<SPAN name="chap37"></SPAN>
<h3> CHAPTER XXXVII </h3>
<p>It was not many weeks after this departure of Lord Ravenel's—the pain
of which was almost forgotten in the comfort of Guy's first long home
letter, which came about this time—that John one morning, suddenly
dropping his newspaper, exclaimed:</p>
<p>"Lord Luxmore is dead."</p>
<p>Yes, he had returned to his dust, this old bad man; so old, that people
had begun to think he would never die. He was gone; the man who, if we
owned an enemy in the world, had certainly proved himself that enemy.
Something peculiar is there in a decease like this—of one whom,
living, we have almost felt ourselves justified in condemning,
avoiding—perhaps hating. Until Death, stepping in between, removes
him to another tribunal than this petty justice of ours, and laying a
solemn finger on our mouths, forbids us either to think or utter a word
of hatred against that which is now—what?—a disembodied spirit—a
handful of corrupting clay.</p>
<p>Lord Luxmore was dead. He had gone to his account; it was not ours to
judge him. We never knew—I believe no one except his son ever fully
knew—the history of his death-bed.</p>
<p>John sat in silence, the paper before him, long after we had passed the
news and discussed it, not without awe, all round the breakfast-table.</p>
<p>Maud stole up—hesitatingly, and asked to see the announcement of the
earl's decease.</p>
<p>"No, my child; but you shall hear it read aloud, if you choose."</p>
<p>I guessed the reason of his refusal; when, looking over him as he read,
I saw, after the long list of titles owned by the new Earl of Luxmore,
one bitter line; how it must have cut to the heart of him whom we first
heard of as "poor William!"</p>
<P CLASS="letter">
"HAD LIKEWISE ISSUE, CAROLINE, MARRIED IN 17—, TO RICHARD BRITHWOOD,
ESQUIRE, AFTERWARDS DIVORCED."</p>
<p>And by a curious coincidence, about twenty lines further down I read
among the fashionable marriages:</p>
<P CLASS="letter">
"AT THE BRITISH EMBASSY, PARIS, SIR GERARD VERMILYE, BART., TO THE
YOUTHFUL AND BEAUTIFUL DAUGHTER OF—"</p>
<p>I forget who. I only saw that the name was not her name, of whom the
"youthful and beautiful" bride had most likely never heard. He had not
married Lady Caroline.</p>
<p>This morning's intelligence brought the Luxmore family so much to our
thoughts, that driving out after breakfast, John and I involuntarily
recurred to the subject. Nay, talking on, in the solitude of our front
seat—for Mrs. Halifax, Miss Halifax, and Mrs. Edwin Halifax, in the
carriage behind, were deep in some other subject—we fell upon a topic
which by tacit consent had been laid aside, as in our household we held
it good to lay aside any inevitable regret.</p>
<p>"Poor Maud! how eager she was to hear the news to-day. She little
thinks how vitally it might have concerned her."</p>
<p>"No," John answered thoughtfully; then asked me with some abruptness,
"Why did you say 'poor Maud'?"</p>
<p>I really could not tell; it was a mere accident, the unwitting
indication of some crotchets of mine, which had often come into my mind
lately. Crotchets, perhaps peculiar to one, who, never having known a
certain possession, found himself rather prone to over-rate its value.
But it sometimes struck me as hard, considering how little honest and
sincere love there is in the world, that Maud should never have known
of Lord Ravenel's.</p>
<p>Possibly, against my will, my answer implied something of this; for
John was a long time silent. Then he began to talk of various matters;
telling me of many improvements he was planning and executing, on his
property, and among his people. In all his plans, and in the carrying
out of them, I noticed one peculiarity, strong in him throughout his
life, but latterly grown stronger than ever—namely, that whatever he
found to do, he did immediately. Procrastination had never been one of
his faults; now, he seemed to have a horror of putting anything off
even for a single hour. Nothing that could be done did he lay aside
until it was done; his business affairs were kept in perfect order,
each day's work being completed with the day. And in the
thousand-and-one little things that were constantly arising, from his
position as magistrate and land-owner, and his general interest in the
movements of the time, the same system was invariably pursued. In his
relations with the world outside, as in his own little valley, he
seemed determined to "work while it was day." If he could possibly
avoid it, no application was ever unattended to; no duty left
unfinished; no good unacknowledged; no evil unremedied, or at least
unforgiven.</p>
<p>"John," I said, as to-day this peculiarity of his struck me more than
usual, "thou art certainly one of the faithful servants whom the Master
when He cometh will find watching."</p>
<p>"I hope so. It ought to be thus with all men—but especially with me."</p>
<p>I imagined from his tone that he was thinking of his responsibility as
father, master, owner of large wealth. How could I know—how could I
guess—beyond this!</p>
<p>"Do you think she looks pale, Phineas?" he asked suddenly.</p>
<p>"Who—your wife?"</p>
<p>"No—Maud. My little Maud."</p>
<p>It was but lately that he called her "his" little Maud; since with that
extreme tenacity of attachment which was a part of his nature—refusing
to put any one love in another love's place—his second daughter had
never been to him like the first. Now, however, I had noticed that he
took Maud nearer to his heart, made her more often his companion,
watching her with a sedulous tenderness—it was easy to guess why.</p>
<p>"She may have looked a little paler of late, a little more thoughtful.
