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<h2> CHAPTER IX—MARIUS PRODUCES ON SOME ONE WHO IS A JUDGE OF THE MATTER, </h2>
<p>THE EFFECT OF BEING DEAD</p>
<p>He allowed Marius to slide down upon the shore.</p>
<p>They were in the open air!</p>
<p>The miasmas, darkness, horror lay behind him. The pure, healthful, living,
joyous air that was easy to breathe inundated him. Everywhere around him
reigned silence, but that charming silence when the sun has set in an
unclouded azure sky. Twilight had descended; night was drawing on, the
great deliverer, the friend of all those who need a mantle of darkness
that they may escape from an anguish. The sky presented itself in all
directions like an enormous calm. The river flowed to his feet with the
sound of a kiss. The aerial dialogue of the nests bidding each other good
night in the elms of the Champs-Elysees was audible. A few stars, daintily
piercing the pale blue of the zenith, and visible to revery alone, formed
imperceptible little splendors amid the immensity. Evening was unfolding
over the head of Jean Valjean all the sweetness of the infinite.</p>
<p>It was that exquisite and undecided hour which says neither yes nor no.
Night was already sufficiently advanced to render it possible to lose
oneself at a little distance and yet there was sufficient daylight to
permit of recognition at close quarters.</p>
<p>For several seconds, Jean Valjean was irresistibly overcome by that august
and caressing serenity; such moments of oblivion do come to men; suffering
refrains from harassing the unhappy wretch; everything is eclipsed in the
thoughts; peace broods over the dreamer like night; and, beneath the
twilight which beams and in imitation of the sky which is illuminated, the
soul becomes studded with stars. Jean Valjean could not refrain from
contemplating that vast, clear shadow which rested over him; thoughtfully
he bathed in the sea of ecstasy and prayer in the majestic silence of the
eternal heavens. Then he bent down swiftly to Marius, as though the
sentiment of duty had returned to him, and, dipping up water in the hollow
of his hand, he gently sprinkled a few drops on the latter's face. Marius'
eyelids did not open; but his half-open mouth still breathed.</p>
<p>Jean Valjean was on the point of dipping his hand in the river once more,
when, all at once, he experienced an indescribable embarrassment, such as
a person feels when there is some one behind him whom he does not see.</p>
<p>We have already alluded to this impression, with which everyone is
familiar.</p>
<p>He turned round.</p>
<p>Some one was, in fact, behind him, as there had been a short while before.</p>
<p>A man of lofty stature, enveloped in a long coat, with folded arms, and
bearing in his right fist a bludgeon of which the leaden head was visible,
stood a few paces in the rear of the spot where Jean Valjean was crouching
over Marius.</p>
<p>With the aid of the darkness, it seemed a sort of apparition. An ordinary
man would have been alarmed because of the twilight, a thoughtful man on
account of the bludgeon. Jean Valjean recognized Javert.</p>
<p>The reader has divined, no doubt, that Thenardier's pursuer was no other
than Javert. Javert, after his unlooked-for escape from the barricade, had
betaken himself to the prefecture of police, had rendered a verbal account
to the Prefect in person in a brief audience, had then immediately gone on
duty again, which implied—the note, the reader will recollect, which
had been captured on his person—a certain surveillance of the shore
on the right bank of the Seine near the Champs-Elysees, which had, for
some time past, aroused the attention of the police. There he had caught
sight of Thenardier and had followed him. The reader knows the rest.</p>
<p>Thus it will be easily understood that that grating, so obligingly opened
