<h3 id="id01869" style="margin-top: 3em">CHAPTER XXII</h3>
<h5 id="id01870">THE RIDE</h5>
<p id="id01871">Crossjay darted up to her a nose ahead of the colonel.</p>
<p id="id01872">"I say, Miss Middleton, we're to have the whole day to ourselves, after
morning lessons. Will you come and fish with me and see me
bird's-nest?"</p>
<p id="id01873">"Not for the satisfaction of beholding another cracked crown, my son,"
the colonel interposed: and bowing to Clara: "Miss Middleton is handed
over to my exclusive charge for the day, with her consent?"</p>
<p id="id01874">"I scarcely know," said she, consulting a sensation of languor that
seemed to contain some reminiscence. "If I am here. My father's plans
are uncertain. I will speak to him. If I am here, perhaps Crossjay
would like a ride in the afternoon."</p>
<p id="id01875">"Oh, yes," cried the boy; "out over Bournden, through Mewsey up to
Closharn Beacon, and down on Aspenwell, where there's a common for
racing. And ford the stream!"</p>
<p id="id01876">"An inducement for you," De Craye said to her.</p>
<p id="id01877">She smiled and squeezed the boy's hand.</p>
<p id="id01878">"We won't go without you, Crossjay."</p>
<p id="id01879">"You don't carry a comb, my man, when you bathe?"</p>
<p id="id01880">At this remark of the colonel's young Crossjay conceived the appearance
of his matted locks in the eyes of his adorable lady. He gave her one
dear look through his redness, and fled.</p>
<p id="id01881">"I like that boy," said De Craye.</p>
<p id="id01882">"I love him," said Clara.</p>
<p id="id01883">Crossjay's troubled eyelids in his honest young face became a picture
for her.</p>
<p id="id01884">"After all, Miss Middleton, Willoughby's notions about him are not so
bad, if we consider that you will be in the place of a mother to him."</p>
<p id="id01885">"I think them bad."</p>
<p id="id01886">"You are disinclined to calculate the good fortune of the boy in having
more of you on land than he would have in crown and anchor buttons!"</p>
<p id="id01887">"You have talked of him with Willoughby."</p>
<p id="id01888">"We had a talk last night."</p>
<p id="id01889">Of how much? thought she.</p>
<p id="id01890">"Willoughby returns?" she said.</p>
<p id="id01891">"He dines here, I know; for he holds the key of the inner cellar, and
Doctor Middleton does him the honour to applaud his wine. Willoughby
was good enough to tell me that he thought I might contribute to amuse
you."</p>
<p id="id01892">She was brooding in stupefaction on her father and the wine as she
requested Colonel De Craye to persuade Willoughby to take the general
view of Crossjay's future and act on it.</p>
<p id="id01893">"He seems fond of the boy, too," said De Craye, musingly.</p>
<p id="id01894">"You speak in doubt?"</p>
<p id="id01895">"Not at all. But is he not—men are queer fish!—make allowance for
us—a trifle tyrannical, pleasantly, with those he is fond of?"</p>
<p id="id01896">"If they look right and left?"</p>
<p id="id01897">It was meant for an interrogation; it was not with the sound of one
that the words dropped. "My dear Crossjay!" she sighed. "I would
willingly pay for him out of my own purse, and I will do so rather than
have him miss his chance. I have not mustered resolution to propose
it."</p>
<p id="id01898">"I may be mistaken, Miss Middleton. He talked of the boy's fondness of
him."</p>
<p id="id01899">"He would."</p>
<p id="id01900">"I suppose he is hardly peculiar in liking to play Pole-star."</p>
<p id="id01901">"He may not be."</p>
<p id="id01902">"For the rest, your influence should be all-powerful."</p>
<p id="id01903">"It is not."</p>
<p id="id01904">De Craye looked with a wandering eye at the heavens.</p>
<p id="id01905">"We are having a spell of weather perfectly superb. And the odd thing
is, that whenever we have splendid weather at home we're all for
rushing abroad. I'm booked for a Mediterranean cruise—postponed to
give place to your ceremony."</p>
<p id="id01906">"That?" she could not control her accent.</p>
<p id="id01907">"What worthier?"</p>
<p id="id01908">She was guilty of a pause.</p>
<p id="id01909">De Craye saved it from an awkward length. "I have written half an essay
on Honeymoons, Miss Middleton."</p>
<p id="id01910">"Is that the same as a half-written essay, Colonel De Craye?"</p>
<p id="id01911">"Just the same, with the difference that it's a whole essay written all
on one side."</p>
<p id="id01912">"On which side?"</p>
<p id="id01913">"The bachelor's."</p>
