<SPAN name="startofbook"></SPAN>
<h1>THEY AND I</h1>
<h2>BY</h2>
<h2>JEROME K. JEROME</h2>
<hr/>
<h2>CHAPTER I</h2>
<p>“<span class="smcap">It</span> is not a large
house,” I said. “We don’t want a large
house. Two spare bedrooms, and the little three-cornered
place you see marked there on the plan, next to the bathroom, and
which will just do for a bachelor, will be all we shall
require—at all events, for the present. Later on, if
I ever get rich, we can throw out a wing. The kitchen I
shall have to break to your mother gently. Whatever the
original architect could have been thinking of—”</p>
<p>“Never mind the kitchen,” said Dick: “what
about the billiard-room?”</p>
<p>The way children nowadays will interrupt a parent is nothing
short of a national disgrace. I also wish Dick would not
sit on the table, swinging his legs. It is not
respectful. “Why, when I was a boy,” as I said
to him, “I should as soon have thought of sitting on a
table, interrupting my father—”</p>
<p>“What’s this thing in the middle of the hall, that
looks like a grating?” demanded Robina.</p>
<p>“She means the stairs,” explained Dick.</p>
<p>“Then why don’t they look like stairs?”
commented Robina.</p>
<p>“They do,” replied Dick, “to people with
sense.”</p>
<p>“They don’t,” persisted Robina, “they
look like a grating.” Robina, with the plan spread
out across her knee, was sitting balanced on the arm of an
easy-chair. Really, I hardly see the use of buying chairs
for these people. Nobody seems to know what they are
for—except it be one or another of the dogs. Perches
are all they want.</p>
<p>“If we threw the drawing-room into the hall and could do
away with the stairs,” thought Robina, “we should be
able to give a dance now and then.”</p>
<p>“Perhaps,” I suggested, “you would like to
clear out the house altogether, leaving nothing but the four bare
walls. That would give us still more room, that
would. For just living in, we could fix up a shed in the
garden; or—”</p>
<p>“I’m talking seriously,” said Robina:
“what’s the good of a drawing-room? One only
wants it to show the sort of people into that one wishes
hadn’t come. They’d sit about, looking
miserable, just as well anywhere else. If we could only get
rid of the stairs—”</p>
<p>“Oh, of course! we could get rid of the stairs,” I
agreed. “It would be a bit awkward at first, when we
wanted to go to bed. But I daresay we should get used to
it. We could have a ladder and climb up to our rooms
through the windows. Or we might adopt the Norwegian method
and have the stairs outside.”</p>
<p>“I wish you would be sensible,” said Robin.</p>
<p>“I am trying to be,” I explained; “and I am
also trying to put a little sense into you. At present you
are crazy about dancing. If you had your way, you would
turn the house into a dancing-saloon with primitive
sleeping-accommodation attached. It will last six months,
your dancing craze. Then you will want the house
transformed into a swimming-bath, or a skating-rink, or cleared
out for hockey. My idea may be conventional. I
don’t expect you to sympathise with it. My notion is
just an ordinary Christian house, not a gymnasium. There
are going to be bedrooms in this house, and there’s going
to be a staircase leading to them. It may strike you as
sordid, but there is also going to be a kitchen: though why when
building the house they should have put the kitchen—</p>
<p>“Don’t forget the billiard-room,” said
Dick.</p>
<p>“If you thought more of your future career and less
about billiards,” Robin pointed out to him, “perhaps
you’d get through your Little-go in the course of the next
few years. If Pa only had sense—I mean if he
wasn’t so absurdly indulgent wherever you are concerned, he
would not have a billiard-table in the house.”</p>
<p>“You talk like that,” retorted Dick, “merely
because you can’t play.”</p>
<p>“I can beat you, anyhow,” retorted Robin.</p>
<p>“Once,” admitted Dick—“once in six
weeks.”</p>
<p>“Twice,” corrected Robin.</p>
<p>“You don’t play,” Dick explained to her;
“you just whack round and trust to Providence.”</p>
<p>“I don’t whack round,” said Robin; “I
always aim at something. When you try and it doesn’t
come off, you say it’s ‘hard luck;’ and when I
try and it does come off, you say it’s fluking. So
like a man.”</p>
<p>“You both of you,” I said, “attach too much
importance to the score. When you try for a cannon off the
white and hit it on the wrong side and send it into a pocket, and
your own ball travels on and makes a losing hazard off the red,
instead of being vexed with yourselves—”</p>
<p>“If you get a really good table, governor,” said
Dick, “I’ll teach you billiards.”</p>
<p>I do believe Dick really thinks he can play. It is the
same with golf. Beginners are invariably lucky.
