<h3>II</h3>
<p>Swithin St. Cleeve lingered on at his post, until the more
sanguine birds of the plantation, already recovering from their
midwinter anxieties, piped a short evening hymn to the vanishing
sun.</p>
<p>The landscape was gently concave; with the exception of tower
and hill there were no points on which late rays might linger;
and hence the dish-shaped ninety acres of tilled land assumed a
uniform hue of shade quite suddenly. The one or two stars
that appeared were quickly clouded over, and it was soon obvious
that there would be no sweeping the heavens that night.
After tying a piece of tarpaulin, which had once seen service on
his maternal grandfather’s farm, over all the apparatus
around him, he went down the stairs in the dark, and locked the
door.</p>
<p>With the key in his pocket he descended through the underwood
on the side of the slope opposite to that trodden by Lady
Constantine, and crossed the field in a line mathematically
straight, and in a manner that left no traces, by keeping in the
same furrow all the way on tiptoe. In a few minutes he
reached a little dell, which occurred quite unexpectedly on the
other side of the field-fence, and descended to a venerable
thatched house, whose enormous roof, broken up by dormers as big
as haycocks, could be seen even in the twilight. Over the
white walls, built of chalk in the lump, outlines of creepers
formed dark patterns, as if drawn in charcoal.</p>
<p>Inside the house his maternal grandmother was sitting by a
wood fire. Before it stood a pipkin, in which something was
evidently kept warm. An eight-legged oak table in the
middle of the room was laid for a meal. This woman of
eighty, in a large mob cap, under which she wore a little cap to
keep the other clean, retained faculties but little
blunted. She was gazing into the flames, with her hands
upon her knees, quietly re-enacting in her brain certain of the
long chain of episodes, pathetic, tragical, and humorous, which
had constituted the parish history for the last sixty
years. On Swithin’s entry she looked up at him in a
sideway direction.</p>
<p>‘You should not have waited for me, granny,’ he
said.</p>
<p>‘’Tis of no account, my child. I’ve
had a nap while sitting here. Yes, I’ve had a nap,
and went straight up into my old country again, as usual.
The place was as natural as when I left it,—e’en just
threescore years ago! All the folks and my old aunt were
there, as when I was a child,—yet I suppose if I were
really to set out and go there, hardly a soul would be left alive
to say to me, dog how art! But tell Hannah to stir her
stumps and serve supper—though I’d fain do it myself,
the poor old soul is getting so unhandy!’</p>
<p>Hannah revealed herself to be much nimbler and several years
younger than granny, though of this the latter seemed to be
oblivious. When the meal was nearly over Mrs. Martin
produced the contents of the mysterious vessel by the fire,
saying that she had caused it to be brought in from the back
kitchen, because Hannah was hardly to be trusted with such
things, she was becoming so childish.</p>
<p>‘What is it, then?’ said Swithin. ‘Oh,
one of your special puddings.’ At sight of it,
however, he added reproachfully, ‘Now, granny!’</p>
<p>Instead of being round, it was in shape an irregular boulder
that had been exposed to the weather for centuries—a little
scrap pared off here, and a little piece broken away there; the
general aim being, nevertheless, to avoid destroying the symmetry
of the pudding while taking as much as possible of its
substance.</p>
<p>‘The fact is,’ added Swithin, ‘the pudding
is half gone!’</p>
<p>‘I’ve only sliced off the merest paring once or
twice, to taste if it was well done!’ pleaded granny
Martin, with wounded feelings. ‘I said to Hannah when
she took it up, “Put it here to keep it warm, as
there’s a better fire than in the back
kitchen.”’</p>
<p>‘Well, I am not going to eat any of it!’ said
Swithin decisively, as he rose from the table, pushed away his
chair, and went up-stairs; the ‘other station of life that
was in his blood,’ and which had been brought out by the
grammar school, probably stimulating him.</p>
<p>‘Ah, the world is an ungrateful place! ’Twas
a pity I didn’t take my poor name off this earthly calendar
and creep under ground sixty long years ago, instead of leaving
my own county to come here!’ mourned old Mrs. Martin.
