<h3>SHELTER.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>cover,</td><td>guard,</td><td>protect,</td><td>shield,</td></tr>
<tr><td>defend,</td><td>harbor,</td><td>screen,</td><td>ward.</td></tr>
</table>
<p>Anything is <i>covered</i> over which something is completely
extended; a vessel is <i>covered</i> with a lid; the head is <i>covered</i> with
a hat. That which <i>covers</i> may also <i>defend</i> or <i>protect</i>; thus, troops
interposed between some portion of their own army and the enemy
are often called a <i>covering</i> party. To <i>shelter</i> is to <i>cover</i> so as to
<i>protect</i> from injury or annoyance; as, the roof <i>shelters</i> from the
storm; woods <i>shelter</i> from the heat. To <i>defend</i> (L. <i>defendere</i>,
to strike away) implies the actual, <i>protect</i> (L. <i>protegere</i>, to
cover before) implies the possible use of force or resisting power;
<i>guard</i> implies sustained vigilance with readiness for conflict; we
<i>defend</i> a person or thing against actual attack; we <i>guard</i> or <i>protect</i>
against possible assault or injury. A powerful person may
<i>protect</i> one who is weak by simply declaring himself his friend;
he <i>defends</i> him by some form of active championship. An inanimate
object may <i>protect</i>, as a garment from cold; <i>defend</i> is used
but rarely, and by somewhat violent metaphor, in such connection.
<i>Protect</i> is more complete than <i>guard</i> or <i>defend</i>; an object
may be faithfully <i>guarded</i> or bravely <i>defended</i> in vain, but that
which is <i>protected</i> is secure. To <i>shield</i> is to interpose something<span class="pgn"><SPAN name="Page_332" id="Page_332"></SPAN></span>
over or before that which is assailed, so as to save from harm, and
has a comparatively passive sense; one may <i>guard</i> another by
standing armed at his side, <i>defend</i> him by fighting for him, or
<i>shield</i> him from a missile or a blow by interposing his own person.
<i>Harbor</i> is generally used in an unfavorable sense; confederates or
sympathizers <i>harbor</i> a criminal; a person <i>harbors</i> evil thoughts
or designs. See <span class="smcl"><SPAN href="#CHERISH">CHERISH</SPAN></span>. Compare synonyms for <span class="smcl"><SPAN href="#HIDE">HIDE</SPAN></span>; <span class="smcl"><SPAN href="#DEFENSE">DEFENSE</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>betray,</td><td>cast out,</td><td>expel,</td><td>expose,</td><td>give up,</td><td>refuse,</td><td>reject,</td><td>surrender.</td></tr>
</table>
<h4>Prepositions:</h4>
<p>Shelter <i>under</i> a roof <i>from</i> the storm; <i>in</i> the fortress, <i>behind</i>
or <i>within</i> the walls, <i>from</i> attack.</p>
<hr />
<h3><SPAN name="SIGN" id="SIGN"></SPAN>SIGN.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>emblem,</td><td>mark,</td><td>presage,</td><td>symbol,</td><td>token,</td></tr>
<tr><td>indication,</td><td>note,</td><td>prognostic,</td><td>symptom,</td><td>type.</td></tr>
<tr><td>manifestation,</td><td>omen,</td><td colspan="3">signal,</td></tr>
</table>
<p>A <i>sign</i> (L. <i>signum</i>) is any distinctive <i>mark</i> by which a thing
may be recognized or its presence known, and may be intentional
or accidental, natural or artificial, suggestive, descriptive, or wholly
arbitrary; thus, a blush may be a <i>sign</i> of shame; the footprint of
an animal is a <i>sign</i> that it has passed; the <i>sign</i> of a business
house now usually declares what is done or kept within, but formerly
might be an object having no connection with the business,
as "the <i>sign</i> of the trout;" the letters of the alphabet are
<i>signs</i> of certain sounds. While a <i>sign</i> may be involuntary, and
even unconscious, a <i>signal</i> is always voluntary, and is usually
concerted; a ship may show <i>signs</i> of distress to the casual observer,
but <i>signals</i> of distress are a distinct appeal for aid. A
