<h3>LIKELY.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>apt,</td><td>conceivable,</td><td>liable,</td><td>probable,</td></tr>
<tr><td>credible,</td><td>conjectural,</td><td>presumable,</td><td>reasonable.</td></tr>
</table>
<p><i>Apt</i> implies a natural fitness or tendency; an impetuous person
is <i>apt</i> to speak hastily. <i>Liable</i> refers to a contingency regarded
as unfavorable; as, the ship was <i>liable</i> to founder at any
moment. <i>Likely</i> refers to a contingent event regarded as very
probable, and usually, tho not always, favorable; as, an industrious
worker is <i>likely</i> to succeed. <i>Credible</i> signifies readily
to be believed; as, a <i>credible</i> narrative; <i>likely</i> in such connection
is used ironically to signify the reverse; as, a <i>likely</i> story! A
thing is <i>conceivable</i> of which the mind can entertain the possibility;
a thing is <i>conjectural</i> which is conjectured as possible or probable
without other support than a conjecture, or tentative judgment;
a thing is <i>presumable</i> which, from what is antecedently known,
may betaken for granted in advance of proof. <i>Reasonable</i> in this
connection signifies such as the reason can be satisfied with, independently
of external grounds for belief or disbelief; as, that
seems a <i>reasonable</i> supposition. Compare <span class="smcl"><SPAN href="#APPARENT">APPARENT</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>doubtful,</td><td>improbable,</td><td>questionable,</td><td>unreasonable.</td></tr>
<tr><td>dubious,</td><td>incredible,</td><td colspan="2">unlikely,</td></tr>
</table>
<hr />
<h3>LISTEN.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>attend,</td><td>hark,</td><td>harken,</td><td>hear,</td><td>heed,</td><td>list.</td></tr>
</table>
<p>Between <i>listen</i> and <i>hear</i> is a difference like that between the
words look and see. (Compare synonyms for <span class="smcl"><SPAN href="#LOOK">LOOK</SPAN></span>.) To <i>hear</i> is<span class="pgn"><SPAN name="Page_233" id="Page_233"></SPAN></span>
simply to become conscious of sound, to <i>listen</i> is to make a conscious
effort or endeavor to <i>hear</i>. We may <i>hear</i> without <i>listening</i>,
as words suddenly uttered in an adjoining room; or we may
<i>listen</i> without <i>hearing</i>, as to a distant speaker. In <i>listening</i> the
ear is intent upon the sound; in <i>attending</i> the mind is intent
upon the thought, tho <i>listening</i> implies some attention to the
meaning or import of the sound. To <i>heed</i> is not only to <i>attend</i>,
but to remember and observe. <i>Harken</i> is nearly obsolete.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>be deaf to,</td><td>ignore,</td><td>neglect,</td><td>scorn,</td><td>slight.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>We listen <i>for</i> what we expect or desire to hear; we listen <i>to</i>
what we actually do hear; listen <i>for</i> a step, a signal, a train; listen
<i>to</i> the debate.</p>
<hr />
<h3><SPAN name="LITERATURE" id="LITERATURE"></SPAN>LITERATURE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>belles-lettres,</td><td>literary productions,</td><td>publications,</td></tr>
<tr><td>books,</td><td>literary works,</td><td>writings.</td></tr>
</table>
<p><i>Literature</i> is collective, including in the most general sense all
the written or printed productions of the human mind in all lands
and ages, or in a more limited sense, referring to all that has been
published in some land or age, or in some department of human
knowledge; as, the <i>literature</i> of Greece; the <i>literature</i> of the
Augustan age; the <i>literature</i> of politics or of art. <i>Literature</i>, used
absolutely, denotes what has been called "polite <i>literature</i>" or
<i>belles-lettres</i>, <i>i. e.</i>, the works collectively that embody taste, feeling,
loftiness of thought, and purity and beauty of style, as poetry,
history, fiction, and dramatic compositions, including also much
of philosophical writing, as the "Republic" of Plato, and oratorical
productions, as the orations of Demosthenes. In the broad
sense, we can speak of the <i>literature</i> of science; in the narrower
