<h3>BODY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>ashes,</td><td>clay,</td><td>dust,</td><td>frame,</td><td>system,</td></tr>
<tr><td>carcass,</td><td>corpse,</td><td>form,</td><td>remains,</td><td>trunk.</td></tr>
</table>
<p><i>Body</i> denotes the entire physical structure, considered as a
whole, of man or animal; <i>form</i> looks upon it as a thing of shape
and outline, perhaps of beauty; <i>frame</i> regards it as supported by
its bony framework; <i>system</i> views it as an assemblage of many
related and harmonious organs. <i>Body</i>, <i>form</i>, <i>frame</i>, and <i>system</i>
may be either dead or living; <i>clay</i> and <i>dust</i> are sometimes so used
in religious or poetic style, tho ordinarily these words are used
only of the dead. <i>Corpse</i> and <i>remains</i> are used only of the dead.
<i>Corpse</i> is the plain technical word for a dead body still retaining
its unity; <i>remains</i> may be used after any lapse of time; the latter
is also the more refined and less ghastly term; as, friends are
invited to view the <i>remains</i>. <i>Carcass</i> applies only to the <i>body</i> of
an animal, or of a human being regarded with contempt and
loathing. Compare <span class="smcl"><SPAN href="#COMPANY">COMPANY</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>intellect,</td><td>intelligence,</td><td>mind,</td><td>soul,</td><td>spirit.</td></tr>
</table>
<hr />
<h3>BOTH.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>twain,</td><td>two.</td></tr>
</table>
<p><i>Both</i> refers to <i>two</i> objects previously <i>mentioned</i>, or had in
mind, viewed or acting in connection; as, <i>both</i> men fired at once;
"<i>two</i> men fired" might mean any two, out of any number, and
without reference to any previous thought or mention. <i>Twain</i> is
a nearly obsolete form of <i>two</i>. <i>The two</i>, or <i>the twain</i>, is practically
equivalent to <i>both</i>; <i>both</i>, however, expresses a closer unity.
We would say <i>both</i> men rushed against the enemy; the <i>two</i> men
flew at each other. Compare <span class="smcl"><SPAN href="#EVERY">EVERY</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>each,</td><td>either,</td><td>every,</td><td>neither,</td><td>none,</td><td>no one,</td><td>not any.</td></tr>
</table>
<hr />
<h3><SPAN name="BOUNDARY" id="BOUNDARY"></SPAN>BOUNDARY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>barrier,</td><td>confines,</td><td>limit,</td><td>margin,</td></tr>
<tr><td>border,</td><td>edge,</td><td>line,</td><td>term,</td></tr>
<tr><td>bound,</td><td>enclosure,</td><td>marches,</td><td>termination,</td></tr>
<tr><td>bourn,</td><td>frontier,</td><td>marge,</td><td>verge.</td></tr>
<tr><td>bourne,</td><td colspan="3">landmark,</td></tr>
</table>
<p>The <i>boundary</i> was originally the <i>landmark</i>, that which
marked off one piece of territory from another. The <i>bound</i> is the<span class="pgn"><SPAN name="Page_85" id="Page_85"></SPAN></span>
<i>limit</i>, marked or unmarked. Now, however, the difference between
the two words has come to be simply one of usage. As
regards territory, we speak of the <i>boundaries</i> of a nation or of an
estate; the <i>bounds</i> of a college, a ball-ground, etc. <i>Bounds</i> may
be used for all within the <i>limits</i>, <i>boundary</i> for the limiting line
only. <i>Boundary</i> looks to that which is without; <i>bound</i> only to
that which is within. Hence we speak of the <i>bounds</i>, not the
<i>boundaries</i>, of a subject, of the universe, etc.; we say the students
were forbidden to go beyond the <i>bounds</i>. A <i>barrier</i> is something