‘But I told his mother how ’twould be—marrying
so many notches above her. The child was sure to chaw high,
like his father!’</p>
<p>When Swithin had been up-stairs a minute or two however, he
altered his mind, and coming down again ate all the pudding, with
the aspect of a person undertaking a deed of great
magnanimity. The relish with which he did so restored the
unison that knew no more serious interruptions than such as
this.</p>
<p>‘Mr. Torkingham has been here this afternoon,’
said his grandmother; ‘and he wants me to let him meet some
of the choir here to-night for practice. They who live at
this end of the parish won’t go to his house to try over
the tunes, because ’tis so far, they say, and so
’tis, poor men. So he’s going to see what
coming to them will do. He asks if you would like to
join.’</p>
<p>‘I would if I had not so much to do.’</p>
<p>‘But it is cloudy to-night.’</p>
<p>‘Yes; but I have calculations without end, granny.
Now, don’t you tell him I’m in the house, will you?
and then he’ll not ask for me.’</p>
<p>‘But if he should, must I then tell a lie, Lord forgive
me?’</p>
<p>‘No, you can say I’m up-stairs; he must think what
he likes. Not a word about the astronomy to any of them,
whatever you do. I should be called a visionary, and all
sorts.’</p>
<p>‘So thou beest, child. Why can’t ye do
something that’s of use?’</p>
<p>At the sound of footsteps Swithin beat a hasty retreat
up-stairs, where he struck a light, and revealed a table covered
with books and papers, while round the walls hung star-maps, and
other diagrams illustrative of celestial phenomena. In a
corner stood a huge pasteboard tube, which a close inspection
would have shown to be intended for a telescope. Swithin
hung a thick cloth over the window, in addition to the curtains,
and sat down to his papers. On the ceiling was a black
stain of smoke, and under this he placed his lamp, evidencing
that the midnight oil was consumed on that precise spot very
often.</p>
<p>Meanwhile there had entered to the room below a personage who,
to judge from her voice and the quick pit-pat of her feet, was a
maiden young and blithe. Mrs. Martin welcomed her by the
title of Miss Tabitha Lark, and inquired what wind had brought
her that way; to which the visitor replied that she had come for
the singing.</p>
<p>‘Sit ye down, then,’ said granny. ‘And
do you still go to the House to read to my lady?’</p>
<p>‘Yes, I go and read, Mrs. Martin; but as to getting my
lady to hearken, that’s more than a team of six horses
could force her to do.’</p>
<p>The girl had a remarkably smart and fluent utterance, which
was probably a cause, or a consequence, of her vocation.</p>
<p>‘’Tis the same story, then?’ said
grandmother Martin.</p>
<p>‘Yes. Eaten out with listlessness.
She’s neither sick nor sorry, but how dull and dreary she
is, only herself can tell. When I get there in the morning,
there she is sitting up in bed, for my lady don’t care to
get up; and then she makes me bring this book and that book, till
the bed is heaped up with immense volumes that half bury her,
making her look, as she leans upon her elbow, like the stoning of
Stephen. She yawns; then she looks towards the tall glass;
then she looks out at the weather, mooning her great black eyes,
and fixing them on the sky as if they stuck there, while my
tongue goes flick-flack along, a hundred and fifty words a
minute; then she looks at the clock; then she asks me what
I’ve been reading.’</p>
<p>‘Ah, poor soul!’ said granny. ‘No
doubt she says in the morning, “Would God it were
evening,” and in the evening, “Would God it were
morning,” like the disobedient woman in
Deuteronomy.’</p>
<p>Swithin, in the room overhead, had suspended his calculations,
for the duologue interested him. There now crunched heavier
steps outside the door, and his grandmother could be heard
greeting sundry local representatives of the bass and tenor
voice, who lent a cheerful and well-known personality to the
names Sammy Blore, Nat Chapman, Hezekiah Biles, and Haymoss Fry
(the latter being one with whom the reader has already a distant
acquaintance); besides these came small producers of treble, who
had not yet developed into such distinctive units of society as
to require particularizing.</p>
<p>‘Is the good man come?’ asked Nat Chapman.
