<SPAN name="startofbook"></SPAN>
<div class="tn">
<p class="titlepage"><b>Transcriber’s Note</b></p>
<p>Obvious typographical errors have been corrected. A <SPAN href="#trans_note">list</SPAN> of these changes
is found at the end of the text. Inconsistencies in spelling and
hyphenation have been maintained. A <SPAN href="#trans_note">list</SPAN> of inconsistently spelled and
hyphenated words is found at the end of the text.</p>
</div>
<hr class="chapbreak" />
<p><span class="pagenum"><SPAN name="Page_i" id="Page_i"></SPAN></span></p>
<h1 class="chapterhead"><span style="font-size: 50%;">THE</span><br/> HUMBUGS OF THE WORLD.</h1>
<p class="titlepage" style="margin-top: 2em;">AN ACCOUNT OF HUMBUGS, DELUSIONS, IMPOSITIONS,<br/>
QUACKERIES, DECEITS AND DECEIVERS<br/>
GENERALLY, IN ALL AGES.</p>
<p class="titlepage" style="margin-top: 2em;">BY<br/>
<span style="font-size: 120%;">P. T. BARNUM.</span></p>
<p class="titlepage" style="margin-top: 2em;">“Omne ignotum pro mirifico.”—“Wonderful, because mysterious.”</p>
<div class="figcenter"> <ANTIMG src="images/illus-001.png" width-obs="50" height-obs="38" alt="decorative" title="decorative" /></div>
<p class="titlepage" style="margin-top: 2em;">NEW YORK:<br/>
<i>CARLETON. PUBLISHER. 413 BROADWAY.</i><br/>
1866.</p>
<hr class="chapbreak" />
<p><span class="pagenum"><SPAN name="Page_ii" id="Page_ii"></SPAN></span></p>
<p class="titlepage">Entered according to Act of Congress, in the year 1865, by<br/>
G. W. CARLETON,<br/>
In the Clerk’s Office of the District Court for the Southern District of
New York.</p>
<hr class="chapbreak" />
<p><span class="pagenum"><SPAN name="Page_iii" id="Page_iii"></SPAN></span></p>
<h2 class="chapterhead"><SPAN name="PUBLISHERS_NOTE" id="PUBLISHERS_NOTE"></SPAN>PUBLISHER’S NOTE.</h2>
<hr class="declong" />
<p>One of Mr. Barnum’s secrets of success is his unique methods of
advertising, and we can readily understand how he can bear to be
denounced as a “Humbug,” because this popular designation though
undeserved in the popular acceptation of it, “brought grist to his
mill.” He has constantly kept himself before the public—nay, we may say
that he has <i>been</i> kept before the public constantly, by the stereotyped
word in question; and what right, or what desire, could he have to
discard or complain of an epithet which was one of the prospering
elements of his business as “a showman?” In a narrow sense of the word
he is a “Humbug:” in the larger acceptation he is <i>not</i>.</p>
<p>He has in several chapters of this book elaborated the distinction, and
we will only say in this place, what, indeed, no one who knows him will
doubt, that, aside from his qualities as a caterer to popular
entertainment, he is one of the most remarkable men of the age. As a
business man, of far-reaching vision and singular executive force, he
has for years been the life of Bridgeport, near which city he has long
resided, and last winter he achieved high rank in the Legislature of
Connecticut, as both an effective speaker and a patriot, having “no axe
to grind,” and seeking only the public welfare. We, indeed, agree with
the editor of <i>The New York Independent</i>, who, in an article drawn out
by the burning of the American Museum, says: “Mr. Barnum’s rare talent
as a speaker has always been exercised in behalf of good morals, and for
patriotic objects. No man has done better service in the temperance
cause by public lectures during the past ten years, both in America and
Great Britain, and during the war he was most efficient in stimulating