<p id="id01914">"Why does he trouble himself with such topics?"</p>
<p id="id01915">"To warm himself for being left out in the cold."</p>
<p id="id01916">"Does he feel envy?"</p>
<p id="id01917">"He has to confess it."</p>
<p id="id01918">"He has liberty."</p>
<p id="id01919">"A commodity he can't tell the value of if there's no one to buy."</p>
<p id="id01920">"Why should he wish to sell?"</p>
<p id="id01921">"He's bent on completing his essay."</p>
<p id="id01922">"To make the reading dull."</p>
<p id="id01923">"There we touch the key of the subject. For what is to rescue the pair
from a monotony multiplied by two? And so a bachelor's recommendation,
when each has discovered the right sort of person to be dull with,
pushes them from the churchdoor on a round of adventures containing a
spice of peril, if 'tis to be had. Let them be in danger of their lives
the first or second day. A bachelor's loneliness is a private affair of
his own; he hasn't to look into a face to be ashamed of feeling it and
inflicting it at the same time; 'tis his pillow; he can punch it an he
pleases, and turn it over t'other side, if he's for a mighty variation;
there's a dream in it. But our poor couple are staring wide awake. All
their dreaming's done. They've emptied their bottle of elixir, or
broken it; and she has a thirst for the use of the tongue, and he to
yawn with a crony; and they may converse, they're not aware of it, more
than the desert that has drunk a shower. So as soon as possible she's
away to the ladies, and he puts on his Club. That's what your bachelor
sees and would like to spare them; and if he didn't see something of
the sort he'd be off with a noose round his neck, on his knees in the
dew to the morning milkmaid."</p>
<p id="id01924">"The bachelor is happily warned and on his guard," said Clara,
diverted, as he wished her to be. "Sketch me a few of the adventures
you propose."</p>
<p id="id01925">"I have a friend who rowed his bride from the Houses of Parliament up
the Thames to the Severn on into North Wales. They shot some pretty
weirs and rapids."</p>
<p id="id01926">"That was nice."</p>
<p id="id01927">"They had an infinity of adventures, and the best proof of the benefit
they derived is, that they forgot everything about them except that the
adventures occurred."</p>
<p id="id01928">"Those two must have returned bright enough to please you."</p>
<p id="id01929">"They returned, and shone like a wrecker's beacon to the mariner. You
see, Miss Middleton, there was the landscape, and the exercise, and the
occasional bit of danger. I think it's to be recommended. The scene is
always changing, and not too fast; and 'tis not too sublime, like big
mountains, to tire them of their everlasting big Ohs. There's the
difference between going into a howling wind and launching among
zephyrs. They have fresh air and movement, and not in a railway
carriage; they can take in what they look on. And she has the steering
ropes, and that's a wise commencement. And my lord is all day making an
exhibition of his manly strength, bowing before her some sixty to the
minute; and she, to help him, just inclines when she's in the mood. And
they're face to face in the nature of things, and are not under the
obligation of looking the unutterable, because, you see, there's
business in hand; and the boat's just the right sort of third party,
who never interferes, but must be attended to. And they feel they're
labouring together to get along, all in the proper proportion; and
whether he has to labour in life or not, he proves his ability. What do
you think of it, Miss Middleton?"</p>
<p id="id01930">"I think you have only to propose it, Colonel De Craye."</p>
<p id="id01931">"And if they capsize, why, 'tis a natural ducking!"</p>
<p id="id01932">"You forgot the lady's dressing-bag."</p>
<p id="id01933">"The stain on the metal for a constant reminder of his prowess in
saving it! Well, and there's an alternative to that scheme, and a
finer:—This, then: they read dramatic pieces during courtship, to stop
the saying of things over again till the drum of the car becomes
nothing but a drum to the poor head, and a little before they affix
their signatures to the fatal Registry-book of the vestry, they enter
into an engagement with a body of provincial actors to join the troop
on the day of their nuptials, and away they go in their coach and four,
and she is Lady Kitty Caper for a month, and he Sir Harry Highflyer.