‘No,—I see we be here afore him. And how is it
with aged women to-night, Mrs. Martin?’</p>
<p>‘Tedious traipsing enough with this one, Nat. Sit
ye down. Well, little Freddy, you don’t wish in the
morning that ’twere evening, and at evening that
’twere morning again, do you, Freddy, trust ye for
it?’</p>
<p>‘Now, who might wish such a thing as that, Mrs
Martin?—nobody in this parish?’ asked Sammy Blore
curiously.</p>
<p>‘My lady is always wishing it,’ spoke up Miss
Tabitha Lark.</p>
<p>‘Oh, she! Nobody can be answerable for the wishes
of that onnatural tribe of mankind. Not but that the
woman’s heart-strings is tried in many aggravating
ways.’</p>
<p>‘Ah, poor woman!’ said granny. ‘The
state she finds herself in—neither maid, wife, nor widow,
as you may say—is not the primest form of life for keeping
in good spirits. How long is it since she has heard from
Sir Blount, Tabitha?’</p>
<p>‘Two years and more,’ said the young woman.
‘He went into one side of Africa, as it might be, three St.
Martin’s days back. I can mind it, because
’twas my birthday. And he meant to come out the other
side. But he didn’t. He has never come out at
all.’</p>
<p>‘For all the world like losing a rat in a
barley-mow,’ said Hezekiah. ‘He’s lost,
though you know where he is.’</p>
<p>His comrades nodded.</p>
<p>‘Ay, my lady is a walking weariness. I seed her
yawn just at the very moment when the fox was halloaed away by
Lornton Copse, and the hounds runned en all but past her carriage
wheels. If I were she I’d see a little life; though
there’s no fair, club-walking, nor feast to speak of, till
Easter week,—that’s true.’</p>
<p>‘She dares not. She’s under solemn oath to
do no such thing.’</p>
<p>‘Be cust if I would keep any such oath! But
here’s the pa’son, if my ears don’t deceive
me.’</p>
<p>There was a noise of horse’s hoofs without, a stumbling
against the door-scraper, a tethering to the window-shutter, a
creaking of the door on its hinges, and a voice which Swithin
recognized as Mr. Torkingham’s. He greeted each of
the previous arrivals by name, and stated that he was glad to see
them all so punctually assembled.</p>
<p>‘Ay, sir,’ said Haymoss Fry.
‘’Tis only my jints that have kept me from assembling
myself long ago. I’d assemble upon the top of Welland
Steeple, if ’tweren’t for my jints. I assure
ye, Pa’son Tarkenham, that in the clitch o’ my knees,
where the rain used to come through when I was cutting clots for
the new lawn, in old my lady’s time, ’tis as if rats
wez gnawing, every now and then. When a feller’s
young he’s too small in the brain to see how soon a
constitution can be squandered, worse luck!’</p>
<p>‘True,’ said Biles, to fill the time while the
parson was engaged in finding the Psalms. ‘A
man’s a fool till he’s forty. Often have I
thought, when hay-pitching, and the small of my back seeming no
stouter than a harnet’s, “The devil send that I had
but the making of labouring men for a twelvemonth!”
I’d gie every man jack two good backbones, even if the
alteration was as wrong as forgery.’</p>
<p>‘Four,—four backbones,’ said Haymoss,
decisively.</p>
<p>‘Yes, four,’ threw in Sammy Blore, with additional
weight of experience. ‘For you want one in front for
breast-ploughing and such like, one at the right side for
ground-dressing, and one at the left side for turning
mixens.’</p>
<p>‘Well; then next I’d move every man’s
wyndpipe a good span away from his glutchpipe, so that at harvest
time he could fetch breath in ’s drinking, without being
choked and strangled as he is now. Thinks I, when I feel
the victuals going—’</p>
<p>‘Now, we’ll begin,’ interrupted Mr.
Torkingham, his mind returning to this world again on concluding
his search for a hymn.</p>
<p>Thereupon the racket of chair-legs on the floor signified that
they were settling into their seats,—a disturbance which
Swithin took advantage of by going on tiptoe across the floor
above, and putting sheets of paper over knot-holes in the
boarding at points where carpet was lacking, that his lamp-light
might not shine down. The absence of a ceiling beneath
rendered his position virtually that of one suspended in the same
apartment.</p>
<p>The parson announced the tune, and his voice burst forth with
‘Onward, Christian soldiers!’ in notes of rigid
cheerfulness.</p>
<p>In this start, however, he was joined only by the girls and
boys, the men furnishing but an accompaniment of ahas and
hems. Mr. Torkingham stopped, and Sammy Blore
spoke,—</p>
<p>‘Beg your pardon, sir,—if you’ll deal mild
with us a moment. What with the wind and walking, my
throat’s as rough as a grater; and not knowing you were
going to hit up that minute, I hadn’t hawked, and I
don’t think Hezzy and Nat had, either,—had ye,
souls?’</p>
<p>‘I hadn’t got thorough ready, that’s
true,’ said Hezekiah.</p>
<p>‘Quite right of you, then, to speak,’ said Mr.
