<h2><SPAN name="page119"></SPAN><span class="pagenum"></span>ON THE DELIGHTS AND BENEFITS OF SLAVERY</h2>
<p><span class="smcap">My</span> study window looks down upon
Hyde Park, and often, to quote the familiar promise of each new
magazine, it amuses and instructs me to watch from my tower the
epitome of human life that passes to and fro beneath. At
the opening of the gates, creeps in the woman of the
streets. Her pitiful work for the time being is over.
Shivering in the chill dawn, she passes to her brief rest.
Poor Slave! Lured to the galley’s lowest deck, then
chained there. Civilization, tricked fool, they say has
need of such. You serve as the dogs of Eastern towns.
But at least, it seems to me, we need not spit on you. Home
to your kennel! Perchance, if the Gods be kind, they may
send you dreams of a cleanly hearth, where you lie with a silver
collar round your neck.</p>
<p>Next comes the labourer—the hewer of wood, the drawer of
water—slouching wearily to his toil; sleep clinging still
about his leaden eyes, his pittance of food carried tied up in a
dish-clout. The first stroke of the hour clangs from Big
Ben. Haste thee, fellow-slave, lest the overseer’s
whip, “Out, we will have no lie-a-beds here,” descend
upon thy patient back.</p>
<p>Later, the artisan, with his bag of tools across his
shoulder. He, too, listens fearfully to the chiming of the
bells. For him also there hangs ready the whip.</p>
<p>After him, the shop boy and the shop girl, making love as they
walk, not to waste time. And after these the slaves of the
desk and of the warehouse, employers and employed, clerks and
tradesmen, office boys and merchants. To your places,
slaves of all ranks. Get you unto your burdens.</p>
<p>Now, laughing and shouting as they run, the children, the sons
and daughters of the slaves. Be industrious, little
children, and learn your lessons, that when the time comes you
may be ready to take from our hands the creaking oar, to slip
into our seat at the roaring loom. For we shall not be
slaves for ever, little children. It is the good law of the
land. So many years in the galleys, so many years in the
fields; then we can claim our freedom. Then we shall go,
little children, back to the land of our birth. And you we
must leave behind us to take up the tale of our work. So,
off to your schools, little children, and learn to be good little
slaves.</p>
<p>Next, pompous and sleek, come the educated
slaves—journalists, doctors, judges, and poets; the
attorney, the artist, the player, the priest. They likewise
scurry across the Park, looking anxiously from time to time at
their watches, lest they be late for their appointments; thinking
of the rates and taxes to be earned, of the bonnets to be paid
for, the bills to be met. The best scourged, perhaps, of
all, these slaves. The cat reserved for them has fifty
tails in place of merely two or three. Work, you higher
middle-class slave, or you shall come down to the smoking of
twopenny cigars; harder yet, or you shall drink shilling claret;
harder, or you shall lose your carriage and ride in a penny bus;
your wife’s frocks shall be of last year’s fashion;
your trousers shall bag at the knees; from Kensington you shall
be banished to Kilburn, if the tale of your bricks run
short. Oh, a many-thonged whip is yours, my genteel
brother.</p>
<p>The slaves of fashion are the next to pass beneath me in
review. They are dressed and curled with infinite
pains. The liveried, pampered footman these, kept more for
show than use; but their senseless tasks none the less labour to
them. Here must they come every day, merry or sad. By
this gravel path and no other must they walk; these phrases shall
they use when they speak to one another. For an hour they
must go slowly up and down upon a bicycle from Hyde Park Corner
to the Magazine and back. And these clothes must they wear;
their gloves of this colour, their neck-ties of this
pattern. In the afternoon they must return again, this time
in a carriage, dressed in another livery, and for an hour they
must pass slowly to and fro in foolish procession. For
dinner they must don yet another livery, and after dinner they
must stand about at dreary social functions till with weariness
and boredom their heads feel dropping from their shoulders.</p>
<p>With the evening come the slaves back from their work:
