<h3><SPAN name="BABBLE" id="BABBLE"></SPAN>BABBLE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blab,</td><td>cackle,</td><td>gabble,</td><td>murmur,</td><td>prattle,</td></tr>
<tr><td>blurt,</td><td>chat,</td><td>gossip,</td><td>palaver,</td><td>tattle,</td></tr>
<tr><td>blurt out,</td><td>chatter,</td><td>jabber,</td><td>prate,</td><td>twaddle.</td></tr>
</table>
<p>Most of these words are onomatopoetic. The <i>cackle</i> of a hen,
the <i>gabble</i> of a goose, the <i>chatter</i> of a magpie, the <i>babble</i> of a
running stream, as applied to human speech, indicate a rapid succession
of what are to the listener meaningless sounds. <i>Blab</i> and
<i>blurt</i> (commonly <i>blurt out</i>) refer to the letting out of what the
lips can no longer keep in; <i>blab</i>, of a secret; <i>blurt out</i>, of passionate
feeling. To <i>chat</i> is to talk in an easy, pleasant way, not
without sense, but without special purpose. <i>Chatting</i> is the practise
of adults, <i>prattling</i> that of children. To <i>prate</i> is to talk idly,<span class="pgn"><SPAN name="Page_72" id="Page_72"></SPAN></span>
presumptuously, or foolishly, but not necessarily incoherently.
To <i>jabber</i> is to utter a rapid succession of unintelligible sounds,
generally more noisy than <i>chattering</i>. To <i>gossip</i> is to talk of petty
personal matters, as for pastime or mischief. To <i>twaddle</i> is to
talk feeble nonsense. To <i>murmur</i> is to utter suppressed or even
inarticulate sounds, suggesting the notes of a dove, or the sound
of a running stream, and is used figuratively of the half suppressed
utterances of affection or pity, or of complaint, resentment,
etc. Compare <span class="smcl"><SPAN href="#SPEAK">SPEAK</SPAN></span>.</p>
<h4>Prepositions:</h4>
<p>Babies babble <i>for</i> the moon; the crowd babbles <i>of</i> a hero; the
sick man babbles <i>of</i> home.</p>
<hr />
<h3><SPAN name="BANISH" id="BANISH"></SPAN>BANISH.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>ban,</td><td>dismiss,</td><td>evict,</td><td>expatriate,</td><td>ostracize,</td></tr>
<tr><td>discharge,</td><td>drive out,</td><td>exile,</td><td>expel,</td><td>oust.</td></tr>
<tr><td>dislodge,</td><td colspan="4">eject,</td></tr>
</table>
<p><i>Banish</i>, primarily to put under <i>ban</i>, to compel by authority
to leave a place or country, perhaps with restriction to some
other place or country. From a country, a person may be
<i>banished</i>, <i>exiled</i>, or <i>expatriated</i>; <i>banished</i> from any country
where he may happen to be, but <i>expatriated</i> or <i>exiled</i> only from
his own. One may <i>expatriate</i> or <i>exile</i> himself; he is <i>banished</i>
by others. <i>Banish</i> is a word of wide import; one may <i>banish</i>
disturbing thoughts; care may <i>banish</i> sleep. To <i>expel</i> is to <i>drive
out</i> with violence or rudeness, and so often with disgrace.</p>
<h4>Prepositions:</h4>
<p>Cataline was banished <i>from</i> Rome; John the Apostle was
banished <i>to</i> Patmos.</p>
<hr />
<h3>BANK.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>beach,</td><td>bound,</td><td>brink,</td><td>edge,</td><td>margin,</td><td>shore,</td></tr>
<tr><td>border,</td><td>brim,</td><td>coast,</td><td>marge,</td><td>rim,</td><td>strand.</td></tr>
</table>
<p><i>Bank</i> is a general term for the land along the edge of a water
course; it may also denote a raised portion of the bed of a river,
lake, or ocean; as, the <i>Banks</i> of Newfoundland. A <i>beach</i> is a
strip or expanse of incoherent wave-worn sand, which is often