“I think I shall like it,” they tell you; “I
seem to have the game in me, if you understand.”</p>
<p>‘There is a friend of mine, an old sea-captain. He
is the sort of man that when the three balls are lying in a
straight line, tucked up under the cushion, looks pleased;
because then he knows he can make a cannon and leave the red just
where he wants it. An Irish youngster named Malooney, a
college chum of Dick’s, was staying with us; and the
afternoon being wet, the Captain said he would explain it to
Malooney, how a young man might practise billiards without any
danger of cutting the cloth. He taught him how to hold the
cue, and he told him how to make a bridge. Malooney was
grateful, and worked for about an hour. He did not show
much promise. He is a powerfully built young man, and he
didn’t seem able to get it into his head that he
wasn’t playing cricket. Whenever he hit a little low
the result was generally lost ball. To save time—and
damage to furniture—Dick and I fielded for him. Dick
stood at long-stop, and I was short slip. It was dangerous
work, however, and when Dick had caught him out twice running, we
agreed that we had won, and took him in to tea. In the
evening—none of the rest of us being keen to try our luck a
second time—the Captain said, that just for the joke of the
thing he would give Malooney eighty-five and play him a hundred
up. To confess the truth, I find no particular fun myself
in playing billiards with the Captain. The game consists,
as far as I am concerned, in walking round the table, throwing
him back the balls, and saying “Good!” By the
time my turn comes I don’t seem to care what happens:
everything seems against me. He is a kind old gentleman and
he means well, but the tone in which he says “Hard
lines!” whenever I miss an easy stroke irritates me.
I feel I’d like to throw the balls at his head and fling
the table out of window. I suppose it is that I am in a
fretful state of mind, but the mere way in which he chalks his
cue aggravates me. He carries his own chalk in his
waistcoat pocket—as if our chalk wasn’t good enough
for him—and when he has finished chalking, he smooths the
tip round with his finger and thumb and taps the cue against the
table. “Oh! go on with the game,” I want to say
to him; “don’t be so full of tricks.”</p>
<div class="gapspace"> </div>
<p>The Captain led off with a miss in baulk. Malooney
gripped his cue, drew in a deep breath, and let fly. The
result was ten: a cannon and all three balls in the same
pocket. As a matter of fact he made the cannon twice; but
the second time, as we explained to him, of course did not
count.</p>
<p>“Good beginning!” said the Captain.</p>
<p>Malooney seemed pleased with himself, and took off his
coat.</p>
<p>Malooney’s ball missed the red on its first journey up
the table by about a foot, but found it later on and sent it into
a pocket.</p>
<p>“Ninety-nine plays nothing,” said Dick, who was
marking. “Better make it a hundred and fifty,
hadn’t we, Captain?”</p>
<p>“Well, I’d like to get in a shot,” said the
Captain, “before the game is over. Perhaps we had
better make it a hundred and fifty, if Mr. Malooney has no
objection.”</p>
<p>“Whatever you think right, sir,” said Rory
Malooney.</p>
<p>Malooney finished his break for twenty-two, leaving himself
hanging over the middle pocket and the red tucked up in
baulk.</p>
<p>“Nothing plays a hundred and eight,” said
Dick.</p>
<p>“When I want the score,” said the Captain,
“I’ll ask for it.”</p>
<p>“Beg pardon, sir,” said Dick.</p>
<p>“I hate a noisy game,” said the Captain.</p>
<p>The Captain, making up his mind without much waste of time,
sent his ball under the cushion, six inches outside baulk.</p>
<p>“What will I do here?” asked Malooney.</p>
<p>“I don’t know what you will do,” said the
Captain; “I’m waiting to see.”</p>
<p>Owing to the position of the ball, Malooney was unable to
employ his whole strength. All he did that turn was to
pocket the Captain’s ball and leave himself under the
bottom cushion, four inches from the red. The Captain said
a nautical word, and gave another miss. Malooney squared up
to the balls for the third time. They flew before him,
panic-stricken. They banged against one another, came back
and hit one another again for no reason whatever. The red,
in particular, Malooney had succeeded apparently in frightening
out of its wits. It is a stupid ball, generally speaking,
our red—its one idea to get under a cushion and watch the
game. With Malooney it soon found it was safe nowhere on
the table. Its only hope was pockets. I may have been
mistaken, my eye may have been deceived by the rapidity of the
play, but it seemed to me that the red never waited to be
hit. When it saw Malooney’s ball coming for it at the
rate of forty miles an hour, it just made for the nearest
pocket. It rushed round the table looking for
pockets. If in its excitement, it passed an empty pocket,
it turned back and crawled in. There were times when in its
terror it jumped the table and took shelter under the sofa or
behind the sideboard. One began to feel sorry for the
red.</p>
<p>The Captain had scored a legitimate thirty-eight, and Malooney
had given him twenty-four, when it really seemed as if the
Captain’s chance had come. I could have scored myself
as the balls were then.</p>
<p>“Sixty-two plays one hundred and twenty-eight. Now
then, Captain, game in your hands,” said Dick.</p>
<p>We gathered round. The children left their play.