barristers, thinking out their eloquent appeals; school-boys,
conning their dog-eared grammars; City men, planning their
schemes; the wearers of motley, cudgelling their poor brains for
fresh wit with which to please their master; shop boys and shop
girls, silent now as, together, they plod homeward; the artisan;
the labourer. Two or three hours you shall have to
yourselves, slaves, to think and love and play, if you be not too
tired to think, or love, or play. Then to your litter, that
you may be ready for the morrow’s task.</p>
<p>The twilight deepens into dark; there comes back the woman of
the streets. As the shadows, she rounds the City’s
day. Work strikes its tent. Evil creeps from its
peering place.</p>
<p>So we labour, driven by the whip of necessity, an army of
slaves. If we do not our work, the whip descends upon us;
only the pain we feel in our stomach instead of on our
back. And because of that, we call ourselves free men.</p>
<p>Some few among us bravely struggle to be really free: they are
our tramps and outcasts. We well-behaved slaves shrink from
them, for the wages of freedom in this world are vermin and
starvation. We can live lives worth living only by placing
the collar round our neck.</p>
<p>There are times when one asks oneself: Why this endless
labour? Why this building of houses, this cooking of food,
this making of clothes? Is the ant so much more to be
envied than the grasshopper, because she spends her life in
grubbing and storing, and can spare no time for singing?
Why this complex instinct, driving us to a thousand labours to
satisfy a thousand desires? We have turned the world into a
workshop to provide ourselves with toys. To purchase luxury
we have sold our ease.</p>
<p>Oh, Children of Israel! why were ye not content in your
wilderness? It seems to have been a pattern
wilderness. For you, a simple wholesome food, ready cooked,
was provided. You took no thought for rent and taxes; you
had no poor among you—no poor-rate collectors. You
suffered not from indigestion, nor the hundred ills that follow
over-feeding; an omer for every man was your portion, neither
more nor less. You knew not you had a liver. Doctors
wearied you not with their theories, their physics, and their
bills. You were neither landowners nor leaseholders,
neither shareholders nor debenture holders. The weather and
the market reports troubled you not. The lawyer was unknown
to you; you wanted no advice; you had nought to quarrel about
with your neighbour. No riches were yours for the moth and
rust to damage. Your yearly income and expenditure you knew
would balance to a fraction. Your wife and children were
provided for. Your old age caused you no anxiety; you knew
you would always have enough to live upon in comfort. Your
funeral, a simple and tasteful affair, would be furnished by the
tribe. And yet, poor, foolish child, fresh from the
Egyptian brickfield, you could not rest satisfied. You
hungered for the fleshpots, knowing well what flesh-pots entail:
the cleaning of the flesh-pots, the forging of the flesh-pots,
the hewing of wood to make the fires for the boiling of the
flesh-pots, the breeding of beasts to fill the pots, the growing
of fodder to feed the beasts to fill the pots.</p>
<p>All the labour of our life is centred round our
flesh-pots. On the altar of the flesh-pot we sacrifice our
leisure, our peace of mind. For a mess of pottage we sell
our birthright.</p>
<p>Oh! Children of Israel, saw you not the long punishment you
were preparing for yourselves, when in your wilderness you set up
the image of the Calf, and fell before it,
crying—“This shall be our God.”</p>
<p>You would have veal. Thought you never of the price man
pays for Veal? The servants of the Golden Calf! I see
them, stretched before my eyes, a weary, endless throng. I
see them toiling in the mines, the black sweat on their
faces. I see them in sunless cities, silent, and grimy, and
bent. I see them, ague-twisted, in the rain-soaked
fields. I see them, panting by the furnace doors. I
see them, in loin-cloth and necklace, the load upon their
head. I see them in blue coats and red coats, marching to
pour their blood as an offering on the altar of the Calf. I
see them in homespun and broadcloth, I see them in smock and
gaiters, I see them in cap and apron, the servants of the
Calf. They swarm on the land and they dot the sea.
