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<h2> CHAPTER III—EFFECT OF THE SPRING </h2>
<p>One day, the air was warm, the Luxembourg was inundated with light and
shade, the sky was as pure as though the angels had washed it that
morning, the sparrows were giving vent to little twitters in the depths of
the chestnut-trees. Marius had thrown open his whole soul to nature, he
was not thinking of anything, he simply lived and breathed, he passed near
the bench, the young girl raised her eyes to him, the two glances met.</p>
<p>What was there in the young girl's glance on this occasion? Marius could
not have told. There was nothing and there was everything. It was a
strange flash.</p>
<p>She dropped her eyes, and he pursued his way.</p>
<p>What he had just seen was no longer the ingenuous and simple eye of a
child; it was a mysterious gulf which had half opened, then abruptly
closed again.</p>
<p>There comes a day when the young girl glances in this manner. Woe to him
who chances to be there!</p>
<p>That first gaze of a soul which does not, as yet, know itself, is like the
dawn in the sky. It is the awakening of something radiant and strange.
Nothing can give any idea of the dangerous charm of that unexpected gleam,
which flashes suddenly and vaguely forth from adorable shadows, and which
is composed of all the innocence of the present, and of all the passion of
the future. It is a sort of undecided tenderness which reveals itself by
chance, and which waits. It is a snare which the innocent maiden sets
unknown to herself, and in which she captures hearts without either
wishing or knowing it. It is a virgin looking like a woman.</p>
<p>It is rare that a profound revery does not spring from that glance, where
it falls. All purities and all candors meet in that celestial and fatal
gleam which, more than all the best-planned tender glances of coquettes,
possesses the magic power of causing the sudden blossoming, in the depths
of the soul, of that sombre flower, impregnated with perfume and with
poison, which is called love.</p>
<p>That evening, on his return to his garret, Marius cast his eyes over his
garments, and perceived, for the first time, that he had been so slovenly,
indecorous, and inconceivably stupid as to go for his walk in the
Luxembourg with his "every-day clothes," that is to say, with a hat
battered near the band, coarse carter's boots, black trousers which showed
white at the knees, and a black coat which was pale at the elbows.</p>
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<h2> CHAPTER IV—BEGINNING OF A GREAT MALADY </h2>
<p>On the following day, at the accustomed hour, Marius drew from his
wardrobe his new coat, his new trousers, his new hat, and his new boots;
he clothed himself in this complete panoply, put on his gloves, a
tremendous luxury, and set off for the Luxembourg.</p>
<p>On the way thither, he encountered Courfeyrac, and pretended not to see
him. Courfeyrac, on his return home, said to his friends:—</p>
<p>"I have just met Marius' new hat and new coat, with Marius inside them. He
was going to pass an examination, no doubt. He looked utterly stupid."</p>
<p>On arriving at the Luxembourg, Marius made the tour of the fountain basin,
and stared at the swans; then he remained for a long time in contemplation
before a statue whose head was perfectly black with mould, and one of
whose hips was missing. Near the basin there was a bourgeois forty years
of age, with a prominent stomach, who was holding by the hand a little
urchin of five, and saying to him: "Shun excess, my son, keep at an equal
distance from despotism and from anarchy." Marius listened to this
bourgeois. Then he made the circuit of the basin once more. At last he
directed his course towards "his alley," slowly, and as if with regret.
One would have said that he was both forced to go there and withheld from
doing so. He did not perceive it himself, and thought that he was doing as
he always did.</p>
<p>On turning into the walk, he saw M. Leblanc and the young girl at the
other end, "on their bench." He buttoned his coat up to the very top,
pulled it down on his body so that there might be no wrinkles, examined,
with a certain complaisance, the lustrous gleams of his trousers, and
marched on the bench. This march savored of an attack, and certainly of a
desire for conquest. So I say that he marched on the bench, as I should
say: "Hannibal marched on Rome."</p>
<p>However, all his movements were purely mechanical, and he had interrupted
none of the habitual preoccupations of his mind and labors. At that
moment, he was thinking that the Manuel du Baccalaureat was a stupid book,
and that it must have been drawn up by rare idiots, to allow of three
tragedies of Racine and only one comedy of Moliere being analyzed therein
as masterpieces of the human mind. There was a piercing whistling going on
in his ears. As he approached the bench, he held fast to the folds in his
coat, and fixed his eyes on the young girl. It seemed to him that she
filled the entire extremity of the alley with a vague blue light.</p>
<p>In proportion as he drew near, his pace slackened more and more. On
arriving at some little distance from the bench, and long before he had
reached the end of the walk, he halted, and could not explain to himself
why he retraced his steps. He did not even say to himself that he would
not go as far as the end. It was only with difficulty that the young girl
could have perceived him in the distance and noted his fine appearance in
his new clothes. Nevertheless, he held himself very erect, in case any one
should be looking at him from behind.</p>
<p>He attained the opposite end, then came back, and this time he approached
a little nearer to the bench. He even got to within three intervals of
trees, but there he felt an indescribable impossibility of proceeding
further, and he hesitated. He thought he saw the young girl's face bending
towards him. But he exerted a manly and violent effort, subdued his
hesitation, and walked straight ahead. A few seconds later, he rushed in
front of the bench, erect and firm, reddening to the very ears, without
daring to cast a glance either to the right or to the left, with his hand
thrust into his coat like a statesman. At the moment when he passed,—under
the cannon of the place,—he felt his heart beat wildly. As on the
preceding day, she wore her damask gown and her crape bonnet. He heard an
ineffable voice, which must have been "her voice." She was talking
tranquilly. She was very pretty. He felt it, although he made no attempt
to see her. "She could not, however," he thought, "help feeling esteem and
consideration for me, if she only knew that I am the veritable author of
the dissertation on Marcos Obregon de la Ronde, which M. Francois de
Neufchateau put, as though it were his own, at the head of his edition of
Gil Blas." He went beyond the bench as far as the extremity of the walk,
which was very near, then turned on his heel and passed once more in front
of the lovely girl. This time, he was very pale. Moreover, all his
emotions were disagreeable. As he went further from the bench and the
young girl, and while his back was turned to her, he fancied that she was
gazing after him, and that made him stumble.</p>
<p>He did not attempt to approach the bench again; he halted near the middle
of the walk, and there, a thing which he never did, he sat down, and
reflecting in the most profoundly indistinct depths of his spirit, that
after all, it was hard that persons whose white bonnet and black gown he
admired should be absolutely insensible to his splendid trousers and his
new coat.</p>
<p>At the expiration of a quarter of an hour, he rose, as though he were on
the point of again beginning his march towards that bench which was
surrounded by an aureole. But he remained standing there, motionless. For
the first time in fifteen months, he said to himself that that gentleman
who sat there every day with his daughter, had, on his side, noticed him,
and probably considered his assiduity singular.</p>
<p>For the first time, also, he was conscious of some irreverence in
designating that stranger, even in his secret thoughts, by the sobriquet
of M. le Blanc.</p>
<p>He stood thus for several minutes, with drooping head, tracing figures in
the sand, with the cane which he held in his hand.</p>
<p>Then he turned abruptly in the direction opposite to the bench, to M.
Leblanc and his daughter, and went home.</p>
<p>That day he forgot to dine. At eight o'clock in the evening he perceived
this fact, and as it was too late to go down to the Rue Saint-Jacques, he
said: "Never mind!" and ate a bit of bread.</p>
<p>He did not go to bed until he had brushed his coat and folded it up with
great care.</p>
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