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<h1> BABBITT </h1>
<h2> By Sinclair Lewis </h2>
<h3> To Edith Wharton </h3>
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<h2> CHAPTER I </h2>
<p>THE towers of Zenith aspired above the morning mist; austere towers of
steel and cement and limestone, sturdy as cliffs and delicate as silver
rods. They were neither citadels nor churches, but frankly and beautifully
office-buildings.</p>
<p>The mist took pity on the fretted structures of earlier generations: the
Post Office with its shingle-tortured mansard, the red brick minarets of
hulking old houses, factories with stingy and sooted windows, wooden
tenements colored like mud. The city was full of such grotesqueries, but
the clean towers were thrusting them from the business center, and on the
farther hills were shining new houses, homes—they seemed—for
laughter and tranquillity.</p>
<p>Over a concrete bridge fled a limousine of long sleek hood and noiseless
engine. These people in evening clothes were returning from an all-night
rehearsal of a Little Theater play, an artistic adventure considerably
illuminated by champagne. Below the bridge curved a railroad, a maze of
green and crimson lights. The New York Flyer boomed past, and twenty lines
of polished steel leaped into the glare.</p>
<p>In one of the skyscrapers the wires of the Associated Press were closing
down. The telegraph operators wearily raised their celluloid eye-shades
after a night of talking with Paris and Peking. Through the building
crawled the scrubwomen, yawning, their old shoes slapping. The dawn mist
spun away. Cues of men with lunch-boxes clumped toward the immensity of
new factories, sheets of glass and hollow tile, glittering shops where
five thousand men worked beneath one roof, pouring out the honest wares
that would be sold up the Euphrates and across the veldt. The whistles
rolled out in greeting a chorus cheerful as the April dawn; the song of
labor in a city built—it seemed—for giants.</p>
<p>II</p>
<p>There was nothing of the giant in the aspect of the man who was beginning
to awaken on the sleeping-porch of a Dutch Colonial house in that
residential district of Zenith known as Floral Heights.</p>
<p>His name was George F. Babbitt. He was forty-six years old now, in April,
1920, and he made nothing in particular, neither butter nor shoes nor
poetry, but he was nimble in the calling of selling houses for more than
people could afford to pay.</p>
<p>His large head was pink, his brown hair thin and dry. His face was babyish
in slumber, despite his wrinkles and the red spectacle-dents on the slopes
of his nose. He was not fat but he was exceedingly well fed; his cheeks
were pads, and the unroughened hand which lay helpless upon the
khaki-colored blanket was slightly puffy. He seemed prosperous, extremely
married and unromantic; and altogether unromantic appeared this
sleeping-porch, which looked on one sizable elm, two respectable
grass-plots, a cement driveway, and a corrugated iron garage. Yet Babbitt
was again dreaming of the fairy child, a dream more romantic than scarlet
pagodas by a silver sea.</p>
<p>For years the fairy child had come to him. Where others saw but Georgie
Babbitt, she discerned gallant youth. She waited for him, in the darkness
beyond mysterious groves. When at last he could slip away from the crowded
house he darted to her. His wife, his clamoring friends, sought to follow,
but he escaped, the girl fleet beside him, and they crouched together on a
shadowy hillside. She was so slim, so white, so eager! She cried that he
was gay and valiant, that she would wait for him, that they would sail—</p>
<p>Rumble and bang of the milk-truck.</p>
<p>Babbitt moaned; turned over; struggled back toward his dream. He could see
only her face now, beyond misty waters. The furnace-man slammed the
basement door. A dog barked in the next yard. As Babbitt sank blissfully
into a dim warm tide, the paper-carrier went by whistling, and the
rolled-up Advocate thumped the front door. Babbitt roused, his stomach
constricted with alarm. As he relaxed, he was pierced by the familiar and
irritating rattle of some one cranking a Ford: snap-ah-ah, snap-ah-ah,
snap-ah-ah. Himself a pious motorist, Babbitt cranked with the unseen
driver, with him waited through taut hours for the roar of the starting
engine, with him agonized as the roar ceased and again began the infernal
patient snap-ah-ah—a round, flat sound, a shivering cold-morning
sound, a sound infuriating and inescapable. Not till the rising voice of
the motor told him that the Ford was moving was he released from the
panting tension. He glanced once at his favorite tree, elm twigs against
the gold patina of sky, and fumbled for sleep as for a drug. He who had
been a boy very credulous of life was no longer greatly interested in the
possible and improbable adventures of each new day.</p>
<p>He escaped from reality till the alarm-clock rang, at seven-twenty.</p>
<p>III</p>
<p>It was the best of nationally advertised and quantitatively produced
