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<h2> 8—Those Who Are Found Where There Is Said to Be Nobody </h2>
<p>As soon as the sad little boy had withdrawn from the fire he clasped the
money tight in the palm of his hand, as if thereby to fortify his courage,
and began to run. There was really little danger in allowing a child to go
home alone on this part of Egdon Heath. The distance to the boy's house
was not more than three-eighths of a mile, his father's cottage, and one
other a few yards further on, forming part of the small hamlet of Mistover
Knap: the third and only remaining house was that of Captain Vye and
Eustacia, which stood quite away from the small cottages and was the
loneliest of lonely houses on these thinly populated slopes.</p>
<p>He ran until he was out of breath, and then, becoming more courageous,
walked leisurely along, singing in an old voice a little song about a
sailor-boy and a fair one, and bright gold in store. In the middle of this
the child stopped—from a pit under the hill ahead of him shone a
light, whence proceeded a cloud of floating dust and a smacking noise.</p>
<p>Only unusual sights and sounds frightened the boy. The shrivelled voice of
the heath did not alarm him, for that was familiar. The thornbushes which
arose in his path from time to time were less satisfactory, for they
whistled gloomily, and had a ghastly habit after dark of putting on the
shapes of jumping madmen, sprawling giants, and hideous cripples. Lights
were not uncommon this evening, but the nature of all of them was
different from this. Discretion rather than terror prompted the boy to
turn back instead of passing the light, with a view of asking Miss
Eustacia Vye to let her servant accompany him home.</p>
<p>When the boy had reascended to the top of the valley he found the fire to
be still burning on the bank, though lower than before. Beside it, instead
of Eustacia's solitary form, he saw two persons, the second being a man.
The boy crept along under the bank to ascertain from the nature of the
proceedings if it would be prudent to interrupt so splendid a creature as
Miss Eustacia on his poor trivial account.</p>
<p>After listening under the bank for some minutes to the talk he turned in a
perplexed and doubting manner and began to withdraw as silently as he had
come. That he did not, upon the whole, think it advisable to interrupt her
conversation with Wildeve, without being prepared to bear the whole weight
of her displeasure, was obvious.</p>
<p>Here was a Scyllaeo-Charybdean position for a poor boy. Pausing when again
safe from discovery, he finally decided to face the pit phenomenon as the
lesser evil. With a heavy sigh he retraced the slope, and followed the
path he had followed before.</p>
<p>The light had gone, the rising dust had disappeared—he hoped for
ever. He marched resolutely along, and found nothing to alarm him till,
coming within a few yards of the sandpit, he heard a slight noise in
front, which led him to halt. The halt was but momentary, for the noise
resolved itself into the steady bites of two animals grazing.</p>
<p>"Two he'th-croppers down here," he said aloud. "I have never known 'em
come down so far afore."</p>
<p>The animals were in the direct line of his path, but that the child
thought little of; he had played round the fetlocks of horses from his
infancy. On coming nearer, however, the boy was somewhat surprised to find
that the little creatures did not run off, and that each wore a clog, to
prevent his going astray; this signified that they had been broken in. He
could now see the interior of the pit, which, being in the side of the
hill, had a level entrance. In the innermost corner the square outline of
a van appeared, with its back towards him. A light came from the interior,
and threw a moving shadow upon the vertical face of gravel at the further
side of the pit into which the vehicle faced.</p>
<p>The child assumed that this was the cart of a gipsy, and his dread of
those wanderers reached but to that mild pitch which titillates rather
than pains. Only a few inches of mud wall kept him and his family from
being gipsies themselves. He skirted the gravel pit at a respectful
distance, ascended the slope, and came forward upon the brow, in order to
look into the open door of the van and see the original of the shadow.</p>
<p>The picture alarmed the boy. By a little stove inside the van sat a figure
red from head to heels—the man who had been Thomasin's friend. He
was darning a stocking, which was red like the rest of him. Moreover, as
he darned he smoked a pipe, the stem and bowl of which were red also.</p>
<p>At this moment one of the heath-croppers feeding in the outer shadows was
audibly shaking off the clog attached to its foot. Aroused by the sound,
the reddleman laid down his stocking, lit a lantern which hung beside him,
and came out from the van. In sticking up the candle he lifted the lantern
to his face, and the light shone into the whites of his eyes and upon his
ivory teeth, which, in contrast with the red surrounding, lent him a
startling aspect enough to the gaze of a juvenile. The boy knew too well