pebbly or full of boulders; we speak of the <i>beach</i> of a lake or
ocean; a <i>beach</i> is sometimes found in the bend of a river. <i>Strand</i>
is a more poetic term for a wave-washed shore, especially as a
place for landing or embarking; as, the keel grates on the <i>strand</i>.<span class="pgn"><SPAN name="Page_73" id="Page_73"></SPAN></span>
The whole line of a country or continent that borders the sea is a
<i>coast</i>. <i>Shore</i> is any land, whether cliff, or sand, or marsh, bordering
water. We do not speak of the <i>coast</i> of a river, nor of the
<i>banks</i> of the ocean, tho there may be <i>banks</i> by or under the
sea. <i>Edge</i> is the line where land and water meet; as, the water's
<i>edge</i>. <i>Brink</i> is the place from which one may fall; as, the
river's <i>brink</i>; the <i>brink</i> of a precipice; the <i>brink</i> of ruin.</p>
<hr />
<h3><SPAN name="BANTER" id="BANTER"></SPAN>BANTER.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>badinage,</td><td>derision,</td><td>jeering,</td><td>raillery,</td><td>sarcasm,</td></tr>
<tr><td>chaff,</td><td>irony,</td><td>mockery,</td><td>ridicule,</td><td>satire.</td></tr>
</table>
<p><i>Banter</i> is the touching upon some fault, weakness, or fancied
secret of another in a way half to pique and half to please; <i>badinage</i>
is delicate, refined <i>banter</i>. <i>Raillery</i> has more sharpness,
but is usually good-humored and well meant. <i>Irony</i>, the saying
one thing that the reverse may be understood, may be either mild
or bitter. All the other words have a hostile intent. <i>Ridicule</i>
makes a person or thing the subject of contemptuous merriment;
<i>derision</i> seeks to make the object derided seem utterly despicable—to
laugh it to scorn. <i>Chaff</i> is the coarse witticism of the streets,
perhaps merry, oftener malicious; <i>jeering</i> is loud, rude <i>ridicule</i>,
as of a hostile crowd or mob. <i>Mockery</i> is more studied, and may
include mimicry and personal violence, as well as scornful speech.
A <i>satire</i> is a formal composition; a <i>sarcasm</i> may be an impromptu
sentence. The <i>satire</i> shows up follies to keep people from them;
the <i>sarcasm</i> hits them because they are foolish, without inquiring
whether it will do good or harm; the <i>satire</i> is plainly uttered; the
<i>sarcasm</i> is covert.</p>
<hr />
<h3><SPAN name="BARBAROUS" id="BARBAROUS"></SPAN>BARBAROUS.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>atrocious,</td><td>brutal,</td><td>merciless,</td><td>uncivilized,</td></tr>
<tr><td>barbarian,</td><td>cruel,</td><td>rude,</td><td>uncouth,</td></tr>
<tr><td>barbaric,</td><td>inhuman,</td><td>savage,</td><td>untamed.</td></tr>
</table>
<p>Whatever is not civilized is <i>barbarian</i>; <i>barbaric</i> indicates rude
magnificence, uncultured richness; as, <i>barbaric</i> splendor, a <i>barbaric</i>
melody. <i>Barbarous</i> refers to the worst side of <i>barbarian</i>
life, and to revolting acts, especially of cruelty, such as a civilized
man would not be expected to do; as, a <i>barbarous</i> deed. We may,
however, say <i>barbarous</i> nations, <i>barbarous</i> tribes, without implying
anything more than want of civilization and culture. <i>Savage</i><span class="pgn"><SPAN name="Page_74" id="Page_74"></SPAN></span>
is more distinctly bloodthirsty than <i>barbarous</i>. In this sense we
speak of a <i>savage</i> beast and of <i>barbarous</i> usage.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>civilized,</td><td>cultured,</td><td>elegant,</td><td>humane,</td><td>polite,</td><td>tender,</td></tr>