Torkingham. ‘Don’t mind explaining; we are here
for practice. Now clear your throats, then, and at it
again.’</p>
<p>There was a noise as of atmospheric hoes and scrapers, and the
bass contingent at last got under way with a time of its own:</p>
<p>‘Honwerd, Christen sojers!’</p>
<p>‘Ah, that’s where we are so defective—the
pronunciation,’ interrupted the parson. ‘Now
repeat after me: “On-ward, Christ-ian,
sol-diers.”’</p>
<p>The choir repeated like an exaggerative echo: ‘On-wed,
Chris-ting, sol-jaws!’</p>
<p>‘Better!’ said the parson, in the strenuously
sanguine tones of a man who got his living by discovering a
bright side in things where it was not very perceptible to other
people. ‘But it should not be given with quite so
extreme an accent; or we may be called affected by other
parishes. And, Nathaniel Chapman, there’s a
jauntiness in your manner of singing which is not quite
becoming. Why don’t you sing more
earnestly?’</p>
<p>‘My conscience won’t let me, sir. They say
every man for himself: but, thank God, I’m not so mean as
to lessen old fokes’ chances by being earnest at my time
o’ life, and they so much nearer the need
o’t.’</p>
<p>‘It’s bad reasoning, Nat, I fear. Now,
perhaps we had better sol-fa the tune. Eyes on your books,
please. Sol-sol! fa-fa! mi—’</p>
<p>‘I can’t sing like that, not I!’ said Sammy
Blore, with condemnatory astonishment. ‘I can sing
genuine music, like F and G; but not anything so much out of the
order of nater as that.’</p>
<p>‘Perhaps you’ve brought the wrong book,
sir?’ chimed in Haymoss, kindly. ‘I’ve
knowed music early in life and late,—in short, ever since
Luke Sneap broke his new fiddle-bow in the wedding psalm, when
Pa’son Wilton brought home his bride (you can mind the
time, Sammy?—when we sung “His wife, like a fair
fertile vine, her lovely fruit shall bring,” when the young
woman turned as red as a rose, not knowing ’twas
coming). I’ve knowed music ever since then, I say,
sir, and never heard the like o’ that. Every martel
note had his name of A, B, C, at that time.’</p>
<p>‘Yes, yes, men; but this is a more recent
system!’</p>
<p>‘Still, you can’t alter a old-established note
that’s A or B by nater,’ rejoined Haymoss, with yet
deeper conviction that Mr. Torkingham was getting off his
head. ‘Now sound A, neighbour Sammy, and let’s
have a slap at Christen sojers again, and show the Pa’son
the true way!’</p>
<p>Sammy produced a private tuning-fork, black and grimy, which,
being about seventy years of age, and wrought before pianoforte
builders had sent up the pitch to make their instruments
brilliant, was nearly a note flatter than the
parson’s. While an argument as to the true pitch was
in progress, there came a knocking without.</p>
<p>‘Somebody’s at the door!’ said a little
treble girl.</p>
<p>‘Thought I heard a knock before!’ said the
relieved choir.</p>
<p>The latch was lifted, and a man asked from the darkness,
‘Is Mr. Torkingham here?’</p>
<p>‘Yes, Mills. What do you want?’</p>
<p>It was the parson’s man.</p>
<p>‘Oh, if you please,’ said Mills, showing an
advanced margin of himself round the door, ‘Lady
Constantine wants to see you very particular, sir, and could you
call on her after dinner, if you ben’t engaged with poor
fokes? She’s just had a letter,—so they
say,—and it’s about that, I believe.’</p>
<p>Finding, on looking at his watch, that it was necessary to
start at once if he meant to see her that night, the parson cut
short the practising, and, naming another night for meeting, he
withdrew. All the singers assisted him on to his cob, and
watched him till he disappeared over the edge of the Bottom.</p>
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