See the honeymoon spinning! The marvel to me is that none of the young
couples do it. They could enjoy the world, see life, amuse the company,
and come back fresh to their own characters, instead of giving
themselves a dose of Africa without a savage to diversify it: an
impression they never get over, I'm told. Many a character of the
happiest auspices has irreparable mischief done it by the ordinary
honeymoon. For my part, I rather lean to the second plan of campaign."</p>
<p id="id01934">Clara was expected to reply, and she said: "Probably because you are
fond of acting. It would require capacity on both sides."</p>
<p id="id01935">"Miss Middleton, I would undertake to breathe the enthusiasm for the
stage and the adventure."</p>
<p id="id01936">"You are recommending it generally."</p>
<p id="id01937">"Let my gentleman only have a fund of enthusiasm. The lady will kindle.<br/>
She always does at a spark."<br/></p>
<p id="id01938">"If he has not any?"</p>
<p id="id01939">"Then I'm afraid they must be mortally dull."</p>
<p id="id01940">She allowed her silence to speak; she knew that it did so too
eloquently, and could not control the personal adumbration she gave to
the one point of light revealed in, "if he has not any". Her figure
seemed immediately to wear a cap and cloak of dulness.</p>
<p id="id01941">She was full of revolt and anger, she was burning with her situation;
if sensible of shame now at anything that she did, it turned to wrath
and threw the burden on the author of her desperate distress. The hour
for blaming herself had gone by, to be renewed ultimately perhaps in a
season of freedom. She was bereft of her insight within at present, so
blind to herself that, while conscious of an accurate reading of
Willoughby's friend, she thanked him in her heart for seeking simply to
amuse her and slightly succeeding. The afternoon's ride with him and
Crossjay was an agreeable beguilement to her in prospect.</p>
<p id="id01942">Laetitia came to divide her from Colonel De Craye. Dr. Middleton was
not seen before his appearance at the breakfast-table, where a certain
air of anxiety in his daughter's presence produced the semblance of a
raised map at intervals on his forehead. Few sights on earth are more
deserving of our sympathy than a good man who has a troubled conscience
thrust on him.</p>
<p id="id01943">The Rev. Doctor's perturbation was observed. The ladies Eleanor and
Isabel, seeing his daughter to be the cause of it, blamed her, and
would have assisted him to escape, but Miss Dale, whom he courted with
that object, was of the opposite faction. She made way for Clara to
lead her father out. He called to Vernon, who merely nodded while
leaving the room by the window with Crossjay.</p>
<p id="id01944">Half an eye on Dr. Middleton's pathetic exit in captivity sufficed to
tell Colonel De Craye that parties divided the house. At first he
thought how deplorable it would be to lose Miss Middleton for two days
or three: and it struck him that Vernon Whitford and Laetitia Dale were
acting oddly in seconding her, their aim not being discernible. For he
was of the order of gentlemen of the obscurely-clear in mind who have a
predetermined acuteness in their watch upon the human play, and mark
men and women as pieces of a bad game of chess, each pursuing an
interested course. His experience of a section of the world had
educated him—as gallant, frank, and manly a comrade as one could wish
for—up to this point. But he soon abandoned speculations, which may be
compared to a shaking anemometer that will not let the troubled
indicator take station. Reposing on his perceptions and his instincts,
he fixed his attention on the chief persons, only glancing at the
others to establish a postulate, that where there are parties in a
house the most bewitching person present is the origin of them. It is
ever Helen's achievement. Miss Middleton appeared to him bewitching
beyond mortal; sunny in her laughter, shadowy in her smiling; a young
lady shaped for perfect music with a lover.</p>
<p id="id01945">She was that, and no less, to every man's eye on earth. High breeding
did not freeze her lovely girlishness.—But Willoughby did. This
reflection intervened to blot luxurious picturings of her, and made
itself acceptable by leading him back to several instances of an
evident want of harmony of the pair.</p>
<p id="id01946">And now (for purely undirected impulse all within us is not, though we
may be eye-bandaged agents under direction) it became necessary for an
honourable gentleman to cast vehement rebukes at the fellow who did not
comprehend the jewel he had won. How could Willoughby behave like so
complete a donkey! De Craye knew him to be in his interior stiff,
strange, exacting: women had talked of him; he had been too much for
one woman—the dashing Constantia: he had worn one woman, sacrificing
