<h3>THE DOG</h3>
<p>This is a scandalous story. It scandalized the best people in
Bursley; some of them would wish it forgotten. But since I have
begun to tell it I may as well finish. Moreover, like most tales
whispered behind fans and across club-tables, it carries a high and
valuable moral. The moral—I will let you have it at
once—is that those who love in glass houses should pull down
the blinds.</p>
<h4>I</h4>
<p>He had got his collar on safely; it bore his name—Ellis
Carter. Strange name for a dog, perhaps; and perhaps it was even
more strange that his collar should be white. But such dogs are not
common dogs. He tied his necktie exquisitely; caressed his hair
again with two brushes; curved his young moustache, <SPAN name=
'Page088' id="Page088"></SPAN><span class="pagenum">088</span> and
then assumed his waistcoat and his coat; the trousers had naturally
preceded the collar. He beheld the suit in the glass, and saw that
it was good. And it was not built in London, either. There are
tailors in Bursley. And in particular there is the dog's tailor.
Ask the dog's tailor, as the dog once did, whether he can really do
as well as London, and he will smile on you with gentle pity; he
will not stoop to utter the obvious Yes. He may casually inform you
that, if he is not in London himself, the explanation is that he
has reasons for preferring Bursley. He is the social equal of all
his clients. He belongs to the dogs' club. He knows, and everybody
knows, that he is a first-class tailor with a first-class
connection, and no dog would dare to condescend to him. He is a
great creative artist; the dogs who wear his clothes may be said to
interpret his creations. Now, Ellis was a great interpretative
artist, and the tailor recognised the fact. When the tailor met
Ellis on Duck Bank greatly wearing a new suit, the scene was
impressive. It was as though Elgar had stopped to hear Paderewski
play 'Pomp and Circumstance' on the piano.</p>
<p><SPAN name='Page089' id="Page089"></SPAN><span class="pagenum">089</span> Ellis descended from his bedroom into the
hall, took his straw hat, chose a stick, and went out into the
portico of the new large house on the Hawkins, near Oldcastle. In
the neighbourhood of the Five Towns no road is more august, more
correct, more detached, more umbrageous, than the Hawkins. M.P.'s
live there. It is the link between the aristocratic and antique
aloofness of Oldcastle and the solid commercial prosperity of the
Five Towns. Ellis adorned the portico. Young (a bare twenty-two),
fair, handsome, smiling, graceful, well-built, perfectly groomed,
he was an admirable and a characteristic specimen of the race of
dogs which, with the modern growth of luxury and the Luxurious
Spirit, has become so marked a phenomenon in the social development
of the once barbarous Five Towns.</p>
<p>When old Jack Carter (reputed to be the best turner that Bursley
ever produced) started a little potbank near St. Peter's Church in
1861—he was then forty, and had saved two hundred
pounds—he little dreamt that the supreme and final result
after forty years would be the dog. But so it was. Old Jack
<SPAN name='Page090' id="Page090"></SPAN><span class="pagenum">090</span>
Carter had a son John Carter, who married at twenty-five and lived
at first on twenty-five shillings a week, and enthusiastically
continued the erection of the fortune which old Jack had begun. At
thirty-three, after old Jack's death, John became a Town
Councillor. At thirty-six he became Mayor and the father of Ellis,
and the recipient of a silver cradle. Ellis was his wife's maiden
name. At forty-two he built the finest earthenware manufactory in
Bursley, down by the canal-side at Shawport. At fifty-two he had
been everything that a man can be in the Five Towns—from
County Councillor to President of the Society for the Prosecution
of Felons. Then Ellis left school and came to the works to carry on
the tradition, and his father suddenly discovered him. The truth
was that John Carter had been so laudably busy with the affairs of
his town and county that he had nearly forgotten his family. Ellis,
in the process of achieving doghood, soon taught his father a thing
or two. And John learnt. John could manage a public meeting, but he
could not manage Ellis. Besides, there was plenty of money; and
Ellis was so ingratiating, <SPAN name='Page091' id="Page091"></SPAN><span class="pagenum">091</span> and had curly hair
that somehow won sympathy. And, after all, Ellis was not such a
duffer as all that at the works. John knew other people's sons who
were worse. And Ellis could keep order in the paintresses' 'shops'
as order had never been kept there before.</p>
<p>John sometimes wondered what old Jack would have said about
Ellis and his friends, those handsome dogs, those fine dandies, who
taught to the Five Towns the virtue of grace and of style and of
dash, who went up to London—some of them even went to Paris
—and brought back civilization to the Five Towns, who removed
from the Five Towns the reproach of being uncouth and behind the
times. Was the outcome of two generations of unremitting toil
merely Ellis? (Ellis had several pretty sisters, but they did not
count.) John could only guess at what old Jack's attitude might
have been towards Ellis—Ellis, who had his shirts made to
measure. He knew exactly what was Ellis's attitude towards the
ideals of old Jack, old Jack the class-leader, who wore clogs till
he was thirty, and dined in his shirt-sleeves at one o'clock to the
end of his life.</p>
<p><SPAN name='Page092' id="Page092"></SPAN><span class="pagenum">092</span> Ellis quitted the portico, ran down the
winding garden-path, and jumped neatly and fearlessly on to an
electric tramcar as it passed at the rate of fifteen miles an hour.