that bars ingress or egress. A <i>barrier</i> may be a <i>boundary</i>,
as was the Great Wall of China. <i>Bourn</i>, or <i>bourne</i>, is a poetical
expression for <i>bound</i> or <i>boundary</i>. A <i>border</i> is a strip of land
along the <i>boundary</i>. <i>Edge</i> is a sharp terminal line, as where
river or ocean meets the land. <i>Limit</i> is now used almost wholly
in the figurative sense; as, the <i>limit</i> of discussion, of time, of
jurisdiction. <i>Line</i> is a military term; as, within the <i>lines</i>, or
through the <i>lines</i>, of an army. Compare <span class="smcl"><SPAN href="#BARRIER">BARRIER</SPAN></span>; <span class="smcl"><SPAN href="#END_n">END</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>center,</td><td>citadel,</td><td>estate,</td><td>inside,</td><td>interior,</td><td>land,</td><td>region,</td><td>territory.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>The boundaries <i>of</i> an estate; the boundary <i>between</i> neighboring
territories.</p>
<hr />
<h3><SPAN name="BRAVE" id="BRAVE"></SPAN>BRAVE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>adventurous,</td><td>courageous,</td><td>fearless,</td><td>undaunted,</td></tr>
<tr><td>bold,</td><td>daring,</td><td>gallant,</td><td>undismayed,</td></tr>
<tr><td>chivalric,</td><td>dauntless,</td><td>heroic,</td><td>valiant,</td></tr>
<tr><td>chivalrous,</td><td>doughty,</td><td>intrepid,</td><td>venturesome.</td></tr>
</table>
<p>The <i>adventurous</i> man goes in quest of danger; the <i>bold</i> man
stands out and faces danger or censure; the <i>brave</i> man combines
confidence with resolution in presence of danger; the <i>chivalrous</i> man
puts himself in peril for others' protection. The <i>daring</i> step out
to defy danger; the <i>dauntless</i> will not flinch before anything that
may come to them; the <i>doughty</i> will give and take limitless hard
knocks. The <i>adventurous</i> find something romantic in dangerous
enterprises; the <i>venturesome</i> may be simply heedless, reckless, or
ignorant. All great explorers have been <i>adventurous</i>; children,
fools, and criminals are <i>venturesome</i>. The <i>fearless</i> and <i>intrepid</i>
possess unshaken nerves in any place of danger. <i>Courageous</i>
is more than <i>brave</i>, adding a moral element: the <i>courageous</i> man
steadily encounters perils to which he may be keenly sensitive, at
the call of duty; the <i>gallant</i> are <i>brave</i> in a dashing, showy, and<span class="pgn"><SPAN name="Page_86" id="Page_86"></SPAN></span>
splendid way; the <i>valiant</i> not only dare great dangers, but
achieve great results; the <i>heroic</i> are nobly <i>daring</i> and <i>dauntless</i>,
truly <i>chivalrous</i>, sublimely <i>courageous</i>. Compare <span class="smcl"><SPAN href="#FORTITUDE">FORTITUDE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>afraid,</td><td>cringing,</td><td>fearful,</td><td>pusillanimous,</td><td>timid,</td></tr>
<tr><td>cowardly,</td><td>faint-hearted,</td><td>frightened,</td><td>shrinking,</td><td>timorous.</td></tr>
</table>
<hr />
<h3><SPAN name="BREAK" id="BREAK"></SPAN>BREAK.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bankrupt,</td><td>crack,</td><td>destroy,</td><td>rive,</td><td>shatter,</td><td>split,</td></tr>
<tr><td>burst,</td><td>crush,</td><td>fracture,</td><td>rupture,</td><td>shiver,</td><td>sunder,</td></tr>
<tr><td>cashier,</td><td>demolish,</td><td>rend,</td><td>sever,</td><td>smash,</td><td>transgress.</td></tr>
</table>
<p>To <i>break</i> is to divide sharply, with severance of particles, as by
a blow or strain. To <i>burst</i> is to <i>break</i> by pressure from within, as a