They are chained to the anvil and counter; they are chained to
the bench and the desk. They make ready the soil, they till
the fields where the Golden Calf is born. They build the
ship, and they sail the ship that carries the Golden Calf.
They fashion the pots, they mould the pans, they carve the
tables, they turn the chairs, they dream of the sauces, they dig
for the salt, they weave the damask, they mould the dish to serve
the Golden Calf.</p>
<p>The work of the world is to this end, that we eat of the
Calf. War and Commerce, Science and Law! what are they but
the four pillars supporting the Golden Calf? He is our
God. It is on his back that we have journeyed from the
primeval forest, where our ancestors ate nuts and fruit. He
is our God. His temple is in every street. His
blue-robed priest stands ever at the door, calling to the people
to worship. Hark! his voice rises on the gas-tainted
air—“Now’s your time! Now’s your
time! Buy! Buy! ye people. Bring hither the
sweat of your brow, the sweat of your brain, the ache of your
heart, buy Veal with it. Bring me the best years of your
life. Bring me your thoughts, your hopes, your loves; ye
shall have Veal for them. Now’s your time!
Now’s your time! Buy! Buy!”</p>
<p>Oh! Children of Israel, was Veal, even with all its trimmings,
quite worth the price?</p>
<p>And we! what wisdom have we learned, during the
centuries? I talked with a rich man only the other
evening. He calls himself a Financier, whatever that may
mean. He leaves his beautiful house, some twenty miles out
of London, at a quarter to eight, summer and winter, after a
hurried breakfast by himself, while his guests still sleep, and
he gets back just in time to dress for an elaborate dinner he
himself is too weary or too preoccupied to more than touch.
If ever he is persuaded to give himself a holiday it is for a
fortnight in Ostend, when it is most crowded and
uncomfortable. He takes his secretary with him, receives
and despatches a hundred telegrams a day, and has a private
telephone, through which he can speak direct to London, brought
up into his bedroom.</p>
<p>I suppose the telephone is really a useful invention.
Business men tell me they wonder how they contrived to conduct
their affairs without it. My own wonder always is, how any
human being with the ordinary passions of his race can conduct
his business, or even himself, creditably, within a hundred yards
of the invention. I can imagine Job, or Griselda, or
Socrates liking to have a telephone about them as exercise.
Socrates, in particular, would have made quite a reputation for
himself out of a three months’ subscription to a
telephone. Myself, I am, perhaps, too sensitive. I
once lived for a month in an office with a telephone, if one
could call it life. I was told that if I had stuck to the
thing for two or three months longer, I should have got used to
it. I know friends of mine, men once fearless and
high-spirited, who now stand in front of their own telephone for
a quarter of an hour at a time, and never so much as answer it
back. They tell me that at first they used to swear and
shout at it as I did; but now their spirit seems crushed.
That is what happens: you either break the telephone, or the
telephone breaks you. You want to see a man two streets
off. You might put on your hat, and be round at his office
in five minutes. You are on the point of starting when the
telephone catches your eye. You think you will ring him up
to make sure he is in. You commence by ringing up some
half-dozen times before anybody takes any notice of you
whatever. You are burning with indignation at this neglect,
and have left the instrument to sit down and pen a stinging
letter of complaint to the Company when the ring-back re-calls
you. You seize the ear trumpets, and shout—</p>
<p>“How is it that I can never get an answer when I
ring? Here have I been ringing for the last
half-hour. I have rung twenty times.” (This is
a falsehood. You have rung only six times, and the
“half-hour” is an absurd exaggeration; but you feel
the mere truth would not be adequate to the occasion.)
“I think it disgraceful,” you continue, “and I
shall complain to the Company. What is the use of my having
a telephone if I can’t get any answer when I ring?