<i>symptom</i> is a vital phenomenon resulting from a diseased condition;
in medical language a <i>sign</i> is an <i>indication</i> of any physical
condition, whether morbid or healthy; thus, a hot skin and rapid
pulse are <i>symptoms</i> of pneumonia; dulness of some portion of the
lungs under percussion is one of the physical <i>signs</i>. Compare
<span class="smcl"><SPAN href="#AUGUR">AUGUR</SPAN></span>; <span class="smcl"><SPAN href="#CHARACTERISTIC">CHARACTERISTIC</SPAN></span>; <span class="smcl"><SPAN href="#EMBLEM">EMBLEM</SPAN></span>.</p>
<hr />
<h3><SPAN name="SIN" id="SIN"></SPAN>SIN.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>crime,</td><td>fault,</td><td>misdeed,</td><td>vice,</td></tr>
<tr><td>criminality,</td><td>guilt,</td><td>offense,</td><td>viciousness,</td></tr>
<tr><td>delinquency,</td><td>ill-doing,</td><td>transgression,</td><td>wickedness,</td></tr>
<tr><td>depravity,</td><td>immorality,</td><td>ungodliness,</td><td>wrong,</td></tr>
<tr><td>evil,</td><td>iniquity,</td><td>unrighteousness,</td><td>wrong-doing.</td></tr>
</table>
<p><i>Sin</i> is any lack of holiness, any defect of moral purity and<span class="pgn"><SPAN name="Page_333" id="Page_333"></SPAN></span>
truth, whether in heart or life, whether of commission or omission.
"All <i>unrighteousness</i> is <i>sin</i>," <i>1 John</i> v, 17. <i>Transgression</i>, as its
etymology indicates, is the stepping over a specific enactment,
whether of God or man, ordinarily by overt act, but in the broadest
sense, in volition or desire. <i>Sin</i> may be either act or state;
<i>transgression</i> is always an act, mental or physical. <i>Crime</i> is often
used for a flagrant violation of right, but in the technical sense
denotes specific violation of human law. <i>Guilt</i> is desert of and
exposure to punishment because of <i>sin</i>. <i>Depravity</i> denotes not any
action, but a perverted moral condition from which any act of <i>sin</i>
may proceed. <i>Sin</i> in the generic sense, as denoting a state of
heart, is synonymous with <i>depravity</i>; in the specific sense, as in
the expression a <i>sin</i>, the term may be synonymous with <i>transgression</i>,
<i>crime</i>, <i>offense</i>, <i>misdeed</i>, etc., or may denote some moral
activity that could not be characterized by terms so positive. <i>Immorality</i>
denotes outward violation of the moral law. <i>Sin</i> is thus
the broadest word, and <i>immorality</i> next in scope; all <i>crimes</i>,
properly so called, and all <i>immoralities</i>, are <i>sins</i>; but there may
be <i>sin</i>, as ingratitude, which is neither <i>crime</i>, <i>transgression</i>, nor
<i>immorality</i>; and there may be <i>immorality</i> which is not <i>crime</i>, as
falsehood. Compare <span class="smcl"><SPAN href="#CRIMINAL">CRIMINAL</SPAN></span>.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>blamelessness,</td><td>goodness,</td><td>integrity,</td><td>rectitude,</td><td>sinlessness,</td></tr>
<tr><td>excellence,</td><td>holiness,</td><td>morality,</td><td>right,</td><td>uprightness,</td></tr>
<tr><td>godliness,</td><td>innocence,</td><td>purity,</td><td>righteousness,</td><td>virtue.</td></tr>
</table>
<p>Compare synonyms for <span class="smcl"><SPAN href="#VIRTUE">VIRTUE</SPAN></span>.</p>
<hr />
<h3>SING.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>carol,</td><td>chant,</td><td>chirp,</td><td>chirrup,</td><td>hum,</td><td>warble.</td></tr>
</table>
<p>To <i>sing</i> is primarily and ordinarily to utter a succession of
articulate musical sounds with the human voice. The word has
come to include any succession of musical sounds; we say the
bird or the rivulet <i>sings</i>; we speak of "the <i>singing</i> quality" of an
instrument, and by still wider extension of meaning we say the
teakettle or the cricket <i>sings</i>. To <i>chant</i> is to <i>sing</i> in solemn and
somewhat uniform cadence; <i>chant</i> is ordinarily applied to non-metrical
