<SPAN name="chap58"></SPAN>
<h3> CHAPTER 58 </h3>
<p>Mr Swiveller and his partner played several rubbers with varying
success, until the loss of three sixpences, the gradual sinking of the
purl, and the striking of ten o'clock, combined to render that
gentleman mindful of the flight of Time, and the expediency of
withdrawing before Mr Sampson and Miss Sally Brass returned.</p>
<p>'With which object in view, Marchioness,' said Mr Swiveller gravely, 'I
shall ask your ladyship's permission to put the board in my pocket, and
to retire from the presence when I have finished this tankard; merely
observing, Marchioness, that since life like a river is flowing, I care
not how fast it rolls on, ma'am, on, while such purl on the bank still
is growing, and such eyes light the waves as they run. Marchioness,
your health. You will excuse my wearing my hat, but the palace is
damp, and the marble floor is—if I may be allowed the
expression—sloppy.'</p>
<p>As a precaution against this latter inconvenience, Mr Swiveller had
been sitting for some time with his feet on the hob, in which attitude
he now gave utterance to these apologetic observations, and slowly
sipped the last choice drops of nectar.</p>
<p>'The Baron Sampsono Brasso and his fair sister are (you tell me) at the
Play?' said Mr Swiveller, leaning his left arm heavily upon the table,
and raising his voice and his right leg after the manner of a
theatrical bandit.</p>
<p>The Marchioness nodded.</p>
<p>'Ha!' said Mr Swiveller, with a portentous frown. ''Tis well.
Marchioness!—but no matter. Some wine there. Ho!' He illustrated
these melodramatic morsels by handing the tankard to himself with great
humility, receiving it haughtily, drinking from it thirstily, and
smacking his lips fiercely.</p>
<p>The small servant, who was not so well acquainted with theatrical
conventionalities as Mr Swiveller (having indeed never seen a play, or
heard one spoken of, except by chance through chinks of doors and in
other forbidden places), was rather alarmed by demonstrations so novel
in their nature, and showed her concern so plainly in her looks, that
Mr Swiveller felt it necessary to discharge his brigand manner for one
more suitable to private life, as he asked,</p>
<p>'Do they often go where glory waits 'em, and leave you here?'</p>
<p>'Oh, yes; I believe you they do,' returned the small servant. 'Miss
Sally's such a one-er for that, she is.'</p>
<p>'Such a what?' said Dick.</p>
<p>'Such a one-er,' returned the Marchioness.</p>
<p>After a moment's reflection, Mr Swiveller determined to forego his
responsible duty of setting her right, and to suffer her to talk on; as
it was evident that her tongue was loosened by the purl, and her
opportunities for conversation were not so frequent as to render a
momentary check of little consequence.</p>
<p>'They sometimes go to see Mr Quilp,' said the small servant with a
shrewd look; 'they go to a many places, bless you!'</p>
<p>'Is Mr Brass a wunner?' said Dick.</p>
<p>'Not half what Miss Sally is, he isn't,' replied the small servant,
shaking her head. 'Bless you, he'd never do anything without her.'</p>
<p>'Oh! He wouldn't, wouldn't he?' said Dick.</p>
<p>'Miss Sally keeps him in such order,' said the small servant; 'he
always asks her advice, he does; and he catches it sometimes. Bless
you, you wouldn't believe how much he catches it.'</p>
<p>'I suppose,' said Dick, 'that they consult together, a good deal, and
talk about a great many people—about me for instance, sometimes, eh,
Marchioness?'</p>
<p>The Marchioness nodded amazingly.</p>
<p>'Complimentary?' said Mr Swiveller.</p>
<p>The Marchioness changed the motion of her head, which had not yet left
off nodding, and suddenly began to shake it from side to side, with a
vehemence which threatened to dislocate her neck.</p>
<p>'Humph!' Dick muttered. 'Would it be any breach of confidence,
Marchioness, to relate what they say of the humble individual who has
now the honour to—?'</p>
<p>'Miss Sally says you're a funny chap,' replied his friend.</p>
<p>'Well, Marchioness,' said Mr Swiveller, 'that's not uncomplimentary.
Merriment, Marchioness, is not a bad or a degrading quality. Old King
Cole was himself a merry old soul, if we may put any faith in the pages
of history.'</p>
<p>'But she says,' pursued his companion, 'that you an't to be trusted.'</p>
<p>'Why, really Marchioness,' said Mr Swiveller, thoughtfully; 'several
ladies and gentlemen—not exactly professional persons, but
tradespeople, ma'am, tradespeople—have made the same remark. The
obscure citizen who keeps the hotel over the way, inclined strongly to
that opinion to-night when I ordered him to prepare the banquet. It's
a popular prejudice, Marchioness; and yet I am sure I don't know why,
for I have been trusted in my time to a considerable amount, and I can
safely say that I never forsook my trust until it deserted me—never.
