<h3><SPAN name="BECOMING" id="BECOMING"></SPAN>BECOMING.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>befitting,</td><td>congruous,</td><td>fit,</td><td>meet,</td><td>seemly,</td></tr>
<tr><td>beseeming,</td><td>decent,</td><td>fitting,</td><td>neat,</td><td>suitable,</td></tr>
<tr><td>comely,</td><td>decorous,</td><td>graceful,</td><td>proper,</td><td>worthy.</td></tr>
</table>
<p>That is <i>becoming</i> in dress which suits the complexion, figure,
and other qualities of the wearer, so as to produce on the whole a
pleasing effect. That is <i>decent</i> which does not offend modesty or
propriety. That is <i>suitable</i> which is adapted to the age, station,
situation, and other circumstances of the wearer; coarse, heavy<span class="pgn"><SPAN name="Page_78" id="Page_78"></SPAN></span>
boots are <i>suitable</i> for farm-work; a juvenile style of dress is not
<i>suitable</i> for an old lady. In conduct much the same rules apply.
The dignity and gravity of a patriarch would not be <i>becoming</i> to
a child; at a funeral lively, cheery sociability would not be <i>decorous</i>,
while noisy hilarity would not be <i>decent</i>; sumptuous display
would not be <i>suitable</i> for a poor person. <i>Fit</i> is a compendious
term for whatever fits the person, time, place, occasion, etc.; as,
a <i>fit</i> person; a <i>fit</i> abode; a <i>fit</i> place. <i>Fitting</i>, or <i>befitting</i>, is somewhat
more elegant, implying a nicer adaptation. <i>Meet</i>, a somewhat
archaic word, expresses a moral fitness; as, <i>meet</i> for
heaven. Compare <span class="smcl"><SPAN href="#BEAUTIFUL">BEAUTIFUL</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>awkward,</td><td>ill-fitting,</td><td>indecent,</td><td>unbecoming,</td><td>unseemly,</td></tr>
<tr><td>ill-becoming,</td><td>improper,</td><td>indecorous,</td><td>unfit,</td><td>unsuitable.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>The dress was becoming <i>to</i> the wearer. Such conduct was becoming
<i>in</i> him.</p>
<hr />
<h3><SPAN name="BEGINNING" id="BEGINNING"></SPAN>BEGINNING.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>arising,</td><td>inauguration,</td><td>origin,</td><td>source,</td></tr>
<tr><td>commencement,</td><td>inception,</td><td>outset,</td><td>spring,</td></tr>
<tr><td>fount,</td><td>initiation,</td><td>rise,</td><td>start.</td></tr>
<tr><td>fountain,</td><td colspan="3">opening,</td></tr>
</table>
<p>The Latin <i>commencement</i> is more formal than the Saxon <i>beginning</i>,
as the verb <i>commence</i>, is more formal than <i>begin</i>. <i>Commencement</i>
is for the most part restricted to some form of action,
while <i>beginning</i> has no restriction, but may be applied to action,
state, material, extent, enumeration, or to whatever else may be
conceived of as having a first part, point, degree, etc. The letter
A is at the <i>beginning</i> (not the <i>commencement</i>) of every alphabet.
If we were to speak of the <i>commencement</i> of the Pacific Railroad,
we should be understood to refer to the enterprise and its initiatory
act; if we were to refer to the roadway we should say "Here is
the <i>beginning</i> of the Pacific Railroad." In the great majority of
cases <i>begin</i> and <i>beginning</i> are preferable to <i>commence</i> and <i>commencement</i>
as the simple, idiomatic English words, always accurate
and expressive. "In the <i>beginning</i> was the word," <i>John</i> i, 1. An
<i>origin</i> is the point from which something starts or sets out, often
involving, and always suggesting causal connection; as, the <i>origin</i>
of evil; the <i>origin</i> of a nation, a government, or a family. A
<i>source</i> is that which furnishes a first and continuous supply, that
which flows forth freely or may be readily recurred to; as, the
<i>source</i> of a river; a <i>source</i> of knowledge; a <i>source</i> of inspiration;<span class="pgn"><SPAN name="Page_79" id="Page_79"></SPAN></span>
fertile land is a <i>source</i> (not an <i>origin</i>) of wealth. A <i>rise</i> is thought
of as in an action; we say that a lake is the <i>source</i> of a certain
river, or that the river takes its <i>rise</i> from the lake. Motley wrote
of "The <i>Rise</i> of the Dutch Republic." <i>Fount</i>, <i>fountain</i>, and
<i>spring</i>, in their figurative senses, keep close to their literal meaning.