bombshell, but it is used also for the result of violent force otherwise
exerted; as, to <i>burst</i> in a door, where the door yields as if
to an explosion. To <i>crush</i> is to <i>break</i> by pressure from without,
as an egg-shell. To <i>crack</i> is to <i>break</i> without complete severance
of parts; a <i>cracked</i> cup or mirror may still hold together. <i>Fracture</i>
has a somewhat similar sense. In a <i>fractured</i> limb, the ends
of the <i>broken</i> bone may be separated, tho both portions are
still retained within the common muscular tissue. A <i>shattered</i>
object is <i>broken</i> suddenly and in numerous directions; as, a vase
is <i>shattered</i> by a blow, a building by an earthquake. A <i>shivered</i>
glass is <i>broken</i> into numerous minute, needle-like fragments. To
<i>smash</i> is to <i>break</i> thoroughly to pieces with a crashing sound by
some sudden act of violence; a watch once <i>smashed</i> will scarcely
be worth repair. To <i>split</i> is to cause wood to crack or part in the
way of the grain, and is applied to any other case where a natural
tendency to separation is enforced by an external cause; as, to
<i>split</i> a convention or a party. To <i>demolish</i> is to beat down, as a
mound, building, fortress, etc.; to <i>destroy</i> is to put by any process
beyond restoration physically, mentally, or morally; to <i>destroy</i>
an army is so to <i>shatter</i> and scatter it that it can not be rallied or
reassembled as a fighting force. Compare <span class="smcl"><SPAN href="#REND">REND</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>attach,</td><td>bind,</td><td>fasten,</td><td>join,</td><td>mend,</td><td>secure,</td><td>solder,</td><td>unite,</td><td>weld.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>Break <i>to</i> pieces, or <i>in</i> pieces, <i>into</i> several pieces (when the object
is thought of as divided rather than shattered); break <i>with</i> a
friend; <i>from</i> or <i>away from</i> a suppliant; break <i>into</i> a house; <i>out
of</i> prison; break <i>across</i> one's knee; break <i>through</i> a hedge; break
<i>in upon</i> one's retirement; break <i>over</i> the rules; break <i>on</i> or <i>upon</i>
the shore, <i>against</i> the rocks.</p>
<hr /><p><span class="pgn"><SPAN name="Page_87" id="Page_87"></SPAN></span></p>
<h3>BRUTISH.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>animal,</td><td>brutal,</td><td>ignorant,</td><td>sensual,</td><td>swinish,</td></tr>
<tr><td>base,</td><td>brute,</td><td>imbruted,</td><td>sottish,</td><td>unintellectual,</td></tr>
<tr><td>beastly,</td><td>carnal,</td><td>insensible,</td><td>stolid,</td><td>unspiritual,</td></tr>
<tr><td>bestial,</td><td>coarse,</td><td>lascivious,</td><td>stupid,</td><td>vile.</td></tr>
</table>
<p>A <i>brutish</i> man simply follows his <i>animal</i> instincts, without
special inclination to do harm; the <i>brutal</i> have always a spirit of
malice and cruelty. <i>Brute</i> has no special character, except as indicating
what a brute might possess; much the same is true of
<i>animal</i>, except that <i>animal</i> leans more to the side of sensuality,
<i>brute</i> to that of force, as appears in the familiar phrase "<i>brute</i>
force." Hunger is an <i>animal</i> appetite; a <i>brute</i> impulse suddenly
prompts one to strike a blow in anger. <i>Bestial</i>, in modern usage,
implies an intensified and degrading animalism. Any supremacy
of the <i>animal</i> or <i>brute</i> instincts over the intellectual and spiritual
in man is <i>base</i> and <i>vile</i>. <i>Beastly</i> refers largely to the outward
and visible consequences of excess; as, <i>beastly</i> drunkenness.
