<p>The doorway was darkened by an entering form.</p>
<p>—The milk, sir!</p>
<p>—Come in, ma’am, Mulligan said. Kinch, get the jug.</p>
<p>An old woman came forward and stood by Stephen’s elbow.</p>
<p>—That’s a lovely morning, sir, she said. Glory be to God.</p>
<p>—To whom? Mulligan said, glancing at her. Ah, to be sure!</p>
<p>Stephen reached back and took the milkjug from the locker.</p>
<p>—The islanders, Mulligan said to Haines casually, speak frequently of the
collector of prepuces.</p>
<p>—How much, sir? asked the old woman.</p>
<p>—A quart, Stephen said.</p>
<p>He watched her pour into the measure and thence into the jug rich white milk,
not hers. Old shrunken paps. She poured again a measureful and a tilly. Old and
secret she had entered from a morning world, maybe a messenger. She praised the
goodness of the milk, pouring it out. Crouching by a patient cow at daybreak in
the lush field, a witch on her toadstool, her wrinkled fingers quick at the
squirting dugs. They lowed about her whom they knew, dewsilky cattle. Silk of
the kine and poor old woman, names given her in old times. A wandering crone,
lowly form of an immortal serving her conqueror and her gay betrayer, their
common cuckquean, a messenger from the secret morning. To serve or to upbraid,
whether he could not tell: but scorned to beg her favour.</p>
<p>—It is indeed, ma’am, Buck Mulligan said, pouring milk into their cups.</p>
<p>—Taste it, sir, she said.</p>
<p>He drank at her bidding.</p>
<p>—If we could live on good food like that, he said to her somewhat loudly,
we wouldn’t have the country full of rotten teeth and rotten guts. Living in a
bogswamp, eating cheap food and the streets paved with dust, horsedung and
consumptives’ spits.</p>
<p>—Are you a medical student, sir? the old woman asked.</p>
<p>—I am, ma’am, Buck Mulligan answered.</p>
<p>—Look at that now, she said.</p>
<p>Stephen listened in scornful silence. She bows her old head to a voice that
speaks to her loudly, her bonesetter, her medicineman: me she slights. To the
voice that will shrive and oil for the grave all there is of her but her
woman’s unclean loins, of man’s flesh made not in God’s likeness, the serpent’s
prey. And to the loud voice that now bids her be silent with wondering unsteady
eyes.</p>
<p>—Do you understand what he says? Stephen asked her.</p>
<p>—Is it French you are talking, sir? the old woman said to Haines.</p>
<p>Haines spoke to her again a longer speech, confidently.</p>
<p>—Irish, Buck Mulligan said. Is there Gaelic on you?</p>
<p>—I thought it was Irish, she said, by the sound of it. Are you from the
west, sir?</p>
<p>—I am an Englishman, Haines answered.</p>
<p>—He’s English, Buck Mulligan said, and he thinks we ought to speak Irish
in Ireland.</p>
<p>—Sure we ought to, the old woman said, and I’m ashamed I don’t speak the
language myself. I’m told it’s a grand language by them that knows.</p>
<p>—Grand is no name for it, said Buck Mulligan. Wonderful entirely. Fill us
out some more tea, Kinch. Would you like a cup, ma’am?</p>
<p>—No, thank you, sir, the old woman said, slipping the ring of the milkcan
on her forearm and about to go.</p>
<p>Haines said to her:</p>
<p>—Have you your bill? We had better pay her, Mulligan, hadn’t we?</p>
<p>Stephen filled again the three cups.</p>
<p>—Bill, sir? she said, halting. Well, it’s seven mornings a pint at
twopence is seven twos is a shilling and twopence over and these three mornings
a quart at fourpence is three quarts is a shilling. That’s a shilling and one
and two is two and two, sir.</p>
<p>Buck Mulligan sighed and, having filled his mouth with a crust thickly buttered
on both sides, stretched forth his legs and began to search his trouser
pockets.</p>
<p>—Pay up and look pleasant, Haines said to him, smiling.</p>
<p>Stephen filled a third cup, a spoonful of tea colouring faintly the thick rich
milk. Buck Mulligan brought up a florin, twisted it round in his fingers and
cried:</p>
<p>—A miracle!</p>
<p>He passed it along the table towards the old woman, saying:</p>
<p>—Ask nothing more of me, sweet. All I can give you I give.</p>
<p>Stephen laid the coin in her uneager hand.</p>
<p>—We’ll owe twopence, he said.</p>
<p>—Time enough, sir, she said, taking the coin. Time enough. Good morning,
sir.</p>
<p>She curtseyed and went out, followed by Buck Mulligan’s tender chant:</p>
<p><i>—Heart of my heart, were it more,<br/>
