<h3><SPAN name="CHAPTER_VII" id="CHAPTER_VII"></SPAN>CHAPTER VII<br/><br/> A warning.</h3>
<p>Sir Percy bowed very low, with all the graceful flourish and elaborate
gesture the eccentric customs of the time demanded.</p>
<p>He had not said a word, since the first exclamation of warning, with
which he had drawn his friend's attention to the young girl in the
doorway.</p>
<p>Noiselessly, as she had come, Juliette glided out of the room again,
leaving behind her an atmosphere of wild flowers, of the bouquet she
had gathered, then scattered in the woods.</p>
<p>There was silence in the room for awhile. D�roul�de was locking up
his desk and slipping the keys into his pocket.</p>
<p>"Shall we join my mother for a moment, Blakeney?" he said, moving
towards the door.</p>
<p>"I shall be proud to pay my respects," replied Sir Percy; "but before
we close the subject, I think I'll change my mind about those papers.
If I am to be of service to you I think I had best look through them,
and give you my opinion of your schemes."</p>
<p>D�roul�de looked at him keenly for a moment.</p>
<p>"Certainly," he said at last, going up to his desk. "I'll stay with
you whilst you read them through."</p>
<p>"La! not to-night, my friend," said Sir Percy lightly; "the hour is
late, and madame is waiting for us. They'll be quite safe with me, and
you'll entrust them to my care."</p>
<p>D�roul�de seemed to hesitate. Blakeney had spoken in his usual airy
manner, and was even now busy readjusting the set of his
perfectly-tailored coat.</p>
<p>"Perhaps you cannot quite trust me?" laughed Sir Percy gaily. "I
seemed too lukewarm just now."</p>
<p>"No; it's not that, Blakeney!" said D�roul�de quietly at last. "There
is no mistrust in me, all the mistrust is on your side."</p>
<p>"Faith!—" began Sir Percy.</p>
<p>"Nay! do not explain. I understand and appreciate your friendship,
but I should like to convince you how unjust is your mistrust of one
of God's purest angels, that ever walked the earth."</p>
<p>"Oho! that's it, is it, friend D�roul�de? Methought you had foresworn
the sex altogether, and now you are in love."</p>
<p>"Madly, blindly, stupidly in love, my friend," said D�roul�de with a
sigh. "Hopelessly, I fear me!"</p>
<p>"Why hopelessly?"</p>
<p>"She is the daughter of the late Duc de Marny, one of the oldest names
in France; a Royalist to the backbone ..."</p>
<p>"Hence your overwhelming sympathy for the Queen!"</p>
<p>"Nay! you wrong me there, friend. I'd have tried to save the Queen,
even if I had never learned to love Juliette. But you see now how
unjust were your suspicions."</p>
<p>"Had I any?"</p>
<p>"Don't deny it. You were loud in urging me to burn those papers a
moment ago. You called them useless and dangerous and now ..."</p>
<p>"I still think them useless and dangerous, and by reading them would
wish to confirm my opinion and give weight to my arguments."</p>
<p>"If I were to part from them now I would seem to be mistrusting her."</p>
<p>"You are a mad idealist, my dear D�roul�de!"</p>
<p>"How can I help it? I have lived under the same roof with her for
three weeks now. I have begun to understand what a saint is like."</p>
<p>"And 'twill be when you understand that your idol has feet of clay
that you'll learn the real lesson of love," said Blakeney earnestly.</p>
<p>"Is it love to worship a saint in heaven, whom you dare not touch, who
hovers above you like a cloud, which floats away from you even as you
gaze? To love is to feel one being in the world at one with us, our
equal in sin as well as in virtue. To love, for us men, is to clasp
one woman with our arms, feeling that she lives and breathes just as
we do, suffers as we do, thinks with us, loves with us, and, above
all, sins with us. Your mock saint who stands in a niche is not a
woman if she have not suffered, still less a woman if she have not
sinned. Fall at the feet of your idol an you wish, but drag her down
to your level after that—the only level she should ever reach, that
of your heart."</p>
<p>Who shall render faithfully a true account of the magnetism which
poured forth from this remarkable man as he spoke: this well-dressed,
foppish apostle of the greatest love that man has ever known. And as
he spoke the whole story of his own great, true love for the woman who
