<SPAN name="CHAPTER_VIII_ART_MYSTERY_AND_LOVE" id="CHAPTER_VIII_ART_MYSTERY_AND_LOVE"></SPAN>
<h2>CHAPTER VIII.</h2>
<h3>ART, MYSTERY AND LOVE.</h3>
<p>The little Jap was still posed in an attitude of bewilderment
as the two outside doors slammed and
Officer 666 went down the front steps to resume the
tread of his beat and the breaking of fragile hearts.</p>
<p>When he did emerge from his trance he returned
to the task of getting the great room in order with
the same snappy energy he had displayed when the
uniformed minion of the law broke in upon him. He
had removed the covers from the chairs and was dusting
off a great carved chest that stood against the
wall to the right of the doorway when the door bell
rang. Bateato jumped and then waited for a second
ring. Stepping warily out into the hallway, he looked
to see if it was the grim official in blue and buttons.</p>
<p>“Ha!” he exclaimed. “No more police,” and he
shot to the door and opened it for that debonnair
young gentleman who was one day to inherit the mustard
millions of Old Grim Barnes.</p>
<p>“Hello there, Bateato,” Whitney Barnes greeted
the little Jap cordially. “Did your master show up
yet?”</p>
<div></div>
<p>“He no come,” grinned Bateato, shutting the door
and leading the way into the room he had been preparing
for his master’s arrival. As Whitney Barnes
stepped into the room the Jap asked:</p>
<p>“’Scuse me, Mr. Barnes––you see Mr. Gladwin?”</p>
<p>“No, nor his double, Thomas Smith of the Ritz;
but he asked me to meet him here at 5 o’clock, Bateato.”</p>
<p>“Ees sair!” lisped the Jap, with a bob of the head;
then dived back to his occupation of making the long
deserted room look presentable.</p>
<p>As Bateato followed his master’s friend into the
room he switched on the full glare of electric lights
that depended from the ceiling or blazed through
the shades of many lamps. Whitney Barnes blinked
for a moment, and then started as his gaze was directed
to the walls hung with masterpieces.</p>
<p>The work of Rubens, Rembrandt, Coret, Meissonier,
Lely, Cazzin, Vegas, Fragonard, Reynolds and
a score others of the world’s greatest masters leaped
across his vision as he turned from wall to wall, revolving
on his heel.</p>
<p>“Whew!” he ejaculated. “I didn’t know that
Travers went in for this sort of thing. He certainly
is the secretive little oyster when he wants to be.”</p>
<p>Still studying the portraits and landscapes and allegorical
groups, he voiced to Bateato a sudden thought.</p>
<p>“By the way, Bateato, do you know what it was
that brought your master back in this strange fashion
and the reason for all this secrecy?”</p>
<div></div>
<p>“No, sair,” responded the Jap.</p>
<p>“Well, it’s damned peculiar!” muttered the young
man to himself, and proceeded on a tour about the
room to examine more closely its wealth of art treasure.
He had been engaged in this way about five
minutes when the door bell rang and Bateato cried:</p>
<p>“Here Mr. Gladwin now.”</p>
<p>“How do you know that Bateato?” quizzed the
young man absently, his attention being gripped by
a stunning aphrodite rising from the sea in a glory
of nudity and rainbows.</p>
<p>The Jap paused a second on his way to the door,
and replied:</p>
<p>“’Cause no one know he home but Mr. Barnes.
