<p><SPAN name="link2H_4_0009" id="link2H_4_0009"></SPAN></p>
<h2> IX. THE MOTHER, by Edith Wyatt </h2>
<p>I am sure that I shall surprise no mother of a large family when I say
that this hour is the first one I have spent alone for thirty years. I
count it, alone. For while I am driving back in the runabout along the six
miles of leafy road between the hospital and Eastridge with mother beside
me, she is sound asleep under the protection of her little hinged black
sunshade, still held upright. She will sleep until we are at home; and,
after our anxious morning at the hospital, I am most grateful to the
fortune sending me this lucid interval, not only for thinking over what
has occurred in the last three days, but also for trying to focus clearly
for myself what has happened in the last week, since Elizabeth went on the
5.40 to New York; since Charles followed Elizabeth; since Maria, under Dr.
Denbigh's mysteriously required escort, followed Charles; since Tom
followed Maria; and since Cyrus, with my dear girl, followed Tom.</p>
<p>On the warm afternoon before Elizabeth left, as I walked past her open
door, with Lena, and carrying an egg-nog to Peggy, I could not avoid
hearing down the whole length of the hall a conversation carried on in
clear, absorbed tones, between my sister and Alice.</p>
<p>"Did I understand you to say," said Elizabeth, in an assumption of
indifference too elaborate, I think, to deceive even her niece, "that this
Mr. Wilde you mention is now living in New York?"</p>
<p>"Oh yes. He conducts all the art-classes at the Crafts Settlement. He
encouraged Lorraine's sisters in their wonderful work. I would love to go
into it myself."</p>
<p>Lorraine's sisters and her circle once entertained me at tea in their
establishment when I visited Charles before his marriage, in New York.
They are extremely kind young women, ladies in every respect, who have a
workshop called "At the Sign of the Three-legged Stool." They seem to be
carpenters, as nearly as I can tell. They wear fillets and bright, loose
clothes; and they make very rough-hewn burnt-wood footstools and odd
settees with pieces of glass set about in them. It is all very puzzling.
When Charles showed me a candlestick one of the young ladies had made, and
talked to me about the decoration and the line, I could see that it was
very gracefully designed and nicely put together. But when he noticed that
in the wish to be perfectly open-minded to his point of view I was looking
very attentively at a queer, uneven wrought-iron brooch with two little
pendant polished granite rocks, he only laughed and put his hand on my
shawl a minute and brought me more tea.</p>
<p>So that I could understand something of what Alice was mentioning as she
went on: "You know Lorraine says that, though not the most PROMINENT,
Lyman Wilde is the most RADICAL and TEMPERAMENTAL leader in the great
handicraft development in this country. Even most of the persons in favor
of it consider that he goes too far. She says, for instance, he is so
opposed to machines of all sorts that he thinks it would be better to
abolish printing and return to script. He has started what they call a
little movement of the kind now, and is training two young scriveners."</p>
<p>Elizabeth was shaking her head reflectively as I passed the door, and
saying: "Ah—no compromise. And always, ALWAYS the love of beauty."
And I heard her advising Alice never, never to be one of the foolish women
and men who hurt themselves by dreaming of beauty or happiness in their
narrow little lives; repeating sagely that this dream was even worse for
the women than for the men; and asked whether Alice supposed the Crafts
Settlement address wouldn't probably be in the New York telephone-book.