Compare <span class="smcl"><SPAN href="#ANIMAL">ANIMAL</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>elevated,</td><td>exalted,</td><td>great,</td><td>intellectual,</td><td>noble,</td></tr>
<tr><td>enlightened,</td><td>grand,</td><td>humane,</td><td>intelligent,</td><td>refined.</td></tr>
</table>
<hr />
<h3>BURN.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blaze,</td><td>char,</td><td>flame,</td><td>incinerate,</td><td>set fire to,</td></tr>
<tr><td>brand,</td><td>consume,</td><td>flash,</td><td>kindle,</td><td>set on fire,</td></tr>
<tr><td>cauterize,</td><td>cremate,</td><td>ignite,</td><td>scorch,</td><td>singe.</td></tr>
</table>
<p>To <i>burn</i> is to subject to the action of fire, or of intense heat so
as to effect either partial change or complete combustion; as, to
<i>burn</i> wood in the fire; to <i>burn</i> one's hand on a hot stove; the sun
<i>burns</i> the face. One <i>brands</i> with a hot iron, but <i>cauterizes</i> with
some corrosive substance, as silver nitrate. <i>Cremate</i> is now used
specifically for <i>consuming</i> a dead body by intense heat. To <i>incinerate</i>
is to reduce to ashes; the sense differs little from that of
<i>cremate</i>, but it is in less popular use. To <i>kindle</i> is to <i>set on fire</i>,
as if with a candle; <i>ignite</i> is the more learned and scientific word
for the same thing, extending even to the heating of metals to a
state of incandescence without burning. To <i>scorch</i> and to <i>singe</i>
are superficial, and to <i>char</i> usually so. Both <i>kindle</i> and <i>burn</i>
have an extensive figurative use; as, to <i>kindle</i> strife; to <i>burn</i>
with wrath, love, devotion, curiosity. Compare <span class="smcl"><SPAN href="#LIGHT">LIGHT</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>cool,</td><td>extinguish,</td><td>put out,</td><td>smother,</td><td>stifle,</td><td>subdue.</td></tr>
</table>
<p><span class="pgn"><SPAN name="Page_88" id="Page_88"></SPAN></span></p>
<h4>Prepositions:</h4>
<p>To burn <i>in</i> the fire, burn <i>with</i> fire; burn <i>to</i> the ground, burn
<i>to</i> ashes; burn <i>through</i> the skin, or the roof; burn <i>into</i> the soil, etc.</p>
<hr />
<h3><SPAN name="BUSINESS" id="BUSINESS"></SPAN>BUSINESS.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>affair,</td><td>commerce,</td><td>handicraft,</td><td>trading,</td></tr>
<tr><td>art,</td><td>concern,</td><td>job,</td><td>traffic,</td></tr>
<tr><td>avocation,</td><td>craft,</td><td>occupation,</td><td>transaction,</td></tr>
<tr><td>barter,</td><td>duty,</td><td>profession,</td><td>vocation,</td></tr>
<tr><td>calling,</td><td>employment,</td><td>trade,</td><td>work.</td></tr>
</table>
<p>A <i>business</i> is what one follows regularly; an <i>occupation</i> is
what he happens at any time to be engaged in; trout-fishing may
be one's <i>occupation</i> for a time, as a relief from <i>business</i>; <i>business</i>
is ordinarily for profit, while the <i>occupation</i> may be a matter of
learning, philanthropy, or religion. A <i>profession</i> implies scholarship;
as, the learned <i>professions</i>. <i>Pursuit</i> is an <i>occupation</i>
which one follows with ardor. An <i>avocation</i> is what calls one
away from other work; a <i>vocation</i> or <i>calling</i>, that to which one
is called by some special fitness or sense of duty; thus, we speak
of the gospel ministry as a <i>vocation</i> or <i>calling</i>, rather than a
<i>business</i>. <i>Trade</i> or <i>trading</i> is, in general, the exchanging of one
thing for another; in the special sense, a <i>trade</i> is an <i>occupation</i>
involving manual training and skilled labor; as, the ancient Jews
held that every boy should learn a <i>trade</i>. A <i>transaction</i> is a
single action, whether in <i>business</i>, diplomacy, or otherwise; <i>affair</i>
has a similar, but lighter meaning; as, this little <i>affair</i>; an important
<i>transaction</i>. The plural <i>affairs</i> has a distinctive meaning,
including all activities where men deal with one another on
any considerable scale; as, a man of <i>affairs</i>. A <i>job</i> is a piece of
work viewed as a single undertaking, and ordinarily paid for as
such. <i>Trade</i> and <i>commerce</i> may be used as equivalents, but <i>trade</i>