Compare <span class="smcl"><SPAN href="#CAUSE">CAUSE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<p>See synonyms for <span class="smcl"><SPAN href="#END_n">END</SPAN></span>.</p>
<hr />
<h3><SPAN name="BEHAVIOR" id="BEHAVIOR"></SPAN>BEHAVIOR.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>action,</td><td>breeding,</td><td>conduct,</td><td>deportment,</td><td>manner,</td></tr>
<tr><td>bearing,</td><td>carriage,</td><td>demeanor,</td><td>life,</td><td>manners.</td></tr>
</table>
<p><i>Behavior</i> is our <i>action</i> in the presence of others; <i>conduct</i> includes
also that which is known only to ourselves and our Maker.
<i>Carriage</i> expresses simply the manner of holding the body, especially
in sitting or walking, as when it is said of a lady "she has a
fine <i>carriage</i>." <i>Bearing</i> refers to the bodily expression of feeling
or disposition; as, a haughty <i>bearing</i>; a noble <i>bearing</i>. <i>Demeanor</i>
is the bodily expression, not only of feelings, but of moral states;
as, a devout <i>demeanor</i>. <i>Breeding</i>, unless with some adverse limitation,
denotes that <i>manner</i> and <i>conduct</i> which result from good
birth and training. <i>Deportment</i> is <i>behavior</i> as related to a set of
rules; as, the pupil's <i>deportment</i> was faultless. A person's <i>manner</i>
may be that of a moment, or toward a single person; his <i>manners</i>
are his habitual style of <i>behavior</i> toward or before others,
especially in matters of etiquette and politeness; as, good <i>manners</i>
are always pleasing.</p>
<h4>Prepositions:</h4>
<p>The behavior <i>of</i> the pastor <i>to</i> or <i>toward</i> his people, <i>on</i> or <i>upon</i>
the streets, <i>before</i> the multitude, or <i>in</i> the church, <i>with</i> the godly,
or <i>with</i> the worldly, was alike faultless.</p>
<hr />
<h3>BEND.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bias,</td><td>curve,</td><td>diverge,</td><td>mold,</td><td>submit,</td><td>twist,</td></tr>
<tr><td>bow,</td><td>deflect,</td><td>incline,</td><td>persuade,</td><td>turn,</td><td>warp,</td></tr>
<tr><td>crook,</td><td>deviate,</td><td>influence,</td><td>stoop,</td><td>twine,</td><td>yield.</td></tr>
</table>
<p>In some cases a thing is spoken of as <i>bent</i> where the parts
make an angle; but oftener to <i>bend</i> is understood to be to draw
to or through a curve; as, to <i>bend</i> a bow. To <i>submit</i> or <i>yield</i> is to
<i>bend</i> the mind humbly to another's wishes. To <i>incline</i> or <i>influence</i>
is to <i>bend</i> another's wishes toward our own; to <i>persuade</i> is to<span class="pgn"><SPAN name="Page_80" id="Page_80"></SPAN></span>
draw them quite over. To <i>warp</i> is to <i>bend</i> silently through the
whole fiber, as a board in the sun. To <i>crook</i> is to <i>bend</i> irregularly,
as a <i>crooked</i> stick. <i>Deflect</i>, <i>deviate</i>, and <i>diverge</i> are said of
any turning away; <i>deviate</i> commonly of a slight and gradual
movement, <i>diverge</i> of a more sharp and decided one. To <i>bias</i> is
to cut across the texture, or incline to one side; in figurative use
always with an unfavorable import. <i>Mold</i> is a stronger work
than <i>bend</i>; we may <i>bend</i> by a superior force that which still resists
the constraint; as, a <i>bent</i> bow; we <i>mold</i> something plastic
entirely to some desired form.</p>
<hr />
<h3><SPAN name="BENEVOLENCE" id="BENEVOLENCE"></SPAN>BENEVOLENCE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>almsgiving,</td><td>charity,</td><td>kind-heartedness,</td><td>munificence,</td></tr>
<tr><td>beneficence,</td><td>generosity,</td><td>kindliness,</td><td>philanthropy,</td></tr>
<tr><td>benignity,</td><td>good-will,</td><td>kindness,</td><td>sympathy,</td></tr>
<tr><td>bounty,</td><td>humanity,</td><td>liberality,</td><td>unselfishness.</td></tr>
</table>
<p>According to the etymology and original usage, <i>beneficence</i> is
the doing well, <i>benevolence</i> the wishing or willing well to others;
but <i>benevolence</i> has come to include <i>beneficence</i>, and to displace
it. We should not now speak of <i>benevolence</i> which did not help,
unless where there was no power to help; even then we should
rather say <i>good-will</i> or <i>sympathy</i>. <i>Charity</i>, which originally
meant the purest love for God and man (as in <i>1 Cor.</i> xiii), is now
almost universally applied to some form of <i>almsgiving</i>, and is
much more limited in meaning than <i>benevolence</i>. <i>Benignity</i> suggests
some occult power of blessing, such as was formerly ascribed
to the stars; we may say a good man has an air of <i>benignity</i>.