Mr Brass is of the same opinion, I suppose?'</p>
<p>His friend nodded again, with a cunning look which seemed to hint that
Mr Brass held stronger opinions on the subject than his sister; and
seeming to recollect herself, added imploringly, 'But don't you ever
tell upon me, or I shall be beat to death.'</p>
<p>'Marchioness,' said Mr Swiveller, rising, 'the word of a gentleman is
as good as his bond—sometimes better, as in the present case, where
his bond might prove but a doubtful sort of security. I am your
friend, and I hope we shall play many more rubbers together in this
same saloon. But, Marchioness,' added Richard, stopping in his way to
the door, and wheeling slowly round upon the small servant, who was
following with the candle; 'it occurs to me that you must be in the
constant habit of airing your eye at keyholes, to know all this.'</p>
<p>'I only wanted,' replied the trembling Marchioness, 'to know where the
key of the safe was hid; that was all; and I wouldn't have taken much,
if I had found it—only enough to squench my hunger.'</p>
<p>'You didn't find it then?' said Dick. 'But of course you didn't, or
you'd be plumper. Good night, Marchioness. Fare thee well, and if for
ever, then for ever fare thee well—and put up the chain, Marchioness,
in case of accidents.'</p>
<p>With this parting injunction, Mr Swiveller emerged from the house; and
feeling that he had by this time taken quite as much to drink as
promised to be good for his constitution (purl being a rather strong
and heady compound), wisely resolved to betake himself to his lodgings,
and to bed at once. Homeward he went therefore; and his apartments
(for he still retained the plural fiction) being at no great distance
from the office, he was soon seated in his own bed-chamber, where,
having pulled off one boot and forgotten the other, he fell into deep
cogitation.</p>
<p>'This Marchioness,' said Mr Swiveller, folding his arms, 'is a very
extraordinary person—surrounded by mysteries, ignorant of the taste of
beer, unacquainted with her own name (which is less remarkable), and
taking a limited view of society through the keyholes of doors—can
these things be her destiny, or has some unknown person started an
opposition to the decrees of fate? It is a most inscrutable and
unmitigated staggerer!'</p>
<p>When his meditations had attained this satisfactory point, he became
aware of his remaining boot, of which, with unimpaired solemnity he
proceeded to divest himself; shaking his head with exceeding gravity
all the time, and sighing deeply.</p>
<p>'These rubbers,' said Mr Swiveller, putting on his nightcap in exactly
the same style as he wore his hat, 'remind me of the matrimonial
fireside. Cheggs's wife plays cribbage; all-fours likewise. She rings
the changes on 'em now. From sport to sport they hurry her to banish
her regrets, and when they win a smile from her, they think that she
forgets—but she don't. By this time, I should say,' added Richard,
getting his left cheek into profile, and looking complacently at the
reflection of a very little scrap of whisker in the looking-glass; 'by
this time, I should say, the iron has entered into her soul. It serves
her right!'</p>
<p>Melting from this stern and obdurate, into the tender and pathetic
mood, Mr Swiveller groaned a little, walked wildly up and down, and
even made a show of tearing his hair, which, however, he thought better
of, and wrenched the tassel from his nightcap instead. At last,
undressing himself with a gloomy resolution, he got into bed.</p>
<p>Some men in his blighted position would have taken to drinking; but as
Mr Swiveller had taken to that before, he only took, on receiving the
news that Sophy Wackles was lost to him for ever, to playing the flute;
thinking after mature consideration that it was a good, sound, dismal
occupation, not only in unison with his own sad thoughts, but
calculated to awaken a fellow-feeling in the bosoms of his neighbours.
