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<h2>Chapter 3.LXIII.</h2>
<h3>We are now going to enter upon a new scene of events.—</h3>
<p>—Leave we then the breeches in the taylor's hands, with my
father standing over him with his cane, reading him as he sat at
work a lecture upon the latus clavus, and pointing to the precise
part of the waistband, where he was determined to have it sewed
on.—</p>
<p>Leave we my mother—(truest of all the Poco-curante's of
her sex!)—careless about it, as about every thing else in the
world which concerned her;—that is,—indifferent whether
it was done this way or that,—provided it was but done at
all.—</p>
<p>Leave we Slop likewise to the full profits of all my
dishonours.—</p>
<p>Leave we poor Le Fever to recover, and get home from Marseilles
as he can.—And last of all,—because the hardest of
all—</p>
<p>Let us leave, if possible, myself:—But 'tis
impossible,—I must go along with you to the end of the
work.</p>
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<h2>Chapter 3.LXIV.</h2>
<p>If the reader has not a clear conception of the rood and the
half of ground which lay at the bottom of my uncle Toby's
kitchen-garden, and which was the scene of so many of his delicious
hours,—the fault is not in me,—but in his
imagination;—for I am sure I gave him so minute a
description, I was almost ashamed of it.</p>
<p>When Fate was looking forwards one afternoon, into the great
transactions of future times,—and recollected for what
purposes this little plot, by a decree fast bound down in iron, had
been destined,—she gave a nod to Nature,—'twas
enough—Nature threw half a spade full of her kindliest
compost upon it, with just so much clay in it, as to retain the
forms of angles and indentings,—and so little of it too, as
not to cling to the spade, and render works of so much glory, nasty
in foul weather.</p>
<p>My uncle Toby came down, as the reader has been informed, with
plans along with him, of almost every fortified town in Italy and
Flanders; so let the duke of Marlborough, or the allies, have set
down before what town they pleased, my uncle Toby was prepared for
them.</p>
<p>His way, which was the simplest one in the world, was this; as
soon as ever a town was invested—(but sooner when the design
was known) to take the plan of it (let it be what town it would),
and enlarge it upon a scale to the exact size of his bowling-green;
upon the surface of which, by means of a large role of packthread,
and a number of small piquets driven into the ground, at the
several angles and redans, he transferred the lines from his paper;
then taking the profile of the place, with its works, to determine
the depths and slopes of the ditches,—the talus of the
glacis, and the precise height of the several banquets, parapets,
&c.—he set the corporal to work—and sweetly went it
on:—The nature of the soil,—the nature of the work
itself,—and above all, the good-nature of my uncle Toby
sitting by from morning to night, and chatting kindly with the
corporal upon past-done deeds,—left Labour little else but
the ceremony of the name.</p>
<p>When the place was finished in this manner, and put into a
proper posture of defence,—it was invested,—and my
uncle Toby and the corporal began to run their first
parallel.—I beg I may not be interrupted in my story, by
being told, That the first parallel should be at least three
hundred toises distant from the main body of the place,—and
that I have not left a single inch for it;—for my uncle Toby
took the liberty of incroaching upon his kitchen-garden, for the
sake of enlarging his works on the bowling-green, and for that
reason generally ran his first and second parallels betwixt two
rows of his cabbages and his cauliflowers; the conveniences and
inconveniences of which will be considered at large in the history
of my uncle Toby's and the corporal's campaigns, of which, this I'm
now writing is but a sketch, and will be finished, if I conjecture
right, in three pages (but there is no guessing)—The
campaigns themselves will take up as many books; and therefore I
apprehend it would be hanging too great a weight of one kind of
matter in so flimsy a performance as this, to rhapsodize them, as I
once intended, into the body of the work—surely they had
better be printed apart,—we'll consider the affair—so
take the following sketch of them in the mean time.</p>
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<h2>Chapter 3.LXV.</h2>
<p>When the town, with its works, was finished, my uncle Toby and
the corporal began to run their first parallel—not at random,
or any how—but from the same points and distances the allies
had begun to run theirs; and regulating their approaches and
attacks, by the accounts my uncle Toby received from the daily
papers,—they went on, during the whole siege, step by step
with the allies.</p>
<p>When the duke of Marlborough made a lodgment,—my uncle
Toby made a lodgment too.—And when the face of a bastion was
battered down, or a defence ruined,—the corporal took his
mattock and did as much,—and so on;—gaining ground, and
making themselves masters of the works one after another, till the
town fell into their hands.</p>
<p>To one who took pleasure in the happy state of
others,—there could not have been a greater sight in world,
than on a post morning, in which a practicable breach had been made
by the duke of Marlborough, in the main body of the place,—to
have stood behind the horn-beam hedge, and observed the spirit with
which my uncle Toby, with Trim behind him, sallied forth;—the
one with the Gazette in his hand,—the other with a spade on
his shoulder to execute the contents.—What an honest triumph
in my uncle Toby's looks as he marched up to the ramparts! What
intense pleasure swimming in his eye as he stood over the corporal,
reading the paragraph ten times over to him, as he was at work,
lest, peradventure, he should make the breach an inch too
wide,—or leave it an inch too narrow.—But when the
chamade was beat, and the corporal helped my uncle up it, and
followed with the colours in his hand, to fix them upon the
ramparts—Heaven! Earth! Sea!—but what avails