The car was going to Hanbridge, and it was crowded with the joy of
life; Ellis had to stand on the step. This was the Saturday before
the first Monday in August, and therefore the formal opening of
Knype Wakes, the most carnivalesque of all the carnivals which
enliven the four seasons in the Five Towns. It is still called
Knype Wakes, because once Knype overshadowed Hanbridge in
importance; but its headquarters are now quite properly at
Hanbridge, the hub, the centre, the Paris of the Five
Towns—Hanbridge, the county borough of sixty odd thousand
inhabitants. It is the festival of the masses that old Jack sprang
from, and every genteel person who can leaves the Five Towns for
the seaside at the end of July. Nevertheless, the district is never
more crammed than at Knype Wakes. And, of course, genteel persons,
whom circumstances have forced to remain in the Five Towns, sally
out in the evening to 'do' the Wakes in a spirit of tolerant
condescension. <SPAN name='Page093' id="Page093"></SPAN><span class="pagenum">093</span> Ellis was in this case. His parents and
sisters were at Llandudno, and he had been left in charge of the
works and of the new house. He was always free; he could always
pity the bondage of his sisters; but now he was more free than
ever—he was absolutely free. Imagine the delicious feeling
that surged in his heart as he prepared to plunge himself doggishly
into the wild ocean of the Wakes. By the way, in that heart was the
image of a girl.</p>
<h4>II</h4>
<p>He stepped off the car on the outskirts of Hanbridge, and
strolled gently and spectacularly into the joyous town. The streets
became more and more crowded and noisy as he approached the
market-place, and in Crown Square tramcars from the four quarters
of the earth discharged tramloads of humanity at the rate of two a
minute, and then glided off again empty in search of more humanity.
The lower portion of Crown Square was devoted to tramlines; in the
upper portion the Wakes began, and spread into the market-place,
and thence by many tentacles into all manner of streets.</p>
<p><SPAN name='Page094' id="Page094"></SPAN><span class="pagenum">094</span> No Wakes is better than Knype Wakes; that is
to say, no Wakes is more ear-splitting, more terrific, more
dizzying, or more impassable. When you go to Knype Wakes you get
stuck in the midst of an enormous crowd, and you see roundabouts,
swings, switchbacks, myrioramas, atrocity booths, quack dentists,
shooting-galleries, cocoanut-shies, and bazaars, all around you.
Every establishment is jewelled, gilded, and electrically lighted;
every establishment has an orchestra, most often played by steam
and conducted by a stoker; every establishment has a
steam—whistle, which shrieks at the beginning and at the end
of each round or performance. You stand fixed in the multitude
listening to a thousand orchestras and whistles, with the roar of
machinery and the merry din of car-bells, and the popping of rifles
for a background of noise. Your eyes are charmed by the whirling of
a million lights and the mad whirling of millions of beautiful
girls and happy youths under the lights. For the roundabouts rule
the scene; the roundabouts take the money. The supreme desire of
the revellers is to describe circles, either on horseback or in
yachts, either simple circles or complex <SPAN name='Page095' id="Page095"></SPAN><span class="pagenum">095</span> circles, either up
and down or straight along, but always circles. And it is as though
inventors had sat up at nights puzzling their brains how best to
make revellers seasick while keeping them equidistant from a
steam-orchestra.... Then the crowd solidly lurches, and you find
yourself up against a dentist, or a firm of wrestlers, or a
roundabout, or an ice-cream refectory, and you take what comes. You
have begun to 'do' the Wakes. The splendid insanity seizes you. The
lights, the colours, the explosions, the shrieks, the feathered
hats, the pretty faces as they fly past, the gilding, the statuary,
the August night, and the mingling of a thousand melodies in a
counterpoint beyond the dreams of Wagner—these things have
stirred the sap of life in you, have shown you how fine it is to be
alive, and, careless and free, have caught up your spirit into a
heaven from which you scornfully survey the year of daily toil
between one Wakes and another as the eagle scornfully surveys the
potato-field. Your nostrils dilate—nay, matters reach such a
pass that, even if you are genteel, you forget to condescend.</p>
<SPAN name='Page096' id="Page096"></SPAN><span class="pagenum">096</span>
<h4>III</h4>
<p>After Ellis had had the correct drink in the private bar up the
passage at the Turk's Head, and after he had plunged into the crowd
and got lost in it, and submitted good-humouredly to the frequent
ordeal of the penny squirt as administered by adorable creatures in
bright skirts, he found himself cast up by the human ocean on the
macadam shore near a shooting-gallery. This was no ordinary
shooting-gallery. It was one of Jenkins's affairs (Jenkins of
Manchester), and on either side of it Jenkins's Venetian gondalas
and Jenkins's Mexican mustangs were whizzing round two of Jenkins's
orchestras at twopence a time, and taking thirty-two pounds an
hour. This gallery was very different from the old galleries, in
which you leaned against a brass bar and shot up a kind of a drain.