But I am sure she is not unhappy."</p>
<p>"I believe not—thank God!"</p>
<p>"Surely," I said anxiously, "you have never repented what you did about
Lord Ravenel?"</p>
<p>"No—not once. It cost me so much, that I know it was right to be
done."</p>
<p>"But if things had been otherwise—if you had not been so sure of
Maud's feelings—"</p>
<p>He started, painfully; then answered—"I think I should have done it
still."</p>
<p>I was silent. The paramount right, the high prerogative of love, which
he held as strongly as I did, seemed attacked in its liberty divine.
For the moment, it was as if he too had in his middle-age gone over to
the cold-blooded ranks of harsh parental prudence, despotic paternal
rule; as if Ursula March's lover and Maud's father were two distinct
beings. One finds it so, often enough, with men.</p>
<p>"John," I said, "could you have done it? could you have broken the
child's heart?"</p>
<p>"Yes, if it was to save her peace, perhaps her soul, I could have
broken my child's heart."</p>
<p>He spoke solemnly, with an accent of inexpressible pain, as if this
were not the first time by many that he had pondered over such a
possibility.</p>
<p>"I wish, Phineas, to make clear to you, in case of—of any future
misconceptions—my mind on this matter. One right alone I hold
superior to the right of love,—duty. It is a father's duty, at all
risks, at all costs, to save his child from anything which he believes
would peril her duty—so long as she is too young to understand fully
how beyond the claim of any human being, be it father or lover, is
God's claim to herself and her immortal soul. Anything which would
endanger that should be cut off—though it be the right hand—the right
eye. But, thank God, it was not thus with my little Maud."</p>
<p>"Nor with him either. He bore his disappointment well."</p>
<p>"Nobly. It may make a true nobleman of him yet. But, being what he
is, and for as long as he remains so, he must not be trusted with my
little Maud. I must take care of her while I live: afterwards—"</p>
<p>His smile faded, or rather was transmuted into that grave
thoughtfulness which I had lately noticed in him, when, as now, he fell
into one of his long silences. There was nothing sad about it; rather
a serenity which reminded me of that sweet look of his boyhood, which
had vanished during the manifold cares of his middle life. The
expression of the mouth, as I saw it in profile—close and calm—almost
inclined me to go back to the fanciful follies of our youth, and call
him "David."</p>
<p>We drove through Norton Bury, and left Mrs. Edwin there. Then on,
along the familiar road, towards the manor-house; past the white gate,
within sight of little Longfield.</p>
<p>"It looks just the same—the tenant takes good care of it." And John's
eyes turned fondly to his old home.</p>
<p>"Ay, just the same. Do you know your wife was saying to me this
morning, that when Guy comes back, when all the young folk are married,
and you retire from business and settle into the otium cum dignitate,
the learned leisure you used to plan—she would like to give up
Beechwood. She said, she hopes you and she will end your days together
at little Longfield."</p>
<p>"Did she? Yes, I know that has been always her dream."</p>
<p>"Scarcely a dream, or one that is not unlikely to be fulfilled. I like
to fancy you both two old people, sitting on either side the fire—or
on the same side if you like it best; very cheerful—you will make such
a merry old man, John, with all your children round you, and indefinite
grandchildren about the house continually. Or else you two will sit
