<h2><SPAN name="page225"></SPAN><span class="pagenum"></span>THE WHITE MAN’S BURDEN! NEED IT BE SO HEAVY?</h2>
<p><span class="smcap">It</span> is a delightful stroll on a
sunny summer morning from the Hague to the Huis ten Bosch, the
little “house in the wood,” built for Princess
Amalia, widow of Stadtholter Frederick Henry, under whom Holland
escaped finally from the bondage of her foes and entered into the
promised land of Liberty. Leaving the quiet streets, the
tree-bordered canals, with their creeping barges, you pass
through a pleasant park, where the soft-eyed deer press round
you, hurt and indignant if you have brought nothing in your
pocket—not even a piece of sugar—to offer them.
It is not that they are grasping—it is the want of
attention that wounds them.</p>
<p>“I thought he was a gentleman,” they seem to be
saying to one another, if you glance back, “he looked like
a gentleman.”</p>
<p>Their mild eyes haunt you; on the next occasion you do not
forget. The Park merges into the forest; you go by winding
ways till you reach the trim Dutch garden, moat-encircled, in the
centre of which stands the prim old-fashioned villa, which, to
the simple Dutchman, appears a palace. The
<i>concierge</i>, an old soldier, bows low to you and introduces
you to his wife—a stately, white-haired dame, who talks
most languages a little, so far as relates to all things within
and appertaining to this tiny palace of the wood. To things
without, beyond the wood, her powers of conversation do not
extend: apparently such matters do not interest her.</p>
<p>She conducts you to the Chinese Room; the sun streams through
the windows, illuminating the wondrous golden dragons standing
out in bold relief from the burnished lacquer work, decorating
still further with light and shade the delicate silk embroideries
thin taper hands have woven with infinite pains. The walls
are hung with rice paper, depicting the conventional scenes of
the conventional Chinese life.</p>
<p>You find your thoughts wandering. These grotesque
figures, these caricatures of humanity! A comical creature,
surely, this Chinaman, the pantaloon of civilization. How
useful he has been to us for our farces, our comic operas!
This yellow baby, in his ample pinafore, who lived thousands of
years ago, who has now passed into this strange second
childhood.</p>
<p>But is he dying—or does the life of a nation wake again,
as after sleep? Is he this droll, harmless thing he here
depicts himself? And if not? Suppose fresh sap be
stirring through his three hundred millions? We thought he
was so very dead; we thought the time had come to cut him up and
divide him, the only danger being lest we should quarrel over his
carcase among ourselves.</p>
<p>Suppose it turns out as the fable of the woodcutter and the
bear? The woodcutter found the bear lying in the
forest. At first he was much frightened, but the bear lay
remarkably still. So the woodman crept nearer, ventured to
kick the bear—very gently, ready to run if need be.
Surely the bear was dead! And parts of a bear are good to
eat, and bearskin to poor woodfolk on cold winter nights is
grateful. So the woodman drew his knife and commenced the
necessary preliminaries. But the bear was not dead.</p>
<p>If the Chinaman be not dead? If the cutting-up process
has only served to waken him? In a little time from now we
shall know.</p>
<p>From the Chinese Room the white-haired dame leads us to the
Japanese Room. Had gentle-looking Princess Amalia some
vague foreshadowing of the future in her mind when she planned
these two rooms leading into one another? The Japanese
decorations are more grotesque, the designs less cheerfully
comical than those of cousin Chinaman. These monstrous,
mis-shapen wrestlers, these patient-looking gods, with their
inscrutable eyes! Was it always there, or is it only by the
light of present events that one reads into the fantastic fancies
of the artist working long ago in the doorway of his paper house,
a meaning that has hitherto escaped us?</p>
<p>But the chief attraction of the Huis ten Bosch is the gorgeous
Orange Saloon, lighted by a cupola, fifty feet above the floor,
the walls one blaze of pictures, chiefly of the gorgeous Jordaen
school—“The Defeat of the Vices,” “Time
Vanquishing Slander”—mostly allegorical, in praise of
all the virtues, in praise of enlightenment and progress.
Aptly enough in a room so decorated, here was held the famous
Peace Congress that closed the last century. One can hardly
avoid smiling as one thinks of the solemn conclave of grandees
assembled to proclaim the popularity of Peace.</p>
<p>It was in the autumn of the same year that Europe decided upon
the dividing-up of China, that soldiers were instructed by
Christian monarchs to massacre men, women and children, the idea
being to impress upon the Heathen Chinee the superior
civilization of the white man. The Boer war followed almost
immediately. Since when the white man has been pretty busy
all over the world with his “expeditions” and his
“missions.” The world is undoubtedly growing
more refined. We do not care for ugly words. Even the
burglar refers airily to the “little job” he has on
hand. You would think he had found work in the
country. I should not be surprised to learn that he says a
prayer before starting, telegraphs home to his anxious wife the
next morning that his task has been crowned with blessing.</p>
<p>Until the far-off date of Universal Brotherhood war will
continue. Matters considered unimportant by both parties
will—with a mighty flourish of trumpets—be referred
to arbitration. I was talking of a famous financier a while
ago with a man who had been his secretary. Amongst other
anecdotes, he told me of a certain agreement about which dispute
had arisen. The famous financier took the paper into his
own hands and made a few swift calculations.</p>
<p>“Let it go,” he concluded, “it is only a
thousand pounds at the outside. May as well be
honest.”</p>
<p>Concerning a dead fisherman or two, concerning boundaries
through unproductive mountain ranges we shall arbitrate and feel
virtuous. For gold mines and good pasture lands, mixed up
with a little honour to give respectability to the business, we
shall fight it out, as previously. War being thus
inevitable, the humane man will rejoice that by one of those
brilliant discoveries, so simple when they are explained, war in
the future is going to be rendered equally satisfactory to victor
and to vanquished.</p>
<p>In by-elections, as a witty writer has pointed out, there are
no defeats—only victories and moral victories. The
idea seems to have caught on. War in the future is
evidently going to be conducted on the same understanding.