Alice seemed to be spending a very gratifying afternoon.</p>
<p>My sister Elizabeth's strongest instinct from her early youth has been the
passion inspiring the famous Captain Parklebury Todd, so often quoted by
Alice and Billy: "I do not think I ever knew a character so given to
creating a sensation. Or p'r'aps I should in justice say, to what, in an
Adelphi play, is known as situation." Never has she gratified her taste in
this respect more fully than she did—as I believe quite accidentally
and on the inspiration of these words with Alice—in taking the
evening train to New York with Mr. Goward.</p>
<p>Twenty or thirty people at the station saw them starting away together,
each attempting to avoid recognition, each in the pretence of avoiding the
other, each with excited manners. So that, as both Peggy and Elizabeth
have been born and brought up here; as, during Mr. Goward's conspicuous
absence and silence, during Peggy's illness, and all our trying
uncertainties and hers, in the last weeks, my sister had widely flung to
town talk many tacit insinuations concerning the character of Mr. Goward's
interest in herself; as none of the twenty or thirty people were mute
beyond their kind; and as Elizabeth's nature has never inspired high
neighborly confidence—before night a rumor had spread like the wind
that Margaret Talbert's lover had eloped with her aunt.</p>
<p>Billy heard the other children talking of this news and hushing themselves
when he came up. Tom learned of the occurrence by a telephone, and, after
supper, told Cyrus and myself; Maria was informed of it by telephone
through an old friend who thought Maria should know of what every one was
saying. Lorraine, walking to the office to meet Charles, was overtaken on
the street by Mrs. Temple, greatly concerned for us and for Peggy, and
learned the strange story from our sympathetic neighbor, to repeat it to
Charles. At ten o'clock there was only one person in the house, perhaps in
Eastridge, who was ignorant of our daughter's singular fortune. That
person was our dear girl herself.</p>
<p>Since my own intelligence of the report I had not left her alone with
anybody else for a moment; and now I was standing in the hall watching her
start safely up-stairs, when to our surprise the front-door latch clicked
suddenly; she turned on the stairs; the door opened, and we both faced
Charles. From the first still glances he and I gave each other he knew she
hadn't heard. Then he said quietly that he had wished to see Peggy for a
moment before she went to sleep. He bade me a very confiding and
responsible good-night, and went out with her to the garden where they
used to play constantly together when they were children.</p>
<p>Up-stairs, unable to lie down till she came back, I put on a little
cambric sack and sat by the window waiting till I should hear her foot on
the stairs again. "Charles is telling her," I said to Cyrus. He was
walking up and down the room, dumb with impatience and disgust, too pained
for Peggy, too tried by his own helplessness to rest or even to sit still.
In a way it has all been harder for him than for any one else. His
impulses are stronger and deeper than my dear girl's, and far less cool.
She is very especially precious to him; and, whether because she looks so
like him, or because he thinks her ways like my own, her youth and her
fortune have always been at once a more anxious and a more lovely concern
with him than any one else's on earth. She is, somehow, our future to him.</p>
<p>While we waited here in this anxiety up-stairs, down in the garden I could
hear not the words, but the tones of our children as they spoke together.
Charles's voice sounded first for a long time, with an air of calmness and
directness; and Peggy answered him at intervals of listening, answered
apparently less with surprise at what he told her than in a quiet
acceptance, with a little throb of control, and then in accord with him.
Then it was as though they were planning together.</p>
<p>In the still village night their voices sounded very tranquil; after a
little while, even buoyant. Peggy laughed once or twice. Little by little
a breath of relief blew over both her father's solicitude and mine. It was
partly from the coolness and freshness of the out-door air, and the
half-unconscious sense it often brings, that beyond whatever care is close
beside you at the instant there is—and especially for the young—so
much else in all creation. Then, for me, there was a deep comfort in the
knowledge that in this time of need my children had each other; that they
could speak so together, in an intimate sympathy, and were, not only
superficially in name, but really and beautifully, a brother and sister.</p>
<p>At last, as they parted at the gate, Charles said, in a spirited,
downright tone: "Stick to that, cling to it, make it your answer to
everything. It's all you now know and all you need to know, and you'll be
as firm on it as on a rock."</p>
<p>The lamplight from the street filtering through the elm leaves glimmered
on Peggy's bright hair as she looked up at him. Her eyelashes were wet,
but she was laughing as she said: "But, of course, I HAVE to cling to it.
It's the truth. Good-night! Good-night!" And her step on the stairs was
light and even skipping.</p>
<p>On the next morning, when I knocked at her door to find whether she would
rather breakfast up-stairs, I saw at once she had slept. She stood before
the mirror fastening her belt ribbon, and looking so lovely it seemed
impossible misfortune should ever touch her.</p>
<p>"Why, mother dear, you aren't dressed for the library-board meeting! Isn't
that this morning?"</p>
<p>"Yes."</p>
<p>She looked at me with her little, sweet, quick smile, and we sat down for
a moment on her couch together, each with a sense that neither would say
one word too sharply pressing.</p>
<p>"Dear mother, why NOT go to the board meeting? You don't need to protect
me so. You CAN'T protect me every minute. You see, of course, last night
Charles—told me of what everybody thinks." Her voice throbbed again.