sense, we speak of <i>literature</i> and science as distinct departments
of knowledge. <i>Literature</i> is also used to signify literary pursuits
or occupations; as, to devote one's life to <i>literature</i>. Compare
<span class="smcl"><SPAN href="#KNOWLEDGE">KNOWLEDGE</SPAN></span>; <span class="smcl"><SPAN href="#SCIENCE">SCIENCE</SPAN></span>.</p>
<hr />
<h3>LOAD, <span class="nbi">n.</span></h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>burden,</td><td>charge,</td><td>encumbrance,</td><td>incubus,</td><td>pack,</td></tr>
<tr><td>cargo,</td><td>clog,</td><td>freight,</td><td>lading,</td><td>weight.</td></tr>
</table>
<p>A <i>burden</i> (from the Anglo-Saxon <i>byrthen</i>, from the verb <i>beran</i>,
bear) is what one has to bear, and the word is used always of that
which is borne by a living agent. A <i>load</i> (from the Anglo-Saxon<span class="pgn"><SPAN name="Page_234" id="Page_234"></SPAN></span>
<i>lād</i>, a way, course, carrying, or carriage) is what is laid upon a
person, animal, or vehicle for conveyance, or what is customarily
so imposed; as, a two-horse <i>load</i>. <i>Weight</i> measures the pressure
due to gravity; the same <i>weight</i> that one finds a moderate <i>load</i>
when in his full strength becomes a heavy <i>burden</i> in weariness or
weakness. A ship's <i>load</i> is called distinctively a <i>cargo</i>, or it may
be known as <i>freight</i> or <i>lading</i>. <i>Freight</i> denotes merchandise in or
for transportation and is used largely of transportation or of merchandise
transported by rail, which is, in commercial language,
said to be "shipped." A <i>load</i> to be fastened upon a horse or
mule is called a <i>pack</i>, and the animal is known as a pack-horse or
pack-mule.</p>
<hr />
<h3>LOCK.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>bar,</td><td>catch,</td><td>fastening,</td><td>hook,</td></tr>
<tr><td>bolt,</td><td>clasp,</td><td>hasp,</td><td>latch.</td></tr>
</table>
<p>A <i>bar</i> is a piece of wood or metal, usually of considerable size,
by which an opening is obstructed, a door held fast, etc. A <i>bar</i>
may be movable or permanent; a <i>bolt</i> is a movable rod or pin of
metal, sliding in a socket and adapted for securing a door or window.
A <i>lock</i> is an arrangement by which an enclosed <i>bolt</i> is shot
forward or backward by a key, or other device; the <i>bolt</i> is the essential
part of the <i>lock</i>. A <i>latch</i> or <i>catch</i> is an accessible <i>fastening</i>
designed to be easily movable, and simply to secure against
accidental opening of the door, cover, etc. A <i>hasp</i> is a metallic
strap that fits over a staple, calculated to be secured by a padlock;
a simple <i>hook</i> that fits into a staple is also called a <i>hasp</i>. A <i>clasp</i>
is a fastening that can be sprung into place, to draw and hold the
parts of some enclosing object firmly together, as the <i>clasp</i> of a
book.</p>
<hr />
<h3><SPAN name="LOOK" id="LOOK"></SPAN>LOOK.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>behold,</td><td>discern,</td><td>inspect,</td><td>see,</td><td>view,</td></tr>
<tr><td>contemplate,</td><td>gaze,</td><td>regard,</td><td>stare,</td><td rowspan="2">watch.</td></tr>
<tr><td>descry,</td><td>glance,</td><td>scan,</td><td>survey,</td></tr>
</table>
<p>To <i>see</i> is simply to become conscious of an object of vision; to
<i>look</i> is to make a conscious and direct endeavor to <i>see</i>. To <i>behold</i>
is to fix the sight and the mind with distinctness and consideration
upon something that has come to be clearly before the eyes. We
may <i>look</i> without <i>seeing</i>, as in pitch-darkness, and we may <i>see</i>
without <i>looking</i>, as in case of a flash of lightning. To <i>gaze</i> is to<span class="pgn"><SPAN name="Page_235" id="Page_235"></SPAN></span>
<i>look</i> intently, long, and steadily upon an object. To <i>glance</i> is to
<i>look</i> casually or momentarily. To <i>stare</i> is to <i>look</i> with a fixed intensity
such as is the effect of surprise, alarm, or rudeness. To
<i>scan</i> is to <i>look</i> at minutely, to note every visible feature. To <i>inspect</i>
is to go below the surface, uncover, study item by item.