<tr><td>courtly,</td><td>delicate,</td><td>graceful,</td><td>nice,</td><td>refined,</td><td>urbane.</td></tr>
</table>
<hr />
<h3><SPAN name="BARRIER" id="BARRIER"></SPAN>BARRIER.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bar,</td><td>bulwark,</td><td>obstruction,</td><td>rampart,</td></tr>
<tr><td>barricade,</td><td>hindrance,</td><td>parapet,</td><td>restraint,</td></tr>
<tr><td>breastwork,</td><td>obstacle,</td><td>prohibition,</td><td>restriction.</td></tr>
</table>
<p>A <i>bar</i> is something that is or may be firmly fixed, ordinarily
with intent to prevent entrance or egress; as, the <i>bars</i> of a prison
cell; the <i>bars</i> of a wood-lot. A <i>barrier</i> obstructs, but is not necessarily
impassable. <i>Barrier</i> is used of objects more extensive
than those to which <i>bar</i> is ordinarily applied. A mountain range
may be a <i>barrier</i> to exploration; but a mass of sand across the
entrance to a harbor is called a <i>bar</i>. Discovered falsehood is a
<i>bar</i> to confidence. <i>Barricade</i> has become practically a technical
name for an improvised street fortification, and, unless in some
way modified, is usually so understood. A <i>parapet</i> is a low or
breast-high wall, as about the edge of a roof, terrace, etc., especially,
in military use, such a wall for the protection of troops; a
<i>rampart</i> is the embankment surrounding a fort, on which the
<i>parapet</i> is raised; the word <i>rampart</i> is often used as including
the <i>parapet</i>. <i>Bulwark</i> is a general word for any defensive wall
or <i>rampart</i>; its only technical use at present is in nautical language,
where it signifies the raised side of a ship above the upper
deck, topped by the rail. Compare <span class="smcl"><SPAN href="#BOUNDARY">BOUNDARY</SPAN></span>; <span class="smcl"><SPAN href="#IMPEDIMENT">IMPEDIMENT</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>admittance,</td><td>opening,</td><td>road,</td><td>transit,</td></tr>
<tr><td>entrance,</td><td>passage,</td><td>thoroughfare,</td><td>way.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>A barrier <i>to</i> progress, <i>against</i> invasion; a barrier <i>between</i>
nations.</p>
<hr />
<h3><SPAN name="BATTLE" id="BATTLE"></SPAN>BATTLE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>action,</td><td>combat,</td><td>encounter,</td><td>passage of arms,</td></tr>
<tr><td>affair,</td><td>conflict,</td><td>engagement,</td><td>skirmish,</td></tr>
<tr><td>bout,</td><td>contest,</td><td>fight,</td><td>strife.</td></tr>
</table>
<p><i>Conflict</i> is a general word which describes opponents, whether
individuals or hosts, as dashed together. One continuous <i>conflict</i>
between entire armies is a <i>battle</i>. Another <i>battle</i> may be fought
upon the same field after a considerable interval; or a new <i>battle</i><span class="pgn"><SPAN name="Page_75" id="Page_75"></SPAN></span>
may follow immediately, the armies meeting upon a new field.
An <i>action</i> is brief and partial; a <i>battle</i> may last for days. <i>Engagement</i>
is a somewhat formal expression for <i>battle</i>; as, it was
the commander's purpose to avoid a general <i>engagement</i>. A protracted
war, including many <i>battles</i>, may be a stubborn <i>contest</i>.
<i>Combat</i>, originally a hostile <i>encounter</i> between individuals, is
now used also for extensive <i>engagements</i>. A <i>skirmish</i> is between
small detachments or scattered troops. An <i>encounter</i> may be
either purposed or accidental, between individuals or armed forces.