far more for him than Constantia, to death. Still, with such a prize as
Clara Middleton, Willoughby's behaviour was past calculating in its
contemptible absurdity. And during courtship! And courtship of that
girl! It was the way of a man ten years after marriage.</p>
<p id="id01947">The idea drew him to picture her doatingly in her young matronly bloom
ten years after marriage: without a touch of age, matronly wise,
womanly sweet: perhaps with a couple of little ones to love, never
having known the love of a man.</p>
<p id="id01948">To think of a girl like Clara Middleton never having at
nine-and-twenty, and with two fair children! known the love of a man or
the loving of a man, possibly, became torture to the Colonel.</p>
<p id="id01949">For a pacification he had to reconsider that she was as yet only
nineteen and unmarried.</p>
<p id="id01950">But she was engaged, and she was unloved. One might swear to it, that
she was unloved. And she was not a girl to be satisfied with a big
house and a high-nosed husband.</p>
<p id="id01951">There was a rapid alteration of the sad history of Clara the unloved
matron solaced by two little ones. A childless Clara tragically loving
and beloved flashed across the dark glass of the future.</p>
<p id="id01952">Either way her fate was cruel.</p>
<p id="id01953">Some astonishment moved De Craye in the contemplation of the distance
he had stepped in this morass of fancy. He distinguished the choice
open to him of forward or back, and he selected forward. But fancy was
dead: the poetry hovering about her grew invisible to him: he stood in
the morass; that was all he knew; and momently he plunged deeper; and
he was aware of an intense desire to see her face, that he might study
her features again: he understood no more.</p>
<p id="id01954">It was the clouding of the brain by the man's heart, which had come to
the knowledge that it was caught.</p>
<p id="id01955">A certain measure of astonishment moved him still. It had hitherto been
his portion to do mischief to women and avoid the vengeance of the sex.
What was there in Miss Middleton's face and air to ensnare a veteran
handsome man of society numbering six-and-thirty years, nearly as many
conquests? "Each bullet has got its commission." He was hit at last.
That accident effected by Mr. Flitch had fired the shot. Clean through
the heart, does not tell us of our misfortune, till the heart is asked
to renew its natural beating. It fell into the condition of the
porcelain vase over a thought of Miss Middleton standing above his
prostrate form on the road, and walking beside him to the Hall. Her
words? What have they been? She had not uttered words, she had shed
meanings. He did not for an instant conceive that he had charmed her:
the charm she had cast on him was too thrilling for coxcombry to lift a
head; still she had enjoyed his prattle. In return for her touch upon
the Irish fountain in him, he had manifestly given her relief And could
not one see that so sprightly a girl would soon be deadened by a man
like Willoughby? Deadened she was: she had not responded to a
compliment on her approaching marriage. An allusion to it killed her
smiling. The case of Mr. Flitch, with the half wager about his
reinstation in the service of the Hall, was conclusive evidence of her
opinion of Willoughby.</p>
<p id="id01956">It became again necessary that he should abuse Willoughby for his
folly. Why was the man worrying her? In some way he was worrying her.</p>
<p id="id01957">What if Willoughby as well as Miss Middleton wished to be quit of the
engagement? . . .</p>
<p id="id01958">For just a second, the handsome, woman-flattered officer proved his
man's heart more whole than he supposed it. That great organ, instead
of leaping at the thought, suffered a check.</p>
<p id="id01959">Bear in mind that his heart was not merely man's, it was a conqueror's.
He was of the race of amorous heroes who glory in pursuing, overtaking,
subduing: wresting the prize from a rival, having her ripe from
exquisitely feminine inward conflicts, plucking her out of resistance
in good old primitive fashion. You win the creature in her delicious
flutterings. He liked her thus, in cooler blood, because of society's
admiration of the capturer, and somewhat because of the strife, which
always enhances the value of a prize, and refreshes our vanity in
recollection.</p>
<p id="id01960">Moreover, he had been matched against Willoughby: the circumstance had
occurred two or three times. He could name a lady he had won, a lady he
had lost. Willoughby's large fortune and grandeur of style had given
him advantages at the start. But the start often means the race—with
women, and a bit of luck.</p>
<p id="id01961">The gentle check upon the galloping heart of Colonel De Craye endured
no longer than a second—a simple side-glance in a headlong pace.
