<p> <SPAN name="15"></SPAN></p>
<p> </p>
<h3>XV<br/> </h3>
<p>It was Susan Ash who came to her with the news: "He's downstairs,
miss, and he do look beautiful."</p>
<p>In the schoolroom at her father's, which had pretty blue curtains,
she had been making out at the piano a lovely little thing, as
Mrs. Beale called it, a "Moonlight Berceuse" sent her through the
post by Sir Claude, who considered that her musical education had
been deplorably neglected and who, the last months at her
mother's, had been on the point of making arrangements for regular
lessons. She knew from him familiarly that the real thing, as he
said, was shockingly dear and that anything else was a waste of
money, and she therefore rejoiced the more at the sacrifice
represented by this composition, of which the price, five
shillings, was marked on the cover and which was evidently the
real thing. She was already on her feet. "Mrs. Beale has sent up
for me?"</p>
<p>"Oh no—it's not that," said Susan Ash. "Mrs. Beale has been out
this hour."</p>
<p>"Then papa!"</p>
<p>"Dear no—not papa. You'll do, miss, all but them wandering
'airs," Susan went on. "Your papa never came 'ome at all," she
added.</p>
<p>"Home from where?" Maisie responded a little absently and very
excitedly. She gave a wild manual brush to her locks.</p>
<p>"Oh that, miss, I should be very sorry to tell you! I'd rather
tuck away that white thing behind—though I'm blest if it's my
work."</p>
<p>"Do then, please. I know where papa was," Maisie impatiently
continued.</p>
<p>"Well, in your place I wouldn't tell."</p>
<p>"He was at the club—the Chrysanthemum. So!"</p>
<p>"All night long? Why the flowers shut up at night, you know!"
cried Susan Ash.</p>
<p>"Well, I don't care"—he child was at the door. "Sir Claude asked
for me <i>alone</i>?"</p>
<p>"The same as if you was a duchess."</p>
<p>Maisie was aware on her way downstairs that she was now quite as
happy as one, and also, a moment later, as she hung round his neck,
that even such a personage would scarce commit herself more grandly.
There was moreover a hint of the duchess in the infinite point with
which, as she felt, she exclaimed: "And this is what you call coming
<i>often</i>?"</p>
<p>Sir Claude met her delightfully and in the same fine spirit. "My
dear old man, don't make me a scene—I assure you it's what every
woman I look at does. Let us have some fun—it's a lovely day:
clap on something smart and come out with me; then we'll talk it
over quietly."</p>
<p>They were on their way five minutes later to Hyde Park, and
nothing that even in the good days at her mother's they had ever
talked over had more of the sweetness of tranquillity than his
present prompt explanations. He was at his best in such an office
and with the exception of Mrs. Wix the only person she had met in
her life who ever explained. With him, however, the act had an
authority transcending the wisdom of woman. It all came back—the
plans that always failed, all the rewards and bribes that she was
perpetually paying for in advance and perpetually out of pocket by
afterwards—the whole great stress to be dealt with introduced her
on each occasion afresh to the question of money. Even she herself
almost knew how it would have expressed the strength of his empire
to say that to shuffle away her sense of being duped he had only,
from under his lovely moustache, to breathe upon it. It was
somehow in the nature of plans to be expensive and in the nature
of the expensive to be impossible. To be "involved" was of the
essence of everybody's affairs, and also at every particular
moment to be more involved than usual. This had been the case with
Sir Claude's, with papa's, with mamma's, with Mrs. Beale's and
with Maisie's own at the particular moment, a moment of several
weeks, that had elapsed since our young lady had been
re-established at her father's. There wasn't "two-and-tuppence"
for anything or for any one, and that was why there had been no
sequel to the classes in French literature with all the smart
little girls. It was devilish awkward, didn't she see? to try,
without even the limited capital mentioned, to mix her up with a
remote array that glittered before her after this as the children
of the rich. She was to feel henceforth as if she were flattening
her nose upon the hard window-pane of the sweet-shop of knowledge.
If the classes, however, that were select, and accordingly the
only ones, were impossibly dear, the lectures at the
institutions—at least at some of them—were directly addressed to
the intelligent poor, and it therefore had to be easier still to
produce on the spot the reason why she had been taken to none.
This reason, Sir Claude said, was that she happened to be just
going to be, though they had nothing to do with that in now
directing their steps to the banks of the Serpentine. Maisie's own
park, in the north, had been nearer at hand, but they rolled
westward in a hansom because at the end of the sweet June days
this was the direction taken by every one that any one looked at.