She stopped for a minute. "But for weeks and weeks I had felt something
like this coming toward me. And now that it's come," she went on, bravely,
"we can only just do as we always have done—and not make any
difference—can we?"</p>
<p>"Except that I feel I must be here, because we can't know from minute to
minute what may come up."</p>
<p>"You feel you can't leave me, mother. But you can. I want to see whoever
comes, just as usual. I'd have to at some time, you know, at any rate. And
I mean to do it now—until I go away out of Eastridge. Charles is
going to arrange that so very wonderfully. He has gone to New York now to
see about it."</p>
<p>"He has, my dear?" I said, in some surprise.</p>
<p>"Yes. And, mother, about—about what's over," she whispered.</p>
<p>"Yes."</p>
<p>"Oh, just—just it couldn't all have happened in this way if"—she
spoke in quite a clear, soft voice, looking straight into my eyes, with
one of her quick turns—"he were a real MAN—anybody I could
think of as being my husband. It was just that I didn't truly know him.
That was all."</p>
<p>We held each other's hands fast for one moment of perfect understanding
before we rose.</p>
<p>"Then I'll go, dear, this morning, just as you like," I said. She came
into my room and fastened my cuff-pins for me. "Why, mother, I don't
believe you and your little duchesse cuffs and your little, fine, gold
watch-chain have ever been away from the chair of the library committee at
a board meeting for twenty years! Just think what a sensation you were
going to make if I hadn't interfered! There, how nice you look!"</p>
<p>The weather was so inclement during my absence that I felt quite secure
concerning all intrusion for her. At noon the storm rose high, with a
close-timed thunder and lightning; the Episcopal church spire was struck;
two trees were blown over in the square; and, instead of ordering Dan and
the horses out in this tumult, I dined with a board member living next the
library, and drove home at three o'clock when the violence of the gale had
abated.</p>
<p>The house was perfectly still when I reached it. The children were at
school; Cyrus, at the factory; mother, napping, with her door closed. In
her own room up-stairs, in the middle of the house, Peggy sat alone, in a
loose wrapper, with her hair flying over her shoulders. An open book lay
unnoticed in her lap. Her face was white and tear-stained, and her eyes
looked wild and ill.</p>
<p>As her glance fell on me I saw her need of me, and hurried in to close the
door. "Oh, mother; mother!" she moaned. "Such a morning! It's all come
back—all I fought against—all I was conquering. What does it
mean? What does it mean?"</p>
<p>"What has happened? Who has been here?"</p>
<p>"Maria—sneering at Charles's ideas, asking me questions, petting me
and pitying me and making a baby of me, until I broke down at last and
wanted all the things she wanted to have done, and let her kiss me
good-bye for her kindness in doing them—"</p>
<p>In a passion of tears she walked up and down, up and down the room, as her
father does, except with that quick, nervous grace she always has, and in
a painful, sobbing excitement.</p>
<p>Every sense I had was for an instant's passage fused in one clear,
concentrated anger against a sister who could play so ruthlessly upon my
poor child's woman pulses and emotions, so disarm her of her self-control
and right free spirit.</p>
<p>"Why did she come?" I said, at last, with the best calmness I could
muster. Peggy stood still for a moment, startled by a coldness in my voice
I couldn't alter.</p>
<p>"She came to find out about things for herself. Then when she did find out
about Charles's way of helping us she simply hated it—and she sent
me after—after the letter you had. I got it from your desk, and
Maria took it to find out its real address."</p>
<p>At that she sank again in a chair, and buried her face in her hands,
hardly knowing what she was saying. "Oh, what shall I do? What shall I
do?" she repeated, softly and wildly. "Yesterday I could behave so well by
what I knew was true about him. Then, when Maria came and spoke as though
I was three years old, and hadn't any understanding nor any dignity of my
own, and the best thing for any girl, at any rate, were to cling to the
man she loved as though she were his mother and he were her dear, erring
child" (she began to laugh a little), "the feebler he were the more credit
to her for her devotion—then I couldn't go on by what I knew was
true about him—only back, back again to all my—old mistake."