This gallery was a large and brilliant room, with the front-wall
taken out. It was hung with mirrors and cretonnes, it was richly
carpeted, and, of course, it was lighted by electricity. Carved and
gilded tables bore a whole armoury of weapons. You shot at
tobacco-pipes, twisting <SPAN name='Page097' id="Page097"></SPAN><span class="pagenum">097</span> and stationary, at
balls poised on jets of water, and at proper targets. In the
corners of the saloon, near the open, were large crimson plush
lounges, on which you lounged after the fatigue of shooting.</p>
<p>A pink-clad girl, young and radiant, had the concern in
charge.</p>
<p>She was speeding a party of bankrupt shooters, when she caught
sight of Ellis. Ellis answered her smile, and strolled up to the
booth with a countenance that might have meant anything. You can
never tell what a dog is thinking.</p>
<p>''Ello!' said the girl prettily (or, rather, she shouted
prettily, having to compete with the two orchestras). 'You here
again?'</p>
<p>The truth was that Ellis had been there on the previous night,
when the Wakes was only half opened, and he had come again to-night
expressly in order to see her; but he would not have admitted, even
to himself, that he had come expressly in order to see her; in his
mind it was just a chance that he might see her. She was a jolly
girl. (We are gradually approaching the scandalous part.)</p>
<p>'What a jolly frock!' he said, when he had <SPAN name='Page098' id="Page098"></SPAN><span class="pagenum">098</span> shot five celluloid
balls in succession off a jet of water.</p>
<p>Smiling, she mechanically took a ball out of the basket and let
it roll down the conduit to the fountain.</p>
<p>'Do you think so?' she replied, smoothing the fluffy muslin
apron with her small hands, black from contact with the guns. 'That
one I wore last night was my second-best. I only wear this on
Saturdays and Mondays.'</p>
<p>He nodded like a connoisseur. The sixth ball had sprung up to
the top of the jet. He removed it with the certainty of a King's
Prize winner, and she complimented him.</p>
<p>'Ah!' he said, 'you should have seen me before I took to smoking
and drinking!'</p>
<p>She laughed freely. She was always showing her fine teeth. And
she had such a frank, jolly countenance, not exactly
pretty—better than pretty. She was a little short and a
little plump, and she wore a necklace round her neck, a ring on her
dainty, dirty finger, and a watch-bracelet on her wrist.</p>
<p>'Why!' she exclaimed. 'How old are you?'</p>
<p>'How old are <i>you</i>?' he retorted.</p>
<p><SPAN name='Page099' id="Page099"></SPAN><span class="pagenum">099</span> Dogs do not give things away like that.</p>
<p>'I'm nineteen,' she said submissively. 'At least, I shall be
come Martinmas.'</p>
<p>And she yawned.</p>
<p>'Well,' he said, 'a little girl like you ought to be in
bed.'</p>
<p>'Sunday to-morrow,' she observed.</p>
<p>'Aren't you glad you're English?' he remarked. 'If you were in
Paris you'd have to work Sundays too.'</p>
<p>'Not me!' she said. 'Who told you that? Have you been to
Paris?'</p>
<p>'No,' he admitted cautiously; 'but a friend of mine has, and he
told me. He came back only last week, and he says they keep open
Sundays, and all night sometimes. Sunday is the great day over
there.'</p>
<p>'Well,' said the girl kindly, 'don't you believe it. The police
wouldn't allow it. I know what the police are.'</p>
<p>More shooters entered the saloon. Ellis had finished his dozen;
he sank into a lounge, and elegantly lighted a cigarette, and
watched her serve the other marksmen. She was decidedly charming,
and so jolly—with him. He noticed with satisfaction that with
the <SPAN name='Page100' id="Page100"></SPAN><span class="pagenum">100</span> other marksmen she showed a certain high
reserve.</p>
<p>They did not stay long, and when they were gone she came across
to the lounge and gazed at him provocatively.</p>
<p>'Dashed if she hasn't taken a fancy to me!'</p>
<p>The thought ran through him like lightning.</p>
<p>'Well?' she said.</p>
<p>'What do you do with yourself Sundays?' he asked her.</p>
<p>'Oh, sleep.'</p>
<p>'All day?'</p>
<p>'All morning.'</p>
<p>'What do you do in the afternoon?'</p>
<p>'Oh, nothing.'</p>
<p>She laughed gaily.</p>
<p>'Come out with me, eh?'</p>
<p>'To-morrow? Oh, I should LOVE TO!' she cried.</p>