In pursuance of this resolution, he now drew a little table to his
bedside, and arranging the light and a small oblong music-book to the
best advantage, took his flute from its box, and began to play most
mournfully.</p>
<p>The air was 'Away with melancholy'—a composition, which, when it is
played very slowly on the flute, in bed, with the further disadvantage
of being performed by a gentleman but imperfectly acquainted with the
instrument, who repeats one note a great many times before he can find
the next, has not a lively effect. Yet, for half the night, or more,
Mr Swiveller, lying sometimes on his back with his eyes upon the
ceiling, and sometimes half out of bed to correct himself by the book,
played this unhappy tune over and over again; never leaving off, save
for a minute or two at a time to take breath and soliloquise about the
Marchioness, and then beginning again with renewed vigour. It was not
until he had quite exhausted his several subjects of meditation, and
had breathed into the flute the whole sentiment of the purl down to its
very dregs, and had nearly maddened the people of the house, and at
both the next doors, and over the way—that he shut up the music-book,
extinguished the candle, and finding himself greatly lightened and
relieved in his mind, turned round and fell asleep.</p>
<p>He awoke in the morning, much refreshed; and having taken half an
hour's exercise at the flute, and graciously received a notice to quit
from his landlady, who had been in waiting on the stairs for that
purpose since the dawn of day, repaired to Bevis Marks; where the
beautiful Sally was already at her post, bearing in her looks a
radiance, mild as that which beameth from the virgin moon.</p>
<p>Mr Swiveller acknowledged her presence by a nod, and exchanged his coat
for the aquatic jacket; which usually took some time fitting on, for in
consequence of a tightness in the sleeves, it was only to be got into
by a series of struggles. This difficulty overcome, he took his seat
at the desk.</p>
<p>'I say'—quoth Miss Brass, abruptly breaking silence, 'you haven't seen
a silver pencil-case this morning, have you?'</p>
<p>'I didn't meet many in the street,' rejoined Mr Swiveller. 'I saw
one—a stout pencil-case of respectable appearance—but as he was in
company with an elderly penknife, and a young toothpick with whom he
was in earnest conversation, I felt a delicacy in speaking to him.'</p>
<p>'No, but have you?' returned Miss Brass. 'Seriously, you know.'</p>
<p>'What a dull dog you must be to ask me such a question seriously,' said
Mr Swiveller. 'Haven't I this moment come?'</p>
<p>'Well, all I know is,' replied Miss Sally, 'that it's not to be found,
and that it disappeared one day this week, when I left it on the desk.'</p>
<p>'Halloa!' thought Richard, 'I hope the Marchioness hasn't been at work
here.'</p>
<p>'There was a knife too,' said Miss Sally, 'of the same pattern. They
were given to me by my father, years ago, and are both gone. You
haven't missed anything yourself, have you?'</p>
<p>Mr Swiveller involuntarily clapped his hands to the jacket to be quite
sure that it WAS a jacket and not a skirted coat; and having satisfied
himself of the safety of this, his only moveable in Bevis Marks, made
answer in the negative.</p>
<p>'It's a very unpleasant thing, Dick,' said Miss Brass, pulling out the
tin box and refreshing herself with a pinch of snuff; 'but between you
and me—between friends you know, for if Sammy knew it, I should never
hear the last of it—some of the office-money, too, that has been left
about, has gone in the same way. In particular, I have missed three
half-crowns at three different times.'</p>
<p>'You don't mean that?' cried Dick. 'Be careful what you say, old boy,
for this is a serious matter. Are you quite sure? Is there no
mistake?'</p>
<p>'It is so, and there can't be any mistake at all,' rejoined Miss Brass
emphatically.</p>
<p>'Then by Jove,' thought Richard, laying down his pen, 'I am afraid the
Marchioness is done for!'</p>
<p>The more he discussed the subject in his thoughts, the more probable it
appeared to Dick that the miserable little servant was the culprit.
When he considered on what a spare allowance of food she lived, how
neglected and untaught she was, and how her natural cunning had been
sharpened by necessity and privation, he scarcely doubted it. And yet
he pitied her so much, and felt so unwilling to have a matter of such
gravity disturbing the oddity of their acquaintance, that he thought,
and thought truly, that rather than receive fifty pounds down, he would
have the Marchioness proved innocent.</p>
<p>While he was plunged in very profound and serious meditation upon this
theme, Miss Sally sat shaking her head with an air of great mystery and
doubt; when the voice of her brother Sampson, carolling a cheerful
strain, was heard in the passage, and that gentleman himself, beaming
with virtuous smiles, appeared.</p>
<p>'Mr Richard, sir, good morning! Here we are again, sir, entering upon
another day, with our bodies strengthened by slumber and breakfast, and
our spirits fresh and flowing. Here we are, Mr Richard, rising with
the sun to run our little course—our course of duty, sir—and, like
him, to get through our day's work with credit to ourselves and
advantage to our fellow-creatures. A charming reflection sir, very
charming!'</p>
<p>While he addressed his clerk in these words, Mr Brass was, somewhat
ostentatiously, engaged in minutely examining and holding up against
the light a five-pound bank note, which he had brought in, in his hand.</p>
<p>Mr Richard not receiving his remarks with anything like enthusiasm, his
employer turned his eyes to his face, and observed that it wore a
troubled expression.</p>
<p>'You're out of spirits, sir,' said Brass. 'Mr Richard, sir, we should
fall to work cheerfully, and not in a despondent state. It becomes us,
Mr Richard, sir, to—'</p>
<p>Here the chaste Sarah heaved a loud sigh.</p>
<p>'Dear me!' said Mr Sampson, 'you too! Is anything the matter? Mr
Richard, sir—'</p>
<p>Dick, glancing at Miss Sally, saw that she was making signals to him,
to acquaint her brother with the subject of their recent conversation.