They cultivated for an hour, on the Row and by the Drive, this
opportunity for each observer to amuse and for one of them indeed,
not a little hilariously, to mystify the other, and before the
hour was over Maisie had elicited, in reply to her sharpest
challenge, a further account of her friend's long absence.</p>
<p>"Why I've broken my word to you so dreadfully—promising so
solemnly and then never coming? Well, my dear, that's a question
that, not seeing me day after day, you must very often have put to
Mrs. Beale."</p>
<p>"Oh yes," the child replied; "again and again."</p>
<p>"And what has she told you?"</p>
<p>"That you're as bad as you're beautiful."</p>
<p>"Is that what she says?"</p>
<p>"Those very words."</p>
<p>"Ah the dear old soul!" Sir Claude was much diverted, and his
loud, clear laugh was all his explanation. Those were just the
words Maisie had last heard him use about Mrs. Wix. She clung to
his hand, which was encased in a pearl-grey glove ornamented with
the thick black lines that, at her mother's, always used to strike
her as connected with the way the bestitched fists of the long
ladies carried, with the elbows well out, their umbrellas upside
down. The mere sense of his grasp in her own covered the ground of
loss just as much as the ground of gain. His presence was like an
object brought so close to her face that she couldn't see round
its edges. He himself, however, remained showman of the spectacle
even after they had passed out of the Park and begun, under the
charm of the spot and the season, to stroll in Kensington Gardens.
What they had left behind them was, as he said, only a pretty bad
circus, and, through prepossessing gates and over a bridge, they
had come in a quarter of an hour, as he also remarked, a hundred
miles from London. A great green glade was before them, and high
old trees, and under the shade of these, in the fresh turf, the
crooked course of a rural footpath. "It's the Forest of Arden,"
Sir Claude had just delightfully observed, "and I'm the banished
duke, and you're—what was the young woman called?—the artless
country wench. And there," he went on, "is the other girl—what's
her name, Rosalind?—and (don't you know?) the fellow who was
making up to her. Upon my word he <i>is</i> making up to her!"</p>
<p>His allusion was to a couple who, side by side, at the end of the
glade, were moving in the same direction as themselves. These
distant figures, in their slow stroll (which kept them so close
together that their heads, drooping a little forward, almost
touched), presented the back of a lady who looked tall, who was
evidently a very fine woman, and that of a gentleman whose left
hand appeared to be passed well into her arm while his right,
behind him, made jerky motions with the stick that it grasped.
Maisie's fancy responded for an instant to her friend's idea that
the sight was idyllic; then, stopping short, she brought out with
all her clearness: "Why mercy—if it isn't mamma!"</p>
<p>Sir Claude paused with a stare. "Mamma? But mamma's at Brussels."</p>
<p>Maisie, with her eyes on the lady, wondered. "At Brussels?"</p>
<p>"She's gone to play a match."</p>
<p>"At billiards? You didn't tell me."</p>
<p>"Of course I didn't!" Sir Claude ejaculated. "There's plenty I
don't tell you. She went on Wednesday."</p>
<p>The couple had added to their distance, but Maisie's eyes more
than kept pace with them. "Then she has come back."</p>
<p>Sir Claude watched the lady. "It's much more likely she never
went!"</p>
<p>"It's mamma!" the child said with decision.</p>
<p>They had stood still, but Sir Claude had made the most of his
opportunity, and it happened that just at this moment, at the end
of the vista, the others halted and, still showing only their
backs, seemed to stay talking. "Right you are, my duck!" he
exclaimed at last. "It's my own sweet wife!"</p>
<p>He had spoken with a laugh, but he had changed colour, and Maisie
quickly looked away from him. "Then who is it with her?"</p>
<p>"Blest if I know!" said Sir Claude.</p>
<p>"Is it Mr. Perriam?"</p>
<p>"Oh dear no—Perriam's smashed."</p>
<p>"Smashed?"</p>
<p>"Exposed—in the City. But there are quantities of others!" Sir
Claude smiled.</p>
<p>Maisie appeared to count them; she studied the gentleman's back.
"Then is this Lord Eric?"</p>
<p>For a moment her companion made no answer, and when she turned her
eyes again to him he was looking at her, she thought, rather
queerly. "What do you know about Lord Eric?"</p>
<p>She tried innocently to be odd in return. "Oh I know more than you
think! Is it Lord Eric?" she repeated.</p>
<p>"It maybe. Blest if I care!"</p>
<p>Their friends had slightly separated and now, as Sir Claude spoke,
suddenly faced round, showing all the splendour of her ladyship
and all the mystery of her comrade. Maisie held her breath.
"They're coming!"</p>
<p>"Let them come." And Sir Claude, pulling out his cigarettes, began
to strike a light.</p>
<p>"We shall meet them!"</p>
<p>"No. They'll meet <i>us</i>."</p>
<p>Maisie stood her ground. "They see us. Just look."</p>
<p>Sir Claude threw away his match. "Come straight on." The others,
in the return, evidently startled, had half-paused again, keeping
well apart. "She's horribly surprised and wants to slope," he
continued. "But it's too late."</p>
<p>Maisie advanced beside him, making out even across the interval
that her ladyship was ill at ease. "Then what will she do?"</p>
<p>Sir Claude puffed his cigarette. "She's quickly thinking." He
appeared to enjoy it.</p>
<p>Ida had wavered but an instant; her companion clearly gave her
moral support. Maisie thought he somehow looked brave, and he had
no likeness whatever to Mr. Perriam. His face, thin and rather
sharp, was smooth, and it was not till they came nearer that she
saw he had a remarkably fair little moustache. She could already
see that his eyes were of the lightest blue. He was far nicer than
Mr. Perriam. Mamma looked terrible from afar, but even under her
guns the child's curiosity flickered and she appealed again to Sir
Claude. "Is it—<i>is</i> it Lord Eric?"</p>
<p>Sir Claude smoked composedly enough. "I think it's the Count."</p>
<p>This was a happy solution—it fitted her idea of a count. But what
idea, as she now came grandly on, did mamma fit?—unless that of
an actress, in some tremendous situation, sweeping down to the
footlights as if she would jump them. Maisie felt really so
frightened that before she knew it she had passed her hand into
Sir Claude's arm. Her pressure caused him to stop, and at the
sight of this the other couple came equally to a stand and, beyond
the diminished space, remained a moment more in talk. This,
however, was the matter of an instant; leaving the Count
apparently to come round more circuitously—an outflanking
movement, if Maisie had but known—her ladyship resumed the onset.