the spirit which resulted in the preservation of the Union, and the
destruction of Slavery.”</p>
<p>We cannot forbear quoting two or three additional paragraphs from that
article, especially as they are so strongly expressive of the merits of
the case:</p>
<p>“Mr. Barnum’s whole career has been a very transparent one. He has never
befooled the public to its injury, and, though his<span class="pagenum"><SPAN name="Page_iv" id="Page_iv"></SPAN></span> name has come to be
looked upon as a synonym for humbuggery, there never was a public man
who was less of one.</p>
<p>“The hearty good wishes of many good men, and the sympathies of the
community in which he has lived, go with him, and the public he has so
long amused, but never abused, will be ready to sustain him whenever he
makes another appeal to them. Mr. Barnum is a very good sort of
representative Yankee. When crowds of English traders and manufacturers
in Liverpool, Manchester, and London, flocked to hear his lectures on
the art of making money, they expected to hear from him some very smart
recipes for knavery; but they were as much astonished as they were
edified to learn that the only secret he had to tell them was to be
honest, and not to expect something for nothing.”</p>
<p>We could fill many pages with quotations of corresponding tenor from the
leading and most influential men and journals in the land, but we will
close this publisher’s note with the following from the <i>N. Y. Sun</i>.</p>
<p>“One of the happiest impromptu oratorical efforts that we have heard for
some time was that made by Barnum at the benefit performance given for
his employés on Friday afternoon. If a stranger wanted to satisfy
himself how the great showman had managed so to monopolize the ear and
eye of the public during his long career he could not have had a better
opportunity of doing so than by listening to this address. Every word,
though delivered with apparent carelessness, struck a key-note in the
hearts of his listeners. Simple, forcible, and touching, it showed how
thoroughly this extraordinary man comprehends the character of his
countrymen, and how easily he can play upon their feelings.</p>
<p>“Those who look upon Barnum as a mere charlatan, have really no
knowledge of him. It would be easy to demonstrate that the qualities
that have placed him in his present position of notoriety and affluence
would, in another pursuit, have raised him to far greater eminence. In
his breadth of views, his profound knowledge of mankind, his courage
under reverses, his indomitable perseverance, his ready eloquence, and
his admirable business tact, we recognise the elements that are
conducive to success in most other pursuits. More than almost any other
living man, Barnum may be said to be a representative type of the
American mind.”</p>
<hr class="chapbreak" />
<p><span class="pagenum"><SPAN name="Page_v" id="Page_v"></SPAN></span></p>
<h2 class="chapterhead"><SPAN name="INTRODUCTION" id="INTRODUCTION"></SPAN>INTRODUCTION.</h2>
<hr class="declong" />
<p>In the “Autobiography of P. T. Barnum,” published in 1855, I partly
promised to write a book which should expose some of the chief humbugs
of the world. The invitation of my friends Messrs. Cauldwell and Whitney
of the “Weekly Mercury” caused me to furnish for that paper a series of
articles in which I very naturally took up the subject in question. This
book is a revision and re-arrangement of a portion of those articles. If
I should find that I have met a popular demand, I shall in due time put