<i>Kindness</i> and <i>tenderness</i> are personal; <i>benevolence</i> and <i>charity</i>
are general. <i>Kindness</i> extends to all sentient beings, whether men
or animals, in prosperity or in distress. <i>Tenderness</i> especially
goes out toward the young, feeble, and needy, or even to the dead.
<i>Humanity</i> is so much <i>kindness</i> and <i>tenderness</i> toward man or beast
as it would be inhuman not to have; we say of some act of care or
<i>kindness</i>, "common <i>humanity</i> requires it." <i>Generosity</i> is self-forgetful
<i>kindness</i> in disposition or action; it includes much besides
giving; as, the <i>generosity</i> of forgiveness. <i>Bounty</i> applies to
ample giving, which on a larger scale is expressed by <i>munificence</i>.
<i>Liberality</i> indicates broad, genial kindly views, whether manifested
in gifts or otherwise. We speak of the <i>bounty</i> of a generous
host, the <i>liberality</i> or <i>munificence</i> of the founder of a college,
or of the <i>liberality</i> of a theologian toward the holders of conflicting<span class="pgn"><SPAN name="Page_81" id="Page_81"></SPAN></span>
beliefs. <i>Philanthropy</i> applies to wide schemes for human
welfare, often, but not always, involving large expenditures in
<i>charity</i> or <i>benevolence</i>. Compare <span class="smcl"><SPAN href="#MERCY">MERCY</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>barbarity,</td><td>greediness,</td><td>ill-will,</td><td>malignity,</td><td>self-seeking,</td></tr>
<tr><td>brutality,</td><td>harshness,</td><td>inhumanity,</td><td>niggardliness,</td><td>stinginess,</td></tr>
<tr><td>churlishness,</td><td>illiberality,</td><td>malevolence,</td><td>selfishness,</td><td>unkindness.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>Benevolence <i>of</i>, <i>on the part of</i>, or <i>from</i> the wealthy, <i>to</i> or
<i>toward</i> the poor.</p>
<hr />
<h3><SPAN name="BIND" id="BIND"></SPAN>BIND.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>compel,</td><td>fetter,</td><td>oblige,</td><td>restrict,</td><td>shackle,</td></tr>
<tr><td>engage,</td><td>fix,</td><td>restrain,</td><td>secure,</td><td>tie.</td></tr>
<tr><td colspan="5">fasten,</td></tr>
</table>
<p><i>Binding</i> is primarily by something flexible, as a cord or bandage
drawn closely around an object or group of objects, as when
we <i>bind</i> up a wounded limb. We <i>bind</i> a sheaf of wheat with a
cord; we <i>tie</i> the cord in a knot; we <i>fasten</i> by any means that
will make things hold together, as a board by nails, or a door by a
lock. The verbs <i>tie</i> and <i>fasten</i> are scarcely used in the figurative
sense, tho, using the noun, we speak of the <i>ties</i> of affection.