As his own position was not a very pleasant one until the matter was
set at rest one way or other, he did so; and Miss Brass, plying her
snuff-box at a most wasteful rate, corroborated his account.</p>
<p>The countenance of Sampson fell, and anxiety overspread his features.
Instead of passionately bewailing the loss of his money, as Miss Sally
had expected, he walked on tiptoe to the door, opened it, looked
outside, shut it softly, returned on tiptoe, and said in a whisper,</p>
<p>'This is a most extraordinary and painful circumstance—Mr Richard,
sir, a most painful circumstance. The fact is, that I myself have
missed several small sums from the desk, of late, and have refrained
from mentioning it, hoping that accident would discover the offender;
but it has not done so—it has not done so. Sally—Mr Richard,
sir—this is a particularly distressing affair!'</p>
<p>As Sampson spoke, he laid the bank-note upon the desk among some
papers, in an absent manner, and thrust his hands into his pockets.
Richard Swiveller pointed to it, and admonished him to take it up.</p>
<p>'No, Mr Richard, sir,' rejoined Brass with emotion, 'I will not take it
up. I will let it lie there, sir. To take it up, Mr Richard, sir,
would imply a doubt of you; and in you, sir, I have unlimited
confidence. We will let it lie there, Sir, if you please, and we will
not take it up by any means.' With that, Mr Brass patted him twice or
thrice on the shoulder, in a most friendly manner, and entreated him to
believe that he had as much faith in his honesty as he had in his own.</p>
<p>Although at another time Mr Swiveller might have looked upon this as a
doubtful compliment, he felt it, under the then-existing circumstances,
a great relief to be assured that he was not wrongfully suspected.
When he had made a suitable reply, Mr Brass wrung him by the hand, and
fell into a brown study, as did Miss Sally likewise. Richard too
remained in a thoughtful state; fearing every moment to hear the
Marchioness impeached, and unable to resist the conviction that she
must be guilty.</p>
<p>When they had severally remained in this condition for some minutes,
Miss Sally all at once gave a loud rap upon the desk with her clenched
fist, and cried, 'I've hit it!'—as indeed she had, and chipped a piece
out of it too; but that was not her meaning.</p>
<p>'Well,' cried Brass anxiously. 'Go on, will you!'</p>
<p>'Why,' replied his sister with an air of triumph, 'hasn't there been
somebody always coming in and out of this office for the last three or
four weeks; hasn't that somebody been left alone in it
sometimes—thanks to you; and do you mean to tell me that that somebody
isn't the thief!'</p>
<p>'What somebody?' blustered Brass.</p>
<p>'Why, what do you call him—Kit.'</p>
<p>'Mr Garland's young man?'</p>
<p>'To be sure.'</p>
<p>'Never!' cried Brass. 'Never. I'll not hear of it. Don't tell
me'—said Sampson, shaking his head, and working with both his hands as
if he were clearing away ten thousand cobwebs. 'I'll never believe it
of him. Never!'</p>
<p>'I say,' repeated Miss Brass, taking another pinch of snuff, 'that he's
the thief.'</p>
<p>'I say,' returned Sampson violently, 'that he is not. What do you
mean? How dare you? Are characters to be whispered away like this?
Do you know that he's the honestest and faithfullest fellow that ever
lived, and that he has an irreproachable good name? Come in, come in!'</p>
<p>These last words were not addressed to Miss Sally, though they partook
of the tone in which the indignant remonstrances that preceded them had
been uttered. They were addressed to some person who had knocked at
the office-door; and they had hardly passed the lips of Mr Brass, when
this very Kit himself looked in.</p>
<p>'Is the gentleman up-stairs, sir, if you please?'</p>
<p>'Yes, Kit,' said Brass, still fired with an honest indignation, and
frowning with knotted brows upon his sister; 'Yes Kit, he is. I am
glad to see you Kit, I am rejoiced to see you. Look in again, as you
come down-stairs, Kit. That lad a robber!' cried Brass when he had
withdrawn, 'with that frank and open countenance! I'd trust him with
untold gold. Mr Richard, sir, have the goodness to step directly to
Wrasp and Co.'s in Broad Street, and inquire if they have had
instructions to appear in Carkem and Painter. THAT lad a robber,'
sneered Sampson, flushed and heated with his wrath. 'Am I blind, deaf,
silly; do I know nothing of human nature when I see it before me? Kit
a robber! Bah!'</p>
<p>Flinging this final interjection at Miss Sally with immeasurable scorn
and contempt, Sampson Brass thrust his head into his desk, as if to
shut the base world from his view, and breathed defiance from under its
half-closed lid.</p>
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