forth a second volume. There is not the least danger of a dearth of
materials.</p>
<p>I once travelled through the Southern States in company with a magician.
The first day in each town, he astonished his auditors with his
deceptions. He then announced that on the following day he would show
how each trick was performed, and how every man might thus become his
own magician. That <i>exposé</i> spoiled the legerdemain market on that
particular route, for several years. So, if we could have a full
exposure of “the tricks of trade” of all sorts, of humbugs and deceivers
of past times, religious, political, financial, scientific, quackish and
so forth, we might perhaps look for a somewhat wiser generation to
follow us. I shall be well satisfied if I can do something towards so
good a purpose.</p>
<p class="right">P. T. BARNUM.</p>
<p><span class="pagenum"><SPAN name="Page_vi" id="Page_vi"></SPAN></span></p>
<hr class="chapbreak" />
<p><span class="pagenum"><SPAN name="Page_vii" id="Page_vii"></SPAN></span></p>
<h2 class="chapterhead"><SPAN name="CONTENTS" id="CONTENTS"></SPAN>CONTENTS.</h2>
<hr class="decshort" />
<p class="tocsect"><SPAN href="#I_PERSONAL_REMINISCENCES">I. PERSONAL REMINISCENCES.</SPAN></p>
<p><SPAN href="#CHAPTER_I">CHAPTER I.</SPAN>—<span class="smrom">GENERAL VIEW OF THE SUBJECT.—​HUMBUG UNIVERSAL.—​IN
RELIGION.—​IN POLITICS.—​IN BUSINESS.—​IN SCIENCE.—​IN MEDICINE.—​HOW
IT IS TO CEASE.—​THE GREATEST HUMBUG OF <span class="chapword">ALL.</span></span> <span class="chappg"><SPAN href="#CHAPTER_I">11</SPAN></span></p>
<p><SPAN href="#CHAPTER_II">CHAPTER II.</SPAN>—<span class="smrom">DEFINITION OF THE WORD HUMBUG.—​WARREN OF
LONDON.—​GENIN THE HATTER.—​GOSLING’S <span class="chapword">BLACKING.</span></span> <span class="chappg"><SPAN href="#CHAPTER_II">18</SPAN></span></p>
<p><SPAN href="#CHAPTER_III">CHAPTER III.</SPAN>—<span class="smrom">MONSIEUR MANGIN, THE FRENCH <span class="chapword">HUMBUG.</span></span> <span class="chappg"><SPAN href="#CHAPTER_III">29</SPAN></span></p>
<p><SPAN href="#CHAPTER_IV">CHAPTER IV.</SPAN>—<span class="smrom">OLD GRIZZLY <span class="chapword">ADAMS.</span></span> <span class="chappg"><SPAN href="#CHAPTER_IV">37</SPAN></span></p>
<p><SPAN href="#CHAPTER_V">CHAPTER V.</SPAN>—<span class="smrom">THE GOLDEN PIGEONS.—​GRIZZLY ADAMS.—​GERMAN
CHEMIST.—​HAPPY FAMILY.—​FRENCH <span class="chapword">NATURALIST.</span></span> <span class="chappg"><SPAN href="#CHAPTER_V">46</SPAN></span></p>
<p><SPAN href="#CHAPTER_VI">CHAPTER VI.</SPAN>—<span class="smrom">THE WHALE, THE ANGEL FISH, AND THE GOLDEN <span class="chapword">PIGEON.</span></span> <span class="chappg"><SPAN href="#CHAPTER_VI">53</SPAN></span></p>
<p><SPAN href="#CHAPTER_VII">CHAPTER VII.</SPAN>—<span class="smrom">PEASE’S HOARHOUND CANDY.—​THE DORR REBELLION.—​THE
PHILADELPHIA <span class="chapword">ALDERMAN.</span></span> <span class="chappg"><SPAN href="#CHAPTER_VII">57</SPAN></span></p>
<p><SPAN href="#CHAPTER_VIII">CHAPTER VIII.</SPAN>—<span class="smrom">BRANDRETH’S PILLS.—​MAGNIFICENT ADVERTISING.—​POWER
OF <span class="chapword">IMAGINATION.</span></span> <span class="chappg"><SPAN href="#CHAPTER_VIII">65</SPAN></span></p>
<p class="tocsect"><SPAN href="#II_THE_SPIRITUALISTS">II. THE SPIRITUALISTS.</SPAN></p>
<p><SPAN href="#CHAPTER_IX">CHAPTER IX.</SPAN>—<span class="smrom">THE DAVENPORT BROTHERS, THEIR RISE AND PROGRESS.—​SPIRITUAL
ROPE-TYING.—​MUSIC PLAYING.—​CABINET
SECRETS.—​“THEY CHOOSE DARKNESS RATHER THAN LIGHT,” ETC.—​THE