<p>Her voice expanded into large capitals because by a singular
chance both the neighbouring orchestras stopped momentarily
together, and thus gave her shout a fair field. The effect was
startling. It startled Ellis. He had not for an instant expected
that she would consent. Never, dog though he was, had he armed
<SPAN name='Page101' id="Page101"></SPAN><span class="pagenum">101</span>
a girl out on any afternoon, to say nothing of Sunday afternoon,
and Knype's Wakes Sunday at that! He had talked about girls at the
club. He understood the theory. But the practice——</p>
<p>The foundation of England's greatness is that Englishmen hate to
look fools. The fear of being taken for a ninny will spur an
Englishman to the most surprising deeds of courage. Ellis said
'Good!' with apparent enthusiasm, and arranged to be waiting for
her at half-past two at the Turk's Head. Then he left the saloon
and struck out anew into the ocean. He wanted to think it over.</p>
<p>Once, painful to relate, he had thoughts of failing to keep the
appointment. However, she was so jolly and frank. And what a fancy
she must have taken to him! No, he would see it through.</p>
<h4>IV</h4>
<p>If anybody had prophesied to Ellis that he would be driving out
a Wakes girl in a dogcart that Sunday afternoon he would have
laughed at the prophet; but so it occurred. He arrived at the
Turk's Head at two twenty-five. <SPAN name='Page102' id="Page102"></SPAN><span class="pagenum">102</span> She was there before
him, dressed all in blue, except the white shoes and stockings,
weighing herself on the machine in the yard. She showed her teeth,
told him she weighed nine stone one, and abruptly asked him if he
could drive. He said he could. She clapped her hands and sprang off
the machine. Her father had bought a new mare the day before, and
it was in the Turk's Head stable, and the yardman said it wanted
exercise, and there was a dogcart and harness idling about, and, in
short, Ellis should drive her to Sneyd Park, which she had long
desired to see.</p>
<p>Ellis wished to ask questions, but the moment did not seem
auspicious.</p>
<p>In a few minutes the new mare, a high and somewhat frisky bay,
with big shoulders, was in the shafts of a high, green dogcart.
When asked if he could drive, Ellis ought to have answered: 'That
depends—on the horse.' Many men can tool a fifteen-year-old
screw down a country lane who would hesitate to get up behind a
five-year-old animal (in need of exercise) for a spin down Broad
Street, Hanbridge, on Knype Wakes Sunday. Ellis could drive; he
could just drive. His father <SPAN name='Page103' id="Page103"></SPAN><span class="pagenum">103</span> had always
steadfastly refused to keep horses, but the fathers of other dogs
were more progressive, and Ellis had had opportunities. He knew how
to take the reins, and get up, and give the office; indeed, he had
read a handbook on the subject. So he rook the reins and got up,
and the Wakes girl got up.</p>
<p>He chirruped. The mare merely backed.</p>
<p>'Give 'er 'er mouth,' said the yardman disgustedly.</p>
<p>'Oh!' said Ellis, and slackened the reins, and the mare pawed
forward.</p>
<p>Then he had to turn her in the yard, and get her and the dogcart
down the passage. He doubted whether he should do it, for the
passage seemed a size too small. However, he did it, or the mare
did it, and the entire organism swerved across a portion of the
footpath into Broad Street.</p>
<p>For quite a quarter of a mile down Broad Street Ellis blushed,
and kept his gaze between the mare's ears. However, the mare went
beautifully. You could have driven her with a silken thread, so it
seemed. And then the dog, growing accustomed to his prominence up
there on the dogcart, began to be a bit <SPAN name='Page104' id="Page104"></SPAN><span class="pagenum">104</span> doggy. He knew the
little thing's age and weight, but, really, when you take a girl
out for a Sunday spin you want more information about her than
that. Her asked her name, and her name was Jenkins—Ada. She
was the great Jenkins's daughter.</p>
<p>('Oh,' thought Ellis, 'the deuce you are!')</p>
<p>'Father's gone to Manchester for the day, and aunt's looking
after me,' said Ada.</p>
<p>'Do they know you've come out—like this?'</p>
<p>'Not much!' She laughed deliciously. 'How lovely it is!'</p>
<p>At Knype they drew up before the Five Towns Hotel and descended.