alarm-clocks, with all modern attachments, including cathedral chime,
intermittent alarm, and a phosphorescent dial. Babbitt was proud of being
awakened by such a rich device. Socially it was almost as creditable as
buying expensive cord tires.</p>
<p>He sulkily admitted now that there was no more escape, but he lay and
detested the grind of the real-estate business, and disliked his family,
and disliked himself for disliking them. The evening before, he had played
poker at Vergil Gunch's till midnight, and after such holidays he was
irritable before breakfast. It may have been the tremendous home-brewed
beer of the prohibition-era and the cigars to which that beer enticed him;
it may have been resentment of return from this fine, bold man-world to a
restricted region of wives and stenographers, and of suggestions not to
smoke so much.</p>
<p>From the bedroom beside the sleeping-porch, his wife's detestably cheerful
"Time to get up, Georgie boy," and the itchy sound, the brisk and scratchy
sound, of combing hairs out of a stiff brush.</p>
<p>He grunted; he dragged his thick legs, in faded baby-blue pajamas, from
under the khaki blanket; he sat on the edge of the cot, running his
fingers through his wild hair, while his plump feet mechanically felt for
his slippers. He looked regretfully at the blanket—forever a
suggestion to him of freedom and heroism. He had bought it for a camping
trip which had never come off. It symbolized gorgeous loafing, gorgeous
cursing, virile flannel shirts.</p>
<p>He creaked to his feet, groaning at the waves of pain which passed behind
his eyeballs. Though he waited for their scorching recurrence, he looked
blurrily out at the yard. It delighted him, as always; it was the neat
yard of a successful business man of Zenith, that is, it was perfection,
and made him also perfect. He regarded the corrugated iron garage. For the
three-hundred-and-sixty-fifth time in a year he reflected, "No class to
that tin shack. Have to build me a frame garage. But by golly it's the
only thing on the place that isn't up-to-date!" While he stared he thought
of a community garage for his acreage development, Glen Oriole. He stopped
puffing and jiggling. His arms were akimbo. His petulant, sleep-swollen
face was set in harder lines. He suddenly seemed capable, an official, a
man to contrive, to direct, to get things done.</p>
<p>On the vigor of his idea he was carried down the hard, dean,
unused-looking hall into the bathroom.</p>
<p>Though the house was not large it had, like all houses on Floral Heights,
an altogether royal bathroom of porcelain and glazed tile and metal sleek
as silver. The towel-rack was a rod of clear glass set in nickel. The tub
was long enough for a Prussian Guard, and above the set bowl was a
sensational exhibit of tooth-brush holder, shaving-brush holder,
soap-dish, sponge-dish, and medicine-cabinet, so glittering and so
ingenious that they resembled an electrical instrument-board. But the
Babbitt whose god was Modern Appliances was not pleased. The air of the
bathroom was thick with the smell of a heathen toothpaste. "Verona been at
it again! 'Stead of sticking to Lilidol, like I've re-peat-ed-ly asked
her, she's gone and gotten some confounded stinkum stuff that makes you
sick!"</p>
<p>The bath-mat was wrinkled and the floor was wet. (His daughter Verona
eccentrically took baths in the morning, now and then.) He slipped on the
mat, and slid against the tub. He said "Damn!" Furiously he snatched up
his tube of shaving-cream, furiously he lathered, with a belligerent
slapping of the unctuous brush, furiously he raked his plump cheeks with a
safety-razor. It pulled. The blade was dull. He said, "Damn—oh—oh—damn
it!"</p>
<p>He hunted through the medicine-cabinet for a packet of new razor-blades
(reflecting, as invariably, "Be cheaper to buy one of these dinguses and
strop your own blades,") and when he discovered the packet, behind the
round box of bicarbonate of soda, he thought ill of his wife for putting
it there and very well of himself for not saying "Damn." But he did say
it, immediately afterward, when with wet and soap-slippery fingers he
tried to remove the horrible little envelope and crisp clinging oiled
paper from the new blade. Then there was the problem, oft-pondered, never
solved, of what to do with the old blade, which might imperil the fingers
of his young. As usual, he tossed it on top of the medicine-cabinet, with
a mental note that some day he must remove the fifty or sixty other blades
that were also temporarily, piled up there. He finished his shaving in a
growing testiness increased by his spinning headache and by the emptiness
in his stomach. When he was done, his round face smooth and streamy and
his eyes stinging from soapy water, he reached for a towel. The family
towels were wet, wet and clammy and vile, all of them wet, he found, as he
blindly snatched them—his own face-towel, his wife's, Verona's,
Ted's, Tinka's, and the lone bath-towel with the huge welt of initial.