She was laughing and crying now with little, quick gasps, in a sheer
hysteria which no doubt would have given her sister entire satisfaction as
a manifesto of her normal womanliness.</p>
<p>I brought her a glass of water, and, trying to conceal my own distress for
her as well as I could, sat down, silently, near her. Gradually she grew
quieter, until the room was so still that we could hear the raindrops from
the eaves plash down outside. Peggy pushed back her cloud of bright hair
and fastened it in the nape of her neck. At last she said, with
conviction: "Mother, Maria didn't say these things, but I know she thinks
them for me, thinks that a woman's love is just all forgiveness and
indulgence. By that she could—she did work on my nerves. But"—and
her gray eyes glanced so beautifully and so darkly with a girl's fine,
straight, native, healthy spirit as she said it—"I COULDN'T marry
any man but one that I admired."</p>
<p>"I'm sure you couldn't," I said, firmly. "And, my dear child, I must
confess I fail to understand why your sister should wish so patronizingly
for you a fortune she would never have accepted for herself. How can she
possibly like for you such a mawkish and a morbid thing as the prospect of
a marriage with a man in whom neither you nor any other person feels the
presence of one single absolute and manly quality?"</p>
<p>"Why, mother, I have never heard you speak so strongly before—"</p>
<p>At that moment Lena came searching through the hall, and knocking at the
door of my room, next Peggy's, to announce Lorraine. The kind-hearted girl
was with us constantly, and of the greatest unobtrusive solace to Peggy in
those three days after our travellers had all gone, one after the other,
like the fairy-tale family, at the chance word of Clever Alice.</p>
<p>It was on the fifth morning afterward, as I was sitting on the piazza
hemming an organdie ruffle for my big little girl—she does shoot up
so fast—that I heard on the gravel Charles's footstep.</p>
<p>For some time after his arrival, as he sat, with his hat thrown off,
talking lightly of his New York sojourn, I was so completely glad to see
him, and to see him looking so well and in such buoyant spirits, that I
could think of nothing else until he mentioned taking tea "At the Sign of
the Three-legged Stool" with Lorraine's sisters, with Lyman Wilde—and
with Aunt Elizabeth.</p>
<p>My work dropped out of my hands.</p>
<p>He laughed. "Yes. Dear mother, since you never have seen him, I don't know
that I can hope to convey any right conception of Wilde's truly remarkable
character. He is, to begin with, the best of men. Picture, if you can, a
nature with a soul completely beautiful and selfless, and a nervous
surface quite as pachydermatous and indiscriminating as that of an ox.
Wilde accepts everybody's estimate of himself. Not only the quality of his
mercy, but also of his admiration, is quite unstrained. So that he sees
the friend of his youth not at all as I or any humanized perception at the
Crafts Settlement would see her, but quite as she sees herself, as a
fascinating, gifted, capricious woman of the world, beating the wings of
her thwarted love of beauty against cruel circumstance. I noticed his
attitude as soon as I mentioned to him that Lorraine had by chance
discovered that he and my aunt were old acquaintances. He said that he
would be very much interested in seeing her again. As he happened at the
moment to be looking over a packet of postals announcing his series of
talks on 'Script,' he asked me her address, called his stenographer, and
had it added to his mailing-list. But before the postal reached her she
had called him up to tell him she had lately heard of his work and of him
for the first time after all these years, through Lorraine, and to ask him
to come to see her. His call, I am sure, they spent in a rich mutual
misunderstanding as thoroughly satisfactory to both as any one could wish.