Here I pay a large sum for having this thing, and I can’t
get any notice taken. I’ve been ringing all the
morning. Why is it?”</p>
<p>Then you wait for the answer.</p>
<p>“What—what do you say? I can’t hear
what you say.”</p>
<p>“I say I’ve been ringing here for over an hour,
and I can’t get any reply,” you call back.
“I shall complain to the Company.”</p>
<p>“You want what? Don’t stand so near the
tube. I can’t hear what you say. What
number?”</p>
<p>“Bother the number; I say why is it I don’t get an
answer when I ring?”</p>
<p>“Eight hundred and what?”</p>
<p>You can’t argue any more, after that. The machine
would give way under the language you want to make use of.
Half of what you feel would probably cause an explosion at some
point where the wire was weak. Indeed, mere language of any
kind would fall short of the requirements of the case. A
hatchet and a gun are the only intermediaries through which you
could convey your meaning by this time. So you give up all
attempt to answer back, and meekly mention that you want to be
put in communication with four-five-seven-six.</p>
<p>“Four-nine-seven-six?” says the girl.</p>
<p>“No; four-five-seven-six.”</p>
<p>“Did you say seven-six or six-seven?”</p>
<p>“Six-seven—no! I mean seven-six:
no—wait a minute. I don’t know what I do mean
now.”</p>
<p>“Well, I wish you’d find out,” says the
young lady severely. “You are keeping me here all the
morning.”</p>
<p>So you look up the number in the book again, and at last she
tells you that you are in connection; and then, ramming the
trumpet tight against your ear, you stand waiting.</p>
<p>And if there is one thing more than another likely to make a
man feel ridiculous it is standing on tip-toe in a corner,
holding a machine to his head, and listening intently to
nothing. Your back aches and your head aches, your very
hair aches. You hear the door open behind you and somebody
enter the room. You can’t turn your head. You
swear at them, and hear the door close with a bang. It
immediately occurs to you that in all probability it was
Henrietta. She promised to call for you at half-past
twelve: you were to take her to lunch. It was twelve
o’clock when you were fool enough to mix yourself up with
this infernal machine, and it probably is half-past twelve by
now. Your past life rises before you, accompanied by dim
memories of your grandmother. You are wondering how much
longer you can bear the strain of this attitude, and whether
after all you do really want to see the man in the next street
but two, when the girl in the exchange-room calls up to know if
you’re done.</p>
<p>“Done!” you retort bitterly; “why, I
haven’t begun yet.”</p>
<p>“Well, be quick,” she says, “because
you’re wasting time.”</p>
<p>Thus admonished, you attack the thing again.
“<i>Are</i> you there?” you cry in tones that ought
to move the heart of a Charity Commissioner; and then, oh joy! oh
rapture! you hear a faint human voice replying—</p>
<p>“Yes, what is it?”</p>
<p>“Oh! Are you four-five-seven-six?”</p>
<p>“What?”</p>
<p>“Are you four-five-seven-six, Williamson?”</p>
<p>“What! who are you?”</p>
<p>“Eight-one-nine, Jones.”</p>
<p>“Bones?”</p>
<p>“No, <i>J</i>ones. Are you
four-five-seven-six?”</p>
<p>“Yes; what is it?”</p>
<p>“Is Mr. Williamson in?”</p>
<p>“Will I what—who are you?”</p>
<p>“Jones! Is Mr. Williamson in?”</p>
<p>“Who?”</p>
<p>“Williamson. Will-i-am-son!”</p>
<p>“You’re the son of what? I can’t hear
what you say.”</p>
<p>Then you gather yourself for one final effort, and succeed, by
superhuman patience, in getting the fool to understand that you
wish to know if Mr. Williamson is in, and he says, so it sounds
to you, “Be in all the morning.”</p>
<p>So you snatch up your hat and run round.</p>
<p>“Oh, I’ve come to see Mr. Williamson,” you
say.</p>
<p>“Very sorry, sir,” is the polite reply, “but
