<SPAN name="chap09"></SPAN>
<h3> IX. </h3>
<p>Alan Merrick strode from his father's door that day stung with a
burning sense of wrong and injustice. More than ever before in
his life he realized to himself the abject hollowness of that
conventional code which masquerades in our midst as a system of
morals. If he had continued to "live single" as we hypocritically
phrase it, and so helped by one unit to spread the festering social
canker of prostitution, on which as basis, like some mediaeval
castle on its foul dungeon vaults, the entire superstructure of our
outwardly decent modern society is reared, his father no doubt
would have shrugged his shoulders and blinked his cold eyes, and
commended the wise young man for abstaining from marriage till his
means could permit him to keep a wife of his own class in the way
she was accustomed to. The wretched victims of that vile system
might die unseen and unpitied in some hideous back slum, without
touching one chord of remorse or regret in Dr. Merrick's nature.
He was steeled against their suffering. Or again, if Alan had sold
his virility for gold to some rich heiress of his set, like Ethel
Waterton—had bartered his freedom to be her wedded paramour in a
loveless marriage, his father would not only have gladly
acquiesced, but would have congratulated his son on his luck and
his prudence. Yet, because Alan had chosen rather to form a
blameless union of pure affection with a woman who was in every way
his moral and mental superior, but in despite of the conventional
ban of society, Dr. Merrick had cast him off as an open reprobate.
And why? Simply because that union was unsanctioned by the
exponents of a law they despised, and unblessed by the priests of a
creed they rejected. Alan saw at once it is not the intrinsic
moral value of an act such people think about, but the light in
which it is regarded by a selfish society.</p>
<p>Unchastity, it has been well said, is union without love; and Alan
would have none of it.</p>
<p>He went back to Herminia more than ever convinced of that spotless
woman's moral superiority to every one else he had ever met with.
She sat, a lonely soul, enthroned amid the halo of her own perfect
purity. To Alan, she seemed like one of those early Italian
Madonnas, lost in a glory of light that surrounds and half hides
them. He reverenced her far too much to tell her all that had
happened. How could he wound those sweet ears with his father's
coarse epithets?</p>
<p>They took the club train that afternoon to Paris. There they slept
the night in a fusty hotel near the Gare du Nord, and went on in
the morning by the daylight express to Switzerland. At Lucerne and
Milan they broke the journey once more. Herminia had never yet
gone further afield from England than Paris; and this first glimpse
of a wider world was intensely interesting to her. Who can help
being pleased, indeed, with that wonderful St. Gothard—the crystal
green Reuss shattering itself in white spray into emerald pools by
the side of the railway; Wasen church perched high upon its
solitary hilltop; the Biaschina ravine, the cleft rocks of Faido,
the serpentine twists and turns of the ramping line as it mounts or
descends its spiral zigzags? Dewy Alpine pasture, tossed masses of
land-slip, white narcissus on the banks, snowy peaks in the
background—all alike were fresh visions of delight to Herminia;
and she drank it all in with the pure childish joy of a poetic
nature. It was the Switzerland of her dreams, reinforced and
complemented by unsuspected detail.</p>
<p>One trouble alone disturbed her peace of mind upon that delightful
journey. Alan entered their names at all the hotels where they
stopped as "Mr. and Mrs. Alan Merrick of London." That deception,
as Herminia held it, cost her many qualms of conscience; but Alan,
with masculine common-sense, was firm upon the point that no other
description was practically possible; and Herminia yielded with a
sign to his greater worldly wisdom. She had yet to learn the
lesson which sooner or later comes home to all the small minority
who care a pin about righteousness, that in a world like our own,
it is impossible for the righteous always to act consistently up to
their most sacred convictions.</p>
<p>At Milan, they stopped long enough to snatch a glimpse of the
cathedral, and to take a hasty walk through the pictured glories of
the Brera. A vague suspicion began to cross Herminia's mind, as she
gazed at the girlish Madonna of the Sposalizio, that perhaps she
wasn't quite as well adapted to love Italy as Switzerland. Nature
she understood; was art yet a closed book to her? If so, she would
be sorry; for Alan, in whom the artistic sense was largely
developed, loved his Italy dearly; and it would be a real cause of
regret to her if she fell short in any way of Alan's expectations.
Moreover, at table d'hote that evening, a slight episode occurred
which roused to the full once more poor Herminia's tender
conscience. Talk had somehow turned on Shelley's Italian wanderings;
and a benevolent-looking clergyman opposite, with that vacantly
well-meaning smile, peculiar to a certain type of country rector,
was apologizing in what he took to be a broad and generous spirit of
divine, toleration for the great moral teacher's supposed lapses
from the normal rule of tight living. Much, the benevolent-looking
gentleman opined, with beaming spectacles, must be forgiven to men
of genius. Their temptations no doubt are far keener than with most
of us. An eager imagination—a vivid sense of beauty—quick
readiness to be moved by the sight of physical or moral
loveliness—these were palliations, the old clergyman held, of much
that seemed wrong and contradictory to our eyes in the lives of so
many great men and women.</p>
<p>At sound of such immoral and unworthy teaching, Herminia's ardent
soul rose up in revolt within her. "Oh, no," she cried eagerly,
leaning across the table as she spoke. "I can't allow that plea.