religious compositions. To <i>carol</i> is to <i>sing</i> joyously, and
to <i>warble</i> (kindred with <i>whirl</i>) is to <i>sing</i> with trills or quavers,
usually also with the idea of joy. <i>Carol</i> and <i>warble</i> are especially
applied to the <i>singing</i> of birds. To <i>chirp</i> is to utter a brief musical
sound, perhaps often repeated in the same key, as by certain<span class="pgn"><SPAN name="Page_334" id="Page_334"></SPAN></span>
small birds, insects, etc. To <i>chirrup</i> is to utter a somewhat similar
sound; the word is often used of a brief, sharp sound uttered
as a signal to animate or rouse a horse or other animal. To <i>hum</i>
is to utter murmuring sounds with somewhat monotonous musical
cadence, usually with closed lips; we speak also of the <i>hum</i> of
machinery, etc.</p>
<hr />
<h3>SKEPTIC.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>agnostic,</td><td>deist,</td><td>doubter,</td><td rowspan="2">infidel,</td><td rowspan="2">unbeliever.</td></tr>
<tr><td>atheist,</td><td>disbeliever,</td><td>freethinker,</td></tr>
</table>
<p>The <i>skeptic</i> doubts divine revelation; the <i>disbeliever</i> and the
<i>unbeliever</i> reject it, the <i>disbeliever</i> with more of intellectual dissent,
the <i>unbeliever</i> (in the common acceptation) with indifference
or with opposition of heart as well as of intellect. <i>Infidel</i> is an
opprobrious term that might once almost have been said to be
geographical in its range. The Crusaders called all Mohammedans
<i>infidels</i>, and were so called by them in return; the word is commonly
applied to any decided opponent of an accepted religion.
The <i>atheist</i> denies that there is a God; the <i>deist</i> admits the existence
of God, but denies that the Christian Scriptures are a revelation
from him; the <i>agnostic</i> denies either that we do know
or that we can know whether there is a God.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>believer,</td><td>Christian.</td></tr>
</table>
<hr />
<h3>SKETCH.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>brief,</td><td>draft,</td><td>outline,</td><td>plan,</td></tr>
<tr><td>design,</td><td>drawing,</td><td>picture,</td><td>skeleton.</td></tr>
</table>
<p>A <i>sketch</i> is a rough, suggestive presentation of anything,
whether graphic or literary, commonly intended to be preliminary<span class="pgn"><SPAN name="Page_335" id="Page_335"></SPAN></span>
to a more complete or extended treatment. An <i>outline</i> gives only
the bounding or determining lines of a figure or a scene; a <i>sketch</i>
may give not only lines, but shading and color, but is hasty and
incomplete. The lines of a <i>sketch</i> are seldom so full and continuous
as those of an <i>outline</i>, being, like the shading or color, little
more than indications or suggestions according to which a finished
<i>picture</i> may be made; the artist's first representation of a sunset,
the hues of which change so rapidly, must of necessity be a <i>sketch</i>.
<i>Draft</i> and <i>plan</i> apply especially to mechanical drawing, of which
<i>outline</i>, <i>sketch</i>, and <i>drawing</i> are also used; a <i>plan</i> is strictly a
view from above, as of a building or machine, giving the lines of
a horizontal section, originally at the level of the ground, now in
a wider sense at any height; as, a <i>plan</i> of the cellar; a <i>plan</i> of
the attic. A mechanical <i>drawing</i> is always understood to be in
full detail; a <i>draft</i> is an incomplete or unfinished <i>drawing</i>; a
<i>design</i> is such a preliminary <i>sketch</i> as indicates the object to be
accomplished or the result to be attained, and is understood to be
original. One may make a <i>drawing</i> of any well-known mechanism,
or a <i>drawing</i> from another man's <i>design</i>; but if he says, "The
<i>design</i> is mine," he claims it as his own invention or composition.