The Five Towns Hotel is the greatest hotel in North Staffordshire.
It has two hundred rooms. It would not entirely disgrace
Northumberland Avenue. In the Five Towns it is august, imposing,
and unique. They had a lemonade there, and proceeded. A clock
struck; it was a near thing. No more refreshments now until they
had passed the three-mile limit!</p>
<p>Yes! Not two hundred yards further on she spied an ice-cream
shop in Fleet Road, <SPAN name='Page105' id="Page105"></SPAN><span class="pagenum">105</span> and Ellis learnt that she adored ice-cream.
The mare waited patiently outside in the thronged street.</p>
<p>After that the pilgrimage to Sneyd was punctuated with
ice-creams. At the Stag at Sneyd (where, among ninety-and-nine
dogcarts, Ellis's dogcart was the brightest green of them all) Ada
had another lemonade, and Ellis had something else. They saw the
Park, and Ada giggled charmingly her appreciation of its beauty.
The conversation throughout consisted chiefly of Ada's teeth. Ellis
said he would return by a different route, and he managed to get
lost. How anyone driving to Hanbridge from Sneyd could arrive at
the mining village of Silverton is a mystery. But Ellis arrived
there, and he ultimately came out at Hillport, the aristocratic
suburb of Bursley, where he had always lived till the last year. He
feared recognition there, and his fear was justified. Some silly
ass, a schoolmate, cried, 'Go it!' as the machine bowled along, and
the mischief was that the mare, startled, went it. She went it down
the curving hill, and the vehicle after her, like a kettle tied to
a dog's tail.</p>
<p>Ellis winked stoutly at Ada when they <SPAN name='Page106' id="Page106"></SPAN><span class="pagenum">106</span> reached the bottom,
and gave the mare a piece of his mind, to which she objected. As
they crossed the railway-bridge a goods-train ran underneath and
puffed smoke into the mare's eyes. She set her ears back.</p>
<p>'Would you!' cried Ellis authoritatively, and touched her with
the whip (he had forgotten the handbook).</p>
<p>He scarcely touched her, but you never know where you are with
any horse. That mare, which had been a mirror of all the virtues
all the afternoon, was off like a rocket. She overtook an electric
car as if it had been standing still. Ellis sawed her mouth; he
might as well have sawed the funnel of a locomotive. He had meant
to turn off and traverse Bursley by secluded streets, but he
perceived that safety lay solely in letting her go straight ahead
up the very steep slope of Oldcastle Street into the middle of the
town. It would be an amazing mare that galloped to the top of
Oldcastle Street! She galloped nearly to the top, and then Ellis
began to get hold of her a bit.</p>
<p>'Don't be afraid,' he said masculinely to Ada.</p>
<p><SPAN name='Page107' id="Page107"></SPAN><span class="pagenum">107</span> And, conscious of victory, he jerked the mare
to the left to avoid an approaching car....</p>
<p>The next instant they were anchored against the roots of a
lamp-post. When Ellis saw the upper half of the lamp-post bent down
at right angles, and pieces of glass covering the pavement, he
could not believe that he and his dogcart had done that, especially
as neither the mare, nor the dogcart, nor its freight, was damaged.
