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<h2> CHAPTER II—EXPLANATION </h2>
<p>On the day of the sixth of June, a battue of the sewers had been ordered.
It was feared that the vanquished might have taken to them for refuge, and
Prefect Gisquet was to search occult Paris while General Bugeaud swept
public Paris; a double and connected operation which exacted a double
strategy on the part of the public force, represented above by the army
and below by the police. Three squads of agents and sewermen explored the
subterranean drain of Paris, the first on the right bank, the second on
the left bank, the third in the city. The agents of police were armed with
carabines, with bludgeons, swords and poignards.</p>
<p>That which was directed at Jean Valjean at that moment, was the lantern of
the patrol of the right bank.</p>
<p>This patrol had just visited the curving gallery and the three blind
alleys which lie beneath the Rue du Cadran. While they were passing their
lantern through the depths of these blind alleys, Jean Valjean had
encountered on his path the entrance to the gallery, had perceived that it
was narrower than the principal passage and had not penetrated thither. He
had passed on. The police, on emerging from the gallery du Cadran, had
fancied that they heard the sound of footsteps in the direction of the
belt sewer. They were, in fact, the steps of Jean Valjean. The sergeant in
command of the patrol had raised his lantern, and the squad had begun to
gaze into the mist in the direction whence the sound proceeded.</p>
<p>This was an indescribable moment for Jean Valjean.</p>
<p>Happily, if he saw the lantern well, the lantern saw him but ill. It was
light and he was shadow. He was very far off, and mingled with the
darkness of the place. He hugged the wall and halted. Moreover, he did not
understand what it was that was moving behind him. The lack of sleep and
food, and his emotions had caused him also to pass into the state of a
visionary. He beheld a gleam, and around that gleam, forms. What was it?
He did not comprehend.</p>
<p>Jean Valjean having paused, the sound ceased.</p>
<p>The men of the patrol listened, and heard nothing, they looked and saw
nothing. They held a consultation.</p>
<p>There existed at that epoch at this point of the Montmartre sewer a sort
of cross-roads called de service, which was afterwards suppressed, on
account of the little interior lake which formed there, swallowing up the
torrent of rain in heavy storms. The patrol could form a cluster in this
open space. Jean Valjean saw these spectres form a sort of circle. These
bull-dogs' heads approached each other closely and whisp�red together.</p>
<p>The result of this council held by the watch dogs was, that they had been
mistaken, that there had been no noise, that it was useless to get
entangled in the belt sewer, that it would only be a waste of time, but
that they ought to hasten towards Saint-Merry; that if there was anything
to do, and any "bousingot" to track out, it was in that quarter.</p>
<p>From time to time, parties re-sole their old insults. In 1832, the word
bousingot formed the interim between the word jacobin, which had become
obsolete, and the word demagogue which has since rendered such excellent
service.</p>
<p>The sergeant gave orders to turn to the left, towards the watershed of the
Seine.</p>
<p>If it had occurred to them to separate into two squads, and to go in both
directions, Jean Valjean would have been captured. All hung on that
thread. It is probable that the instructions of the prefecture, foreseeing
a possibility of combat and insurgents in force, had forbidden the patrol
to part company. The patrol resumed its march, leaving Jean Valjean behind
it. Of all this movement, Jean Valjean perceived nothing, except the
eclipse of the lantern which suddenly wheeled round.</p>
<p>Before taking his departure, the Sergeant, in order to acquit his
policeman's conscience, discharged his gun in the direction of Jean
Valjean. The detonation rolled from echo to echo in the crypt, like the
rumbling of that titanic entrail. A bit of plaster which fell into the
stream and splashed up the water a few paces away from Jean Valjean,
warned him that the ball had struck the arch over his head.</p>
<p>Slow and measured steps resounded for some time on the timber work,
gradually dying away as they retreated to a greater distance; the group of
black forms vanished, a glimmer of light oscillated and floated,
communicating to the vault a reddish glow which grew fainter, then
disappeared; the silence became profound once more, the obscurity became
complete, blindness and deafness resumed possession of the shadows; and
Jean Valjean, not daring to stir as yet, remained for a long time leaning
with his back against the wall, with straining ears, and dilated pupils,
watching the disappearance of that phantom patrol.</p>
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<h2> CHAPTER III—THE "SPUN" MAN </h2>
<p>This justice must be rendered to the police of that period, that even in
the most serious public junctures, it imperturbably fulfilled its duties
connected with the sewers and surveillance. A revolt was, in its eyes, no
pretext for allowing malefactors to take the bit in their own mouths, and
for neglecting society for the reason that the government was in peril.