In written composition an <i>outline</i> gives simply the main
divisions, and in the case of a sermon is often called a <i>skeleton</i>; a
somewhat fuller suggestion of illustration, treatment, and style is
given in a <i>sketch</i>. A lawyer's <i>brief</i> is a succinct statement of the
main facts involved in a case, and of the main heads of his argument
on points of law, with reference to authorities cited; the
<i>brief</i> has none of the vagueness of a <i>sketch</i>, being sufficiently exact
and complete to form, on occasion, the basis for the decision of
the court without oral argument, when the case is said to be "submitted
on <i>brief</i>." Compare <span class="smcl"><SPAN href="#DESIGN">DESIGN</SPAN></span>.</p>
<hr />
<h3><SPAN name="SKILFUL" id="SKILFUL"></SPAN>SKILFUL.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>accomplished,</td><td>apt,</td><td>dexterous,</td><td>happy,</td><td>proficient,</td></tr>
<tr><td>adept,</td><td>clever,</td><td>expert,</td><td>ingenious,</td><td>skilled,</td></tr>
<tr><td>adroit,</td><td>deft,</td><td>handy,</td><td>practised,</td><td>trained.</td></tr>
</table>
<p><i>Skilful</i> signifies possessing and using readily practical knowledge
and ability, having alert and well-trained faculties with reference
to a given work. One is <i>adept</i> in that for which he has a
natural gift improved by practise; he is <i>expert</i> in that of which
training, experience, and study have given him a thorough mastery;
he is <i>dexterous</i> in that which he can do effectively, with or
without training, especially in work of the hand or bodily activities.
In the case of the noun, "an expert" denotes one who is
"experienced" in the fullest sense, a master of his branch of knowledge.
A <i>skilled</i> workman is one who has thoroughly learned his
trade, though he may be naturally quite dull; a <i>skilful</i> workman
has some natural brightness, ability, and power of adaptation, in
addition to his acquired knowledge and dexterity. Compare
<span class="smcl"><SPAN href="#CLEVER">CLEVER</SPAN></span>; <span class="smcl"><SPAN href="#DEXTERITY">DEXTERITY</SPAN></span>; <span class="smcl"><SPAN href="#POWER">POWER</SPAN></span>.<span class="pgn"><SPAN name="Page_336" id="Page_336"></SPAN></span></p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>awkward,</td><td>clumsy,</td><td>inexpert,</td><td>shiftless,</td><td>unskilled,</td><td rowspan="2">untrained.</td></tr>
<tr><td>bungling,</td><td>helpless,</td><td>maladroit,</td><td>unhandy,</td><td>untaught,</td></tr>
</table>
<h4>Prepositions:</h4>
<p>Skilful <i>at</i> or <i>in</i> a work, <i>with</i> a pen or tool of any kind.</p>
<hr />
<h3><SPAN name="SLANDER" id="SLANDER"></SPAN>SLANDER.</h3>
<h4>Synonyms:</h4>
<table class="tbs" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>asperse,</td><td>decry,</td><td>disparage,</td><td>revile,</td></tr>
<tr><td>backbite,</td><td>defame,</td><td>libel,</td><td>traduce,</td></tr>
<tr><td>calumniate,</td><td>depreciate,</td><td>malign,</td><td>vilify.</td></tr>
</table>
<p>To <i>slander</i> a person is to utter a false and injurious report concerning
him; to <i>defame</i> is specifically and directly to attack one's
reputation; to <i>defame</i> by spoken words is to <i>slander</i>, by written
words, to <i>libel</i>. To <i>asperse</i> is, as it were, to bespatter
with injurious charges; to <i>malign</i> is to circulate studied and
malicious attacks upon character; to <i>traduce</i> is to exhibit one's
real or assumed traits in an odious light; to <i>revile</i> or <i>vilify</i> is to
attack with vile abuse. To <i>disparage</i> is to represent one's admitted
good traits or acts as less praiseworthy than they would
naturally be thought to be, as for instance, by ascribing a man's
benevolence to a desire for popularity or display. To <i>libel</i> or
<i>slander</i> is to make an assault upon character and repute that
comes within the scope of law; the <i>slander</i> is uttered, the <i>libel</i>
written, printed, or pictured. To <i>backbite</i> is to speak something
secretly to one's injury; to <i>calumniate</i> is to invent as well as utter
the injurious charge. One may "abuse," "assail," or <i>vilify</i> another
to his face; he <i>asperses</i>, <i>calumniates</i>, <i>slanders</i>, or <i>traduces</i>
him behind his back.</p>
<h4>Antonyms:</h4>
<table class="tba" border="0" cellpadding="0" cellspacing="0" summary="">
<tr><td>defend,</td><td>eulogize,</td><td>extol,</td><td>laud,</td><td>praise,</td><td>vindicate.</td></tr>
</table>
<hr />
<div style="break-after:column;"></div><br />