<i>Fight</i> is a word of less dignity than <i>battle</i>; we should not ordinarily
speak of Waterloo as a <i>fight</i>, unless where the word is used
in the sense of fighting; as, I was in the thick of the <i>fight</i>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>armistice,</td><td>concord,</td><td>peace,</td><td>suspension of hostilities,</td><td>truce.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>A battle <i>of</i> giants; battle <i>between</i> armies; a battle <i>for</i> life,
<i>against</i> invaders; a battle <i>to</i> the death; the battle <i>of</i> (more rarely
<i>at</i>) Marathon.</p>
<hr />
<h3><SPAN name="BEAT" id="BEAT"></SPAN>BEAT.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bastinado,</td><td>chastise,</td><td>overcome,</td><td>spank,</td><td>thrash,</td></tr>
<tr><td>batter,</td><td>conquer,</td><td>pommel,</td><td>strike,</td><td>vanquish,</td></tr>
<tr><td>belabor,</td><td>cudgel,</td><td>pound,</td><td>surpass,</td><td>whip,</td></tr>
<tr><td>bruise,</td><td>defeat,</td><td>scourge,</td><td>switch,</td><td>worst.</td></tr>
<tr><td>castigate,</td><td>flog,</td><td colspan="3">smite,</td></tr>
</table>
<p><i>Strike</i> is the word for a single blow; to <i>beat</i> is to <i>strike</i> repeatedly,
as a bird <i>beats</i> the air with its wings. Others of the above
words describe the manner of <i>beating</i>, as <i>bastinado</i>, to <i>beat</i> on
the soles of the feet; <i>belabor</i>, to inflict a comprehensive and exhaustive
<i>beating</i>; <i>cudgel</i>, to <i>beat</i> with a stick; <i>thrash</i>, as wheat
was <i>beaten</i> out with the old hand-flail; to <i>pound</i> (akin to L. <i>pondus</i>,
a weight) is to <i>beat</i> with a heavy, and <i>pommel</i> with a blunt,
instrument. To <i>batter</i> and to <i>bruise</i> refer to the results of <i>beating</i>;
that is <i>battered</i> which is broken or defaced by repeated blows
on the surface (compare synonyms for <span class="smcl"><SPAN href="#SHATTER">SHATTER</SPAN></span>); that is <i>bruised</i>
which has suffered even one severe contusion. The metaphorical
sense of <i>beat</i>, however, so far preponderates that one may be very
badly <i>bruised</i> and <i>battered</i>, and yet not be said to be <i>beaten</i>, unless
he has got the worst of the <i>beating</i>. To <i>beat</i> a combatant is
to disable or dishearten him for further fighting. Hence <i>beat</i> becomes<span class="pgn"><SPAN name="Page_76" id="Page_76"></SPAN></span>
the synonym for every word which implies getting the advantage
of another. Compare <span class="smcl"><SPAN href="#CONQUER">CONQUER</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>fail,</td><td>fall,</td><td>get the worst of,</td><td>go down,</td><td>go under,</td><td>surrender.</td></tr>
</table>
<p>Almost all antonyms in this class are passive, and can be formed
indefinitely from the conquering words by the use of the auxiliary
<i>be</i>; as, be beaten, be defeated, be conquered, etc.</p>
<h4>Prepositions:</h4>
<p>Beat <i>with</i> a stick <i>over</i> the head; beat <i>by</i> a trick; <i>out of</i> town;
beat <i>to</i> the ground; <i>into</i> submission.</p>
<hr />
<h3><SPAN name="BEAUTIFUL" id="BEAUTIFUL"></SPAN>BEAUTIFUL.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>attractive,</td><td>charming,</td><td>exquisite,</td><td>handsome,</td></tr>
<tr><td>beauteous,</td><td>comely,</td><td>fair,</td><td>lovely,</td></tr>
<tr><td>bewitching,</td><td>delightful,</td><td>fine,</td><td>picturesque,</td></tr>
<tr><td>bonny,</td><td>elegant,</td><td>graceful,</td><td>pretty.</td></tr>
</table>
<p>The definition of beauty, "perfection of form," is a good key
to the meaning of <i>beautiful</i>, if we understand "form" in its widest
sense. There must also be harmony and unity, and in human beings
spiritual loveliness, to constitute an object or a person really
<i>beautiful</i>. Thus, we speak of a <i>beautiful</i> landscape, a <i>beautiful</i>
poem. But <i>beautiful</i> implies also, in concrete objects, softness of
outline and delicacy of mold; it is opposed to all that is hard and
rugged, hence we say a <i>beautiful</i> woman, but not a <i>beautiful</i> man.