It's degrading to Shelley, and to all true appreciation of the
duties of genius. Not less but more than most of us is the genius
bound to act up with all his might to the highest moral law, to be
the prophet and interpreter of the highest moral excellence. To
whom much is given, of him much shall be required. Just because
the man or woman of genius stands raised on a pedestal so far above
the mass have we the right to expect that he or she should point us
the way, should go before us as pioneer, should be more careful of
the truth, more disdainful of the wrong, down to the smallest
particular, than the ordinary person. There are poor souls born
into this world so petty and narrow and wanting in originality that
one can only expect them to tread the beaten track, be it ever so
cruel and wicked and mistaken. But from a Shelley or a George
Eliot, we expect greater things, and we have a right to expect
them. That's why I can never quite forgive George Eliot—who knew
the truth, and found freedom for herself, and practised it in her
life—for upholding in her books the conventional lies, the
conventional prejudices; and that's why I can never admire Shelley
enough, who, in an age of slavery, refused to abjure or to deny his
freedom, but acted unto death to the full height of his principles."</p>
<p>The benevolent-looking clergyman gazed aghast at Herminia. Then he
turned slowly to Alan. "Your wife," he said in a mild and
terrified voice, "is a VERY advanced lady."</p>
<p>Herminia longed to blurt out the whole simple truth. "I am NOT his
wife. I am not, and could never be wife or slave to any man. This
is a very dear friend, and he and I are travelling as friends
together." But a warning glance from Alan made her hold her peace
with difficulty and acquiesce as best she might in the virtual
deception. Still, the incident went to her heart, and made her
more anxious than ever to declare her convictions and her practical
obedience to them openly before the world. She remembered, oh, so
well one of her father's sermons that had vividly impressed her in
the dear old days at Dunwich Cathedral. It was preached upon the
text, "Come ye out and be ye separate."</p>
<p>From Milan they went on direct to Florence. Alan had decided to
take rooms for the summer at Perugia, and there to see Herminia
safely through her maternal troubles. He loved Perugia, he said;
it was cool and high-perched; and then, too, it was such a capital
place for sketching. Besides, he was anxious to complete his
studies of the early Umbrian painters. But they must have just one
week at Florence together before they went up among the hills.
Florence was the place for a beginner to find out what Italian art
was aiming at. You got it there in its full logical development—every
phase, step by step, in organic unity; while elsewhere you saw
but stages and jumps and results, interrupted here and there by
disturbing lacunae. So at Florence they stopped for a week en
route, and Herminia first learnt what Florentine art proposed to
itself.</p>
<p>Ah, that week in Florence! What a dream of delight! 'Twas pure
gold to Herminia. How could it well be otherwise? It seemed to
her afterwards like the last flicker of joy in a doomed life,
before its light went out and left her forever in utter darkness.
To be sure, a week is a terribly cramped and hurried time in which
to view Florence, the beloved city, whose ineffable glories need at
least one whole winter adequately to grasp them. But failing a
winter, a week with the gods made Herminia happy. She carried away
but a confused phantasmagoria, it is true, of the soaring tower of
the Palazzo Vecchio, pointing straight with its slender shaft to
heaven; of the swelling dome and huge ribs of the cathedral, seen
vast from the terrace in front of San Miniato; of the endless
Madonnas and the deathless saints niched in golden tabernacles at
the Uffizi and the Pitti; of the tender grace of Fra Angelico at
San Marco; of the infinite wealth and astounding variety of
Donatello's marble in the spacious courts of the cool Bargello.
But her window at the hotel looked straight as it could look down
the humming Calzaioli to the pierced and encrusted front of
Giotto's campanile, with the cupola of San Lorenzo in the middle
distance, and the facade of Fiesole standing out deep-blue against
the dull red glare of evening in the background. If that were not
enough to sate and enchant Herminia, she would indeed have been
difficult. And with Alan by her side, every joy was doubled.</p>
<p>She had never before known what it was to have her lover
continuously with her. And his aid in those long corridors, where
bambinos smiled down at her with childish lips, helped her
wondrously to understand in so short a time what they sought to
convey to her. Alan was steeped in Italy; he knew and entered into
the spirit of Tuscan art; and now for the first time Herminia found
herself face to face with a thoroughly new subject in which Alan
could be her teacher from the very beginning, as most men are
teachers to the women who depend upon them. This sense of support
and restfulness and clinging was fresh and delightful to her. It
is a woman's ancestral part to look up to the man; she is happiest
in doing it, and must long remain so; and Herminia was not sorry to
find herself in this so much a woman. She thought it delicious to
roam through the long halls of some great gallery with Alan, and
let him point out to her the pictures he loved best, explain their
peculiar merits, and show the subtle relation in which they stood
to the pictures that went before them and the pictures that came
after them, as well as to the other work of the same master or his
contemporaries. It was even no small joy to her to find that he
knew so much more about art and its message than she did; that she
could look up to his judgment, confide in his opinion, see the
truth of his criticism, profit much by his instruction. So well
did she use those seven short days, indeed, that she came to
Florence with Fra Angelico, Filippo Lippi, Botticelli, mere names;
and she went away from it feeling that she had made them real
friends and possessions for a life-time.</p>
<p>So the hours whirled fast in those enchanted halls, and Herminia's
soul was enriched by new tastes and new interests. O towers of
fretted stone! O jasper and porphyry! Her very state of health
made her more susceptible than usual to fresh impressions, and drew
Alan at the same time every day into closer union with her. For
was not the young life now quickening within her half his and half
hers, and did it not seem to make the father by reflex nearer and
dearer to her? Surely the child that was nurtured, unborn, on
those marble colonnades and those placid Saint Catherines must draw
in with each pulse of its antenatal nutriment some tincture of
beauty, of freedom, of culture! So Herminia thought to herself as
she lay awake at night and looked out of the window from the
curtains of her bed at the boundless dome and the tall campanile
gleaming white in the moonlight. So we have each of us
thought—especially the mothers in Israel among us—about the unborn
babe that hastens along to its birth with such a radiant halo of the
possible future ever gilding and glorifying its unseen forehead.</p>
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