<h3><SPAN name="CHAPTER_TWENTY-ONE" id="CHAPTER_TWENTY-ONE"></SPAN>CHAPTER TWENTY-ONE</h3>
<p>These sympathetic women had unanimously
set their expectation in so romantically pessimistic
a groove that the most tragic news of
Noble would have surprised them little. But if
the truth of his whereabouts could have been made
known to them, as they sat thus together at what
was developing virtually into his wake, with Herbert
as a compulsory participant, they would have turned
the session into a riot of amazement. Noble was
in the very last place (they would have said, when
calmer) where anybody in the world could have
even madly dreamed of looking for him! They
would have been right about it. No one could have
expected to find Noble to-night inside the old,
four-square brick house of H. I. Atwater, Senior,
chief of the Atwaters and father of too gentle Julia.
Moreover, Mr. Atwater himself was not at present
in the house; he had closed and locked it the day before,
giving the servants a week's vacation and telling
them not to return till he sent for them; and he had<span class="pagenum"><SPAN name="Page_347" id="Page_347"></SPAN></span>
then gone out of town to look over a hominy-mill
he thought of buying. And yet, as the wake went
on, there was a light in the house, and under that
light sat Noble Dill.</p>
<p>Returning home, after Florence had placed the shattering
paper within his hand, Noble had changed
his shoes and his tie. He was but a mechanism;
he had no motive. The shoes he put on were no
better than those he took off; the fresh tie was no
lovelier than the one he had worn; nor had it even
the lucidity to be a purple one, as the banner of
grief. No; his action was, if so viewed, "crazy,"
as Aunt Fanny had called it. Agitation first took
this form; that was all. Love and change of dress
are so closely allied; and in happier days, when Noble
had come home from work and would see Julia in
the evening, he usually changed his clothes. No
doubt there is some faint tracery here, probably too
indistinct to repay contemplation.</p>
<p>When he left the house he walked rapidly downtown,
and toward the end of this one-mile journey
he ran; but as he was then approaching the railway
station, no one thought him eccentric. He was,
however, for when he entered the station he went
to a bench and sat looking upward for more than<span class="pagenum"><SPAN name="Page_348" id="Page_348"></SPAN></span>
ten minutes before he rose, went to a ticket window
and asked for a time-table.</p>
<p>"What road?" the clerk inquired.</p>
<p>"All points South," said Noble.</p>
<p>He placed the time-table, still folded, in his pocket,
rested an elbow on the brass apron of the window,
and would have given himself up to reflections,
though urged to move away. Several people, wishing
to buy tickets, had formed a line behind him;
they perceived that Noble had nothing more to say
to the clerk, and the latter encouraged their protests,
even going so far as to inquire: "For heaven's
sakes, can't you let these folk buy their tickets?"
And since Noble still did not move: "My gosh,
haven't you got no <i>feet</i>?"</p>
<p>"Feet? Oh, yes," said Noble gently. "I'm going
away." And went back to his seat.</p>
<p>Afterwhile, he sought to study his time-table.
Ordinarily, his mind was one of those able to decipher
and comprehend railway time-tables; he had few
gifts, but this was one of them. It failed him now;
so he wandered back to the ticket-window, and, after
urgent coaching, eventually took his place at the end
instead of at the head of the line that waited there.
In his turn he came again to the window, and departed<span class="pagenum"><SPAN name="Page_349" id="Page_349"></SPAN></span>
from it after a conversation with the clerk
that left the latter in accord with Aunt Fanny Atwater's
commiserating adjective, though the clerk's
own pity was expressed in argot. "The poor nut!"
he explained to his next client. "Wants to buy
a ticket on a train that don't pull out until ten thirty-five
to-night; and me fillin' it all out, stampin' it
and everything, what for? Turned out all his pockets
and couldn't come within eight dollars o' the
price! Where you want to go?"</p>
<p>Noble went back to his bench and sat there for
a long time, though there was no time, long or short,
for him. He was not yet consciously suffering;
nor was he thinking at all. True, he had a dim,
persistent impulse to action—or why should he be
at the station?—but for the clearest expression of
his condition it is necessary to borrow a culinary
symbol; he was jelling. But the state of shock was
slowly dispersing, while a perception of approaching
anguish as slowly increased. He was beginning to
swallow nothing at intervals and the intervals were
growing shorter.</p>
<p>Dusk was misting down, outdoors, when with
dragging steps he came out of the station. He
looked hazily up and down the street, where the<span class="pagenum"><SPAN name="Page_350" id="Page_350"></SPAN></span>
corner-lamps and shop-windows now were lighted;
and, after dreary hesitation, he went in search of a
pawn-shop, and found one. The old man who operated
it must have been a philanthropist, for Noble
was so fortunate as to secure a loan of nine dollars
upon his watch. Surprised at this, he returned to
the station, and went back to the same old bench.</p>
<p>It was fully occupied, and he stood for some time
looking with vague reproach at the large family of
coloured people who had taken it. He had a feeling
that he lived there and that these coloured people
were trespassers; but upon becoming aware that part
of an orange was being rubbed over his left shoe
by the youngest of the children, he groaned abruptly
and found another bench.</p>
<p>A little after six o'clock a clanging and commotion
in the train-shed outside, attending the arrival of a
"through express," stirred him from his torpor,
and he walked heavily across the room to the same
ticket-window he had twice blocked; but there was
no queue attached to it now. He rested his elbow
upon the apron and his chin upon his hand, while
the clerk waited until he should state his wishes.