It was a pretty picture: the bright young faces, eager with
expectation, the old worn veteran squinting down his cue, as if
afraid that watching Malooney’s play might have given it
the squirms.</p>
<p>“Now follow this,” I whispered to Malooney.
“Don’t notice merely what he does, but try and
understand why he does it. Any fool—after a little
practice, that is—can hit a ball. But why do you hit
it? What happens after you’ve hit it?
What—”</p>
<p>“Hush,” said Dick.</p>
<p>The Captain drew his cue back and gently pushed it
forward.</p>
<p>“Pretty stroke,” I whispered to Malooney;
“now, that’s the sort—”</p>
<p>I offer, by way of explanation, that the Captain by this time
was probably too full of bottled-up language to be master of his
nerves. The ball travelled slowly past the red. Dick
said afterwards that you couldn’t have put so much as a
sheet of paper between them. It comforts a man, sometimes,
when you tell him this; and at other times it only makes him
madder. It travelled on and passed the white—you
could have put quite a lot of paper between it and the
white—and dropped with a contented thud into the top
left-hand pocket.</p>
<p>“Why does he do that?” Malooney whispered.
Malooney has a singularly hearty whisper.</p>
<p>Dick and I got the women and children out of the room as
quickly as we could, but of course Veronica managed to tumble
over something on the way—Veronica would find something to
tumble over in the desert of Sahara; and a few days later I
overheard expressions, scorching their way through the nursery
door, that made my hair rise up. I entered, and found
Veronica standing on the table. Jumbo was sitting upon the
music-stool. The poor dog himself was looking scared,
though he must have heard a bit of language in his time, one way
and another.</p>
<p>“Veronica,” I said, “are you not ashamed of
yourself? You wicked child, how dare you—”</p>
<p>“It’s all right,” said Veronica.
“I don’t really mean any harm. He’s a
sailor, and I have to talk to him like that, else he don’t
know he’s being talked to.”</p>
<p>I pay hard-working, conscientious ladies to teach this child
things right and proper for her to know. They tell her
clever things that Julius Cæsar said; observations made by
Marcus Aurelius that, pondered over, might help her to become a
beautiful character. She complains that it produces a
strange buzzy feeling in her head; and her mother argues that
perhaps her brain is of the creative order, not intended to
remember much—thinks that perhaps she is going to be
something. A good round-dozen oaths the Captain must have
let fly before Dick and I succeeded in rolling her out of the
room. She had only heard them once, yet, so far as I could
judge, she had got them letter perfect.</p>
<p>The Captain, now no longer under the necessity of employing
all his energies to suppress his natural instincts, gradually
recovered form, and eventually the game stood at one hundred and
forty-nine all, Malooney to play. The Captain had left the
balls in a position that would have disheartened any other
opponent than Malooney. To any other opponent than Malooney
the Captain would have offered irritating sympathy.
“Afraid the balls are not rolling well for you
to-night,” the Captain would have said; or, “Sorry,
sir, I don’t seem to have left you very much.”