alone together, just as in your early married days—you and your old
wife—the dearest and handsomest old lady that ever was seen."</p>
<p>"Phineas—don't—don't." I was startled by the tone in which he
answered the lightness of mine. "I mean—don't be planning out the
future. It is foolish—it is almost wrong. God's will is not as our
will; and He knows best."</p>
<p>I would have spoken; but just then we reached the manor-house gate, and
plunged at once into present life, and into the hospitable circle of
the Oldtowers.</p>
<p>They were all in the excitement of a wonderful piece of gossip; gossip
so strange, sudden, and unprecedented, that it absorbed all lesser
matters. It burst out before we had been in the house five minutes.</p>
<p>"Have you heard this extraordinary report about the Luxmore family?"</p>
<p>I could see Maud turn with eager attention—fixing her eyes wistfully
on Lady Oldtower.</p>
<p>"About the earl's death. Yes, we saw it in the newspaper." And John
passed on to some other point of conversation. In vain.</p>
<p>"This news relates to the present earl. I never heard of such a
thing—never. In fact, if true, his conduct is something which in its
self-denial approaches absolute insanity. Is it possible that, being
so great a friend of your family, he has not informed you of the
circumstances?"</p>
<p>These circumstances, with some patience, we extracted from the voluble
Lady Oldtower. She had learnt them—I forget how: but news never
wants a tongue to carry it.</p>
<p>It seemed that on the earl's death it was discovered, what had already
been long suspected, that his liabilities, like his extravagances, were
enormous. That he was obliged to live abroad to escape in some degree
the clamorous haunting of the hundreds he had ruined: poor
tradespeople, who knew that their only chance of payment was during the
old man's life-time, for his whole property was entailed on the son.</p>
<p>Whether Lord Ravenel had ever been acquainted with the state of things,
or whether, being in ignorance of it, his own style of living had in
degree imitated his father's, rumour did not say, nor indeed was it of
much consequence. The facts subsequently becoming known immediately
after Lord Luxmore's death, made all former conjectures unnecessary.</p>
<p>Not a week before he died, the late earl and his son—chiefly it was
believed on the latter's instigation—had cut off the entail, thereby
making the whole property saleable, and available for the payment of
creditors. Thus by his own act, and—as some one had told somebody
that somebody else had heard Lord Ravenel say: "for the honour of the
family," the present earl had succeeded to an empty title, and—beggary.</p>
<p>"Or," Lady Oldtower added, "what to a man of rank will be the same as
beggary—a paltry two hundred a year or so—which he has reserved, they
say, just to keep him from destitution. Ah—here comes Mr. Jessop; I
thought he would. He can tell us all about it."</p>
<p>Old Mr. Jessop was as much excited as any one present.</p>
<p>"Ay—it's all true—only too true, Mr. Halifax. He was at my house
last night."</p>
<p>"Last night!" I do not think anybody caught the child's exclamation
but me; I could not help watching little Maud, noticing what strong
emotion, still perfectly child-like and unguarded in its demonstration,
was shaking her innocent bosom, and overflowing at her eyes. However,
as she sat still in the corner, nobody observed her.</p>
<p>"Yes, he slept at my house—Lord Ravenel, the Earl of Luxmore, I mean.
Much good will his title do him! My head clerk is better off than he.
He has stripped himself of every penny, except—bless me, I forgot; Mr.