This was a new clerk, who had just relieved the
other.<span class="pagenum"><SPAN name="Page_351" id="Page_351"></SPAN></span></p>
<p>"Well! Well!" he said at last.</p>
<p>"I'll take it now," Noble responded.</p>
<p>"What'll you take now?"</p>
<p>"That ticket."</p>
<p>"What ticket?"</p>
<p>"The same one I wanted before," Noble sighed.</p>
<p>The clerk gave him a piercing look, glanced out
of the window and saw that there were no other
clients, then went to a desk at the farther end of his
compartment, and took up some clerical work he had
in hand.</p>
<p>Noble leaned upon the apron of the window, waiting;
and if he thought anything, he thought the man
was serving him.</p>
<p>The high, vaulted room became resonant with
voices and the blurred echoes of mingling footsteps
on the marble floor, as passengers from the express
hurried anxiously to the street, or more gaily straggled
through, shouting with friends who came to
greet them; and among these moving groups there
walked a youthful fine lady noticeably enlivening to
the dullest eye. She was preceded by a brisk porter
who carried two travelling-bags of a rich sort, as well
as a sack of implements for the game of golf; and she
was warm in dark furs, against which the vasty<span class="pagenum"><SPAN name="Page_352" id="Page_352"></SPAN></span>
clump of violets she wore showed dewy gleamings
of blue.</p>
<p>At sight of Noble Dill, more than pensive at the
ticket-window, she hesitated, then stopped and observed
him. That she should observe anybody was
in a way a coincidence, for, as it happened, she was
herself the most observed person in all the place.
She was veiled in two veils, but she had been seen
in the train without these, and some of her fellow-travellers,
though strangers to her, were walking near
her in a hypocritical way, hoping still not to lose
sight of her, even veiled. And although the shroudings
permitted the most meagre information of her
features, what they did reveal was harmfully piquant;
moreover, there was a sweetness of figure, a
disturbing grace; while nothing could disguise her
air of wearing that many violets casually as a daily
perquisite and matter of course.</p>
<div class="figcenter"> <ANTIMG src="images/illus-352.jpg" alt="He stared at her. His elbow sagged away from the window; the whole person of Noble Dill seemed near collapse." title="" /> <span class="caption">"He stared at her. His elbow sagged away from the window; the whole person of Noble Dill seemed near collapse."</span></div>
<p>So this observed lady stopped and observed Noble,
who in return observed her not at all, being but
semi-conscious. Looked upon thoughtfully, it is a
coincidence that we breathe; certainly it is a mighty
coincidence that we speak to one another and comprehend;
for these are true marvels. But what petty
interlacings of human action so pique our sense of<span class="pagenum"><SPAN name="Page_353" id="Page_353"></SPAN></span>
<span class="pagenum"><SPAN name="Page_354" id="Page_354"></SPAN></span>the theatrical that we call them coincidences and
are astonished! That Julia should arrive during
Noble's long process of buying a ticket to go to her
was stranger than that she stopped to look at him,
though still not comparable in strangeness to the
fact that either of them, or any living creature,
stood upon the whirling earth;—yet when Noble
Dill comprehended what was happening he was
amazed.</p>
<p>She spoke to him.</p>
<p>"Noble!" she said.</p>
<p>He stared at her. His elbow sagged away from
the window; the whole person of Noble Dill seemed
near collapse. He shook; he had no voice.</p>
<p>"I just this minute got off the train," she said.
"Are you going away somewhere?"</p>
<p>"No," he whispered; then obtained command of
a huskiness somewhat greater in volume. "I'm
just standing here."</p>
<p>"I told the porter to get me a taxicab," she said.
"If you're going home for dinner I'll drop you at your
house."</p>
<p>"I—I'm—I——" His articulation encountered
unsurmountable difficulties, but Julia had been with
him through many such trials aforetime. She said<span class="pagenum"><SPAN name="Page_355" id="Page_355"></SPAN></span>
briskly, "I'm awfully hungry and I want to get
home. Come on—if you like?"</p>
<p>He walked waveringly at her side through the
station, and followed her into the dim interior of the
cab, which became fragrant of violets—an emanation
at once ineffable and poisonous.</p>
<p>"I'm so glad I happened to run across you,"
she said, as they began to vibrate tremulously in
unison with the fierce little engine that drew them.