to Jean Valjean, was a bit of cleverness on Thenardier's part. Thenardier
intuitively felt that Javert was still there; the man spied upon has a
scent which never deceives him; it was necessary to fling a bone to that
sleuth-hound. An assassin, what a godsend! Such an opportunity must never
be allowed to slip. Thenardier, by putting Jean Valjean outside in his
stead, provided a prey for the police, forced them to relinquish his
scent, made them forget him in a bigger adventure, repaid Javert for his
waiting, which always flatters a spy, earned thirty francs, and counted
with certainty, so far as he himself was concerned, on escaping with the
aid of this diversion.</p>
<p>Jean Valjean had fallen from one danger upon another.</p>
<p>These two encounters, this falling one after the other, from Thenardier
upon Javert, was a rude shock.</p>
<p>Javert did not recognize Jean Valjean, who, as we have stated, no longer
looked like himself. He did not unfold his arms, he made sure of his
bludgeon in his fist, by an imperceptible movement, and said in a curt,
calm voice:</p>
<p>"Who are you?"</p>
<p>"I."</p>
<p>"Who is 'I'?"</p>
<p>"Jean Valjean."</p>
<p>Javert thrust his bludgeon between his teeth, bent his knees, inclined his
body, laid his two powerful hands on the shoulders of Jean Valjean, which
were clamped within them as in a couple of vices, scrutinized him, and
recognized him. Their faces almost touched. Javert's look was terrible.</p>
<p>Jean Valjean remained inert beneath Javert's grasp, like a lion submitting
to the claws of a lynx.</p>
<p>"Inspector Javert," said he, "you have me in your power. Moreover, I have
regarded myself as your prisoner ever since this morning. I did not give
you my address with any intention of escaping from you. Take me. Only
grant me one favor."</p>
<p>Javert did not appear to hear him. He kept his eyes riveted on Jean
Valjean. His chin being contracted, thrust his lips upwards towards his
nose, a sign of savage revery. At length he released Jean Valjean,
straightened himself stiffly up without bending, grasped his bludgeon
again firmly, and, as though in a dream, he murmured rather than uttered
this question:</p>
<p>"What are you doing here? And who is this man?"</p>
<p>He still abstained from addressing Jean Valjean as thou.</p>
<p>Jean Valjean replied, and the sound of his voice appeared to rouse Javert:</p>
<p>"It is with regard to him that I desire to speak to you. Dispose of me as
you see fit; but first help me to carry him home. That is all that I ask
of you."</p>
<p>Javert's face contracted as was always the case when any one seemed to
think him capable of making a concession. Nevertheless, he did not say
"no."</p>
<p>Again he bent over, drew from his pocket a handkerchief which he moistened
in the water and with which he then wiped Marius' blood-stained brow.</p>
<p>"This man was at the barricade," said he in a low voice and as though
speaking to himself. "He is the one they called Marius."</p>
<p>A spy of the first quality, who had observed everything, listened to
everything, and taken in everything, even when he thought that he was to
die; who had played the spy even in his agony, and who, with his elbows
leaning on the first step of the sepulchre, had taken notes.</p>
<p>He seized Marius' hand and felt his pulse.</p>
<p>"He is wounded," said Jean Valjean.</p>
<p>"He is a dead man," said Javert.</p>
<p>Jean Valjean replied:</p>
<p>"No. Not yet."</p>
<p>"So you have brought him thither from the barricade?" remarked Javert.</p>
<p>His preoccupation must indeed have been very profound for him not to
insist on this alarming rescue through the sewer, and for him not to even
notice Jean Valjean's silence after his question.</p>
<p>Jean Valjean, on his side, seemed to have but one thought. He resumed:</p>
<p>"He lives in the Marais, Rue des Filles-du-Calvaire, with his grandfather.