For, as I say, on my last visit in the Crafts neighborhood she was taking
tea with all of them and Dr. Denbigh."</p>
<p>"Dr. Denbigh!" I repeated, in surprise. "Oh, Charles, are any of them not
well?"</p>
<p>"No, no. I think he's been in New York"—he gave a groan—"on
account of some delicate finesse on Maria's part, some incomprehensible
plan of hers for bringing Goward back here. The worst of it is that, like
all her plans, I believe it's going to be perfectly successful."</p>
<p>"What do you mean?" I asked, in consternation.</p>
<p>"From every natural portent, I think that horrid infant in arms was, when
I left New York, about to cast his handkerchief or rattle toward Peggy
again. I'm morally certain that he and all his odious emotional
disturbances will be presenting themselves for her consideration in
Eastridge before long; and, since they strike me as quite too odious for
the nicest girl in the world, I hope, before they reach here, she'll be
far away—absolutely out of reach."</p>
<p>"I hope so, too." But as I said it, for the first time there came around
me, like a blank, rising mist, the prospect of a journey farther and a
longer separation than any I had before imagined between us.</p>
<p>"I knew you'd think so. That was, partly, why I acted as I did, for her,
dear mother"—he leaned forward a little toward me and took up one
end of the ruffle I was stitching again to cover my excitement—"and
for Lorraine and for me, in engaging our passage abroad."</p>
<p>He seemed not to expect me to speak at once, but after a little quiet
pause, while we both sat thinking, went on, with great gentleness: "You
know it's about our only way of really protecting her from any annoyance
here, even that of thoughts of her own she doesn't like. There will be so
very wonderfully much for her to see, and I believe she'll enjoy it. One
of Lorraine's younger sisters is coming to be with us, perhaps, for a
while in Switzerland—and the Elliots—animal sculptors. You
remember them, don't you, and Arlington—studying decorative design
that winter when you were in New York? They'll be abroad this summer. I
believe we'll all have a very charming, care-free time walking and
sketching and working—a time really so much more charming for a
lovely and sensible young woman than sitting in a talking town subject to
the incursions of a lover she doesn't truly like." He stopped a moment
before he added, sincerely: "Then—it isn't simply for her that this
way would be better, mother, but for me, for every one."</p>
<p>"For you and for every one?" I managed to make myself ask with
tranquillity.</p>
<p>"Yes. Why wouldn't this relieve immensely all the sufferers from my
commercial career at the factory? Don't you think that's somewhat unjust,
not simply to Maria's and Tom's requirements for the family standing and
fortunes"—he laughed a moment—"but to father's need there of a
right-hand business man?" That was his way of putting it. "For a long
time," he pursued, more earnestly than I've ever heard him speak before in
his life, "I've been planning, mother, to go away to study and to sketch.
I'm doing nothing here. Maybe what I would do away from here might not
seem to you so wonderful. But it would have one dignity—whatever
else it were or were not, it would be my own."</p>
<p>Perhaps it may seem strange, but in those few words and instants, when my
son spoke so simply and sincerely of his own work, I felt, more than in
his actual wedding with his wife, the cleaving pang of a marriage for him.
At the same time I was stricken beyond all possible speech by my rising
consciousness of the injustice of his sense of failure here in his own
father's house, in my house. How weakly I had been lost in the thousand
little anxieties and preoccupations of my every-day, to let myself be
unwittingly engulfed in his older sister's strange, blank prejudice, to
lose my own true understanding of the rights and the happiness of one of
the children—I can think it, all unspoken and in silence—somehow
most my own.</p>
<p>It seemed as though my heartstrings tightened. Everything blurred before
me. I never in my life have tried so hard before to hold my soul
absolutely still to see quite clearly, as though none of this were
happening to myself, what would be best for my boy's future, for Peggy's,
for their whole lives. It was in the midst of these close-pressing
thoughts that I heard him saying: "So that perhaps this would truly be the
right way for every one." Only too inevitably I knew his words were true;
and now I could force myself at last to say, quietly: "Why—yes—if
that would make you happier, Charles." He rose and came up to my chair
then so beautifully, and moved it to a shadier place, as Peggy, catching
sight of him from the garden, ran up with a cry of surprise to meet him,
to talk about it all.</p>
<p>I scarcely know whether her father's consciousness of the coming
separation for me, or my consciousness of the coming separation for him,
made things harder or easier for both of us. Cyrus was obliged to make a
business trip to Washington on the next day, and it was decided that as
Peggy especially wished to be with him now before her long absence, she
should accompany him in the morning.</p>
<p>On the midnight before we were all startled from sleep by the clang of the
door-bell. Good little Billy, always hoping for excitement, and besides
extremely sweet in doing errands, answered it. The rest of us absurdly
assembled in kimonos and bathrobes at the head of the stairs, dreading we
scarcely knew what, for the members of the family not in the house. Within
a few minutes Billy dashed up-stairs again, considerately holding high, so
that we all could see it, a special-delivery letter, the very same
illegible, bleared envelope which had before annoyed us so extremely. It
was addressed in washed-out characters to Miss — Talbert. The word
Peggy, very clear and black, had been lately inserted in the same
handwriting; and below, the street and number had been recently refreshed,
apparently by the hand of Maria.</p>
<p>As this familiar, wearisome object reappeared before us all, Peggy, with a
little quiver of mirth, looking out between her long braids, cried: "Call
back the boy!" By the time the messenger had returned she had readdressed
the envelope, unopened, to Mr. Goward. Billy took it back down-stairs
again; and every one trooped off to bed, Alice and mother with positive
snorts and flounces of impatience.</p>
<p>Needless to say, Tom and Maria returned in perfect safety on Saturday.