The ordinary service was performed correctly in company with the
extraordinary service, and was not troubled by the latter. In the midst of
an incalculable political event already begun, under the pressure of a
possible revolution, a police agent, "spun" a thief without allowing
himself to be distracted by insurrection and barricades.</p>
<p>It was something precisely parallel which took place on the afternoon of
the 6th of June on the banks of the Seine, on the slope of the right
shore, a little beyond the Pont des Invalides.</p>
<p>There is no longer any bank there now. The aspect of the locality has
changed.</p>
<p>On that bank, two men, separated by a certain distance, seemed to be
watching each other while mutually avoiding each other. The one who was in
advance was trying to get away, the one in the rear was trying to overtake
the other.</p>
<p>It was like a game of checkers played at a distance and in silence.
Neither seemed to be in any hurry, and both walked slowly, as though each
of them feared by too much haste to make his partner redouble his pace.</p>
<p>One would have said that it was an appetite following its prey, and
purposely without wearing the air of doing so. The prey was crafty and on
its guard.</p>
<p>The proper relations between the hunted pole-cat and the hunting dog were
observed. The one who was seeking to escape had an insignificant mien and
not an impressive appearance; the one who was seeking to seize him was
rude of aspect, and must have been rude to encounter.</p>
<p>The first, conscious that he was the more feeble, avoided the second; but
he avoided him in a manner which was deeply furious; any one who could
have observed him would have discerned in his eyes the sombre hostility of
flight, and all the menace that fear contains.</p>
<p>The shore was deserted; there were no passers-by; not even a boatman nor a
lighter-man was in the skiffs which were moored here and there.</p>
<p>It was not easy to see these two men, except from the quay opposite, and
to any person who had scrutinized them at that distance, the man who was
in advance would have appeared like a bristling, tattered, and equivocal
being, who was uneasy and trembling beneath a ragged blouse, and the other
like a classic and official personage, wearing the frock-coat of authority
buttoned to the chin.</p>
<p>Perchance the reader might recognize these two men, if he were to see them
closer at hand.</p>
<p>What was the object of the second man?</p>
<p>Probably to succeed in clothing the first more warmly.</p>
<p>When a man clothed by the state pursues a man in rags, it is in order to
make of him a man who is also clothed by the state. Only, the whole
question lies in the color. To be dressed in blue is glorious; to be
dressed in red is disagreeable.</p>
<p>There is a purple from below.</p>
<p>It is probably some unpleasantness and some purple of this sort which the
first man is desirous of shirking.</p>
<p>If the other allowed him to walk on, and had not seized him as yet, it
was, judging from all appearances, in the hope of seeing him lead up to
some significant meeting-place and to some group worth catching. This
delicate operation is called "spinning."</p>
<p>What renders this conjecture entirely probable is that the buttoned-up
man, on catching sight from the shore of a hackney-coach on the quay as it
was passing along empty, made a sign to the driver; the driver understood,
evidently recognized the person with whom he had to deal, turned about and
began to follow the two men at the top of the quay, at a foot-pace. This
was not observed by the slouching and tattered personage who was in
advance.</p>
<p>The hackney-coach rolled along the trees of the Champs-Elysees. The bust
of the driver, whip in hand, could be seen moving along above the parapet.</p>
<p>One of the secret instructions of the police authorities to their agents
contains this article: "Always have on hand a hackney-coach, in case of
emergency."</p>
<p>While these two men were manoeuvring, each on his own side, with
irreproachable strategy, they approached an inclined plane on the quay
which descended to the shore, and which permitted cab-drivers arriving
from Passy to come to the river and water their horses. This inclined
plane was suppressed later on, for the sake of symmetry; horses may die of
thirst, but the eye is gratified.</p>
<p>It is probable that the man in the blouse had intended to ascend this
inclined plane, with a view to making his escape into the Champs-Elysees,
a place ornamented with trees, but, in return, much infested with
policemen, and where the other could easily exercise violence.</p>
<p>This point on the quay is not very far distant from the house brought to
Paris from Moret in 1824, by Colonel Brack, and designated as "the house
of Francois I." A guard house is situated close at hand.</p>
<p>To the great surprise of his watcher, the man who was being tracked did
not mount by the inclined plane for watering. He continued to advance
along the quay on the shore.</p>
<p>His position was visibly becoming critical.</p>
<p>What was he intending to do, if not to throw himself into the Seine?</p>
<p>Henceforth, there existed no means of ascending to the quay; there was no
other inclined plane, no staircase; and they were near the spot, marked by
the bend in the Seine towards the Pont de Jena, where the bank, growing
constantly narrower, ended in a slender tongue, and was lost in the water.