To-night the Captain wasn’t feeling playful.</p>
<p>“Well, if he scores off that!” said Dick.</p>
<p>“Short of locking up the balls and turning out the
lights, I don’t myself see how one is going to stop
him,” sighed the Captain.</p>
<p>The Captain’s ball was in hand. Malooney went for
the red and hit—perhaps it would be more correct to say,
frightened—it into a pocket. Malooney’s ball,
with the table to itself, then gave a solo performance, and ended
up by breaking a window. It was what the lawyers call a
nice point. What was the effect upon the score?</p>
<p>Malooney argued that, seeing he had pocketed the red before
his own ball left the table, his three should be counted first,
and that therefore he had won. Dick maintained that a ball
that had ended up in a flower-bed couldn’t be deemed to
have scored anything. The Captain declined to assist.
He said that, although he had been playing billiards for upwards
of forty years, the incident was new to him. My own feeling
was that of thankfulness that we had got through the game without
anybody being really injured. We agreed that the person to
decide the point would be the editor of <i>The Field</i>.</p>
<p>It remains still undecided. The Captain came into my
study the next morning. He said: “If you
haven’t written that letter to <i>The Field</i>,
don’t mention my name. They know me on <i>The
Field</i>. I would rather it did not get about that I have
been playing with a man who cannot keep his ball within the four
walls of a billiard-room.”</p>
<p>“Well,” I answered, “I know most of the
fellows on <i>The Field</i> myself. They don’t often
get hold of anything novel in the way of a story. When they
do, they are apt to harp upon it. My idea was to keep my
own name out of it altogether.”</p>
<p>“It is not a point likely to crop up often,” said
the Captain. “I’d let it rest if I were
you.”</p>
<p>I should like to have had it settled. In the end, I
wrote the editor a careful letter, in a disguised hand, giving a
false name and address. But if any answer ever appeared I
must have missed it.</p>
<p>Myself I have a sort of consciousness that somewhere inside me
there is quite a good player, if only I could persuade him to
come out. He is shy, that is all. He does not seem
able to play when people are looking on. The shots he
misses when people are looking on would give you a wrong idea of
him. When nobody is about, a prettier game you do not often
see. If some folks who fancy themselves could see me when
there is nobody about, it might take the conceit out of
them. Only once I played up to what I feel is my real form,
and then it led to argument. I was staying at an hotel in
Switzerland, and the second evening a pleasant-spoken young
fellow, who said he had read all my books—later, he
appeared surprised on learning I had written more than
two—asked me if I would care to play a hundred up. We
played even, and I paid for the table. The next evening he
said he thought it would make a better game if he gave me forty
and I broke. It was a fairly close finish, and afterwards
he suggested that I should put down my name for the handicap they
were arranging.</p>
<p>“I am afraid,” I answered, “that I hardly
play well enough. Just a quiet game with you is one thing;
but in a handicap with a crowd looking on—”</p>
<p>“I should not let that trouble you,” he said;
“there are some here who play worse than you—just one
or two. It passes the evening.”</p>
<p>It was merely a friendly affair. I paid my twenty marks,
and was given plus a hundred. I drew for my first game a
chatty type of man, who started minus twenty. We neither of
us did much for the first five minutes, and then I made a break
of forty-four.</p>
<p>There was not a fluke in it from beginning to end. I was
never more astonished in my life. It seemed to me it was
the cue was doing it.</p>
<p>Minus Twenty was even more astonished. I heard him as I
passed:</p>
<p>“Who handicapped this man?” he asked.</p>
<p>“I did,” said the pleasant-spoken youngster.</p>
<p>“Oh,” said Minus Twenty—“friend of
yours, I presume?”</p>
<p>There are evenings that seem to belong to you. We
finished that two hundred and fifty under the three-quarters of
an hour. I explained to Minus Twenty—he was plus
sixty-three at the end—that my play that night had been
exceptional. He said that he had heard of cases
similar. I left him talking volubly to the committee.