SPIRITUAL HAND.—​HOW THE THING IS DONE.—​DR. W. F.
VAN <span class="chapword">VLECK.</span></span> <span class="chappg"><SPAN href="#CHAPTER_IX">73</SPAN></span></p>
<p><SPAN href="#CHAPTER_X">CHAPTER X.</SPAN>—<span class="smrom">THE SPIRIT-RAPPING AND MEDIUM HUMBUGS.—​THEIR
ORIGIN.—​HOW THE THING IS DONE.—​$500 <span class="chapword">REWARD.</span></span> <span class="chappg"><SPAN href="#CHAPTER_X">82</SPAN></span></p>
<p><SPAN href="#CHAPTER_XI">CHAPTER XI.</SPAN>—<span class="smrom">THE “BALLOT TEST.”—​THE OLD GENTLEMAN AND
HIS “DISEASED” RELATIVES.—​A “HUNGRY SPIRIT.”—​“PALMING”
A BALLOT.—​REVELATIONS ON STRIPS OF <span class="chapword">PAPER.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XI">88</SPAN></span></p>
<p><SPAN href="#CHAPTER_XII">CHAPTER XII.</SPAN>—<span class="smrom">SPIRITUAL “LETTERS ON THE ARM.”—​HOW TO
MAKE THEM YOURSELF.—​THE TAMBOURINE AND RING FEATS.—​DEXTER’S
DANCING HATS.—​PHOSPHORESCENT OIL.—​SOME SPIRITUAL
<span class="chapword">SLANG.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XII">96</SPAN></span></p>
<p><span class="pagenum"><SPAN name="Page_viii" id="Page_viii"></SPAN></span><SPAN href="#CHAPTER_XIII">CHAPTER XIII.</SPAN>—<span class="smrom">DEMONSTRATIONS BY “SAMPSON” UNDER A TABLE.—​A
MEDIUM WHO IS HAPPY WITH HER FEET.—​<SPAN name="corr1" id="corr1"></SPAN>EXPOSÉ OF
ANOTHER OPERATOR IN DARK <span class="chapword">CIRCLES.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XIII">102</SPAN></span></p>
<p><SPAN href="#CHAPTER_XIV">CHAPTER XIV.</SPAN>—<span class="smrom">SPIRITUAL PHOTOGRAPHING.—​COLORADO JEWETT
AND THE SPIRIT PHOTOGRAPHS OF GENERAL JACKSON, HENRY
CLAY, DANIEL WEBSTER, STEPHEN A. DOUGLAS, NAPOLEON BONAPARTE,
ETC.—​A LADY OF DISTINCTION SEEKS AND FINDS A SPIRITUAL
PHOTOGRAPH OF HER DECEASED INFANT, AND HER DEAD
BROTHER WHO WAS YET ALIVE.—​HOW IT WAS <span class="chapword">DONE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XIV">109</SPAN></span></p>
<p><SPAN href="#CHAPTER_XV">CHAPTER XV.</SPAN>—<span class="smrom">BANNER OF LIGHT.—​MESSAGES FROM THE DEAD.—​SPIRITUAL
CIVILITIES.—​SPIRIT “HOLLERING.”—​HANS VON
VLEET, THE FEMALE DUTCHMAN.—​MRS. CONANT’S “CIRCLES.”—​PAINE’S
TABLE-TIPPING HUMBUG <span class="chapword">EXPOSED.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XV">119</SPAN></span></p>
<p><SPAN href="#CHAPTER_XVI">CHAPTER XVI.</SPAN>—<span class="smrom">SPIRITUALIST HUMBUGS WAKING UP.—​FOSTER
HEARD FROM.—​S. B. BRITTAIN HEARD FROM.—​THE BOSTON ARTISTS
AND THEIR SPIRITUAL PORTRAITS.—​THE WASHINGTON MEDIUM
AND HIS SPIRITUAL HANDS.—​THE DAVENPORT BROTHERS AND THE
SEA-CAPTAIN’S WHEAT-FLOUR.—​THE DAVENPORT BROTHERS ROUGHLY
SHOWN UP BY JOHN <SPAN name="corr2" id="corr2"></SPAN>BULL.—​HOW A SHINGLE “STUMPED”
THE <span class="chapword">SPIRITS.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XVI">130</SPAN></span></p>
<p><SPAN href="#CHAPTER_XVII">CHAPTER XVII.</SPAN>—<span class="smrom">THE DAVENPORT BROTHERS SHOWN UP ONCE
MORE.—​THE SPIRITUALIST BOGUS BABY.—​A LADY BRINGS FORTH
A MOTIVE FORCE.—​“GUM” ARABIC.—​SPIRITUALIST HEBREW.—​THE
ALLEN BOY.—​DR. RANDALL.—​PORTLAND EVENING COURIER.—​THE
FOOLS NOT ALL DEAD <span class="chapword">YET.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XVII">145</SPAN></span></p>
<p class="tocsect"><SPAN href="#III_TRADE_AND_BUSINESS_IMPOSITIONS">III. TRADE AND BUSINESS IMPOSITIONS.</SPAN></p>
<p><SPAN href="#CHAPTER_XVIII">CHAPTER XVIII.</SPAN>—<span class="smrom">ADULTERATIONS OF FOOD.—​ADULTERATIONS OF