he’s out.”</p>
<p>“Out? Why, you just now told me through the
telephone that he’d be in all the morning.”</p>
<p>“No, I said, he ‘<i>won’t</i> be in all the
morning.’”</p>
<p>You go back to the office, and sit down in front of that
telephone and look at it. There it hangs, calm and
imperturbable. Were it an ordinary instrument, that would
be its last hour. You would go straight down-stairs, get
the coal-hammer and the kitchen-poker, and divide it into
sufficient pieces to give a bit to every man in London. But
you feel nervous of these electrical affairs, and there is a
something about that telephone, with its black hole and curly
wires, that cows you. You have a notion that if you
don’t handle it properly something may come and shock you,
and then there will be an inquest, and bother of that sort, so
you only curse it.</p>
<p>That is what happens when you want to use the telephone from
your end. But that is not the worst that the telephone can
do. A sensible man, after a little experience, can learn to
leave the thing alone. Your worst troubles are not of your
own making. You are working against time; you have given
instructions not to be disturbed. Perhaps it is after
lunch, and you are thinking with your eyes closed, so that your
thoughts shall not be distracted by the objects about the
room. In either case you are anxious not to leave your
chair, when off goes that telephone bell and you spring from your
chair, uncertain, for the moment, whether you have been shot, or
blown up with dynamite. It occurs to you in your weakness
that if you persist in taking no notice, they will get tired, and
leave you alone. But that is not their method. The
bell rings violently at ten-second intervals. You have
nothing to wrap your head up in. You think it will be
better to get this business over and done with. You go to
your fate and call back savagely—</p>
<p>“What is it? What do you want?”</p>
<p>No answer, only a confused murmur, prominent out of which come
the voices of two men swearing at one another. The language
they are making use of is disgraceful. The telephone seems
peculiarly adapted for the conveyance of blasphemy.
Ordinary language sounds indistinct through it; but every word
those two men are saying can be heard by all the telephone
subscribers in London.</p>
<p>It is useless attempting to listen till they have done.
When they are exhausted, you apply to the tube again. No
answer is obtainable. You get mad, and become sarcastic;
only being sarcastic when you are not sure that anybody is at the
other end to hear you is unsatisfying.</p>
<p>At last, after a quarter of an hour or so of saying,
“Are you there?” “Yes, I’m
here,” “Well?” the young lady at the
Exchange asks what you want.</p>
<p>“I don’t want anything,” you reply.</p>
<p>“Then why do you keep talking?” she retorts;
“you mustn’t play with the thing.”</p>
<p>This renders you speechless with indignation for a while, upon
recovering from which you explain that somebody rang you up.</p>
<p>“<i>Who</i> rang you up?” she asks.</p>
<p>“I don’t know.”</p>
<p>“I wish you did,” she observes.</p>
<p>Generally disgusted, you slam the trumpet up and return to
your chair. The instant you are seated the bell clangs
again; and you fly up and demand to know what the thunder they
want, and who the thunder they are.</p>
<p>“Don’t speak so loud, we can’t hear
you. What do you want?” is the answer.</p>
<p>“I don’t want anything. What do you
want? Why do you ring me up, and then not answer me?
Do leave me alone, if you can!”</p>
<p>“We can’t get Hong Kongs at
seventy-four.”</p>
<p>“Well, I don’t care if you can’t.”</p>
<p>“Would you like Zulus?”</p>
<p>“What are you talking about?” you reply; “I
don’t know what you mean.”</p>
<p>“Would you like Zulus—Zulus at seventy-three and a
half?”</p>
<p>“I wouldn’t have ’em at six a penny.