Clara's enchantingness for a temperament like his, which is to say, for
him specially, in part through the testimony her conquest of himself
presented as to her power of sway over the universal heart known as
man's, assured him she was worth winning even from a hand that dropped
her.</p>
<p id="id01962">He had now a double reason for exclaiming at the folly of Willoughby.
Willoughby's treatment of her showed either temper or weariness. Vanity
and judgement led De Craye to guess the former. Regarding her
sentiments for Willoughby, he had come to his own conclusion. The
certainty of it caused him to assume that he possessed an absolute
knowledge of her character: she was an angel, born supple; she was a
heavenly soul, with half a dozen of the tricks of earth. Skittish filly
was among his phrases; but she had a bearing and a gaze that forbade
the dip in the common gutter for wherewithal to paint the creature she
was.</p>
<p id="id01963">Now, then, to see whether he was wrong for the first time in his life!<br/>
If not wrong, he had a chance.<br/></p>
<p id="id01964">There could be nothing dishonourable in rescuing a girl from an
engagement she detested. An attempt to think it a service to Willoughby
faded midway. De Craye dismissed that chicanery. It would be a service
to Willoughby in the end, without question. There was that to soothe
his manly honour. Meanwhile he had to face the thought of Willoughby as
an antagonist, and the world looking heavy on his honour as a friend.</p>
<p id="id01965">Such considerations drew him tenderly close to Miss Middleton. It must,
however, be confessed that the mental ardour of Colonel De Craye had
been a little sobered by his glance at the possibility of both of the
couple being of one mind on the subject of their betrothal. Desirable
as it was that they should be united in disagreeing, it reduced the
romance to platitude, and the third person in the drama to the
appearance of a stick. No man likes to play that part. Memoirs of the
favourites of Goddesses, if we had them, would confirm it of men's
tastes in this respect, though the divinest be the prize. We behold
what part they played.</p>
<p id="id01966">De Craye chanced to be crossing the hall from the laboratory to the
stables when Clara shut the library-door behind her. He said something
whimsical, and did not stop, nor did he look twice at the face he had
been longing for.</p>
<p id="id01967">What he had seen made him fear there would be no ride out with her that
day. Their next meeting reassured him; she was dressed in her
riding-habit, and wore a countenance resolutely cheerful. He gave
himself the word of command to take his tone from her.</p>
<p id="id01968">He was of a nature as quick as Clara's. Experience pushed him farther
than she could go in fancy; but experience laid a sobering finger on
his practical steps, and bade them hang upon her initiative. She talked
little. Young Crossjay cantering ahead was her favourite subject. She
was very much changed since the early morning: his liveliness, essayed
by him at a hazard, was unsuccessful; grave English pleased her best.
The descent from that was naturally to melancholy. She mentioned a
regret she had that the Veil was interdicted to women in Protestant
countries. De Craye was fortunately silent; he could think of no other
veil than the Moslem, and when her meaning struck his witless head, he
admitted to himself that devout attendance on a young lady's mind
stupefies man's intelligence. Half an hour later, he was as foolish in
supposing it a confidence. He was again saved by silence.</p>
<p id="id01969">In Aspenwell village she drew a letter from her bosom and called to
Crossjay to post it. The boy sang out, "Miss Lucy Darleton! What a
nice name!"</p>
<p id="id01970">Clara did not show that the name betrayed anything.</p>
<p id="id01971">She said to De Craye. "It proves he should not be here thinking of nice
names."</p>
<p id="id01972">Her companion replied, "You may be right." He added, to avoid feeling
too subservient: "Boys will."</p>
<p id="id01973">"Not if they have stern masters to teach them their daily lessons, and
some of the lessons of existence."</p>
<p id="id01974">"Vernon Whitford is not stern enough?"</p>
<p id="id01975">"Mr. Whitford has to contend with other influences here."</p>
<p id="id01976">"With Willoughby?"</p>
<p id="id01977">"Not with Willoughby."</p>
<p id="id01978">He understood her. She touched the delicate indication firmly. The
man's, heart respected her for it; not many girls could be so
thoughtful or dare to be so direct; he saw that she had become deeply
serious, and he felt her love of the boy to be maternal, past maiden
sentiment.</p>
<p id="id01979">By this light of her seriousness, the posting of her letter in a
distant village, not entrusting it to the Hall post-box, might have
import; not that she would apprehend the violation of her private
correspondence, but we like to see our letter of weighty meaning pass
into the mouth of the public box.</p>
<p id="id01980">Consequently this letter was important. It was to suppose a sequency in
the conduct of a variable damsel. Coupled with her remark about the
Veil, and with other things, not words, breathing from her (which were
the breath of her condition), it was not unreasonably to be supposed.
