<p><span class='pagenum'><SPAN name="Page_361" id="Page_361"></SPAN></span></p>
<h2>CHAPTER XXXIV<br/> THE BEGINNING OF A STORY</h2>
<p class="cap"><span class="dcap">It</span> was the farewell to Claire and Jeff Saxton, a
picnic in the Cascades, near Snoqualmie Falls—a
decent and decidedly Milt-less fiesta. Mrs. Gilson was
going to show Claire that they were just as hardy
adventurers as that horrid Daggett person. So she
didn't take the limousine, but merely the seven-passenger
Locomobile with the special body.</p>
<p>They were ever so rough and wild. They had no
maid. The chauffeur was absolutely the only help to
the Gilsons, Claire, Jeff, and the temporarily and ejaculatorily
nature-loving Mrs. Betz in the daring task of
setting out two folding camp-tables, covering them
with a linen cloth, and opening the picnic basket.
Claire had to admit that she wished that she could
steal the picnic basket for Milt. There were vacuum
bottles of hot coffee. There were sandwiches of
anchovy and <i>paté de foie gras</i>. There were cream
cakes with almonds hidden in the suave cream, and
there was a chicken salad with huge chunks of pure
white meat wallowing in a sea of mayonnaise.</p>
<p>When the gorging was done and the cigarettes
brought out (the chauffeur passed a spirit lamp),
they stretched on rubber blankets, and groaned a little,<span class='pagenum'><SPAN name="Page_362" id="Page_362"></SPAN></span>
and spoke well of nature and the delights of roughing
it.</p>
<p>"What is it? What's wrong? They're so—oh, so
polite. They don't mean what they say and they don't
dare to say what they mean. Is that it?" worried
Claire.</p>
<p>She started. She discovered that she was looking
at a bristle of rope-colored hair and a grin projected
from the shelter of a manzanita bush.</p>
<p>"For the——" she gasped. She was too startled to
be able to decide what was for-the. She spoke judiciously
to Jeff Saxton about Upper Montclair, the
subway, and tennis. She rose to examine the mountains,
strolled away, darted down a gully, and pounced
on Milt Daggett with:</p>
<p>"How in heaven's name——"</p>
<p>"Found out where you-all were going. Look!
Got a bug! Rented it. Come on! Let's duck! Drive
back with me!" At the end of the gully was a new
Teal bug, shinier than the ancient lost chariot, but
equally gay and uncomfortable.</p>
<p>"Can't. Like to, but—— Be awfully rude to them.
Won't do that—not more than is good for their souls—even
for you. Now don't be sulky."</p>
<p>"I won't. Nev' be sulky again, because you're
crazy about me, and I don't have to be sulky."</p>
<p>"Oh, I am, am I! Good heavens, the inconceivable
conceit of the child!"</p>
<p><span class='pagenum'><SPAN name="Page_363" id="Page_363"></SPAN></span>She turned her back. He darted to her, caught her
hands behind her, kissed her hair, and whispered,
"You are!"</p>
<p>"I am not!"</p>
<p>"Well then, you're not. Lord, you're sweet! Your
hair smells like cinnamon and clean kittens. You'd
rather go bumping off in my flivver than sailing in that
big Loco they've got there."</p>
<p>"Yes," defiantly, "I would, and I'm ashamed of
myself. I'm a throw-back to my horrid ancestor, the
betting hostler."</p>
<p>"Probably. I'm a throw-back to my ancestor the
judge. I'll train you to meet my fine friends."</p>
<p>"Well—upon—my—word—I—— Oh, do stop
being idiotic. We talk like children. You reduce me
to the rank of a gibbering schoolgirl. And I like it!
It's so—oh, I don't know—so darn human, I suppose.
Now hurry—kiss me, and get out, before they suspect."</p>
<p>"Listen."</p>
<p>"Yes?"</p>
<p>"I'll accidentally meet your car along the road.
Invite you to ride. All right?"</p>
<p>"Yes. Do. Oh, we <i>are</i> two forlorn babes in the
woods! G'-by."</p>
<p>She sauntered back to the picnic, and observed,
"What is that purple flower up on the mountain side?"</p>
<p>The big car was sedately purring back when it was<span class='pagenum'><SPAN name="Page_364" id="Page_364"></SPAN></span>
insulted by an intermediate host of a machine that
came jumping out of a side road. The vulgar driver
hailed them with uncouth howling. The Gilsons'
chauffeur stopped, annoyed.</p>
<p>"Why, hello folks," bawled the social bandit.</p>
<p>"Oh. How do you do," refuted Mrs. Gilson.</p>
<p>Jeff Saxton turned a ripe purple.</p>
<p>"How do you like my new bug, Claire? Awful
little object. But I can make fifty an hour. Come and
try it, Claire, can't you?"</p>
<p>"Why——" Claire was obviously shocked by the
impropriety of the suggestion. She looked at Mrs.
