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<h2> CHAPTER VIII </h2>
<p>One matter connected with his management sometimes worried Nicholas, and
that was his quick temper together with his old hussar habit of making
free use of his fists. At first he saw nothing reprehensible in this, but
in the second year of his marriage his view of that form of punishment
suddenly changed.</p>
<p>Once in summer he had sent for the village elder from Bogucharovo, a man
who had succeeded to the post when Dron died and who was accused of
dishonesty and various irregularities. Nicholas went out into the porch to
question him, and immediately after the elder had given a few replies the
sound of cries and blows were heard. On returning to lunch Nicholas went
up to his wife, who sat with her head bent low over her embroidery frame,
and as usual began to tell her what he had been doing that morning. Among
other things he spoke of the Bogucharovo elder. Countess Mary turned red
and then pale, but continued to sit with head bowed and lips compressed
and gave her husband no reply.</p>
<p>"Such an insolent scoundrel!" he cried, growing hot again at the mere
recollection of him. "If he had told me he was drunk and did not see...
But what is the matter with you, Mary?" he suddenly asked.</p>
<p>Countess Mary raised her head and tried to speak, but hastily looked down
again and her lips puckered.</p>
<p>"Why, whatever is the matter, my dearest?"</p>
<p>The looks of the plain Countess Mary always improved when she was in
tears. She never cried from pain or vexation, but always from sorrow or
pity, and when she wept her radiant eyes acquired an irresistible charm.</p>
<p>The moment Nicholas took her hand she could no longer restrain herself and
began to cry.</p>
<p>"Nicholas, I saw it... he was to blame, but why do you... Nicholas!" and
she covered her face with her hands.</p>
<p>Nicholas said nothing. He flushed crimson, left her side, and paced up and
down the room. He understood what she was weeping about, but could not in
his heart at once agree with her that what he had regarded from childhood
as quite an everyday event was wrong. "Is it just sentimentality, old
wives' tales, or is she right?" he asked himself. Before he had solved
that point he glanced again at her face filled with love and pain, and he
suddenly realized that she was right and that he had long been sinning
against himself.</p>
<p>"Mary," he said softly, going up to her, "it will never happen again; I
give you my word. Never," he repeated in a trembling voice like a boy
asking for forgiveness.</p>
<p>The tears flowed faster still from the countess' eyes. She took his hand
and kissed it.</p>
<p>"Nicholas, when did you break your cameo?" she asked to change the
subject, looking at his finger on which he wore a ring with a cameo of
Laocoon's head.</p>
<p>"Today—it was the same affair. Oh, Mary, don't remind me of it!" and
again he flushed. "I give you my word of honor it shan't occur again, and
let this always be a reminder to me," and he pointed to the broken ring.</p>
<p>After that, when in discussions with his village elders or stewards the
blood rushed to his face and his fists began to clench, Nicholas would
turn the broken ring on his finger and would drop his eyes before the man
who was making him angry. But he did forget himself once or twice within a
twelvemonth, and then he would go and confess to his wife, and would again
promise that this should really be the very last time.</p>
<p>"Mary, you must despise me!" he would say. "I deserve it."</p>
<p>"You should go, go away at once, if you don't feel strong enough to
control yourself," she would reply sadly, trying to comfort her husband.</p>
<p>Among the gentry of the province Nicholas was respected but not liked. He
did not concern himself with the interests of his own class, and
consequently some thought him proud and others thought him stupid. The
whole summer, from spring sowing to harvest, he was busy with the work on
his farm. In autumn he gave himself up to hunting with the same business
like seriousness—leaving home for a month, or even two, with his
hunt. In winter he visited his other villages or spent his time reading.
The books he read were chiefly historical, and on these he spent a certain
sum every year. He was collecting, as he said, a serious library, and he
made it a rule to read through all the books he bought. He would sit in
his study with a grave air, reading—a task he first imposed upon
himself as a duty, but which afterwards became a habit affording him a
special kind of pleasure and a consciousness of being occupied with
serious matters. In winter, except for business excursions, he spent most
of his time at home making himself one with his family and entering into
all the details of his children's relations with their mother. The harmony
between him and his wife grew closer and closer and he daily discovered
fresh spiritual treasures in her.</p>
<p>From the time of his marriage Sonya had lived in his house. Before that,
Nicholas had told his wife all that had passed between himself and Sonya,
blaming himself and commending her. He had asked Princess Mary to be
gentle and kind to his cousin. She thoroughly realized the wrong he had
done Sonya, felt herself to blame toward her, and imagined that her wealth
had influenced Nicholas' choice. She could not find fault with Sonya in
any way and tried to be fond of her, but often felt ill-will toward her
which she could not overcome.</p>
<p>Once she had a talk with her friend Natasha about Sonya and about her own
injustice toward her.</p>
<p>"You know," said Natasha, "you have read the Gospels a great deal—there
is a passage in them that just fits Sonya."</p>
<p>"What?" asked Countess Mary, surprised.</p>
<p>"'To him that hath shall be given, and from him that hath not shall be
taken away.' You remember? She is one that hath not; why, I don't know.
Perhaps she lacks egotism, I don't know, but from her is taken away, and
everything has been taken away. Sometimes I am dreadfully sorry for her.
Formerly I very much wanted Nicholas to marry her, but I always had a sort
of presentiment that it would not come off. She is a sterile flower, you
know—like some strawberry blossoms. Sometimes I am sorry for her,
and sometimes I think she doesn't feel it as you or I would."</p>
<p>Though Countess Mary told Natasha that those words in the Gospel must be
understood differently, yet looking at Sonya she agreed with Natasha's
explanation. It really seemed that Sonya did not feel her position trying,
and had grown quite reconciled to her lot as a sterile flower. She seemed
to be fond not so much of individuals as of the family as a whole. Like a
cat, she had attached herself not to the people but to the home. She
waited on the old countess, petted and spoiled the children, was always
ready to render the small services for which she had a gift, and all this
was unconsciously accepted from her with insufficient gratitude.</p>
<p>The country seat at Bald Hills had been rebuilt, though not on the same
scale as under the old prince.</p>
<p>The buildings, begun under straitened circumstances, were more than
simple. The immense house on the old stone foundations was of wood,
plastered only inside. It had bare deal floors and was furnished with very
simple hard sofas, armchairs, tables, and chairs made by their own serf
carpenters out of their own birchwood. The house was spacious and had
rooms for the house serfs and apartments for visitors. Whole families of
the Rostovs' and Bolkonskis' relations sometimes came to Bald Hills with
sixteen horses and dozens of servants and stayed for months. Besides that,
four times a year, on the name days and birthdays of the hosts, as many as
a hundred visitors would gather there for a day or two. The rest of the
year life pursued its unbroken routine with its ordinary occupations, and
its breakfasts, lunches, dinners, and suppers, provided out of the produce
of the estate.</p>
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