I do not recollect his name."</p>
<p>Jean Valjean fumbled in Marius' coat, pulled out his pocket-book, opened
it at the page which Marius had pencilled, and held it out to Javert.</p>
<p>There was still sufficient light to admit of reading. Besides this, Javert
possessed in his eye the feline phosphorescence of night birds. He
deciphered the few lines written by Marius, and muttered: "Gillenormand,
Rue des Filles-du Calvaire, No. 6."</p>
<p>Then he exclaimed: "Coachman!"</p>
<p>The reader will remember that the hackney-coach was waiting in case of
need.</p>
<p>Javert kept Marius' pocket-book.</p>
<p>A moment later, the carriage, which had descended by the inclined plane of
the watering-place, was on the shore. Marius was laid upon the back seat,
and Javert seated himself on the front seat beside Jean Valjean.</p>
<p>The door slammed, and the carriage drove rapidly away, ascending the quays
in the direction of the Bastille.</p>
<p>They quitted the quays and entered the streets. The coachman, a black form
on his box, whipped up his thin horses. A glacial silence reigned in the
carriage. Marius, motionless, with his body resting in the corner, and his
head drooping on his breast, his arms hanging, his legs stiff, seemed to
be awaiting only a coffin; Jean Valjean seemed made of shadow, and Javert
of stone, and in that vehicle full of night, whose interior, every time
that it passed in front of a street lantern, appeared to be turned lividly
wan, as by an intermittent flash of lightning, chance had united and
seemed to be bringing face to face the three forms of tragic immobility,
the corpse, the spectre, and the statue.</p>
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<h2> CHAPTER X—RETURN OF THE SON WHO WAS PRODIGAL OF HIS LIFE </h2>
<p>At every jolt over the pavement, a drop of blood trickled from Marius'
hair.</p>
<p>Night had fully closed in when the carriage arrived at No. 6, Rue des
Filles-du-Calvaire.</p>
<p>Javert was the first to alight; he made sure with one glance of the number
on the carriage gate, and, raising the heavy knocker of beaten iron,
embellished in the old style, with a male goat and a satyr confronting
each other, he gave a violent peal. The gate opened a little way and
Javert gave it a push. The porter half made his appearance yawning,
vaguely awake, and with a candle in his hand.</p>
<p>Everyone in the house was asleep. People go to bed betimes in the Marais,
especially on days when there is a revolt. This good, old quarter,
terrified at the Revolution, takes refuge in slumber, as children, when
they hear the Bugaboo coming, hide their heads hastily under their
coverlet.</p>
<p>In the meantime Jean Valjean and the coachman had taken Marius out of the
carriage, Jean Valjean supporting him under the armpits, and the coachman
under the knees.</p>
<p>As they thus bore Marius, Jean Valjean slipped his hand under the latter's
clothes, which were broadly rent, felt his breast, and assured himself
that his heart was still beating. It was even beating a little less
feebly, as though the movement of the carriage had brought about a certain
fresh access of life.</p>
<p>Javert addressed the porter in a tone befitting the government, and the
presence of the porter of a factious person.</p>
<p>"Some person whose name is Gillenormand?"</p>
<p>"Here. What do you want with him?"</p>
<p>"His son is brought back."</p>
<p>"His son?" said the porter stupidly.</p>
<p>"He is dead."</p>
<p>Jean Valjean, who, soiled and tattered, stood behind Javert, and whom the
porter was surveying with some horror, made a sign to him with his head
that this was not so.</p>
<p>The porter did not appear to understand either Javert's words or Jean
Valjean's sign.</p>
<p>Javert continued:</p>
<p>"He went to the barricade, and here he is."</p>
<p>"To the barricade?" ejaculated the porter.</p>
<p>"He has got himself killed. Go waken his father."</p>
<p>The porter did not stir.</p>
<p>"Go along with you!" repeated Javert.</p>
<p>And he added:</p>
<p>"There will be a funeral here to-morrow."</p>
<p>For Javert, the usual incidents of the public highway were categorically
classed, which is the beginning of foresight and surveillance, and each
contingency had its own compartment; all possible facts were arranged in
drawers, as it were, whence they emerged on occasion, in variable
quantities; in the street, uproar, revolt, carnival, and funeral.</p>
<p>The porter contented himself with waking Basque. Basque woke Nicolette;
Nicolette roused great-aunt Gillenormand.</p>
<p>As for the grandfather, they let him sleep on, thinking that he would hear
about the matter early enough in any case.</p>
<p>Marius was carried up to the first floor, without any one in the other