Gilson, who was breathing as though she was just
going under the ether. Claire said doubtfully,
"Well—— If you can get me right back to the
house——"</p>
<p>"Sure," agreed Milt.</p>
<p>When the Loco was gone, Milt drove the bug to
the side of the road, yanked up the emergency brake,
and carefully kissed the girl who was snuggled down
into the absurd low tin-sided seat.</p>
<p>"Do we have to get back soon?" he begged.</p>
<p>"Oh, I don't care if we never get back. Let's shoot
up into the mountains. Side road. Let's pretend
we're driving across the continent again."</p>
<p>Firs dashing by—rocks in the sunshine—clouds
jaunty beyond the inviting mouth of a mountain pass—even
the ruts and bumps and culverts—she seemed<span class='pagenum'><SPAN name="Page_365" id="Page_365"></SPAN></span>
a part of them all. In the Gilsons' huge cars she had
been shut off from the road, but in this tiny bug, so
close to earth, she recovered the feeling of struggle,
of triumph over difficulties, of freedom unbounded.
And she could be herself, good or bad, ignorant or
wise, with this boy beside her. All of which she
expressed in the most eloquent speech she had ever
uttered, namely:</p>
<p>"Oh, <i>Milt</i>——!"</p>
<p>And, to herself, "Golly, it's such a relief not to have
to try to be gracious and aphoristic and repartistic
and everything with Jeff."</p>
<p>And, "But I wonder if I am aphoristic and subtle?
I wonder if when she gets the rice-powder off, Claire
isn't a lot more like Milt than she thought?"</p>
<p>And, aloud again, "Oh, this is——"</p>
<p>"Yump. It sure is," Milt agreed.</p>
<p>They had turned from a side-road into a side-side-road.
They crossed an upland valley. The fall rains
had flooded a creek till it had cut across the road,
washed through the thin gravel, left across the road a
shallow violent stream. Milt stopped abruptly at its
margin.</p>
<p>"Here's where we turn back, I guess," he sighed.</p>
<p>"Oh no! Can't we get across? It's only a couple
of feet deep, and gravel bottom," insisted the restored
adventurer.</p>
<p>"Yes, but look at the steep bank. Never get up it."</p>
<p><span class='pagenum'><SPAN name="Page_366" id="Page_366"></SPAN></span>"I don't care. Let's try it! We can woggle around
and dig it out somehow. I bet you two-bits we can,"
said the delicate young woman whom Mrs. Gilson was
protecting.</p>
<p>"All right. In she goes!"</p>
<p>The bug went in—shot over the bank, dipped down
till the little hood sloped below them as though they
were looping the loop, struck the rushing water with
a splash which hurled yellow drops over Claire's rose
jersey suit, lumbered ahead, struck the farther bank,
pawed at it feebly, rose two inches, slipped back, and
sat there with the gurgling water all around it, turned
into a motor-boat.</p>
<p>"No can do," grunted Milt. "Scared?"</p>
<p>"Nope. Love it! This is a real camp—the brush
on the bank, and the stream—listen to it chuckle under
the running-board."</p>
<p>"Do you like to camp with me?"</p>
<p>"Love it."</p>
<p>"Say! Gee! Never thought—— Claire! Got
your transportation back East?"</p>
<p>"My ticket? Yes. Why?"</p>
<p>"Well, I'm sure you can turn it in and get a refund.
So that's all right."</p>
<p>"Are you going to let me in on the secret?"</p>
<p>"Oh yes, might's well. I was just wondering—— I
don't think much of wasting all our youth waiting—— Two-three
years in engineering school, and<span class='pagenum'><SPAN name="Page_367" id="Page_367"></SPAN></span>
maybe going to war, and starting in on an engineering
job, and me lonely as a turkey in a chicken yard,
and you doing the faithful young lady in Brooklyn—— I
think perhaps we might get married tomorrow
and——"</p>
<p>"Good heavens, what do you——?"</p>
<p>"Do you want to go back to Brooklyn Gilsonses?"</p>
<p>"No, but——"</p>
<p>"Dear, can't we be crazy once, while we're youngsters?"</p>
<p>"Don't bombard me so! Let me think. One must
be practical, even in craziness."</p>
<p>"I am. I have over a thousand dollars from
the garage, and I can work evenings—as dear
Jeff suggested! We'd have a two-by-four flat—— Claire——"</p>
<p>"Oh, let me think. I suppose I could go to the
university, too, and learn a little about food and babies
and building houses and government. I need to go
to school a lot more than you do. Besides auction
and the piano—which I play very badly—and clothes
and how to get hold of tickets for successful plays, I
don't know one single thing."</p>
<p>"Will you marry me, tomorrow?"</p>
<p>"Well, uh——"</p>
<p>"Think of Mrs. Gilson's face when she learns it!