What are you talking about?”</p>
<p>“Hong Kongs—we can’t get them at
seventy-four. Oh, half-a-minute” (the half-a-minute
passes). “Are you there?”</p>
<p>“Yes, but you are talking to the wrong man.”</p>
<p>“We can get you Hong Kongs at seventy-four and
seven-eights.”</p>
<p>“Bother Hong Kongs, and you too. I tell you, you
are talking to the wrong man. I’ve told you
once.”</p>
<p>“Once what?”</p>
<p>“Why, that I am the wrong man—I mean that you are
talking to the wrong man.”</p>
<p>“Who are you?”</p>
<p>“Eight-one-nine, Jones.”</p>
<p>“Oh, aren’t you one-nine-eight?”</p>
<p>“No.”</p>
<p>“Oh, good-bye.”</p>
<p>“Good-bye.”</p>
<p>How can a man after that sit down and write pleasantly of the
European crisis? And, if it were needed, herein lies
another indictment against the telephone. I was engaged in
an argument, which, if not in itself serious, was at least
concerned with a serious enough subject, the unsatisfactory
nature of human riches; and from that highly moral discussion
have I been lured, by the accidental sight of the word
“telephone,” into the writing of matter which can
have the effect only of exciting to frenzy all critics of the New
Humour into whose hands, for their sins, this book may
come. Let me forget my transgression and return to my
sermon, or rather to the sermon of my millionaire
acquaintance.</p>
<p>It was one day after dinner, we sat together in his
magnificently furnished dining-room. We had lighted our
cigars at the silver lamp. The butler had withdrawn.</p>
<p>“These cigars we are smoking,” my friend suddenly
remarked, <i>à propos</i> apparently of nothing,
“they cost me five shillings apiece, taking them by the
thousand.”</p>
<p>“I can quite believe it,” I answered; “they
are worth it.”</p>
<p>“Yes, to you,” he replied, almost savagely.
“What do you usually pay for your cigars?”</p>
<p>We had known each other years ago. When I first met him
his offices consisted of a back room up three flights of stairs
in a dingy by-street off the Strand, which has since
disappeared. We occasionally dined together, in those days,
at a restaurant in Great Portland Street, for one and nine.
Our acquaintanceship was of sufficient standing to allow of such
a question.</p>
<p>“Threepence,” I answered. “They work
out at about twopence three-farthings by the box.”</p>
<p>“Just so,” he growled; “and your
twopenny-three-farthing weed gives you precisely the same amount
of satisfaction that this five shilling cigar affords me.
That means four and ninepence farthing wasted every time I
smoke. I pay my cook two hundred a year. I
don’t enjoy my dinner as much as when it cost me four
shillings, including a quarter flask of Chianti. What is
the difference, personally, to me whether I drive to my office in
a carriage and pair, or in an omnibus? I often do ride in a
bus: it saves trouble. It is absurd wasting time looking
for one’s coachman, when the conductor of an omnibus that
passes one’s door is hailing one a few yards off.
Before I could afford even buses—when I used to walk every
morning to the office from Hammersmith—I was
healthier. It irritates me to think how hard I work for no
earthly benefit to myself. My money pleases a lot of people
I don’t care two straws about, and who are only my friends
in the hope of making something out of me. If I could eat a
hundred-guinea dinner myself every night, and enjoy it four
hundred times as much as I used to enjoy a five-shilling dinner,
there would be some sense in it. Why do I do it?”</p>
<p>I had never heard him talk like this before. In his
excitement he rose from the table, and commenced pacing the
room.</p>
<p>“Why don’t I invest my money in the two and a half
per cents?” he continued. “At the very worst I
should be safe for five thousand a year. What, in the name
of common sense, does a man want with more? I am always
saying to myself, I’ll do it; why don’t I?</p>
<p>“Well, why not?” I echoed.</p>
<p>“That’s what I want you to tell me,” he
returned. “You set up for understanding human nature,
it’s a mystery to me. In my place, you would do as I
do; you know that. If somebody left you a hundred thousand
pounds to-morrow, you would start a newspaper, or build a
theatre—some damn-fool trick for getting rid of the money
and giving yourself seventeen hours’ anxiety a day; you
know you would.”</p>
<p>I hung my head in shame. I felt the justice of the
accusation. It has always been my dream to run a newspaper
and own a theatre.</p>
<p>“If we worked only for what we could spend,” he
went on, “the City might put up its shutters to-morrow
morning. What I want to get at the bottom of is this
instinct that drives us to work apparently for work’s own
sake. What is this strange thing that gets upon our back
and spurs us?”</p>
<p>A servant entered at that moment with a cablegram from the
manager of one of his Austrian mines, and he had to leave me for
his study. But, walking home, I fell to pondering on his
words. <i>Why</i> this endless work? Why each morning
do we get up and wash and dress ourselves, to undress ourselves
at night and go to bed again? Why do we work merely to earn
money to buy food; and eat food so as to gain strength that we
may work? Why do we live, merely in the end to say good-bye
to one another? Why do we labour to bring children into the
world that they may die and be buried?</p>
<p>Of what use our mad striving, our passionate desire?