once had so deeply wronged him seemed to stand clearly written in the
strong, lazy, good-humoured, kindly face glowing with tenderness for
her.</p>
<p>D�roul�de felt this magnetism, and therefore did not resent the
implied suggestion, anent the saint whom he was still content to
worship.</p>
<p>A dreamer and an idealist, his mind held spellbound by the great
social problems which were causing the upheaval of a whole country, he
had not yet had the time to learn the sweet lesson which Nature
teaches to her elect—the lesson of a great, a true, human and
passionate love. To him, at present, Juliette represented the perfect
embodiment of his most idealistic dreams. She stood in his mind so far
above him that if she proved unattainable, he would scarce have
suffered. It was such a foregone conclusion.</p>
<p>Blakeney's words were the first to stir in his heart a desire for
something beyond that quasi-mediaeval worship, something weaker and
yet infinitely stronger, something more earthy and yet almost divine.</p>
<p>"And now, shall we join the ladies?" said Blakeney after a long pause,
during which the mental workings of his alert brain were almost
visible, in the earnest look which he cast at his friend. "You shall
keep the papers in your desk, give them into the keeping of your
saint, trust her all in all rather than not at all, and if the time
should come that your heaven-enthroned ideal fall somewhat heavily to
earth, then give me the privilege of being a witness to your
happiness."</p>
<p>"You are still mistrustful, Blakeney," said D�roul�de lightly. "If
you say much more I'll give these papers into Mademoiselle Marny's
keeping until to-morrow."</p>
<h3><SPAN name="CHAPTER_VIII" id="CHAPTER_VIII"></SPAN>CHAPTER VIII<br/><br/> Anne Mie.</h3>
<p>That night, when Blakeney, wrapped in his cloak, was walking down the
Rue Ecole de M�decine towards his own lodgings, he suddenly felt a
timid hand upon his sleeve.</p>
<p>Anne Mie stood beside him, her pale, melancholy face peeping up at the
tall Englishman, through the folds of a dark hood closely tied under
her chin.</p>
<p>"Monsieur," she said timidly, "do not think me very presumptuous. I—
I would wish to have five minutes' talk with you—may I?"</p>
<p>He looked down with great kindness at the quaint, wizened little
figure, and the strong face softened at the sight of the poor,
deformed shoulder, the hard, pinched look of the young mouth, the
general look of pathetic helplessness which appeals so strongly to the
chivalrous.</p>
<p>"Indeed, mademoiselle," he said gently, "you make me very proud; and I
can serve you in any way, I pray you command me. But," he added,
seeing Anne Mie's somewhat scared look, "this street is scarce fit for
private conversation. Shall we try and find a better spot?"</p>
<p>Paris had not yet gone to bed. In these times it was really safest to
be out in the open streets. There, everybody was more busy, more on
the move, on the lookout for suspected houses, leaving the wanderer
alone.</p>
<p>Blakeney led Anne Mie towards the Luxembourg Gardens, the great
devastated pleasure-ground of the ci-devant tyrants of the people. The
beautiful Anne of Austria, and the Medici before her, Louis XIII, and
his gallant musketeers—all have given place to the great
cannon-forging industry of this besieged Republic. France, attacked on
every side, is forcing her sons to defend her: persecuted, martyrised,
done to death by her, she is still their Mother: La Patrie, who needs
their arms against the foreign foe. England is threatening the north,
Prussia and Austria the east. Admiral Hood's flag is flying on Toulon
Arsenal.</p>
<p>The siege of the Republic!</p>
<p>And the Republic is fighting for dear life. The Tuileries and
Luxembourg Gardens are transformed into a township of gigantic
smithies; and Anne Mie, with scared eyes, and clinging to Blakeney's
arm, cast furtive, terrified glances at the huge furnaces and the
begrimed, darkly scowling faces of the workers within.</p>
<p>"The people of France in arms against tyranny!" Great placards,
bearing these inspiriting words, are affixed to gallows-shaped posts,
and flutter in the evening breeze, rendered scorching by the heat of
the furnaces all around.</p>