<i>View</i> and <i>survey</i> are comprehensive, <i>survey</i> expressing the greater
exactness of measurement or estimate. <i>Watch</i> brings in the element
of time and often of wariness; we <i>watch</i> for a movement
or change, a signal, the approach of an enemy, etc. Compare
<span class="smcl"><SPAN href="#APPEAR">APPEAR</SPAN></span>.</p>
<hr />
<h3><SPAN name="LOVE" id="LOVE"></SPAN>LOVE.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>affection,</td><td>charity,</td><td>friendship,</td><td>regard,</td></tr>
<tr><td>attachment,</td><td>devotion,</td><td>liking,</td><td>tenderness.</td></tr>
<tr><td>attraction,</td><td colspan="3">fondness,</td></tr>
</table>
<p><i>Affection</i> is kindly feeling, deep, tender, and constant, going out
to some person or object, being less fervent and ardent than <i>love</i>,
whether applied to persons or things. <i>Love</i> is an intense and
absorbing emotion, drawing one toward a person or object and
causing one to appreciate, delight in, and crave the presence or
possession of the person or object loved, and to desire to please and
benefit the person, or to advance the cause, truth, or other object
of <i>affection</i>; it is the yearning or outgoing of soul toward something
that is regarded as excellent, beautiful, or desirable; <i>love</i>
may be briefly defined as strong and absorbing <i>affection</i> for and
<i>attraction</i> toward a person or object. <i>Love</i> may denote the sublimest
and holiest spiritual <i>affection</i> as when we are taught that "God
is <i>love</i>." <i>Charity</i> has so far swung aside from this original meaning
that probably it never can be recalled (compare <span class="smcl"><SPAN href="#BENEVOLENCE">BENEVOLENCE</SPAN></span>).
The Revised Version uses <i>love</i> in place of <i>charity</i> in <i>1 Cor.</i>
xiii, and elsewhere. <i>Love</i> is more intense, absorbing, and tender
than <i>friendship</i>, more intense, impulsive, and perhaps passionate
than <i>affection</i>; we speak of fervent <i>love</i>, but of deep or tender
<i>affection</i>, or of close, firm, strong <i>friendship</i>. <i>Love</i> is used specifically
for personal <i>affection</i> between the sexes in the highest
sense, the <i>love</i> that normally leads to marriage, and subsists
throughout all happy wedded life. <i>Love</i> can never properly denote
mere animal passion, which is expressed by such words as appetite,
desire, lust. One may properly be said to have <i>love</i> for animals,
for inanimate objects, or for abstract qualities that enlist the
affections, as we speak of <i>love</i> for a horse or a dog, for mountains,<span class="pgn"><SPAN name="Page_236" id="Page_236"></SPAN></span>
woods, ocean, or of <i>love</i> of nature, and <i>love</i> of virtue. <i>Love</i> of
articles of food is better expressed by <i>liking</i>, as <i>love</i>, in its full
sense, expresses something spiritual and reciprocal, such as can
have no place in connection with objects that minister merely to
the senses. Compare <span class="smcl"><SPAN href="#ATTACHMENT">ATTACHMENT</SPAN></span>; <span class="smcl"><SPAN href="#FRIENDSHIP">FRIENDSHIP</SPAN></span>.</p>
<h4>Antonyms:</h4>
<p>See synonyms for <span class="smcl"><SPAN href="#ANTIPATHY">ANTIPATHY</SPAN></span>; <span class="smcl"><SPAN href="#ENMITY">ENMITY</SPAN></span>; <span class="smcl"><SPAN href="#HATRED">HATRED</SPAN></span>.</p>
<h4>Prepositions:</h4>
<p>Love <i>of</i> country; <i>for</i> humanity; love <i>to</i> God and man.</p>
<hr />
<div style="break-after:column;"></div><br />