Halifax, he gave me a letter for you."</p>
<p>John walked to the window to read it; but having read it, passed it
openly round the circle; as indeed was best.</p>
<P CLASS="letter">
"MY DEAR FRIEND,</p>
<P CLASS="letter">
"You will have heard that my father is no more."<br/></p>
<br/>
<p>("He used always to say 'the earl,'" whispered Maud, as she looked over
my shoulder.)</p>
<P CLASS="letter">
"I write this merely to say, what I feel sure you will already
have believed—that anything which you may learn concerning his
affairs, I was myself unaware of, except in a very slight degree, when
I last visited Beechwood.</p>
<P CLASS="letter">
"Will you likewise believe that in all I have done, or intend
doing, your interests as my tenant—which I hope you will remain—have
been, and shall be, sedulously guarded?</p>
<P CLASS="letter">
"My grateful remembrance to all your household.</p>
<P CLASS="letter">
"Faithfully yours and theirs,<br/>
"LUXMORE."<br/></p>
<br/>
<p>"Give me back the letter, Maud my child."</p>
<p>She had been taking possession of it, as in right of being his "pet"
she generally did of all Lord Ravenel's letters. But now, without a
word of objection, she surrendered it to her father.</p>
<p>"What does he mean, Mr. Jessop, about my interests as his tenant?"</p>
<p>"Bless me—I am so grieved about the matter that everything goes astray
in my head. He wished me to explain to you that he has reserved one
portion of the Luxmore property intact—Enderley Mills. The rent you
pay will, he says, be a sufficient income for him; and then while your
lease lasts no other landlord can injure you. Very thoughtful of
him—very thoughtful indeed, Mr. Halifax."</p>
<p>John made no answer.</p>
<p>"I never saw a man so altered. He went over some matters with
me—private charities, in which I have been his agent, you know—grave,
clear-headed, business-like; my clerk himself could not have done
better. Afterwards we sat and talked, and I tried—foolishly enough,
when the thing was done!—to show him what a frantic act it was both
towards himself and his heirs. But he could not see it. He said
cutting off the entail would harm nobody—for that he did not intend
ever to marry. Poor fellow!"</p>
<p>"Is he with you still?" John asked in a low tone.</p>
<p>"No; he left this morning for Paris; his father is to be buried there.
Afterwards, he said, his movements were quite uncertain. He bade me
good-bye—I—I didn't like it, I can assure you."</p>
<p>And the old man, blowing his nose with his yellow pocket-handkerchief,
and twitching his features into all manner of shapes, seemed determined
to put aside the melancholy subject, and dilated on the earl and his
affairs no more.</p>
<p>Nor did any one. Something in this young nobleman's noble act—it has
since been not without a parallel among our aristocracy—silenced the
tongue of gossip itself. The deed was so new—so unlike anything that
had been conceived possible, especially in a man like Lord Ravenel, who
had always borne the character of a harmless, idle misanthropic
nonentity—that society was really nonplussed concerning it. Of the
many loquacious visitors who came that morning to pour upon Lady
Oldtower all the curiosity of Coltham—fashionable Coltham, famous for
all the scandal of haut ton—there was none who did not speak of Lord
Luxmore and his affairs with an uncomfortable, wondering awe. Some
suggested he was going mad—others, raking up stories current of his
early youth, thought he had turned Catholic again, and was about to
enter a monastery. One or two honest hearts protested that he was a
noble fellow, and it was a pity he had determined to be the last of the
Luxmores.</p>
<p>For ourselves—Mr. and Mrs. Halifax, Maud and I—we never spoke to one
another on the subject all the morning. Not until after luncheon, when
John and I had somehow stolen out of the way of the visitors, and were
walking to and fro in the garden. The sunny fruit garden—ancient,
Dutch, and square—with its barricade of a high hedge, a stone wall,
and between it and the house a shining fence of great laurel trees.</p>
<p>Maud appeared suddenly before us from among these laurels, breathless.</p>
<p>"I got away after you, father. I—I wanted to find some
strawberries—and—I wanted to speak to you."</p>
<p>"Speak on, little lady."</p>
<p>He linked her arm in his, and she paced between us up and down the
broad walk—but without diverging to the strawberry-beds. She was
grave, and paler than ordinary. Her father asked if she were tired?</p>
<p>"No, but my head aches. Those Coltham people do talk so. Father, I
want you to explain to me, for I can't well understand all this that
they have been saying about Lord Ravenel."</p>
<p>John explained, as simply and briefly as he could.</p>