LIQUOR.—​THE COLONEL’S WHISKEY.—​THE <span class="chapword">HUMBUGOMETER.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XVIII">152</SPAN></span></p>
<p><SPAN href="#CHAPTER_XIX">CHAPTER XIX.</SPAN>—<span class="smrom">ADULTERATIONS IN DRINKS.—​RIDING HOME ON
YOUR WINE-BARREL.—​LIST OF THINGS TO MAKE RUM.—​THINGS
TO COLOR IT WITH.—​CANAL-BOAT HASH.—​ENGLISH ADULTERATION
LAW.—​EFFECT OF DRUGS USED.—​HOW TO USE THEM.—​BUYING
LIQUORS UNDER THE CUSTOM-HOUSE LOCK.—​<SPAN name="corr3" id="corr3"></SPAN>HOMŒOPATHIC
<span class="chapword">DOSE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XIX">160</SPAN></span></p>
<p><SPAN href="#CHAPTER_XX">CHAPTER XX.</SPAN>—<span class="smrom">THE PETER FUNKS AND THEIR FUNCTIONS.—​THE
RURAL DIVINE AND THE WATCH.—​RISE AND PROGRESS OF MOCK
AUCTIONS.—​THEIR DECLINE AND <span class="chapword">FALL.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XX">167</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXI">CHAPTER XXI.</SPAN>—<span class="smrom">LOTTERY SHARKS.—​BOULT AND HIS BROTHERS.—​KENNETH,
KIMBALL & COMPANY.—​A MORE CENTRAL LOCATION
WANTED FOR BUSINESS.—​TWO SEVENTEENTHLIES.—​STRANGE <span class="chapword">COINCIDENCE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXI">175</SPAN></span></p>
<p><span class="pagenum"><SPAN name="Page_ix" id="Page_ix"></SPAN></span><SPAN href="#CHAPTER_XXII">CHAPTER XXII.</SPAN>—<span class="smrom">ANOTHER LOTTERY HUMBUG.—​<SPAN name="corr4" id="corr4"></SPAN>TWO HUNDRED
AND FIFTY RECIPES.—​VILE BOOKS.—​“<SPAN name="corr5" id="corr5"></SPAN>ADVANTAGE-CARDS.”—​A
PACKAGE FOR YOU; PLEASE SEND THE MONEY.—​PEDDLING IN
WESTERN NEW <span class="chapword">YORK.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXII">182</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXIII">CHAPTER XXIII.</SPAN>—<span class="smrom">A CALIFORNIA COAL MINE.—​A HARTFORD COAL
MINE.—​MYSTERIOUS SUBTERRANEAN CANAL ON THE <span class="chapword">ISTHMUS.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXIII">189</SPAN></span></p>
<p class="tocsect"><SPAN href="#IV_MONEY_MANIAS">IV. MONEY MANIAS.</SPAN></p>
<p><SPAN href="#CHAPTER_XXIV">CHAPTER XXIV.</SPAN>—<span class="smrom">THE PETROLEUM HUMBUG.—​THE NEW YORK
AND RANGOON PETROLEUM <span class="chapword">COMPANY.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXIV">195</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXV">CHAPTER XXV.</SPAN>—<span class="smrom">THE <span class="chapword">TULIPOMANIA.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXV">204</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXVI">CHAPTER XXVI.</SPAN>—<span class="smrom">JOHN BULL’S GREAT MONEY HUMBUG.—​THE
SOUTH SEA BUBBLE IN <span class="chapword">1720.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXVI">213</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXVII">CHAPTER XXVII.</SPAN>—<span class="smrom">BUSINESS HUMBUGS.—​JOHN LAW.—​THE MISSISSIPPI
SCHEME.—​JOHNNY CRAPAUD AS GREEDY AS JOHNNY <span class="chapword">BULL.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXVII">221</SPAN></span></p>
<p class="tocsect"><SPAN href="#V_MEDICINE_AND_QUACKS">V. MEDICINE AND QUACKS.</SPAN></p>
<p><SPAN href="#CHAPTER_XXVIII">CHAPTER XXVIII.</SPAN>—<span class="smrom">DOCTORS AND IMAGINATION.—​FIRING A JOKE
OUT OF A CANNON.—​THE PARIS EYE WATER.—​MAJENDIE ON MEDICAL
KNOWLEDGE.—​OLD SANDS OF <span class="chapword">LIFE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXVIII">232</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXIX">CHAPTER XXIX.</SPAN>—<span class="smrom">THE CONSUMPTIVE REMEDY.—​E. ANDREWS,