Then George F. Babbitt did a dismaying thing. He wiped his face on the
guest-towel! It was a pansy-embroidered trifle which always hung there to
indicate that the Babbitts were in the best Floral Heights society. No one
had ever used it. No guest had ever dared to. Guests secretively took a
corner of the nearest regular towel.</p>
<p>He was raging, "By golly, here they go and use up all the towels, every
doggone one of 'em, and they use 'em and get 'em all wet and sopping, and
never put out a dry one for me—of course, I'm the goat!—and
then I want one and—I'm the only person in the doggone house that's
got the slightest doggone bit of consideration for other people and
thoughtfulness and consider there may be others that may want to use the
doggone bathroom after me and consider—"</p>
<p>He was pitching the chill abominations into the bath-tub, pleased by the
vindictiveness of that desolate flapping sound; and in the midst his wife
serenely trotted in, observed serenely, "Why Georgie dear, what are you
doing? Are you going to wash out the towels? Why, you needn't wash out the
towels. Oh, Georgie, you didn't go and use the guest-towel, did you?"</p>
<p>It is not recorded that he was able to answer.</p>
<p>For the first time in weeks he was sufficiently roused by his wife to look
at her.</p>
<p>IV</p>
<p>Myra Babbitt—Mrs. George F. Babbitt—was definitely mature. She
had creases from the corners of her mouth to the bottom of her chin, and
her plump neck bagged. But the thing that marked her as having passed the
line was that she no longer had reticences before her husband, and no
longer worried about not having reticences. She was in a petticoat now,
and corsets which bulged, and unaware of being seen in bulgy corsets. She
had become so dully habituated to married life that in her full
matronliness she was as sexless as an anemic nun. She was a good woman, a
kind woman, a diligent woman, but no one, save perhaps Tinka her
ten-year-old, was at all interested in her or entirely aware that she was
alive.</p>
<p>After a rather thorough discussion of all the domestic and social aspects
of towels she apologized to Babbitt for his having an alcoholic headache;
and he recovered enough to endure the search for a B.V.D. undershirt which
had, he pointed out, malevolently been concealed among his clean pajamas.</p>
<p>He was fairly amiable in the conference on the brown suit.</p>
<p>"What do you think, Myra?" He pawed at the clothes hunched on a chair in
their bedroom, while she moved about mysteriously adjusting and patting
her petticoat and, to his jaundiced eye, never seeming to get on with her
dressing. "How about it? Shall I wear the brown suit another day?"</p>
<p>"Well, it looks awfully nice on you."</p>
<p>"I know, but gosh, it needs pressing."</p>
<p>"That's so. Perhaps it does."</p>
<p>"It certainly could stand being pressed, all right."</p>
<p>"Yes, perhaps it wouldn't hurt it to be pressed."</p>
<p>"But gee, the coat doesn't need pressing. No sense in having the whole
darn suit pressed, when the coat doesn't need it."</p>
<p>"That's so."</p>
<p>"But the pants certainly need it, all right. Look at them—look at
those wrinkles—the pants certainly do need pressing."</p>
<p>"That's so. Oh, Georgie, why couldn't you wear the brown coat with the
blue trousers we were wondering what we'd do with them?"</p>
<p>"Good Lord! Did you ever in all my life know me to wear the coat of one
suit and the pants of another? What do you think I am? A busted
bookkeeper?"</p>
<p>"Well, why don't you put on the dark gray suit to-day, and stop in at the
tailor and leave the brown trousers?"</p>
<p>"Well, they certainly need—Now where the devil is that gray suit?