<p>"I understand. Then, though he is Earl of Luxmore, he is quite
poor—poorer than any of us? And he has made himself poor in order to
pay his own and his father's debts, and keep other people from
suffering from any fault of his? Is it so?"</p>
<p>"Yes, my child."</p>
<p>"Is it not a very noble act, father?"</p>
<p>"Very noble."</p>
<p>"I think it is the noblest act I ever heard of. I should like to tell
him so. When is he coming to Beechwood?"</p>
<p>Maud spoke quickly, with flushed cheeks, in the impetuous manner she
inherited from her mother. Her question not being immediately
answered, she repeated it still more eagerly.</p>
<p>Her father replied—"I do not know."</p>
<p>"How very strange! I thought he would come at once—to-night,
probably."</p>
<p>I reminded her that Lord Ravenel had left for Paris, bidding goodbye to
Mr. Jessop.</p>
<p>"He ought to have come to us instead of to Mr. Jessop. Write and tell
him so, father. Tell him how glad we shall be to see him. And perhaps
you can help him: you who help everybody. He always said you were his
best friend."</p>
<p>"Did he?"</p>
<p>"Ah now, do write, father dear—I am sure you will."</p>
<p>John looked down on the little maid who hung on his arm so
persuasively, then looked sorrowfully away.</p>
<p>"My child—I cannot."</p>
<p>"What, not write to him? When he is poor and in trouble? That is not
like you, father," and Maud half-loosed her arm.</p>
<p>Her father quietly put the little rebellious hand back again to its
place. He was evidently debating within himself whether he should tell
her the whole truth, or how much of it. Not that the debate was new,
for he must already have foreseen this possible, nay, certain,
conjuncture. Especially as all his dealings with his family had
hitherto been open as daylight. He held that to prevaricate, or
wilfully to give the impression of a falsehood, is almost as mean as a
direct lie. When anything occurred that he could not tell his
children, he always said plainly, "I cannot tell you," and they asked
no more.</p>
<p>I wondered exceedingly how he would deal with Maud.</p>
<p>She walked with him, submissive yet not satisfied, glancing at him from
time to time, waiting for him to speak. At last she could wait no
longer.</p>
<p>"I am sure there is something wrong. You do not care for Lord Ravenel
as much as you used to do."</p>
<p>"More, if possible."</p>
<p>"Then write to him. Say, we want to see him—I want to see him. Ask
him to come and stay a long while at Beechwood."</p>
<p>"I cannot, Maud. It would be impossible for him to come. I do not
think he is likely to visit Beechwood for some time."</p>
<p>"How long? Six months? A year, perhaps?"</p>
<p>"It may be several years."</p>
<p>"Then, I was right. Something HAS happened; you are not friends with
him any longer. And he is poor—in trouble—oh, father!"</p>
<p>She snatched her hand away, and flashed upon him reproachful eyes. John
took her gently by the arm, and made her sit down upon the wall of a
little stone bridge, under which the moat slipped with a quiet murmur.
Maud's tears dropped into it fast and free.</p>
<p>That very outburst, brief and thundery as a child's passion, gave
consolation both to her father and me. When it lessened, John spoke.</p>
<p>"Now has my little Maud ceased to be angry with her father?"</p>
<p>"I did not mean to be angry—only I was so startled—so grieved. Tell
me what has happened, please, father?"</p>
<p>"I will tell you—so far as I can. Lord Ravenel and myself had some
conversation, of a very painful kind, the last night he was with us.
After it, we both considered it advisable he should not visit us again
for the present."</p>
<p>"Why not? Had you quarrelled? or if you had, I thought my father was
always the first to forgive everybody."</p>
<p>"No, Maud, we had not quarrelled."</p>
<p>"Then, what was it?"</p>
<p>"My child, you must not ask, for indeed I cannot tell you."</p>
<p>Maud sprang up—the rebellious spirit flashing out again. "Not tell
me—me, his pet—me, that cared for him more than any of you did. I
think you ought to tell me, father."</p>
<p>"You must allow me to decide that, if you please."</p>
<p>After this answer Maud paused, and said humbly, "Does any one else
know?"</p>
<p>"Your mother, and your uncle Phineas, who happened to be present at the
time. No one else: and no one else shall know."</p>
<p>John spoke with that slight quivering and blueness of the lips which
any mental excitement usually produced in him. He sat down by his
daughter's side and took her hand.</p>
<p>"I knew this would grieve you, and I kept it from you as long as I
could. Now you must only be patient, and like a good child trust your
father."</p>