Thees house close up much long time and Mr. Gladwin
make papers say he in Egypt.”</p>
<p>In the same breath in which he maximed this volley
of words the little Jap projectiled himself from
the room.</p>
<p>“His deductions are marvellous,” said Whitney
Barnes, solemnly addressing a bronze bust of Philip
of Macedon. He turned in time to meet the brisk
entrance of Travers Gladwin, alias Thomas Smith of
the Ritz.</p>
<p>The two shook hands warmly and looked into each
other’s faces with quizzical smiles. They were about
of an age, both unusually good looking and bearing
themselves with that breezy, confident manner that
is characteristic of young men who have been coddled
in swan’s-down all their lives.</p>
<div></div>
<p>“Well, well, well, Travers!”</p>
<p>“Hello, Whitney, old boy!”</p>
<p>The greeting sprang from their lips simultaneously,
and after he had tossed his hat and cane to his
valet Travers Gladwin continued:</p>
<p>“Didn’t expect to see me so soon, did you, old
scout?”</p>
<p>“I should say I didn’t. Why, when I got that telegram
of yours to call up Thomas Smith at the Ritz
it certainly was some jar to my delicate nervous system.”</p>
<p>Travers Gladwin laughed and rubbed his hands.</p>
<p>“Did it, though?” he cried. “Gave you a real
thrill, eh?”</p>
<p>“Exact and specific––a real thrill.”</p>
<p>“Well, you’re lucky––a surprise and a thrill. I’d
give anything for a real surprise––I’ve hunted this
little planet’s four corners for one and failed to
connect.”</p>
<p>“If you can’t achieve ’em you seem to be in the
business of manufacturing ’em. Come along now,
what’s all this thundering mystery. I’m shot to pieces
with curiosity. What’s happened to make you come
home like this?”</p>
<p>“Watkins!” replied Travers Gladwin curtly.</p>
<p>“Watkins! What Watkins? Who’s Watkins?”</p>
<p>“Watkins is my man––I mean, Watkins was my
man before I found out that he was systematically
robbing me.”</p>
<div></div>
<p>“Oh, I remember now. A jolly good servant,
though. So he robbed you, did he? But they all
do.”</p>
<p>“Yes, but they don’t always get found out––caught
with the goods, as the police say. I caught
Watkins with the goods and sacked him.”</p>
<p>“But you don’t mean to tell me that you came kiting
home from the pyramids and the lovely Sahara desert
just because this chap Watkins was dishonest?” said
Whitney Barnes, in tones of incredulity.</p>
<p>“No, Whitney,” replied Gladwin, dropping into a
chair and puckering his forehead with a frown. “Watkins
was only the start of it. I got rid of him six
months ago. But while I was on my way to Egypt
I learned that Watkins and my lawyer had been in
some sort of a secret correspondence before I gave
Watkins the bounce.”</p>
<p>“What lawyer? Not ‘Old Reliable’ Forbes? Why,
I thought he wore a certified halo.”</p>
<p>“So did I, but I’ve got news to the contrary, and
you know he has charge of everything for me––keeps
all my securities––has a power of attorney––signs
checks and all that.”</p>
<p>“That sounds bad,” said Whitney Barnes, sympathetically.
“The old saint could come pretty close to
ruining you.”</p>
<p>“Now you’ve hit it,” assented Gladwin. “So I’ve
come home to investigate––sleuthing expedition, you
might say. Didn’t want him to hear I was coming
and climb out. Now you’ve got the answer to the
gumshoe riddle. My plan is to lie low and have you
look him up. Nothing else on foot, Whitney?
Haven’t gone into mustard or Wall street, have you?”</p>
<p>It was Whitney Barnes’s turn to construct a frown
and take on an air of intense seriousness, while his
friend smiled at him, thinking it was one of his humorous
moods.</p>
<p>“Can’t say I have anything definite on foot,” said
Barnes slowly, “but the pater has given me a rather
important commission to fulfil, though not exactly
in mustard.”</p>
<p>“Well, then,” said Travers Gladwin with a trace
of annoyance, “I’d better call on somebody else. I”––</p>
<p>“Nothing of the sort,” broke in Whitney Barnes.
“It may fit right in with my plans. It’ll keep me circulating
round a lot and that’s just what I want––that
and what Bateato is bringing,” as the little
brown man entered the room on the run, bearing
a silver tray, decanter and glasses.</p>
<hr class="toprule" />
<div style="break-after:column;"></div><br />