M. D.—​BORN WITHOUT BIRTHRIGHTS.—​HASHEESH CANDY.—​ROBACK
THE GREAT.—​A CONJUROR OPPOSED TO <span class="chapword">LYING.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXIX">237</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXX">CHAPTER XXX.</SPAN>—<span class="smrom">MONSIGNORE CRISTOFORO RISCHIO; OR IL
CRESO, THE NOSTRUM-VENDER OF FLORENCE.—​A MODEL FOR OUR
QUACK <span class="chapword">DOCTORS.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXX">242</SPAN></span></p>
<p class="tocsect"><SPAN href="#VI_HOAXES">VI. HOAXES.</SPAN></p>
<p><SPAN href="#CHAPTER_XXXI">CHAPTER XXXI.</SPAN>—<span class="smrom">THE TWENTY-SEVENTH STREET GHOST.—​SPIRITS
ON THE <span class="chapword">RAMPAGE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXI">251</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXXII">CHAPTER XXXII.</SPAN>—<span class="smrom">THE MOON <span class="chapword">HOAX.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXII">259</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXXIII">CHAPTER XXXIII.</SPAN>—<span class="smrom">THE MISCEGENATION HOAX.—​A GREAT LITERARY
SELL.—​POLITICAL HUMBUGGING.—​TRICKS OF THE WIRE-PULLERS.—​MACHINERY
EMPLOYED TO RENDER THE PAMPHLET
NOTORIOUS.—​WHO WERE SOLD AND HOW IT WAS <span class="chapword">DONE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXIII">273</SPAN></span></p>
<p class="tocsect"><SPAN href="#VII_GHOSTS_AND_WITCHCRAFTS">VII. GHOSTS AND WITCHCRAFTS.</SPAN></p>
<p><SPAN href="#CHAPTER_XXXIV">CHAPTER XXXIV.</SPAN>—<span class="smrom">HAUNTED HOUSES.—​A NIGHT SPENT ALONE
WITH A GHOST.—​KIRBY THE ACTOR.—​COLT’S PISTOLS VERSUS
HOBGOBLINS.—​THE MYSTERY <span class="chapword">EXPLAINED.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXIV">284</SPAN></span></p>
<p><span class="pagenum"><SPAN name="Page_x" id="Page_x"></SPAN></span></p>
<p><SPAN href="#CHAPTER_XXXV">CHAPTER XXXV.</SPAN>—<span class="smrom">HAUNTED HOUSES.—​GHOSTS.—​GHOULS.—​PHANTOMS.—​VAMPIRES.—​CONJURORS.—​<SPAN name="corr6" id="corr6"></SPAN>DIVINING—​GOBLINS.—​FORTUNE-TELLING.—​MAGIC.—​WITCHES.—​SORCERY.—​OBI.—​DREAMS.—​SIGNS.—​SPIRITUAL
MEDIUMS.—​FALSE PROPHETS.—​DEMONOLOGY.—​DEVILTRY
<span class="chapword">GENERALLY.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXV">293</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXXVI">CHAPTER XXXVI.</SPAN>—<span class="smrom">MAGICAL HUMBUGS.—​VIRGIL.—​A PICKLED
<SPAN name="corr7" id="corr7"></SPAN>SORCERER.—​CORNELIUS AGRIPPA, HIS STUDENTS AND HIS BLACK
DOG.—​DOCTOR FAUSTUS.—​HUMBUGGING HORSE-JOCKEYS.—​<SPAN name="corr8" id="corr8"></SPAN>ZIITO
AND HIS LARGE SWALLOW.—​DEVIL TAKE THE <span class="chapword">HINDERMOST.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXVI">300</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXXVII">CHAPTER XXXVII.</SPAN>—<span class="smrom">WITCHCRAFT.—​NEW YORK WITCHES.—​THE
WITCH MANIA.—​HOW FAST THEY BURNED THEM.—​THE MODE OF
TRIAL.—​WITCHES TO-DAY IN <span class="chapword">EUROPE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXVII">308</SPAN></span></p>
<p><SPAN href="#CHAPTER_XXXVIII">CHAPTER XXXVIII.</SPAN>—<span class="smrom">CHARMS AND INCANTATIONS.—​HOW CATO
CURED SPRAINS.—​THE SECRET NAME OF GOD.—​SECRET NAMES OF
CITIES.—​ABRACADABRA CURES FOR CRAMP.—​MR. WRIGHT’S <SPAN name="corr9" id="corr9"></SPAN>SIGIL.—​<SPAN name="corr10" id="corr10"></SPAN>WHISKERIFUSTICUS.—​WITCHES’
HORSES.—​THEIR CURSES.—​HOW TO
RAISE THE <span class="chapword">DEVIL.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXVIII">314</SPAN></span></p>