She might even be a very consistent person. If one only had the key of
her!</p>
<p id="id01981">She spoke once of an immediate visit to London, supposing that she
could induce her father to go. De Craye remembered the occurrence in
the Hall at night, and her aspect of distress.</p>
<p id="id01982">They raced along Aspenwell Common to the ford; shallow, to the chagrin
of young Crossjay, between whom and themselves they left a fitting
space for his rapture in leading his pony to splash up and down, lord
of the stream.</p>
<p id="id01983">Swiftness of motion so strikes the blood on the brain that our thoughts
are lightnings, the heart is master of them.</p>
<p id="id01984">De Craye was heated by his gallop to venture on the angling question:<br/>
"Am I to hear the names of the bridesmaids?"<br/></p>
<p id="id01985">The pace had nerved Clara to speak to it sharply: "There is no need."</p>
<p id="id01986">"Have I no claim?"</p>
<p id="id01987">She was mute.</p>
<p id="id01988">"Miss Lucy Darleton, for instance; whose name I am almost as much in
love with as Crossjay."</p>
<p id="id01989">"She will not be bridesmaid to me."</p>
<p id="id01990">"She declines? Add my petition, I beg."</p>
<p id="id01991">"To all? or to her?"</p>
<p id="id01992">"Do all the bridesmaids decline?"</p>
<p id="id01993">"The scene is too ghastly."</p>
<p id="id01994">"A marriage?"</p>
<p id="id01995">"Girls have grown sick of it."</p>
<p id="id01996">"Of weddings? We'll overcome the sickness."</p>
<p id="id01997">"With some."</p>
<p id="id01998">"Not with Miss Darleton? You tempt my eloquence."</p>
<p id="id01999">"You wish it?"</p>
<p id="id02000">"To win her consent? Certainly."</p>
<p id="id02001">"The scene?"</p>
<p id="id02002">"Do I wish that?"</p>
<p id="id02003">"Marriage!" exclaimed Clara, dashing into the ford, fearful of her
ungovernable wildness and of what it might have kindled.—You, father!
you have driven me to unmaidenliness!—She forgot Willoughby, in her
father, who would not quit a comfortable house for her all but
prostrate beseeching; would not bend his mind to her explanations,
answered her with the horrid iteration of such deaf misunderstanding as
may be associated with a tolling bell.</p>
<p id="id02004">De Craye allowed her to catch Crossjay by herself. They entered a narrow
lane, mysterious with possible birds' eggs in the May-green hedges. As
there was not room for three abreast, the colonel made up the
rear-guard, and was consoled by having Miss Middleton's figure to
contemplate; but the readiness of her joining in Crossjay's pastime of
the nest-hunt was not so pleasing to a man that she had wound to a
pitch of excitement. Her scornful accent on "Marriage" rang through
him. Apparently she was beginning to do with him just as she liked,
herself entirely unconcerned.</p>
<p id="id02005">She kept Crossjay beside her till she dismounted, and the colonel was
left to the procession of elephantine ideas in his head, whose
ponderousness he took for natural weight. We do not with impunity
abandon the initiative. Men who have yielded it are like cavalry put on
the defensive; a very small force with an ictus will scatter them.</p>
<p id="id02006">Anxiety to recover lost ground reduced the dimensions of his ideas to a
practical standard.</p>
<p id="id02007">Two ideas were opposed like duellists bent on the slaughter of one
another. Either she amazed him by confirming the suspicions he had
gathered of her sentiments for Willoughby in the moments of his
introduction to her; or she amazed him as a model for coquettes—the
married and the widow might apply to her for lessons.</p>
<p id="id02008">These combatants exchanged shots, but remained standing; the encounter
was undecided. Whatever the result, no person so seductive as Clara
Middleton had he ever met. Her cry of loathing, "Marriage!" coming from
a girl, rang faintly clear of an ancient virginal aspiration of the sex
to escape from their coil, and bespoke a pure, cold, savage pride that
transplanted his thirst for her to higher fields.</p>
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