He was not a nice man at all.</p>
<p>After that I did not care to win; and that of course was
fatal. The less I tried, the more impossible it seemed for
me to do wrong. I was left in at the last with a man from
another hotel. But for that I am convinced I should have
carried off the handicap. Our hotel didn’t, anyhow,
want the other hotel to win. So they gathered round me, and
offered me sound advice, and begged me to be careful; with the
natural result that I went back to my usual form quite
suddenly.</p>
<p>Never before or since have I played as I played that
week. But it showed me what I could do. I shall get a
new table, with proper pockets this time. There is
something wrong about our pockets. The balls go into them
and then come out again. You would think they had seen
something there to frighten them. They come out trembling
and hold on to the cushion.</p>
<p>I shall also get a new red ball. I fancy it must be a
very old ball, our red. It seems to me to be always
tired.</p>
<p>“The billiard-room,” I said to Dick, “I see
my way to easily enough. Adding another ten feet to what is
now the dairy will give us twenty-eight by twenty. I am
hopeful that will be sufficient even for your friend
Malooney. The drawing-room is too small to be of any
use. I may decide—as Robina has suggested—to
‘throw it into the hall.’ But the stairs will
remain. For dancing, private theatricals—things to
keep you children out of mischief—I have an idea I will
explain to you later on. The kitchen—”</p>
<p>“Can I have a room to myself?” asked Veronica.</p>
<p>Veronica was sitting on the floor, staring into the fire, her
chin supported by her hand. Veronica, in those rare moments
when she is resting from her troubles, wears a holy, far-away
expression apt to mislead the stranger. Governesses, new to
her, have their doubts whether on these occasions they are
justified in dragging her back to discuss mere dates and
tables. Poets who are friends of mine, coming unexpectedly
upon Veronica standing by the window, gazing upward at the
evening star, have thought it was a vision, until they got closer
and found that she was sucking peppermints.</p>
<p>“I should so like to have a room all to myself,”
added Veronica.</p>
<p>“It would be a room!” commented Robin.</p>
<p>“It wouldn’t have your hairpins sticking up all
over the bed, anyhow,” murmured Veronica dreamily.</p>
<p>“I like that!” said Robin;
“why—”</p>
<p>“You’re harder than I am,” said
Veronica.</p>
<p>“I should wish you to have a room, Veronica,” I
said. “My fear is that in place of one untidy bedroom
in the house—a room that makes me shudder every time I see
it through the open door; and the door, in spite of all I can
say, generally is wide open—”</p>
<p>“I’m not untidy,” said Robin, “not
really. I know where everything is in the dark—if
people would only leave them alone.”</p>
<p>“You are. You’re about the most untidy girl
I know,” said Dick.</p>
<p>“I’m not,” said Robin; “you
don’t see other girls’ rooms. Look at yours at
Cambridge. Malooney told us you’d had a fire, and we
all believed him at first.”</p>
<p>“When a man’s working—” said Dick.</p>
<p>“He must have an orderly place to work in,”
suggested Robin.</p>
<p>Dick sighed. “It’s never any good talking to
you,” said Dick. “You don’t even see your
own faults.”</p>
<p>“I can,” said Robin; “I see them more than
anyone. All I claim is justice.”</p>
<p>“Show me, Veronica,” I said, “that you are
worthy to possess a room. At present you appear to regard
the whole house as your room. I find your gaiters on the
croquet lawn. A portion of your costume—an article
that anyone possessed of the true feelings of a lady would desire
to keep hidden from the world—is discovered waving from the
staircase window.”</p>
<p>“I put it out to be mended,” explained
Veronica.</p>
<p>“You opened the door and flung it out. I told you
of it at the time,” said Robin. “You do the
same with your boots.”</p>
<p>“You are too high-spirited for your size,”
explained Dick to her. “Try to be less
dashing.”</p>
<p>“I could also wish, Veronica,” I continued,
“that you shed your back comb less easily, or at least that
you knew when you had shed it. As for your
gloves—well, hunting your gloves has come to be our leading
winter sport.”</p>
<p>“People look in such funny places for them,” said
Veronica.</p>
<p>“Granted. But be just, Veronica,” I
pleaded. “Admit that it is in funny places we
occasionally find them. When looking for your things one
learns, Veronica, never to despair. So long as there
remains a corner unexplored inside or outside the house, within
the half-mile radius, hope need not be abandoned.”</p>
<p>Veronica was still gazing dreamily into the fire.</p>
<p>“I suppose,” said Veronica, “it’s
reditty.”</p>
<p>“It’s what?” I said.</p>
<p>“She means heredity,” suggested
Dick—“cheeky young beggar! I wonder you let her
talk to you the way she does.”</p>
<p>“Besides,” added Robin, “as I am always
explaining to you, Pa is a literary man. With him it is
part of his temperament.”</p>
<p>“It’s hard on us children,” said
Veronica.</p>
<p>We were all agreed—with the exception of
Veronica—that it was time Veronica went to bed. As
chairman I took it upon myself to closure the debate.</p>
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