"What <i>will</i> she do now?" her daughter asked.</p>
<p>Sir Claude was at present in a position to say: "Try to pretend
it's me."</p>
<p>"You?"</p>
<p>"Why that I'm up to something."</p>
<p>In another minute poor Ida had justified this prediction, erect
there before them like a figure of justice in full dress. There
were parts of her face that grew whiter while Maisie looked, and
other parts in which this change seemed to make other colours
reign with more intensity. "What are you doing with my daughter?"
she demanded of her husband; in spite of the indignant tone of
which Maisie had a greater sense than ever in her life before of
not being personally noticed. It seemed to her Sir Claude also
grew pale as an effect of the loud defiance with which Ida twice
repeated this question. He put her, instead of answering it, an
enquiry of his own: "Who the devil have you got hold of <i>now</i>?"
and at this her ladyship turned tremendously to the child, glaring at
her as at an equal plotter of sin. Maisie received in petrifaction
the full force of her mother's huge painted eyes—they were like
Japanese lanterns swung under festal arches. But life came back to
her from a tone suddenly and strangely softened. "Go straight to
that gentleman, my dear; I've asked him to take you a few minutes.
He's charming—go. I've something to say to <i>this</i>
creature."</p>
<p>Maisie felt Sir Claude immediately clutch her. "No, no—thank you:
that won't do. She's mine."</p>
<p>"Yours?" It was confounding to Maisie to hear her speak quite as
if she had never heard of Sir Claude before.</p>
<p>"Mine. You've given her up. You've not another word to say about
her. I have her from her father," said Sir Claude—a statement
that startled his companion, who could also measure its lively
action on her mother.</p>
<p>There was visibly, however, an influence that made Ida consider;
she glanced at the gentleman she had left, who, having strolled
with his hands in his pockets to some distance, stood there with
unembarrassed vagueness. She directed to him the face that was
like an illuminated garden, turnstile and all, for the
frequentation of which he had his season-ticket; then she looked
again at Sir Claude. "I've given her up to her father to
<i>keep</i>—not to get rid of by sending about the town either
with you or with any one else. If she's not to mind me let
<i>him</i> come and tell me so. I decline to take it from another
person, and I like your pretending that with your humbug of
'interest' you've a leg to stand on. I know your game and have
something now to say to you about it."</p>
<p>Sir Claude gave a squeeze of the child's arm. "Didn't I tell you
she'd have, Miss Farange?"</p>
<p>"You're uncommonly afraid to hear it," Ida went on; "but if you
think she'll protect you from it you're mightily mistaken." She
gave him a moment. "I'll give her the benefit as soon as look at
you. Should you like her to know, my dear?" Maisie had a sense of
her launching the question with effect; yet our young lady was
also conscious of hoping that Sir Claude would declare that
preference. We have already learned that she had come to like
people's liking her to "know." Before he could reply at all, none
the less, her mother opened a pair of arms of extraordinary
elegance, and then she felt the loosening of his grasp. "My own
child," Ida murmured in a voice—a voice of sudden confused
tenderness—that it seemed to her she heard for the first time.
She wavered but an instant, thrilled with the first direct appeal,
as distinguished from the mere maternal pull, she had ever had
from lips that, even in the old vociferous years, had always been
sharp. The next moment she was on her mother's breast, where, amid
a wilderness of trinkets, she felt as if she had suddenly been
thrust, with a smash of glass, into a jeweller's shop-front, but
only to be as suddenly ejected with a push and the brisk
injunction: "Now go to the Captain!"</p>
<p>Maisie glanced at the gentleman submissively, but felt the want of
more introduction. "The Captain?"</p>
<p>Sir Claude broke into a laugh. "I told her it was the Count."</p>
<p>Ida stared; she rose so superior that she was colossal. "You're
too utterly loathsome," she then declared. "Be off!" she repeated
to her daughter.</p>
<p>Maisie started, moved backward and, looking at Sir Claude, "Only
for a moment," she signed to him in her bewilderment. But he was
too angry to heed her—too angry with his wife; as she turned away
she heard his anger break out. "You damned old
b––––"—she couldn't quite hear all. It
was enough, it was too much: she fled before it, rushing even to
a stranger for the shock of such a change of tone.</p>
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