<p>Something in his manner quieted her. She only sighed and said, "she
could not understand it."</p>
<p>"Neither can I—often times, my poor little Maud. There are so many
sad things in life that we have to take upon trust, and bear, and be
patient with—yet never understand. I suppose we shall some day."</p>
<p>His eyes wandered upward to the wide-arched blue sky, which in its calm
beauty makes us fancy that Paradise is there, even though we know that
"THE KINGDOM OF HEAVEN IS WITHIN US," and that the kingdom of spirits
may be around us and about us everywhere.</p>
<p>Maud looked at her father, and crept closer to him—into his arms.</p>
<p>"I did not mean to be naughty. I will try not to mind losing him. But
I liked Lord Ravenel so much—and he was so fond of me."</p>
<p>"Child"—and her father himself could not help smiling at the
simplicity of her speech—"it is often easiest to lose those we are
fond of and who are fond of us, because, in one sense, we never can
really lose them. Nothing in this world, nor, I believe, in any other,
can part those who truly and faithfully love."</p>
<p>I think he was hardly aware how much he was implying, at least not in
its relation to her, else he would not have said it. And he would
surely have noticed, as I did, that the word "love," which had not been
mentioned before—it was "liking," "fond of," "care for," or some such
round-about, childish phrase—the word "love" made Maud start. She
darted from one to the other of us a keen glance of inquiry, and then
turned the colour of a July rose.</p>
<p>Her attitude, her blushes, the shy tremble about her mouth, reminded me
vividly, too vividly, of her mother twenty-eight years ago.</p>
<p>Alarmed, I tried to hasten the end of our conversation, lest,
voluntarily or involuntarily, it might produce the very results which,
though they might not have altered John's determination, would almost
have broken his heart.</p>
<p>So, begging her to "kiss and make friends," which Maud did, timidly,
and without attempting further questions, I hurried the father and
daughter into the house; deferring for mature consideration, the
question whether or not I should trouble John with any too-anxious
doubts of mine concerning her.</p>
<p>As we drove back through Norton Bury, I saw that while her mother and
Lady Oldtower conversed, Maud sat opposite rather more silent than her
wont; but when the ladies dismounted for shopping, she was again the
lively independent Miss Halifax,</p>
<p class="poem">
"Standing with reluctant feet,<br/>
Where womanhood and childhood meet;"<br/></p>
<P CLASS="noindent">
and assuming at once the prerogatives and immunities of both.</p>
<p>Her girlish ladyship at last got tired of silks and ribbons, and stood
with me at the shop-door, amusing herself with commenting on the
passers-by.</p>
<p>These were not so plentiful as I once remembered, though still the old
town wore its old face—appearing fairer than ever, as I myself grew
older. The same Coltham coach stopped at the Lamb Inn, and the same
group of idle loungers took an interest in its disemboguing of its
contents. But railways had done an ill turn to the coach and to poor
Norton Bury: where there used to be six inside passengers, to-day was
turned out only one.</p>
<p>"What a queer-looking little woman! Uncle Phineas, people shouldn't
dress so fine as that when they are old."</p>
<p>Maud's criticism was scarcely unjust. The light-coloured flimsy gown,
shorter than even Coltham fashionables would have esteemed decent, the
fluttering bonnet, the abundance of flaunting curls—no wonder that the
stranger attracted considerable notice in quiet Norton Bury. As she
tripped mincingly along, in her silk stockings and light shoes, a
smothered jeer arose.</p>
<p>"People should not laugh at an old woman, however conceited she may
be," said Maud, indignantly.</p>
<p>"Is she old?"</p>
<p>"Just look."</p>
<p>And surely when, as she turned from side to side, I caught her full
face—what a face it was! withered, thin, sallow almost to deathliness,
with a bright rouge-spot on each cheek, a broad smile on the ghastly
mouth.</p>
<p>"Is she crazy, Uncle Phineas?"</p>
<p>"Possibly. Do not look at her." For I was sure this must be the wreck
of such a life as womanhood does sometimes sink to—a life, the mere
knowledge of which had never yet entered our Maud's pure world.</p>
<p>She seemed surprised, but obeyed me and went in. I stood at the
shop-door, watching the increasing crowd, and pitying, with that pity
mixed with shame that every honest man must feel towards a degraded
woman, the wretched object of their jeers. Half-frightened, she still
kept up that set smile, skipping daintily from side to side of the
pavement, darting at and peering into every carriage that passed.