<i>Beautiful</i> has the further limit of not transcending our powers of
appreciation. <i>Pretty</i> expresses in a far less degree that which is
pleasing to a refined taste in objects comparatively small, slight,
and dainty; as, a <i>pretty</i> bonnet; a <i>pretty</i> girl. That is <i>handsome</i>
which is not only superficially pleasing, but well and harmoniously
proportioned, with usually the added idea that it is made so by
art, breeding, or training; as, a <i>handsome</i> horse; a <i>handsome</i>
house. <i>Handsome</i> is a term far inferior to <i>beautiful</i>; we may
even say a <i>handsome</i> villain. <i>Fair</i> denotes what is bright, smooth,
clear, and without blemish; as, a <i>fair</i> face. The word applies
wholly to what is superficial; we can say "<i>fair</i>, yet false." In a
specific sense, <i>fair</i> has the sense of blond, as opposed to dark or brunette.
One who possesses vivacity, wit, good nature, or other
pleasing qualities may be <i>attractive</i> without beauty. <i>Comely</i> denotes
an aspect that is smooth, genial, and wholesome, with a certain
fulness of contour and pleasing symmetry, tho falling<span class="pgn"><SPAN name="Page_77" id="Page_77"></SPAN></span>
short of the <i>beautiful</i>; as, a <i>comely</i> matron. That is <i>picturesque</i>
which would make a striking picture.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>awkward,</td><td>frightful,</td><td>grotesque,</td><td>repulsive,</td><td>uncouth,</td></tr>
<tr><td>clumsy,</td><td>ghastly,</td><td>hideous,</td><td>shocking,</td><td>ungainly,</td></tr>
<tr><td>deformed,</td><td>grim,</td><td>horrid,</td><td>ugly,</td><td>unlovely,</td></tr>
<tr><td>disgusting,</td><td>grisly,</td><td>odious,</td><td>unattractive,</td><td>unpleasant.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>Beautiful <i>to</i> the eye; beautiful <i>in</i> appearance, <i>in</i> spirit;
"beautiful <i>for</i> situation," <i>Ps.</i> xlviii, 2; beautiful <i>of</i> aspect, <i>of</i> its
kind.</p>
<hr />
<h3><SPAN name="BECAUSE" id="BECAUSE"></SPAN>BECAUSE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>as,</td><td>for,</td><td>inasmuch as,</td><td>since.</td></tr>
</table>
<p><i>Because</i>, literally <i>by</i>-cause, is the most direct and complete
word for giving the reason of a thing. <i>Since</i>, originally denoting
succession in time, signifies a succession in a chain of reasoning, a
natural inference or result. <i>As</i> indicates something like, coordinate,
parallel. <i>Since</i> is weaker than <i>because</i>; <i>as</i> is weaker than
<i>since</i>; either may introduce the reason before the main statement;
thus, <i>since</i> or <i>as</i> you are going, I will accompany you.
Often the weaker word is the more courteous, implying less constraint;
for example, <i>as</i> you request it, I will come, rather than I
will come <i>because</i> you request it. <i>Inasmuch as</i> is a formal and
qualified expression, implying by just so much, and no more;
thus, <i>inasmuch as</i> the debtor has no property, I abandon the
claim. <i>For</i> is a loose connective, giving often mere suggestion or
indication rather than reason or cause; as, it is morning, <i>for</i> (not
<i>because</i>) the birds are singing.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>altho,</td><td>however,</td><td>nevertheless,</td><td>notwithstanding,</td><td>yet.</td></tr>
</table>
<p>Compare synonyms for <span class="smcl"><SPAN href="#BUT">BUT</SPAN></span>; <span class="smcl"><SPAN href="#NOTWITHSTANDING_conj">NOTWITHSTANDING</SPAN></span>.</p>
<hr />
<div style="break-after:column;"></div><br />