<i>Bind</i> has an extensive figurative use. One is <i>bound</i> by conscience
or honor; he is <i>obliged</i> by some imperious necessity; <i>engaged</i> by
his own promise; <i>compelled</i> by physical force or its moral equivalent.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>free,</td><td>loose,</td><td>set free,</td><td>unbind,</td><td>unfasten,</td><td>unloose,</td><td>untie.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>Bind <i>to</i> a pillar; <i>unto</i> an altar; <i>to</i> a service; bind one <i>with</i>
chains or <i>in</i> chains; one is bound <i>by</i> a contract; a splint is bound
<i>upon</i> a limb; the arms may be bound <i>to</i> the sides or <i>behind</i> the
back; bind a wreath <i>about</i>, <i>around</i>, or <i>round</i> the head; twigs
are bound <i>in</i> or <i>into</i> fagots; for military purposes, they are bound
<i>at</i> both ends and <i>in</i> the middle; one is bound <i>by</i> a contract, or
bound <i>under</i> a penalty to fulfil a contract.</p>
<hr />
<h3><SPAN name="BITTER" id="BITTER"></SPAN>BITTER.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>acerb,</td><td>acidulous,</td><td>caustic,</td><td>pungent,</td><td>stinging,</td></tr>
<tr><td>acetous,</td><td>acrid,</td><td>cutting,</td><td>savage,</td><td>tart,</td></tr>
<tr><td>acid,</td><td>acrimonious,</td><td>harsh,</td><td>sharp,</td><td>vinegarish,</td></tr>
<tr><td>acidulated,</td><td>biting,</td><td>irate,</td><td>sour,</td><td>virulent.</td></tr>
</table>
<p><i>Acid</i>, <i>sour</i>, and <i>bitter</i> agree in being contrasted with <i>sweet</i>, but<span class="pgn"><SPAN name="Page_82" id="Page_82"></SPAN></span>
the two former are sharply distinguished from the latter. <i>Acid</i>
or <i>sour</i> is the taste of vinegar or lemon-juice; <i>bitter</i> that of quassia,
quinine, or strychnine. <i>Acrid</i> is nearly allied to <i>bitter</i>. <i>Pungent</i>
suggests the effect of pepper or snuff on the organs of taste
or smell; as, a <i>pungent</i> odor. <i>Caustic</i> indicates the corroding
effect of some strong chemical, as nitrate of silver. In a figurative
sense, as applied to language or character, these words are very
closely allied. We say a <i>sour</i> face, <i>sharp</i> words, <i>bitter</i> complaints,
<i>caustic</i> wit, <i>cutting</i> irony, <i>biting</i> sarcasm, a <i>stinging</i> taunt, <i>harsh</i>
judgment, a <i>tart</i> reply. <i>Harsh</i> carries the idea of intentional and
severe unkindness, <i>bitter</i> of a severity that arises from real or supposed
ill treatment. The <i>bitter</i> speech springs from the sore heart.
<i>Tart</i> and <i>sharp</i> utterances may not proceed from an intention to
wound, but merely from a wit recklessly keen; <i>cutting</i>, <i>stinging</i>,
and <i>biting</i> speech indicates more or less of hostile intent, the latter
being the more deeply malicious. The <i>caustic</i> utterance is meant
to burn, perhaps wholesomely, as in the satire of Juvenal or Cervantes.
Compare <span class="smcl"><SPAN href="#MOROSE">MOROSE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>dulcet,</td><td>honeyed,</td><td>luscious,</td><td>nectared,</td><td>saccharine,</td><td>sweet.</td></tr>
</table>
<hr />
<h3>BLEACH, <span class="nbi">v.</span></h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blanch,</td><td>make white,</td><td>whiten,</td><td>whitewash.</td></tr>
</table>
<p>To <i>whiten</i> is to <i>make white</i> in general, but commonly it means
to overspread with white coloring-matter. <i>Bleach</i> and <i>blanch</i>
both signify to <i>whiten</i> by depriving of color, the former permanently,
as linen; the latter either permanently (as, to <i>blanch</i> celery)
or temporarily (as, to <i>blanch</i> the cheek with fear). To <i>whitewash</i>
is to <i>whiten</i> superficially, especially by false approval.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blacken,</td><td>color,</td><td>darken,</td><td>dye,</td><td>soil,</td><td>stain.</td></tr>
</table>
<hr />