Before then, at twelve o'clock on the same morning, when Cyrus and Peggy
had gone, I was sitting on the piazza making a little money-bag for her,
with mother sitting rocking beside me, and complaining of every one in
peace, when Dr. Denbigh drove up to the horse-block, flung his weight out
of the buggy, and hurried up the steps. He shook hands with us hastily and
abstractedly, and asked if he might speak to me inside the house.</p>
<p>"Mrs. Talbert," he said, closing the door of the library as soon as we
were inside it, "I am sure you will try not to feel alarmed at something I
must tell you of at once. The early morning train I came on from New York,
the one that ought to get in at Eastridge at eleven, was derailed two
hours ago on a misplaced switch between here and Whitman. No one was
killed, but many of the passengers were injured. Among the injured I took
care of was Mr. Goward. His arm has been broken. He's been badly shaken up—and
he's now in a state of shock at the Whitman Hospital. The boy has been
asking for Peggy, and then for you. I promised him that after my work was
done—all the injured were taken there by a special as soon as
possible after the wreck—I'd ask you to drive back to see him. Will
you come?"</p>
<p>Of course I went, then. And at Harry Goward's request I have gone twice
since. He is very ill, too ill to talk, and though Dr. Denbigh says he
will outlive a thousand stronger men, he has been rather worse this
morning. When I first saw him he asked for Peggy in one gasping word, and
when he learned she had gone to Washington turned even whiter than he had
been before. He is nervously quite wrecked and wretched; has no confidence
in Dr. Denbigh; and either Maria or I will go to the hospital every day
till the boy's mother comes from California. It is a very trying
situation. For his misfortune has, of course, not changed my knowledge of
his nature. I dread telling Cyrus and Peggy, when I meet their returning
noon train, after I have left mother at home, of everything that has
happened here.</p>
<p>As though these difficulties were not enough, this morning, just before we
started to Whitman, we were involved in another perplexity through the
unwilling agency of Mr. Temple. He called me up to read me a bewildering
telegram he had received an hour before from Elizabeth. It said:</p>
<p>"Please end Eastridge scandal by announcing my engagement in Banner.—Lily."</p>
<p>"Engagement to whom?" Mr. Temple had asked by telephone of Charles, who
said none of us could be responsible for any definite information in the
matter unless, perhaps, Maria. On consultation, Maria had said to Mr.
Temple that in New York Mr. Goward had imparted to her that Elizabeth had
told him many weeks ago that she was irrevocably betrothed to Dr. Denbigh.
Mr. Temple had finally referred unsuccessfully to me for Elizabeth's
address in order to ask her to send a complete announcement in the full
form she wished printed.</p>
<p>("Whoa, Douglas. Well—mother, you had a nice little nap, didn't you.
No, no; I won't be late. It's not more than five minutes to the station.
Thanks, Lena. Yes, Billy dear, you can get in. Why, I don't know why you
shouldn't drive.")</p>
<p>The train is just pulling in. Charles is there and Maria, each standing on
one side of the car-steps. Now I see them. That looks like Peggy's
suit-case the porter's carrying down. Yes, it is. There—there they
are, coming down the steps behind him, Cyrus and my dear girl—how
well they look! Oh, how I hope everything will come right for them!</p>
<div style="break-after:column;"></div><br />