"I want to hear all the news. Nobody knows I'm
home. I didn't write or telegraph to a soul; and
I'll be a complete surprise to father and everybody—I
don't know how pleasant a one! <i>You</i>
didn't seem so frightfully glad to see me, Noble!"</p>
<p>"Am I?" he whispered. "I mean—I mean—I
mean: Didn't I?"</p>
<p>"No!" she laughed. "You looked—you looked
shocked! It couldn't have been because I'm ill
or anything, because I'm not; and if I were you
couldn't have told it through these two veils.
Possibly I'd better take your expression as a compliment."
She paused, then asked hesitatingly,
"Shall I?"</p>
<p>This was the style for which the Atwaters held
Julia responsible; but they were mistaken: she was<span class="pagenum"><SPAN name="Page_356" id="Page_356"></SPAN></span>
never able to control it. Now she went cheerily
on: "Perhaps not, as you don't answer. I
shouldn't be so bold! Do you suppose anybody
at all will be glad to see me?"</p>
<p>"I—I——" He seemed to hope that words would
come in their own good time.</p>
<p>"Noble!" she cried. "Don't be so glum!" And
she touched his arm with her muff, a fluffy contact
causing within him a short convulsion, naturally
invisible. "Noble, aren't you going to tell me what's
all the news?"</p>
<p>"There's—some," he managed to inform her.
"Some—some news."</p>
<p>"What is it?"</p>
<p>"It's—it's——"</p>
<p>"Never mind," she said soothingly. "Get your
breath; I can wait. I hope nothing's wrong in your
family, Noble."</p>
<p>"No. Oh, no."</p>
<p>"It isn't just my turning up unexpectedly that's
upset you so, of course," she dared to say. "Naturally,
I know better than to think such a thing as
that."</p>
<p>"Oh, Julia!" he said. "Oh, Julia!"</p>
<p>"What is it, Noble?"<span class="pagenum"><SPAN name="Page_357" id="Page_357"></SPAN></span></p>
<p>"Noth-ing," he murmured, disjointing the word.</p>
<p>"How odd you happened to be there at the station,"
she said, "just when my train came in! You're
sure you weren't going away anywhere?"</p>
<p>"No; oh, no."</p>
<p>She was thoughtful, then laughed confidentially.
"You're the only person in town that knows I'm
home, Noble."</p>
<p>"I'm glad," he said humbly.</p>
<p>She laughed again. "I came all of a sudden—on
an impulse. It's a little idiotic. I'll tell you all
about it, Noble. You see, ten or twelve days ago
I wrote the family a more or less indiscreet letter.
That is, I told them something I wanted them to be
discreet about, and, of course, when I got to thinking
it over, I knew they wouldn't. You see, I wrote
them something I wanted them to keep a secret, but
the more I thought about it, the more I saw I'd
better hurry back. Yesterday it got into my head
that I'd better jump on the next train for home!"</p>
<p>She paused, then added, "So I did! About ten
or twelve days is as long as anybody has a right to
expect the Atwater family connection to keep the
deadliest kind of a secret, isn't it?" And as he did
not respond, she explained, modestly, "Of course, it<span class="pagenum"><SPAN name="Page_358" id="Page_358"></SPAN></span>
wasn't a very deadly secret; it was really about
something of only the least importance."</p>
<p>The jar of this understatement restored Noble's
voice to a sudden and startling loudness. "'Only
the least importance'!" he shouted. "With a man
named Crum!"</p>
<p>"What!" she cried</p>
<p>"Crum!" Noble insisted. "That's exactly what
it said his name was!"</p>
<p>"<i>What</i> said his name was?"</p>
<p>"<i>The North End Daily Oriole!</i>"</p>
<p>"What in heaven's name is that?"</p>
<p>"It's the children's paper, Herbert's and Florence's:
your own niece and nephew, Julia! You don't
mean you deny it, do you, Julia?"</p>
<p>She was in great confusion: "Do I deny what?"</p>
<p>"That his name's Crum!" Noble said passionately.
"That his name's Crum and that he's a
widower and he's been divorced and's got nobody
knows how many children!"</p>
<p>Julia sought to collect herself. "I don't know
what you're talking about," she said. "If you mean
that I happened to meet a very charming man while
I was away, and that his name happened to be Crum,
I don't know why I should go to the trouble of<span class="pagenum"><SPAN name="Page_359" id="Page_359"></SPAN></span>
denying it. But if Mr. Crum has had the experiences
you say he has, it is certainly news to me!
I think someone told me he was only twenty-six
years old. He looked rather younger."</p>
<p>"You 'think someone told' you!" Noble groaned.
"Oh, Julia! And here it is, all down in black and
white, in my pocket!"</p>
<p>"I haven't the slightest idea what you're talking
about." Julia's tone was cold, and she drew herself
up haughtily, though the gesture was ineffective
in the darkness of that quivering interior. The
quivering stopped just then, however, as the taxicab
came to a rather abrupt halt before her house.</p>
<p>"Will you come in with me a moment, please?"
Julia said as she got out. "There are some things
I want to ask you—and I'm sure my father hasn't
come home from downtown yet. There's no light
in the front part of the house."</p>
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