Once upon a time, from a far-off land, a certain general
telegraphed home congratulating his Government that the enemy had
shown no inclination whatever to prevent his running away.
The whole country rejoiced.</p>
<p>“Why, they never even tried to stop him,”
citizens, meeting other citizens in the street, told each
other. “Ah, they’ve had enough of him. I
bet they are only too glad to get rid of him. Why, they say
he ran for miles without seeing a trace of the foe.”</p>
<p>The enemy’s general, on the other hand, also wrote home
congratulating his Government. In this way the same battle
can be mafficked over by both parties. Contentment is the
great secret of happiness. Everything happens for the best,
if only you look at it the right way. That is going to be
the argument. The general of the future will telegraph to
headquarters that he is pleased to be able to inform His Majesty
that the enemy, having broken down all opposition, has succeeded
in crossing the frontier and is now well on his way to His
Majesty’s capital.</p>
<p>“I am luring him on,” he will add, “as fast
as I can. At our present rate of progress, I am in hopes of
bringing him home by the tenth.”</p>
<p>Lest foolish civilian sort of people should wonder whereabouts
lies the cause for rejoicing, the military man will condescend to
explain. The enemy is being enticed farther and farther
from his base. The defeated general—who is not really
defeated, who is only artful, and who appears to be running away,
is not really running away at all. On the contrary, he is
running home—bringing, as he explains, the enemy with
him.</p>
<p>If I remember rightly—it is long since I played
it—there is a parlour game entitled “Puss in the
Corner.” You beckon another player to you with your
finger. “Puss, puss!” you cry. Thereupon
he has to leave his chair—his “base,” as the
military man would term it—and try to get to you without
anything happening to him.</p>
<p>War in the future is going to be Puss in the Corner on a
bigger scale. You lure your enemy away from his base.
If all goes well—if he does not see the trap that is being
laid for him—why, then, almost before he knows it, he finds
himself in your capital. That finishes the game. You
find out what it is he really wants. Provided it is
something within reason, and you happen to have it handy, you
give it to him. He goes home crowing, and you, on your
side, laugh when you think how cleverly you succeeded in luring
him away from his base.</p>
<p>There is a bright side to all things. The gentleman
charged with the defence of a fortress will meet the other
gentleman who has captured it and shake hands with him mid the
ruins.</p>
<p>“So here you are at last!” he will explain.
“Why didn’t you come before? We have been
waiting for you.”</p>
<p>And he will send off dispatches felicitating his chief on
having got that fortress off their hands, together with all the
worry and expense it has been to them. When prisoners are
taken you will console yourself with the reflection that the cost
of feeding them for the future will have to be borne by the
enemy. Captured cannon you will watch being trailed away
with a sigh of relief.</p>
<p>“Confounded heavy things!” you will say to
yourself. “Thank goodness I’ve got rid of
them. Let him have the fun of dragging them about these
ghastly roads. See how he likes the job!”</p>
<p>War is a ridiculous method of settling disputes.
Anything that can tend to make its ridiculous aspect more
apparent is to be welcomed. The new school of military
dispatch-writers may succeed in turning even the laughter of the
mob against it.</p>
<p>The present trouble in the East would never have occurred but
for the white man’s enthusiasm for bearing other
people’s burdens. What we call the yellow danger is
the fear that the yellow man may before long request us, so far
as he is concerned, to put his particular burden down. It
may occur to him that, seeing it is his property, he would just
as soon carry it himself. A London policeman told me a
story the other day that struck him as an example of Cockney
humour under trying circumstances. But it may also serve as
a fable. From a lonely street in the neighbourhood of
Covent Garden, early one morning, the constable heard cries of
“Stop thief!” shouted in a childish treble. He
arrived on the scene just in time to collar a young hooligan,
who, having snatched a basket of fruit from a small lad—a
greengrocer’s errand boy, as it turned out—was, with
it, making tracks. The greengrocer’s boy, between
panting and tears, delivered his accusation. The hooligan
regarded him with an expression of amazed indignation.</p>
<p>“What d’yer mean, stealing it?” exclaimed
Mr. Hooligan. “Why, I was carrying it for
yer!”</p>
<p>The white man has got into the way of “carrying”
other people’s burdens, and now it looks as if the yellow
man were going to object to our carrying his any further.
Maybe he is going to get nasty, and insist on carrying it
himself. We call this “the yellow danger.”</p>
<p>A friend of mine—he is a man who in the street walks
into lamp-posts, and apologises—sees rising from the East
the dawn of a new day in the world’s history. The
yellow danger is to him a golden hope. He sees a race long
stagnant, stretching its giant limbs with the first vague
movements of returning life. He is a poor sort of patriot;
he calls himself, I suppose, a white man, yet he shamelessly
confesses he would rather see Asia’s millions rise from the
ruins of their ancient civilization to take their part in the
future of humanity, than that half the population of the globe
should remain bound in savagery for the pleasure and the profit
of his own particular species.</p>
<p>He even goes so far as to think that the white man may have
something to learn. The world has belonged to him now for
some thousands of years. Has he done all with it that could
have been done? Are his ideals the last word?</p>
<p>Not what the yellow man has absorbed from Europe, but what he
is going to give Europe it is that interests my friend. He
is watching the birth of a new force—an influence as yet
unknown. He clings to the fond belief that new ideas, new
formulæ, to replace the old worn shibboleths, may, during
these thousands of years, have been developing in those keen
brains that behind the impressive yellow mask have been working
so long in silence and in mystery.</p>
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