<p>Farther on, a group of older men, squatting on the ground, are busy
making tents, and some women—the same Megaeras who daily shriek
round the guillotine—are plying their needles and scissors for the
purpose of making clothes for the soldiers.</p>
<p>The soldiers are the entire able-bodied male population of France.</p>
<p>"The people of France in arms against tyranny!"</p>
<p>That is their sign, their trade-mark; one of these placards, fitfully
illumined by a torch of resin, towers above a group of children busy
tearing up scraps of old linen—their mothers', their sisters' linen
—in order to make lint for the wounded.</p>
<p>Loud curses and suppressed mutterings fill the smoke-laden air.</p>
<p>The people of France, in arms against tyranny, is bending its broad
back before the most cruel, the most absolute and brutish
slave-driving ever exercised over mankind.</p>
<p>Not even mediaeval Christianity has ever dared such wholesale
enforcements of its doctrines, as this constitution of Liberty and
Fraternity.</p>
<p>Merlin's "Law of the Suspect" has just been formulated. From now
onward each and every citizen of France must watch his words, his
looks, his gestures, lest they be suspect. Of what—of treason to the
Republic, to the people? Nay, worse! lest they be suspect of being
suspect to the great era of Liberty.</p>
<p>Therefore in the smithies and among the groups of tent-makers a
moment's negligence, a careless attention to the work, might lead to a
brief trial on the morrow and the inevitable guillotine. Negligence is
treason to the higher interests of the Republic.</p>
<p>Blakeney dragged Anne Mie away from the sight. These roaring furnaces
frightened her; he took her down the Place St Michel, towards the
river. It was quieter here.</p>
<p>"What dreadful people they have become," she said, shuddering; "even I
can remember how different they used to be."</p>
<p>The houses on the banks of the river were mostly converted into
hospitals, preparatory for the great siege. Some hundred m�tres lower
down, the new children's hospital, endowed by Citizen-Deputy
D�roul�de, loomed, white, clean, and comfortable-looking, amidst its
more squalid fellows.</p>
<p>"I think it would be best not to sit down," suggested Blakeney, "and
wiser for you to throw your hood away from your face."</p>
<p>He seemed to have no fears for himself; many had said that he bore a
charmed life; and yet ever since Admiral Hood had planted his flag on
Toulon Arsenal, the English were more feared than ever, and The
Scarlet Pimpernel more hated than most.</p>
<p>"You wished to speak to me about Paul D�roul�de," he said kindly,
seeing that the young girl was making desperate efforts to say what
lay on her mind. "He is my friend, you know."</p>
<p>"Yes; that is why I wished to ask you a question," she replied.</p>
<p>"What is it?"</p>
<p>"Who is Juliette de Marny, and why did she seek an entrance into
Paul's house?"</p>
<p>"Did she seek it, then?"</p>
<p>"Yes; I saw the scene from the balcony. At the time it did not strike
me as a farce. I merely thought that she had been stupid and
foolhardy. But since then I have reflected. She provoked the mob of
the street, wilfully, just at the very moment when she reached M.
D�roul�de's door. She meant to appeal to his chivalry, and called for
help, well knowing that he would respond."</p>
<p>She spoke rapidly and excitedly now, throwing off all shyness and
reserve. Blakeney was forced to check her vehemence, which might have
been thought "suspicious" by some idle citizen unpleasantly inclined.</p>
<p>"Well? And now?" he asked, for the young girl had paused, as if
ashamed of her excitement.</p>
<p>"And now she stays in the house, on and on, day after day," continued
Anne Mie, speaking more quietly, though with no less intensity. "Why
does she not go? She is not safe in France. She belongs to the most
hated of all the classes—the idle, rich aristocrats of the old
r�gime. Paul has several times suggested plans for her emigration to
England. Madame D�roul�de, who is an angel, loves her, and would not
like to part from her, but it would be obviously wiser for her to go,
and yet she stays. Why?"</p>
<p>"Presumably because ..."</p>
<p>"Because she is in love with Paul?" interrupted Anne Mie vehemently.