<p class="tocsect"><SPAN href="#VIII_ADVENTURERS">VIII. ADVENTURERS.</SPAN></p>
<p><SPAN href="#CHAPTER_XXXIX">CHAPTER XXXIX.</SPAN>—<span class="smrom">THE PRINCESS <span class="chapword">CARIBOO.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XXXIX">323</SPAN></span></p>
<p><SPAN href="#CHAPTER_XL">CHAPTER XL.</SPAN>—<span class="smrom">COUNT CAGLIOSTRO, ALIAS JOSEPH BALSAMO,
KNOWN ALSO AS “CURSED <span class="chapword">JOE.”</span></span> <span class="chappg"><SPAN href="#CHAPTER_XL">330</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLI">CHAPTER XLI.</SPAN>—<span class="smrom">THE DIAMOND <span class="chapword">NECKLACE.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLI">338</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLII">CHAPTER XLII.</SPAN>—<span class="smrom">THE COUNT DE ST. GERMAIN, SAGE, PROPHET,
AND <span class="chapword">MAGICIAN.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLII">354</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLIII">CHAPTER XLIII.</SPAN>—<span class="smrom">RIZA BEY, THE PERSIAN ENVOY TO LOUIS <span class="chapword">XIV.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLIII">361</SPAN></span></p>
<p class="tocsect"><SPAN name="corr11" id="corr11"></SPAN><SPAN href="#IX_RELIGIOUS_HUMBUGS">IX. RELIGIOUS HUMBUGS.</SPAN></p>
<p><SPAN href="#CHAPTER_XLIV">CHAPTER XLIV.</SPAN>—<span class="smrom">DIAMOND CUT DIAMOND.—​MATTHIAS THE <SPAN name="corr12" id="corr12"></SPAN>IMPOSTOR.—​NEW
YORK FOLLIES THIRTY YEARS <span class="chapword">AGO.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLIV">370</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLV">CHAPTER XLV.</SPAN>—<span class="smrom"><SPAN name="corr13" id="corr13"></SPAN>A RELIGIOUS HUMBUG ON JOHN BULL.—​JOANNA
SOUTHCOTT.—​THE SECOND <span class="chapword">SHILOH.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLV">380</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLVI">CHAPTER XLVI.</SPAN>—<span class="smrom">THE FIRST HUMBUG IN THE WORLD.—​ADVANTAGES
OF STUDYING THE IMPOSITIONS OF FORMER AGES.—​HEATHEN
HUMBUGS.—​THE ANCIENT MYSTERIES.—​THE CABIRI.—​ELEUSIS.—​<span class="chapword">ISIS.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLVI">386</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLVII">CHAPTER XLVII.</SPAN>—<span class="smrom">HEATHEN HUMBUGS NO. 2.—​HEATHEN STATED
SERVICES.—​ORACLES.—​SIBYLS.—​<span class="chapword">AUGURIES.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLVII">392</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLVIII">CHAPTER XLVIII.</SPAN>—<span class="smrom">MODERN HEATHEN <span class="chapword">HUMBUGS.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLVIII">401</SPAN></span></p>
<p><SPAN href="#CHAPTER_XLIX">CHAPTER XLIX.</SPAN>—<span class="smrom"><span class="chapword">ORDEALS.</span></span> <span class="chappg"><SPAN href="#CHAPTER_XLIX">408</SPAN></span></p>
<p><SPAN href="#CHAPTER_L">CHAPTER L.</SPAN>—<span class="smrom">APOLLONIUS OF <span class="chapword">TYANA.</span></span> <span class="chappg"><SPAN href="#CHAPTER_L">415</SPAN></span></p>
<hr class="chapbreak" />
<p><span class="pagenum"><SPAN name="Page_xi" id="Page_xi"></SPAN></span></p>
<h2 class="chapterhead"><SPAN name="HUMBUGS_OF_THE_WORLD" id="HUMBUGS_OF_THE_WORLD"></SPAN>HUMBUGS OF THE WORLD.</h2>
<hr class="declong" />
<h2 class="chapterhead"><SPAN name="I_PERSONAL_REMINISCENCES" id="I_PERSONAL_REMINISCENCES"></SPAN>I. PERSONAL REMINISCENCES.</h2>
<div style="break-after:column;"></div><br />