Oh, yes, here we are."</p>
<p>He was able to get through the other crises of dressing with comparative
resoluteness and calm.</p>
<p>His first adornment was the sleeveless dimity B.V.D. undershirt, in which
he resembled a small boy humorlessly wearing a cheesecloth tabard at a
civic pageant. He never put on B.V.D.'s without thanking the God of
Progress that he didn't wear tight, long, old-fashioned undergarments,
like his father-in-law and partner, Henry Thompson. His second
embellishment was combing and slicking back his hair. It gave him a
tremendous forehead, arching up two inches beyond the former hair-line.
But most wonder-working of all was the donning of his spectacles.</p>
<p>There is character in spectacles—the pretentious tortoiseshell, the
meek pince-nez of the school teacher, the twisted silver-framed glasses of
the old villager. Babbitt's spectacles had huge, circular, frameless
lenses of the very best glass; the ear-pieces were thin bars of gold. In
them he was the modern business man; one who gave orders to clerks and
drove a car and played occasional golf and was scholarly in regard to
Salesmanship. His head suddenly appeared not babyish but weighty, and you
noted his heavy, blunt nose, his straight mouth and thick, long upper lip,
his chin overfleshy but strong; with respect you beheld him put on the
rest of his uniform as a Solid Citizen.</p>
<p>The gray suit was well cut, well made, and completely undistinguished. It
was a standard suit. White piping on the V of the vest added a flavor of
law and learning. His shoes were black laced boots, good boots, honest
boots, standard boots, extraordinarily uninteresting boots. The only
frivolity was in his purple knitted scarf. With considerable comment on
the matter to Mrs. Babbitt (who, acrobatically fastening the back of her
blouse to her skirt with a safety-pin, did not hear a word he said), he
chose between the purple scarf and a tapestry effect with stringless brown
harps among blown palms, and into it he thrust a snake-head pin with opal
eyes.</p>
<p>A sensational event was changing from the brown suit to the gray the
contents of his pockets. He was earnest about these objects. They were of
eternal importance, like baseball or the Republican Party. They included a
fountain pen and a silver pencil (always lacking a supply of new leads)
which belonged in the righthand upper vest pocket. Without them he would
have felt naked. On his watch-chain were a gold penknife, silver
cigar-cutter, seven keys (the use of two of which he had forgotten), and
incidentally a good watch. Depending from the chain was a large, yellowish
elk's-tooth-proclamation of his membership in the Brotherly and Protective
Order of Elks. Most significant of all was his loose-leaf pocket
note-book, that modern and efficient note-book which contained the
addresses of people whom he had forgotten, prudent memoranda of postal
money-orders which had reached their destinations months ago, stamps which
had lost their mucilage, clippings of verses by T. Cholmondeley Frink and
of the newspaper editorials from which Babbitt got his opinions and his
polysyllables, notes to be sure and do things which he did not intend to
do, and one curious inscription—D.S.S. D.M.Y.P.D.F.</p>
<p>But he had no cigarette-case. No one had ever happened to give him one, so
he hadn't the habit, and people who carried cigarette-cases he regarded as
effeminate.</p>
<p>Last, he stuck in his lapel the Boosters' Club button. With the
conciseness of great art the button displayed two words: "Boosters-Pep!"
It made Babbitt feel loyal and important. It associated him with Good
Fellows, with men who were nice and human, and important in business
circles. It was his V.C., his Legion of Honor ribbon, his Phi Beta Kappa
key.</p>
<p>With the subtleties of dressing ran other complex worries. "I feel kind of
punk this morning," he said. "I think I had too much dinner last evening.