There he would inevitably find himself blocked between the perpendicular
wall on his right, the river on his left and in front of him, and the
authorities on his heels.</p>
<p>It is true that this termination of the shore was hidden from sight by a
heap of rubbish six or seven feet in height, produced by some demolition
or other. But did this man hope to conceal himself effectually behind that
heap of rubbish, which one need but skirt? The expedient would have been
puerile. He certainly was not dreaming of such a thing. The innocence of
thieves does not extend to that point.</p>
<p>The pile of rubbish formed a sort of projection at the water's edge, which
was prolonged in a promontory as far as the wall of the quay.</p>
<p>The man who was being followed arrived at this little mound and went round
it, so that he ceased to be seen by the other.</p>
<p>The latter, as he did not see, could not be seen; he took advantage of
this fact to abandon all dissimulation and to walk very rapidly. In a few
moments, he had reached the rubbish heap and passed round it. There he
halted in sheer amazement. The man whom he had been pursuing was no longer
there.</p>
<p>Total eclipse of the man in the blouse.</p>
<p>The shore, beginning with the rubbish heap, was only about thirty paces
long, then it plunged into the water which beat against the wall of the
quay. The fugitive could not have thrown himself into the Seine without
being seen by the man who was following him. What had become of him?</p>
<p>The man in the buttoned-up coat walked to the extremity of the shore, and
remained there in thought for a moment, his fists clenched, his eyes
searching. All at once he smote his brow. He had just perceived, at the
point where the land came to an end and the water began, a large iron
grating, low, arched, garnished with a heavy lock and with three massive
hinges. This grating, a sort of door pierced at the base of the quay,
opened on the river as well as on the shore. A blackish stream passed
under it. This stream discharged into the Seine.</p>
<p>Beyond the heavy, rusty iron bars, a sort of dark and vaulted corridor
could be descried. The man folded his arms and stared at the grating with
an air of reproach.</p>
<p>As this gaze did not suffice, he tried to thrust it aside; he shook it, it
resisted solidly. It is probable that it had just been opened, although no
sound had been heard, a singular circumstance in so rusty a grating; but
it is certain that it had been closed again. This indicated that the man
before whom that door had just opened had not a hook but a key.</p>
<p>This evidence suddenly burst upon the mind of the man who was trying to
move the grating, and evoked from him this indignant ejaculation:</p>
<p>"That is too much! A government key!"</p>
<p>Then, immediately regaining his composure, he expressed a whole world of
interior ideas by this outburst of monosyllables accented almost
ironically: "Come! Come! Come! Come!"</p>
<p>That said, and in the hope of something or other, either that he should
see the man emerge or other men enter, he posted himself on the watch
behind a heap of rubbish, with the patient rage of a pointer.</p>
<p>The hackney-coach, which regulated all its movements on his, had, in its
turn, halted on the quay above him, close to the parapet. The coachman,
foreseeing a prolonged wait, encased his horses' muzzles in the bag of
oats which is damp at the bottom, and which is so familiar to Parisians,
to whom, be it said in parenthesis, the Government sometimes applies it.
The rare passers-by on the Pont de Jena turned their heads, before they
pursued their way, to take a momentary glance at these two motionless
items in the landscape, the man on the shore, the carriage on the quay.</p>
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