<h3><SPAN name="BLEMISH" id="BLEMISH"></SPAN>BLEMISH.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blot,</td><td>defacement,</td><td>disgrace,</td><td>injury,</td><td>spot,</td></tr>
<tr><td>blur,</td><td>defect,</td><td>dishonor,</td><td>reproach,</td><td>stain,</td></tr>
<tr><td>brand,</td><td>deformity,</td><td>fault,</td><td>smirch,</td><td>stigma,</td></tr>
<tr><td>crack,</td><td>dent,</td><td>flaw,</td><td>soil,</td><td>taint,</td></tr>
<tr><td>daub,</td><td>disfigurement,</td><td>imperfection,</td><td>speck,</td><td>tarnish.</td></tr>
</table>
<p>Whatever mars the beauty or completeness of an object is a
<i>blemish</i>, whether original, as squinting eyes, or the result of accident
or disease, etc., as the pits of smallpox. A <i>blemish</i> is superficial;
a <i>flaw</i> or <i>taint</i> is in structure or substance. In the moral<span class="pgn"><SPAN name="Page_83" id="Page_83"></SPAN></span>
sense, we speak of a <i>blot</i> or <i>stain</i> upon reputation; a <i>flaw</i> or <i>taint</i>
in character. A <i>defect</i> is the want or lack of something; <i>fault</i>,
primarily a failing, is something that fails of an apparent intent
or disappoints a natural expectation; thus a sudden dislocation or
displacement of geological strata is called a <i>fault</i>. Figuratively,
a <i>blemish</i> comes from one's own ill-doing; a <i>brand</i> or <i>stigma</i> is
inflicted by others; as, the <i>brand</i> of infamy.</p>
<hr />
<h3>BLOW.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>box,</td><td>concussion,</td><td>disaster,</td><td>misfortune,</td><td>stripe,</td></tr>
<tr><td>buffet,</td><td>cuff,</td><td>knock,</td><td>rap,</td><td>stroke,</td></tr>
<tr><td>calamity,</td><td>cut,</td><td>lash,</td><td>shock,</td><td>thump.</td></tr>
</table>
<p>A <i>blow</i> is a sudden impact, as of a fist or a club; a <i>stroke</i> is a
sweeping movement; as, the <i>stroke</i> of a sword, of an oar, of the
arm in swimming. A <i>shock</i> is the sudden encounter with some
heavy body; as, colliding railway-trains meet with a <i>shock</i>; the
<i>shock</i> of battle. A <i>slap</i> is given with the open hand, a <i>lash</i> with
a whip, thong, or the like; we speak also of the <i>cut</i> of a whip. A
<i>buffet</i> or <i>cuff</i> is given only with the hand; a <i>blow</i> either with hand
or weapon. A <i>cuff</i> is a somewhat sidelong <i>blow</i>, generally with
the open hand; as, a <i>cuff</i> or <i>box</i> on the ear. A <i>stripe</i> is the effect
or mark of a <i>stroke</i>. In the metaphorical sense, <i>blow</i> is used for
sudden, stunning, staggering <i>calamity</i> or sorrow; <i>stroke</i> for
sweeping <i>disaster</i>, and also for sweeping achievement and success.
We say a <i>stroke</i> of paralysis, or a <i>stroke</i> of genius. We speak of
the <i>buffets</i> of adverse fortune. <i>Shock</i> is used of that which is at
once sudden, violent, and prostrating; we speak of a <i>shock</i> of
electricity, the <i>shock</i> of an amputation, a <i>shock</i> of surprise. Compare
<span class="smcl"><SPAN href="#BEAT">BEAT</SPAN></span>.</p>
<hr />
<h3>BLUFF.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>abrupt,</td><td>brusk,</td><td>impolite,</td><td>rough,</td></tr>
<tr><td>blunt,</td><td>coarse,</td><td>inconsiderate,</td><td>rude,</td></tr>
<tr><td>blustering,</td><td>discourteous,</td><td>open,</td><td>uncivil,</td></tr>
<tr><td>bold,</td><td>frank,</td><td>plain-spoken,</td><td>unmannerly.</td></tr>
</table>
<p><i>Bluff</i> is a word of good meaning, as are <i>frank</i> and <i>open</i>. The
<i>bluff</i> man talks and laughs loudly and freely, says and does whatever
he pleases with fearless good nature, and with no thought of
annoying or giving pain to others. The <i>blunt</i> man says things
which he is perfectly aware are disagreeable, either from a defiant
indifference to others' feelings, or from the pleasure of tormenting.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bland,</td><td>courteous,</td><td>genial,</td><td>polished,</td><td>polite,</td><td>refined,</td><td>reserved,</td><td>urbane.</td></tr>
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