And Saxton, and that Mrs. Betz!"</p>
<p>It was to no spoken sentence but to her kiss that she<span class='pagenum'><SPAN name="Page_368" id="Page_368"></SPAN></span>
added, "Providing we ever get the car out of this
river, that is!"</p>
<p>"Oh, my dear, my dear, and all the romantic ways
I was going to propose! I had the best line about
roses and stars and angels and everything——"</p>
<p>"They always use those, but nobody ever proposed
to me in a bug in a flood before! Oh! Milt! Life
is fun! I never knew it till you kidnapped me. If
you kiss me again like that, we'll both topple overboard.
By the way, <i>can</i> we get the car out?"</p>
<p>"I think so, if we put on the chains. We'll have to
take off our shoes and stockings."</p>
<p>Shyly, turning from him a little, she stripped off her
stockings and pumps, while he changed from a flivver-driver
into a young viking, with bare white neck, pale
hair ruffled about his head, trousers rolled up above his
straight knees—a young seaman of the crew of Eric
the Red.</p>
<p>They swung out on the running-board, now awash.
With slight squeals they dropped into the cold stream.
Dripping, laughing, his clothes clinging to him, he
ducked down behind the car to get the jack under the
back axle, and with the water gurgling about her and
splashing its exhilarating coldness into her face, she
stooped beside him to yank the stiff new chains over
the rear wheels.</p>
<p>They climbed back into the car, joyously raffish as
a pair of gipsies. She wiped a dab of mud from her<span class='pagenum'><SPAN name="Page_369" id="Page_369"></SPAN></span>
cheek, and remarked with an earnestness and a naturalness
which that Jeff Saxton who knew her so well
would never have recognized as hers:</p>
<p>"Gee, I hope the old bird crawls out now."</p>
<p>Milt let in the reverse, raced the engine, started
backward with a burst of muddy water churned up by
the whirling wheels. They struck the bank, sickeningly
hung there for two seconds, began to crawl up,
up, with a feeling that at any second they would drop
back again.</p>
<p>Then, instantly, they were out on the shore and it
was absurd to think that they had ever been boating
down there in the stream. They washed each other's
muddy faces, and laughed a great deal, and rubbed
their legs with their stockings, and resumed something
of a dull and civilized aspect and, singing sentimental
ballads, turned back, found another road, and started
toward a peak.</p>
<p>"I wonder what lies beyond the top of this climb?"
said Claire.</p>
<p>"More mountains, and more, and more, and we're
going to keep on climbing them forever. At dawn,
we'll still be going on. And that's our life."</p>
<p>"Ye-es, providing we can still buy gas."</p>
<p>"Lord, that's so."</p>
<p>"Speaking of which, did you know that I have
a tiny bit of money—it's about five thousand dollars—of
my own?"</p>
<p><span class='pagenum'><SPAN name="Page_370" id="Page_370"></SPAN></span>"But—— That makes it impossible. Young tramp
marrying lady of huge wealth——"</p>
<p>"No, you don't! I've accepted you. Do you think
I'm going to lose the one real playmate I've ever had?
It was so lonely on the Boltwoods' brown stoop till
Milt came along and whistled impertinently and made
the solemn little girl in frills play marbles and—— Watch
out for that turn! Heavens, how I have to
look after you! Is there a class in cooking at your university?
No—do—not—kiss—me—on—a—turn!"</p>
<p>This is the beginning of the story of Milt and
Claire Daggett.</p>
<p>The prelude over and the curtain risen on the actual
play, they face the anxieties and glories of a changing
world. Not without quarrels and barren hours, not
free from ignorance and the discomfort of finding
that between the mountain peaks they must for long
gray periods dwell in the dusty valleys, they yet start
their drama with the distinction of being able to laugh
together, with the advantage of having discovered
that neither Schoenstrom nor Brooklyn Heights is
quite all of life, with the cosmic importance to the
tedious world of believing in the romance that makes
youth unquenchable.</p>
<p class="hd1">THE END.</p>
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