apostrophes?—with all your elements, wet or dry, ye never
compounded so intoxicating a draught.</p>
<p>In this track of happiness for many years, without one
interruption to it, except now and then when the wind continued to
blow due west for a week or ten days together, which detained the
Flanders mail, and kept them so long in torture,—but still
'twas the torture of the happy—In this track, I say, did my
uncle Toby and Trim move for many years, every year of which, and
sometimes every month, from the invention of either the one or the
other of them, adding some new conceit or quirk of improvement to
their operations, which always opened fresh springs of delight in
carrying them on.</p>
<p>The first year's campaign was carried on from beginning to end,
in the plain and simple method I've related.</p>
<p>In the second year, in which my uncle Toby took Liege and
Ruremond, he thought he might afford the expence of four handsome
draw-bridges; of two of which I have given an exact description in
the former part of my work.</p>
<p>At the latter end of the same year he added a couple of gates
with port-cullises:—These last were converted afterwards into
orgues, as the better thing; and during the winter of the same
year, my uncle Toby, instead of a new suit of clothes, which he
always had at Christmas, treated himself with a handsome
sentry-box, to stand at the corner of the bowling-green, betwixt
which point and the foot of the glacis, there was left a little
kind of an esplanade for him and the corporal to confer and hold
councils of war upon.</p>
<p>—The sentry-box was in case of rain.</p>
<p>All these were painted white three times over the ensuing
spring, which enabled my uncle Toby to take the field with great
splendour.</p>
<p>My father would often say to Yorick, that if any mortal in the
whole universe had done such a thing except his brother Toby, it
would have been looked upon by the world as one of the most refined
satires upon the parade and prancing manner in which Lewis XIV.
from the beginning of the war, but particularly that very year, had
taken the field—But 'tis not my brother Toby's nature, kind
soul! my father would add, to insult any one.</p>
<p>—But let us go on.</p>
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<h2>Chapter 3.LXVI.</h2>
<p>I must observe, that although in the first year's campaign, the
word town is often mentioned,—yet there was no town at that
time within the polygon; that addition was not made till the summer
following the spring in which the bridges and sentry-box were
painted, which was the third year of my uncle Toby's
campaigns,—when upon his taking Amberg, Bonn, and Rhinberg,
and Huy and Limbourg, one after another, a thought came into the
corporal's head, that to talk of taking so many towns, without one
Town to shew for it,—was a very nonsensical way of going to
work, and so proposed to my uncle Toby, that they should have a
little model of a town built for them,—to be run up together
of slit deals, and then painted, and clapped within the interior
polygon to serve for all.</p>
<p>My uncle Toby felt the good of the project instantly, and
instantly agreed to it, but with the addition of two singular
improvements, of which he was almost as proud as if he had been the
original inventor of the project itself.</p>
<p>The one was, to have the town built exactly in the style of
those of which it was most likely to be the
representative:—with grated windows, and the gable ends of
the houses, facing the streets, &c. &c.—as those in
Ghent and Bruges, and the rest of the towns in Brabant and
Flanders.</p>
<p>The other was, not to have the houses run up together, as the
corporal proposed, but to have every house independent, to hook on,
or off, so as to form into the plan of whatever town they pleased.
This was put directly into hand, and many and many a look of mutual
congratulation was exchanged between my uncle Toby and the
corporal, as the carpenter did the work.</p>
<p>—It answered prodigiously the next summer—the town
was a perfect Proteus—It was Landen, and Trerebach, and
Santvliet, and Drusen, and Hagenau,—and then it was Ostend
and Menin, and Aeth and Dendermond.</p>
<p>—Surely never did any Town act so many parts, since Sodom
and Gomorrah, as my uncle Toby's town did.</p>
<p>In the fourth year, my uncle Toby thinking a town looked
foolishly without a church, added a very fine one with a
steeple.—Trim was for having bells in it;—my uncle Toby
said, the metal had better be cast into cannon.</p>
<p>This led the way the next campaign for half a dozen brass
field-pieces, to be planted three and three on each side of my
uncle Toby's sentry-box; and in a short time, these led the way for
a train of somewhat larger,—and so on—(as must always
be the case in hobby-horsical affairs) from pieces of half an inch
bore, till it came at last to my father's jack boots.</p>
<p>The next year, which was that in which Lisle was besieged, and
at the close of which both Ghent and Bruges fell into our
hands,—my uncle Toby was sadly put to it for proper
ammunition;—I say proper ammunition—because his great
artillery would not bear powder; and 'twas well for the Shandy
family they would not—For so full were the papers, from the
beginning to the end of the siege, of the incessant firings kept up
by the besiegers,—and so heated was my uncle Toby's
imagination with the accounts of them, that he had infallibly shot
away all his estate.</p>
<p>Something therefore was wanting as a succedaneum, especially in
one or two of the more violent paroxysms of the siege, to keep up
something like a continual firing in the imagination,—and
this something, the corporal, whose principal strength lay in
invention, supplied by an entire new system of battering of his
own,—without which, this had been objected to by military
critics, to the end of the world, as one of the great desiderata of
my uncle Toby's apparatus.</p>
<p>This will not be explained the worse, for setting off, as I
generally do, at a little distance from the subject.</p>
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