for his peace of mind upon whose lair he had lighted. Uglier persons than
gipsies were known to cross Egdon at times, and a reddleman was one of
them.</p>
<p>"How I wish 'twas only a gipsy!" he murmured.</p>
<p>The man was by this time coming back from the horses. In his fear of being
seen the boy rendered detection certain by nervous motion. The heather and
peat stratum overhung the brow of the pit in mats, hiding the actual
verge. The boy had stepped beyond the solid ground; the heather now gave
way, and down he rolled over the scarp of grey sand to the very foot of
the man.</p>
<p>The red man opened the lantern and turned it upon the figure of the
prostrate boy.</p>
<p>"Who be ye?" he said.</p>
<p>"Johnny Nunsuch, master!"</p>
<p>"What were you doing up there?"</p>
<p>"I don't know."</p>
<p>"Watching me, I suppose?"</p>
<p>"Yes, master."</p>
<p>"What did you watch me for?"</p>
<p>"Because I was coming home from Miss Vye's bonfire."</p>
<p>"Beest hurt?"</p>
<p>"No."</p>
<p>"Why, yes, you be—your hand is bleeding. Come under my tilt and let
me tie it up."</p>
<p>"Please let me look for my sixpence."</p>
<p>"How did you come by that?"</p>
<p>"Miss Vye gied it to me for keeping up her bonfire."</p>
<p>The sixpence was found, and the man went to the van, the boy behind,
almost holding his breath.</p>
<p>The man took a piece of rag from a satchel containing sewing materials,
tore off a strip, which, like everything else, was tinged red, and
proceeded to bind up the wound.</p>
<p>"My eyes have got foggy-like—please may I sit down, master?" said
the boy.</p>
<p>"To be sure, poor chap. 'Tis enough to make you feel fainty. Sit on that
bundle."</p>
<p>The man finished tying up the gash, and the boy said, "I think I'll go
home now, master."</p>
<p>"You are rather afraid of me. Do you know what I be?"</p>
<p>The child surveyed his vermilion figure up and down with much misgiving
and finally said, "Yes."</p>
<p>"Well, what?"</p>
<p>"The reddleman!" he faltered.</p>
<p>"Yes, that's what I be. Though there's more than one. You little children
think there's only one cuckoo, one fox, one giant, one devil, and one
reddleman, when there's lots of us all."</p>
<p>"Is there? You won't carry me off in your bags, will ye, master? 'Tis said
that the reddleman will sometimes."</p>
<p>"Nonsense. All that reddlemen do is sell reddle. You see all these bags at
the back of my cart? They are not full of little boys—only full of
red stuff."</p>
<p>"Was you born a reddleman?"</p>
<p>"No, I took to it. I should be as white as you if I were to give up the
trade—that is, I should be white in time—perhaps six months;
not at first, because 'tis grow'd into my skin and won't wash out. Now,
you'll never be afraid of a reddleman again, will ye?"</p>
<p>"No, never. Willy Orchard said he seed a red ghost here t'other day—perhaps
that was you?"</p>
<p>"I was here t'other day."</p>
<p>"Were you making that dusty light I saw by now?"</p>
<p>"Oh yes, I was beating out some bags. And have you had a good bonfire up
there? I saw the light. Why did Miss Vye want a bonfire so bad that she
should give you sixpence to keep it up?"</p>
<p>"I don't know. I was tired, but she made me bide and keep up the fire just
the same, while she kept going up across Rainbarrow way."</p>
<p>"And how long did that last?"</p>
<p>"Until a hopfrog jumped into the pond."</p>
<p>The reddleman suddenly ceased to talk idly. "A hopfrog?" he inquired.
"Hopfrogs don't jump into ponds this time of year."</p>
<p>"They do, for I heard one."</p>
<p>"Certain-sure?"</p>
<p>"Yes. She told me afore that I should hear'n; and so I did. They say she's
clever and deep, and perhaps she charmed 'en to come."</p>
<p>"And what then?"</p>
<p>"Then I came down here, and I was afeard, and I went back; but I didn't
like to speak to her, because of the gentleman, and I came on here again."</p>
<p>"A gentleman—ah! What did she say to him, my man?"</p>
<p>"Told him she supposed he had not married the other woman because he liked
his old sweetheart best; and things like that."</p>
<p>"What did the gentleman say to her, my sonny?"</p>
<p>"He only said he did like her best, and how he was coming to see her again
under Rainbarrow o' nights."</p>
<p>"Ha!" cried the reddleman, slapping his hand against the side of his van
so that the whole fabric shook under the blow. "That's the secret o't!"</p>
<p>The little boy jumped clean from the stool.</p>
<p>"My man, don't you be afraid," said the dealer in red, suddenly becoming
gentle. "I forgot you were here. That's only a curious way reddlemen have
of going mad for a moment; but they don't hurt anybody. And what did the
lady say then?"</p>
<p>"I can't mind. Please, Master Reddleman, may I go home-along now?"</p>
<p>"Ay, to be sure you may. I'll go a bit of ways with you."</p>
<p>He conducted the boy out of the gravel pit and into the path leading to
his mother's cottage. When the little figure had vanished in the darkness
the reddleman returned, resumed his seat by the fire, and proceeded to
darn again.</p>
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