say that I fell from the
sky."</p>
<p>"But I believe it, I believe it," retorted Fauchelevent. "You have no need
to tell me that. The good God must have taken you in his hand for the
purpose of getting a good look at you close to, and then dropped you.
Only, he meant to place you in a man's convent; he made a mistake. Come,
there goes another peal, that is to order the porter to go and inform the
municipality that the dead-doctor is to come here and view a corpse. All
that is the ceremony of dying. These good ladies are not at all fond of
that visit. A doctor is a man who does not believe in anything. He lifts
the veil. Sometimes he lifts something else too. How quickly they have had
the doctor summoned this time! What is the matter? Your little one is
still asleep. What is her name?"</p>
<p>"Cosette."</p>
<p>"She is your daughter? You are her grandfather, that is?"</p>
<p>"Yes."</p>
<p>"It will be easy enough for her to get out of here. I have my service door
which opens on the courtyard. I knock. The porter opens; I have my vintage
basket on my back, the child is in it, I go out. Father Fauchelevent goes
out with his basket—that is perfectly natural. You will tell the
child to keep very quiet. She will be under the cover. I will leave her
for whatever time is required with a good old friend, a fruit-seller whom
I know in the Rue Chemin-Vert, who is deaf, and who has a little bed. I
will shout in the fruit-seller's ear, that she is a niece of mine, and
that she is to keep her for me until to-morrow. Then the little one will
re-enter with you; for I will contrive to have you re-enter. It must be
done. But how will you manage to get out?"</p>
<p>Jean Valjean shook his head.</p>
<p>"No one must see me, the whole point lies there, Father Fauchelevent. Find
some means of getting me out in a basket, under cover, like Cosette."</p>
<p>Fauchelevent scratched the lobe of his ear with the middle finger of his
left hand, a sign of serious embarrassment.</p>
<p>A third peal created a diversion.</p>
<p>"That is the dead-doctor taking his departure," said Fauchelevent. "He has
taken a look and said: 'She is dead, that is well.' When the doctor has
signed the passport for paradise, the undertaker's company sends a coffin.
If it is a mother, the mothers lay her out; if she is a sister, the
sisters lay her out. After which, I nail her up. That forms a part of my
gardener's duty. A gardener is a bit of a grave-digger. She is placed in a
lower hall of the church which communicates with the street, and into
which no man may enter save the doctor of the dead. I don't count the
undertaker's men and myself as men. It is in that hall that I nail up the
coffin. The undertaker's men come and get it, and whip up, coachman!
that's the way one goes to heaven. They fetch a box with nothing in it,
they take it away again with something in it. That's what a burial is
like. De profundis."</p>
<p>A horizontal ray of sunshine lightly touched the face of the sleeping
Cosette, who lay with her mouth vaguely open, and had the air of an angel
drinking in the light. Jean Valjean had fallen to gazing at her. He was no
longer listening to Fauchelevent.</p>
<p>That one is not listened to is no reason for preserving silence. The good
old gardener went on tranquilly with his babble:—</p>
<p>"The grave is dug in the Vaugirard cemetery. They declare that they are
going to suppress that Vaugirard cemetery. It is an ancient cemetery which
is outside the regulations, which has no uniform, and which is going to
retire. It is a shame, for it is convenient. I have a friend there, Father
Mestienne, the grave-digger. The nuns here possess one privilege, it is to
be taken to that cemetery at nightfall. There is a special permission from
the Prefecture on their behalf. But how many events have happened since
yesterday! Mother Crucifixion is dead, and Father Madeleine—"</p>
<p>"Is buried," said Jean Valjean, smiling sadly.</p>
<p>Fauchelevent caught the word.</p>
<p>"Goodness! if you were here for good, it would be a real burial."</p>
<p>A fourth peal burst out. Fauchelevent hastily detached the belled knee-cap
from its nail and buckled it on his knee again.</p>
<p>"This time it is for me. The Mother Prioress wants me. Good, now I am
pricking myself on the tongue of my buckle. Monsieur Madeleine, don't stir
from here, and wait for me. Something new has come up. If you are hungry,
there is wine, bread and cheese."</p>
<p>And he hastened out of the hut, crying: "Coming! coming!"</p>
<p>Jean Valjean watched him hurrying across the garden as fast as his crooked
leg would permit, casting a sidelong glance by the way on his melon patch.</p>
<p>Less than ten minutes later, Father Fauchelevent, whose bell put the nuns
in his road to flight, tapped gently at a door, and a gentle voice
replied: "Forever! Forever!" that is to say: "Enter."</p>
<p>The door was the one leading to the parlor reserved for seeing the
gardener on business. This parlor adjoined the chapter hall. The prioress,
seated on the only chair in the parlor, was waiting for Fauchelevent.</p>
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