Miserable creature as she looked, there was a certain grace and ease in
her movements, as if she had fallen from some far higher estate.</p>
<p>At that moment, the Mythe carriage, with Mr. Brithwood in it, dozing
his daily drive away, his gouty foot propped up before him—slowly
lumbered up the street. The woman made a dart at it, but was held back.</p>
<p>"Canaille! I always hated your Norton Bury! Call my carriage. I will
go home."</p>
<p>Through its coarse discordance, its insane rage, I thought I knew the
voice. Especially when, assuming a tone of command, she addressed the
old coachman:</p>
<p>"Draw up, Peter; you are very late. People, give way! Don't you see
my carriage?"</p>
<p>There was a roar of laughter, so loud that even Mr. Brithwood opened
his dull, drunken eyes and stared about him.</p>
<p>"Canaille!"—the scream was more of terror than anger, as she almost
flung herself under the horses' heads in her eagerness to escape from
the mob. "Let me go! My carriage is waiting. I am Lady Caroline
Brithwood!"</p>
<p>The 'squire heard her. For a single instant they gazed at one
another—besotted husband, dishonoured, divorced wife—gazed with
horror and fear, as two sinners who had been each other's undoing,
might meet in the poetic torments of Dante's "Inferno," or the tangible
fire and brimstone of many a blind but honest Christian's hell. One
single instant,—and then Richard Brithwood made up his mind.</p>
<p>"Coachman, drive on!"</p>
<p>But the man—he was an old man—seemed to hesitate at urging his horses
right over "my lady." He even looked down on her with a sort of
compassion—I remembered having heard say that she was always kind and
affable to her servants.</p>
<p>"Drive on, you fool! Here"—and Mr. Brithwood threw some coin amongst
the mob—"Fetch the constable—some of you; take the woman to the
watch-house!"</p>
<p>And the carriage rolled on, leaving her there, crouched on the
kerbstone, gazing after it with something between a laugh and a moan.</p>
<p>Nobody touched her. Perhaps some had heard of her; a few might even
have seen her—driving through Norton Bury in her pristine state, as
the young 'squire's handsome wife—the charming Lady Caroline.</p>
<p>I was so absorbed in the sickening sight, that I did not perceive how
John and Ursula, standing behind me, had seen it likewise—evidently
seen and understood it all.</p>
<p>"What is to be done?" she whispered to him.</p>
<p>"What ought we to do?"</p>
<p>Here Maud came running out to see what was amiss in the street.</p>
<p>"Go in, child," said Mrs. Halifax, sharply. "Stay till I fetch you."</p>
<p>Lady Oldtower also advanced to the door; but catching some notion of
what the disturbance was, shocked and scandalised, retired into the
shop again.</p>
<p>John looked earnestly at his wife, but for once she did not or would
not understand his meaning; she drew back uneasily.</p>
<p>"What must be done?—I mean, what do you want me to do?"</p>
<p>"What only a woman can do—a woman like you, and in your position."</p>
<p>"Yes, if it were only myself. But think of the household—think of
Maud. People will talk so. It is hard to know how to act."</p>
<p>"Nay; how did One act—how would He act now, if He stood in the street
this day? If we take care of aught of His, will He not take care of us
and of our children?"</p>
<p>Mrs. Halifax paused, thought a moment, hesitated—yielded.</p>
<p>"John, you are right; you are always right. I will do anything you
please."</p>
<p>And then I saw, through the astonished crowd, in face of scores of
window-gazers, all of whom knew them, and a great number of whom they
also knew, Mr. Halifax and his wife walk up to where the miserable
woman lay.</p>
<p>John touched her lightly on the shoulder—she screamed and cowered down.</p>
<p>"Are you the constable? He said he would send the constable."</p>
<p>"Hush—do not be afraid. Cousin—Cousin Caroline."</p>
<p>God knows how long it was since any woman had spoken to her in that
tone. It seemed to startle back her shattered wits. She rose to her
feet, smiling airily.</p>
<p>"Madam, you are very kind. I believe I have had the pleasure of seeing
you somewhere. Your name is—"</p>
<p>"Ursula Halifax. Do you remember?"—speaking gently as she would have
done to a child.</p>
<p>Lady Caroline bowed—a ghastly mockery of her former sprightly grace.
"Not exactly; but I dare say I shall presently—au revoir, madame!"</p>
<p>She was going away, kissing her hand—that yellow, wrinkled, old
woman's hand,—but John stopped her.</p>
<p>"My wife wants to speak to you, Lady Caroline. She wishes you to come
home with us."</p>
<p>"Plait il?—oh yes; I understand. I shall be happy—most happy."</p>
<p>John offered her his arm with an air of grave deference; Mrs. Halifax
supported her on the other side. Without more ado, they put her in the
carriage and drove home, leaving Maud in my charge, and leaving
astounded Norton Bury to think and say exactly what it pleased.</p>
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