You oughtn't to serve those heavy banana fritters."</p>
<p>"But you asked me to have some."</p>
<p>"I know, but—I tell you, when a fellow gets past forty he has to
look after his digestion. There's a lot of fellows that don't take proper
care of themselves. I tell you at forty a man's a fool or his doctor—I
mean, his own doctor. Folks don't give enough attention to this matter of
dieting. Now I think—Course a man ought to have a good meal after
the day's work, but it would be a good thing for both of us if we took
lighter lunches."</p>
<p>"But Georgie, here at home I always do have a light lunch."</p>
<p>"Mean to imply I make a hog of myself, eating down-town? Yes, sure! You'd
have a swell time if you had to eat the truck that new steward hands out
to us at the Athletic Club! But I certainly do feel out of sorts, this
morning. Funny, got a pain down here on the left side—but no, that
wouldn't be appendicitis, would it? Last night, when I was driving over to
Verg Gunch's, I felt a pain in my stomach, too. Right here it was—kind
of a sharp shooting pain. I—Where'd that dime go to? Why don't you
serve more prunes at breakfast? Of course I eat an apple every evening—an
apple a day keeps the doctor away—but still, you ought to have more
prunes, and not all these fancy doodads."</p>
<p>"The last time I had prunes you didn't eat them."</p>
<p>"Well, I didn't feel like eating 'em, I suppose. Matter of fact, I think I
did eat some of 'em. Anyway—I tell you it's mighty important to—I
was saying to Verg Gunch, just last evening, most people don't take
sufficient care of their diges—"</p>
<p>"Shall we have the Gunches for our dinner, next week?"</p>
<p>"Why sure; you bet."</p>
<p>"Now see here, George: I want you to put on your nice dinner-jacket that
evening."</p>
<p>"Rats! The rest of 'em won't want to dress."</p>
<p>"Of course they will. You remember when you didn't dress for the
Littlefields' supper-party, and all the rest did, and how embarrassed you
were."</p>
<p>"Embarrassed, hell! I wasn't embarrassed. Everybody knows I can put on as
expensive a Tux. as anybody else, and I should worry if I don't happen to
have it on sometimes. All a darn nuisance, anyway. All right for a woman,
that stays around the house all the time, but when a fellow's worked like
the dickens all day, he doesn't want to go and hustle his head off getting
into the soup-and-fish for a lot of folks that he's seen in just reg'lar
ordinary clothes that same day."</p>
<p>"You know you enjoy being seen in one. The other evening you admitted you
were glad I'd insisted on your dressing. You said you felt a lot better
for it. And oh, Georgie, I do wish you wouldn't say 'Tux.' It's
'dinner-jacket.'"</p>
<p>"Rats, what's the odds?"</p>
<p>"Well, it's what all the nice folks say. Suppose Lucile McKelvey heard you
calling it a 'Tux.'"</p>
<p>"Well, that's all right now! Lucile McKelvey can't pull anything on me!
Her folks are common as mud, even if her husband and her dad are
millionaires! I suppose you're trying to rub in your exalted social
position! Well, let me tell you that your revered paternal ancestor, Henry
T., doesn't even call it a 'Tux.'! He calls it a 'bobtail jacket for a
ringtail monkey,' and you couldn't get him into one unless you
chloroformed him!"</p>
<p>"Now don't be horrid, George."</p>
<p>"Well, I don't want to be horrid, but Lord! you're getting as fussy as
Verona. Ever since she got out of college she's been too rambunctious to
live with—doesn't know what she wants—well, I know what she
wants!—all she wants is to marry a millionaire, and live in Europe,
and hold some preacher's hand, and simultaneously at the same time stay
right here in Zenith and be some blooming kind of a socialist agitator or
boss charity-worker or some damn thing! Lord, and Ted is just as bad! He
wants to go to college, and he doesn't want to go to college. Only one of
the three that knows her own mind is Tinka. Simply can't understand how I
ever came to have a pair of shillyshallying children like Rone and Ted. I
may not be any Rockefeller or James J. Shakespeare, but I certainly do
know my own mind, and I do keep right on plugging along in the office and—Do
you know the latest? Far as I can figure out, Ted's new bee is he'd like
to be a movie actor and—And here I've told him a hundred times, if
he'll go to college and law-school and make good, I'll set him up in
business and—Verona just exactly as bad. Doesn't know what she
wants. Well, well, come on! Aren't you ready yet? The girl rang the bell
three minutes ago."</p>
<p>V</p>
<p>Before he followed his wife, Babbitt stood at the westernmost window of
their room. This residential settlement, Floral Heights, was on a rise;
and though the center of the city was three miles away—Zenith had
between three and four hundred thousand inhabitants now—he could see
the top of the Second National Tower, an Indiana limestone building of
thirty-five stories.</p>
<p>Its shining walls rose against April sky to a simple cornice like a streak
of white fire. Integrity was in the tower, and decision. It bore its
strength lightly as a tall soldier. As Babbitt stared, the nervousness was
soothed from his face, his slack chin lifted in reverence. All he
articulated was "That's one lovely sight!" but he was inspired by the
rhythm of the city; his love of it renewed. He beheld the tower as a
temple-spire of the religion of business, a faith passionate, exalted,
surpassing common men; and as he clumped down to breakfast he whistled the
ballad "Oh, by gee, by gosh, by jingo" as though it were a hymn melancholy
and noble.</p>
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