The machine was merely jammed, and the mare, satisfied, stood
quiet, breathing rapidly.</p>
<p>But Ada Jenkins was crying.</p>
<p>And the car stopped a moment to observe. And then a number of
chapel-goers on their way to the Sytch Chapel, which the Carter
family still faithfully attended, joined the scene; and then a
policeman.</p>
<p>Ellis sat like a stuck pig in the dogcart. He knew that speech
was demanded of him, but he did not know where to begin.</p>
<p>The worst thing of all was the lamp-post, bent, moveless,
unnatural, atrociously comic, accusing him.</p>
<p>The affair was over the town in a minute; <SPAN name='Page108' id="Page108"></SPAN><span class="pagenum">108</span> the next morning it
reached Llandudno. Ellis Carter had been out on the spree with <i>a
Wakes girl</i> in a dogcart on Sunday afternoon, and had got into
such a condition that he had driven into a lamp-post at the top of
Oldcastle Street just as people were going into chapel.</p>
<p>The lamp-post remained bent for three days—a fearful
warning to all dogs that doggishness has limits.</p>
<p>If it had not been a dogcart, and such a high, green dogcart; if
it had been, say, a brougham, or even a cab! If it had not been
Sunday! And, granting Sunday, if it had not been just as people
were going into chapel! If he had not chosen that particular
lamp-post, visible both from the market-place and St. Luke's
Square! If he had only contrived to destroy a less obtrusive
lamp-post in some unfrequented street! And if it had not been a
Wakes girl—if the reprobate had only selected for his guilty
amours an actress from one of the touring companies, or even a star
from the Hanbridge Empire—yea, or even a local barmaid! But
<i>a Wakes girl!</i></p>
<p>Ellis himself saw the enormity of his transgression. <SPAN name=
'Page109' id="Page109"></SPAN><span class="pagenum">109</span> He lay
awake astounded by his own doggishness.</p>
<p>And yet he had seldom felt less doggy than during that trip. It
seemed to him that doggishness was not the glorious thing he had
thought. However, he cut a heroic figure at the dogs' club. Every
admiring face said: 'Well, you <i>have</i> been going the pace! We
always knew you were a hot un, but, really——'</p>
<h4>V</h4>
<p>On the following Friday evening, when Ellis jumped off the car
opposite his home on the Hawkins, he saw in the road, halted, a
train of vast and queer-shaped waggons in charge of two
traction-engines. They were painted on all sides with the great
name of Jenkins. They contained Jenkins's roundabouts and
shooting-saloons, on their way to rouse the joy of life in other
towns. And he perceived in front of the portico the high, green
dogcart and the lamp-post-destroying mare.</p>
<p>He went in. The family had come home that afternoon. Sundry of
his sisters greeted <SPAN name='Page110' id="Page110"></SPAN><span class="pagenum">110</span> him with silent horror on their faces in the
hall. In the breakfast-room, which gave off the drawing-room, was
his mother in the attitude of an intent listener. She spoke no
word.</p>
<p>And Ellis listened, too.</p>
<p>'Yes,' a very powerful and raucous voice was saying in the
drawing-room, 'I reckoned I'd call and tell ye myself, Mister
Carter, what I thought on it. My gell, a motherless gell, but
brought up respectable; sixth standard at Whalley Range Board
School; and her aunt a strict God-fearing woman! And here your son
comes along and gets hold of the girl while her aunt's at the
special service for Wakes folks in Bethesda Chapel, and runs off
with her in my dogcart with one of my hosses, and raises a scandal
all o'er the Five Towns. God bless my soul, mister! I tell'n ye I
hardly liked to open o' Monday afternoon, I was that ashamed! And I
packed Ada off to Manchester. It seems to me that if the upper
classes, as they call 'em—the immoral classes <i>I</i> call
'em—'ud look after themselves a bit instead o' looking after
other people so much, things might be a bit better, Mister Carter.
I dare say you <SPAN name='Page111' id="Page111"></SPAN><span class="pagenum">111</span> think it's nothing as your son should go about
ruining the reputation of any decent, respectable girl as he
happens to fancy, Mister Carter; but this is what I say. I
say——'</p>
<p>Mr. Carter was understood to assert, in his most pacific and
pained public-meeting voice, that he regretted, infinitely
regretted——</p>
<p>Mrs. Carter, weeping, ran out of the breakfast-room.</p>
<p>And soon afterwards the traction-engines rumbled off, and the
high, green dogcart followed them.</p>
<p>Ellis sat spell-bound.</p>
<p>He heard the parlourmaid go into the drawing-room and announce,
'Tea is ready, sir!' and then his father's dry cough.</p>
<p>And then the parlourmaid came into the breakfast-room: 'Tea is
ready, Mr. Ellis!'</p>
<p>Oh, the meal!</p>
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<SPAN name='Page115' id="Page115"></SPAN><span class="pagenum">115</span>
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