Will it matter to the ages whether, once upon a time, the Union
Jack or the Tricolour floated over the battlements of
Badajoz? Yet we poured our blood into its ditches to decide
the question. Will it matter, in the days when the glacial
period shall have come again, to clothe the earth with silence,
whose foot first trod the Pole? Yet, generation after
generation, we mile its roadway with our whitening bones.
So very soon the worms come to us; does it matter whether we
love, or hate? Yet the hot blood rushes through our veins,
we wear out heart and brain for shadowy hopes that ever fade as
we press forward.</p>
<p>The flower struggles up from seed-pod, draws the sweet sap
from the ground, folds its petals each night, and sleeps.
Then love comes to it in a strange form, and it longs to mingle
its pollen with the pollen of some other flower. So it puts
forth its gay blossoms, and the wandering insect bears the
message from seed-pod to seed-pod. And the seasons pass,
bringing with them the sunshine and the rain, till the flower
withers, never having known the real purpose for which it lived,
thinking the garden was made for it, not it for the garden.
The coral insect dreams in its small soul, which is possibly its
small stomach, of home and food. So it works and strives
deep down in the dark waters, never knowing of the continents it
is fashioning.</p>
<p>But the question still remains: for what purpose is it
all? Science explains it to us. By ages of strife and
effort we improve the race; from ether, through the monkey, man
is born. So, through the labour of the coming ages, he will
free himself still further from the brute. Through sorrow
and through struggle, by the sweat of brain and brow, he will
lift himself towards the angels. He will come into his
kingdom.</p>
<p>But why the building? Why the passing of the countless
ages? Why should he not have been born the god he is to be,
imbued at birth with all the capabilities his ancestors have died
acquiring? Why the Pict and Hun that <i>I</i> may be?
Why <i>I</i>, that a descendant of my own, to whom I shall seem a
savage, shall come after me? Why, if the universe be
ordered by a Creator to whom all things are possible, the
protoplasmic cell? Why not the man that is to be?
Shall all the generations be so much human waste that he may
live? Am I but another layer of the soil preparing for
him?</p>
<p>Or, if our future be in other spheres, then why the need of
this planet? Are we labouring at some Work too vast for us
to perceive? Are our passions and desires mere whips and
traces by the help of which we are driven? Any theory seems
more hopeful than the thought that all our eager, fretful lives
are but the turning of a useless prison crank. Looking back
the little distance that our dim eyes can penetrate the past,
what do we find? Civilizations, built up with infinite
care, swept aside and lost. Beliefs for which men lived and
died, proved to be mockeries. Greek Art crushed to the dust
by Gothic bludgeons. Dreams of fraternity, drowned in blood
by a Napoleon. What is left to us, but the hope that the
work itself, not the result, is the real monument? Maybe,
we are as children, asking, “Of what use are these
lessons? What good will they ever be to us?”
But there comes a day when the lad understands why he learnt
grammar and geography, when even dates have a meaning for
him. But this is not until he has left school, and gone out
into the wider world. So, perhaps, when we are a little
more grown up, we too may begin to understand the reason for our
living.</p>
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