"No, no; she does not love him—at least—Oh! sometimes I don't
know. Her eyes light up when he comes, and she is listless when he
goes. She always spends a longer time over her toilet, when we expect
him home to dinner," she added, with a touch of na�ve femininity. "But—
if it be love, then that love is strange and unwomanly; it is a love
that will not be for his good ..."</p>
<p>"Why should you think that?"</p>
<p>"I don't know," said the girl simply. "Isn't it an instinct?"</p>
<p>"Not a very unerring one in this case, I fear."</p>
<p>"Why?"</p>
<p>"Because your own love for Paul D�roul�de has blinded you— Ah! you
must pardon me, mademoiselle; you sought this conversation and not I,
and I fear me I have wounded you. Yet I would wish you to know how
deep is my sympathy with you, and how great my desire to render you a
service if I could."</p>
<p>"I was about to ask a service of you, monsieur."</p>
<p>"Then command me, I beg of you."</p>
<p>"You are Paul's friend—persuade him that that woman in his house is
a standing danger to his life and liberty."</p>
<p>"He would not listen to me."</p>
<p>"Oh! a man always listens to another."</p>
<p>"Except on one subject—the woman he loves."</p>
<p>He had said the last words very gently but very firmly. He was
deeply, tenderly sorry for the poor, deformed, fragile girl, doomed to
be a witness of that most heartrending of human tragedies, the passing
away of her own scarce-hoped-for happiness. But he felt that at this
moment the kindest act would be one of complete truth. He knew that
Paul D�roul�de's heart was completely given to Juliette de Marny; he
too, like Anne Mie, instinctively mistrusted the beautiful girl and
her strange, silent ways, but, unlike the poor hunchback, he knew that
no sin which Juliette might commit would henceforth tear her from out
the heart of his friend; that if, indeed, she turned out to be false,
or even treacherous, she would, nevertheless, still hold a place in
D�roul�de's very soul, which no one else would ever fill.</p>
<p>"You think he loves her?" asked Anne Mie at last.</p>
<p>"I am sure of it."</p>
<p>"And she?"</p>
<p>"Ah! I do not know. I would trust your instinct—a woman's—sooner
than my own."</p>
<p>"She is false, I tell you, and is hatching treason against Paul."</p>
<p>"Then all we can do is to wait."</p>
<p>"Wait?"</p>
<p>"And watch carefully, earnestly, all the time. There! shall I pledge
you my word that D�roul�de shall come to no harm?"</p>
<p>"Pledge me your word that you'll part him from that woman."</p>
<p>"Nay; that is beyond my power. A man like Paul D�roul�de only loves
once in life, but when he does, it is for always."</p>
<p>Once more she was silent, pressing her lips closely together, as if
afraid of what she might say.</p>
<p>He saw that she was bitterly disappointed, and sought for a means of
tempering the cruelty of the blow.</p>
<p>"It will be your task to watch over Paul," he said; "with your
friendship to guard and protect him, we need have no fear for his
safety, I think."</p>
<p>"I will watch," she replied quietly.</p>
<p>Gradually he had led her steps back towards the Rue Ecole de M�decine.</p>
<p>A great melancholy had fallen over his bold, adventurous spirit. How
full of tragedies was this great city, in the last throes of its
insane and cruel struggle for an unattainable goal. And yet, despite
its guillotine and mock trials, its tyrannical laws and overfilled
prisons, its very sorrows paled before the dead, dull misery of this
deformed girl's heart.</p>
<p>A wild exaltation, a fever of enthusiasm lent glamour to the scenes
which were daily enacted on the Place de la Revolution, turning the
final acts of the tragedies into glaring, lurid melodrama, almost
unreal in its poignant appeal to the sensibilities.</p>
<p>But here there was only this dead, dull misery, an aching heart, a
poor, fragile creature in the throes of an agonised struggle for a
fast-disappearing happiness.</p>
<p>Anne Mie hardly knew now what she had hoped, when she sought this
interview with Sir Percy Blakeney. Drowning in a sea of hopelessness,
she had clutched at what might prove a chance of safety. Her reason
told her that Paul's friend was right. D�roul�de was a man who would
love but once in his life. He had never loved—for he had too much
pitied—poor, pathetic little Anne Mie.</p>
<p>Nay; why should we say that love and pity are akin?</p>
<p>Love, the great, the strong, the conquering god—Love that subdues a
world, and rides roughshod over principle, virtue, tradition, over
home, kindred, and religion—what cares he for the easy conquest of
the pathetic being, who appeals to his sympathy?</p>
<p>Love means equality—the same height of heroism or of sin. When Love
stoops to pity, he has ceased to soar in the boundless space, that
rarefied atmosphere wherein man feels himself made at last truly in
the image of God.</p>
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