parts of the house being aware of the fact, and deposited on an old sofa
in M. Gillenormand's antechamber; and while Basque went in search of a
physician, and while Nicolette opened the linen-presses, Jean Valjean felt
Javert touch him on the shoulder. He understood and descended the stairs,
having behind him the step of Javert who was following him.</p>
<p>The porter watched them take their departure as he had watched their
arrival, in terrified somnolence.</p>
<p>They entered the carriage once more, and the coachman mounted his box.</p>
<p>"Inspector Javert," said Jean, "grant me yet another favor."</p>
<p>"What is it?" demanded Javert roughly.</p>
<p>"Let me go home for one instant. Then you shall do whatever you like with
me."</p>
<p>Javert remained silent for a few moments, with his chin drawn back into
the collar of his great-coat, then he lowered the glass and front:</p>
<p>"Driver," said he, "Rue de l'Homme Arme, No. 7."</p>
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<h2> CHAPTER XI—CONCUSSION IN THE ABSOLUTE </h2>
<h3> They did not open their lips again during the whole space of their ride. </h3>
<p>What did Jean Valjean want? To finish what he had begun; to warn Cosette,
to tell her where Marius was, to give her, possibly, some other useful
information, to take, if he could, certain final measures. As for himself,
so far as he was personally concerned, all was over; he had been seized by
Javert and had not resisted; any other man than himself in like situation
would, perhaps, have had some vague thoughts connected with the rope which
Thenardier had given him, and of the bars of the first cell that he should
enter; but, let us impress it upon the reader, after the Bishop, there had
existed in Jean Valjean a profound hesitation in the presence of any
violence, even when directed against himself.</p>
<p>Suicide, that mysterious act of violence against the unknown which may
contain, in a measure, the death of the soul, was impossible to Jean
Valjean.</p>
<p>At the entrance to the Rue de l'Homme Arme, the carriage halted, the way
being too narrow to admit of the entrance of vehicles. Javert and Jean
Valjean alighted.</p>
<p>The coachman humbly represented to "monsieur l'Inspecteur," that the
Utrecht velvet of his carriage was all spotted with the blood of the
assassinated man, and with mire from the assassin. That is the way he
understood it. He added that an indemnity was due him. At the same time,
drawing his certificate book from his pocket, he begged the inspector to
have the goodness to write him "a bit of an attestation."</p>
<p>Javert thrust aside the book which the coachman held out to him, and said:</p>
<p>"How much do you want, including your time of waiting and the drive?"</p>
<p>"It comes to seven hours and a quarter," replied the man, "and my velvet
was perfectly new. Eighty francs, Mr. Inspector."</p>
<p>Javert drew four napoleons from his pocket and dismissed the carriage.</p>
<p>Jean Valjean fancied that it was Javert's intention to conduct him on foot
to the post of the Blancs-Manteaux or to the post of the Archives, both of
which are close at hand.</p>
<p>They entered the street. It was deserted as usual. Javert followed Jean
Valjean. They reached No. 7. Jean Valjean knocked. The door opened.</p>
<p>"It is well," said Javert. "Go up stairs."</p>
<p>He added with a strange expression, and as though he were exerting an
effort in speaking in this manner:</p>
<p>"I will wait for you here."</p>
<p>Jean Valjean looked at Javert. This mode of procedure was but little in
accord with Javert's habits. However, he could not be greatly surprised
that Javert should now have a sort of haughty confidence in him, the
confidence of the cat which grants the mouse liberty to the length of its
claws, seeing that Jean Valjean had made up his mind to surrender himself
and to make an end of it. He pushed open the door, entered the house,
called to the porter who was in bed and who had pulled the cord from his
couch: "It is I!" and ascended the stairs.</p>
<p>On arriving at the first floor, he paused. All sorrowful roads have their
stations. The window on the landing-place, which was a sash-window, was
open. As in many ancient houses, the staircase got its light from without
and had a view on the street. The street-lantern, situated directly
opposite, cast some light on the stairs, and thus effected some economy in
illumination.</p>
<p>Jean Valjean, either for the sake of getting the air, or mechanically,
thrust his head out of this window. He leaned out over the street. It is
short, and the lantern lighted it from end to end. Jean Valjean was
overwhelmed with amazement; there was no longer any one there.</p>
<p>Javert had taken his departure.</p>
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