is capable of a more limited application; we speak of the <i>trade</i> of
a village, the <i>commerce</i> of a nation. <i>Barter</i> is the direct exchange
of commodities; <i>business</i>, <i>trade</i>, and <i>commerce</i> are chiefly
transacted by means of money, bills of exchange, etc. <i>Business</i>,
<i>occupation</i>, etc., may be what one does independently; <i>employment</i>
may be in the service of another. <i>Work</i> is any application of
energy to secure a result, or the result thus secured; thus, we
speak of the <i>work</i> of God. <i>Art</i> in the industrial sense is a system
of rules and accepted methods for the accomplishment of some
practical result; as, the <i>art</i> of printing; collectively, the <i>arts</i>. A
<i>craft</i> is some occupation requiring technical skill or manual dexterity,<span class="pgn"><SPAN name="Page_89" id="Page_89"></SPAN></span>
or the persons, collectively, engaged in its exercise; as,
the weaver's <i>craft</i>.</p>
<h4>Prepositions:</h4>
<p>The business <i>of</i> a druggist; in business <i>with</i> his father; doing
business <i>for</i> his father; have you business <i>with</i> me? business <i>in</i>
New York; business <i>about</i>, <i>concerning</i>, or <i>in regard to</i> certain
property.</p>
<hr />
<h3><SPAN name="BUT" id="BUT"></SPAN>BUT.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>and,</td><td>however,</td><td>notwithstanding,</td><td>that,</td></tr>
<tr><td>barely,</td><td>just,</td><td>only,</td><td>tho,</td></tr>
<tr><td>besides,</td><td>merely,</td><td>provided,</td><td>unless,</td></tr>
<tr><td>except,</td><td>moreover,</td><td>save,</td><td>yet.</td></tr>
<tr><td>further,</td><td>nevertheless,</td><td colspan="2">still,</td></tr>
</table>
<p><i>But</i> ranges from the faintest contrast to absolute negation; as,
I am willing to go, <i>but</i> (on the other hand) content to stay; he is
not an honest man, <i>but</i> (on the contrary) a villain. The contrast
may be with a silent thought; as, <i>but</i> let us go (it being understood
that we might stay longer). In restrictive use, <i>except</i> and
<i>excepting</i> are slightly more emphatic than <i>but</i>; we say, no injury
<i>but</i> a scratch; or, no injury <i>except</i> some painful bruises. Such
expressions as "words are <i>but</i> breath" (nothing <i>but</i>) may be
referred to the restrictive use by ellipsis. So may the use of <i>but</i>
in the sense of <i>unless</i>; as, "it never rains <i>but</i> it pours." To the
same head must be referred the conditional use; as, "you may go,
<i>but</i> with your father's consent" (<i>i. e.</i>, "<i>provided</i> you have,"
"<i>except</i> that you must have," etc.). "Doubt <i>but</i>" is now less
used than the more logical "doubt <i>that</i>." <i>But</i> never becomes a
full synonym for <i>and</i>; <i>and</i> adds something like, <i>but</i> adds something
different; "brave <i>and</i> tender" implies that tenderness is
natural to the brave; "brave <i>but</i> tender" implies that bravery
and tenderness are rarely combined. For the concessive use, compare
<span class="smcl"><SPAN href="#NOTWITHSTANDING_conj">NOTWITHSTANDING</SPAN></span>.</p>
<hr />
<h3>BY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>by dint of,</td><td>by means of,</td><td>through,</td><td>with.</td></tr>
</table>
<p><i>By</i> refers to the agent; <i>through</i>, to the means, cause, or condition;
<i>with</i>, to the instrument. <i>By</i> commonly refers to persons;
<i>with</i>, to things; <i>through</i> may refer to either. The road having
become impassable <i>through</i> long disuse, a way was opened <i>by</i>
pioneers <i>with</i> axes. <i>By</i> may, however, be applied to any object
which is viewed as partaking of action and agency; as, the metal<span class="pgn"><SPAN name="Page_90" id="Page_90"></SPAN></span>
was corroded <i>by</i> the acid; skill is gained <i>by</i> practise. We speak
of communicating <i>with</i> a person <i>by</i> letter. <i>Through</i> implies a
more distant connection than <i>by</i> or <i>with</i>, and more intervening
elements. Material objects are perceived <i>by</i> the mind <i>through</i>
the senses.</p>
<hr />
<div style="break-after:column;"></div><br />