More would be laid at your feet.</i></p>
<p>He turned to Stephen and said:</p>
<p>—Seriously, Dedalus. I’m stony. Hurry out to your school kip and bring us
back some money. Today the bards must drink and junket. Ireland expects that
every man this day will do his duty.</p>
<p>—That reminds me, Haines said, rising, that I have to visit your national
library today.</p>
<p>—Our swim first, Buck Mulligan said.</p>
<p>He turned to Stephen and asked blandly:</p>
<p>—Is this the day for your monthly wash, Kinch?</p>
<p>Then he said to Haines:</p>
<p>—The unclean bard makes a point of washing once a month.</p>
<p>—All Ireland is washed by the gulfstream, Stephen said as he let honey
trickle over a slice of the loaf.</p>
<p>Haines from the corner where he was knotting easily a scarf about the loose
collar of his tennis shirt spoke:</p>
<p>—I intend to make a collection of your sayings if you will let me.</p>
<p>Speaking to me. They wash and tub and scrub. Agenbite of inwit. Conscience. Yet
here’s a spot.</p>
<p>—That one about the cracked lookingglass of a servant being the symbol of
Irish art is deuced good.</p>
<p>Buck Mulligan kicked Stephen’s foot under the table and said with warmth of
tone:</p>
<p>—Wait till you hear him on Hamlet, Haines.</p>
<p>—Well, I mean it, Haines said, still speaking to Stephen. I was just
thinking of it when that poor old creature came in.</p>
<p>—Would I make any money by it? Stephen asked.</p>
<p>Haines laughed and, as he took his soft grey hat from the holdfast of the
hammock, said:</p>
<p>—I don’t know, I’m sure.</p>
<p>He strolled out to the doorway. Buck Mulligan bent across to Stephen and said
with coarse vigour:</p>
<p>—You put your hoof in it now. What did you say that for?</p>
<p>—Well? Stephen said. The problem is to get money. From whom? From the
milkwoman or from him. It’s a toss up, I think.</p>
<p>—I blow him out about you, Buck Mulligan said, and then you come along
with your lousy leer and your gloomy jesuit jibes.</p>
<p>—I see little hope, Stephen said, from her or from him.</p>
<p>Buck Mulligan sighed tragically and laid his hand on Stephen’s arm.</p>
<p>—From me, Kinch, he said.</p>
<p>In a suddenly changed tone he added:</p>
<p>—To tell you the God’s truth I think you’re right. Damn all else they are
good for. Why don’t you play them as I do? To hell with them all. Let us get
out of the kip.</p>
<p>He stood up, gravely ungirdled and disrobed himself of his gown, saying
resignedly:</p>
<p>—Mulligan is stripped of his garments.</p>
<p>He emptied his pockets on to the table.</p>
<p>—There’s your snotrag, he said.</p>
<p>And putting on his stiff collar and rebellious tie he spoke to them, chiding
them, and to his dangling watchchain. His hands plunged and rummaged in his
trunk while he called for a clean handkerchief. God, we’ll simply have to dress
the character. I want puce gloves and green boots. Contradiction. Do I
contradict myself? Very well then, I contradict myself. Mercurial Malachi. A
limp black missile flew out of his talking hands.</p>
<p>—And there’s your Latin quarter hat, he said.</p>
<p>Stephen picked it up and put it on. Haines called to them from the doorway:</p>
<p>—Are you coming, you fellows?</p>
<p>—I’m ready, Buck Mulligan answered, going towards the door. Come out,
Kinch. You have eaten all we left, I suppose. Resigned he passed out with grave
words and gait, saying, wellnigh with sorrow:</p>
<p>—And going forth he met Butterly.</p>
<p>Stephen, taking his ashplant from its leaningplace, followed them out and, as
they went down the ladder, pulled to the slow iron door and locked it. He put
the huge key in his inner pocket.</p>
<p>At the foot of the ladder Buck Mulligan asked:</p>
<p>—Did you bring the key?</p>
<p>—I have it, Stephen said, preceding them.</p>
<p>He walked on. Behind him he heard Buck Mulligan club with his heavy bathtowel
the leader shoots of ferns or grasses.</p>
<p>—Down, sir! How dare you, sir!</p>
<p>Haines asked:</p>
<p>—Do you pay rent for this tower?</p>
<p>—Twelve quid, Buck Mulligan said.</p>
<p>—To the secretary of state for war, Stephen added over his shoulder.</p>
<p>They halted while Haines surveyed the tower and said at last:</p>
<p>—Rather bleak in wintertime, I should say. Martello you call it?</p>
<p>—Billy Pitt had them built, Buck Mulligan said, when the French were on
the sea. But ours is the <i>omphalos</i>.</p>
<p>—What is your idea of Hamlet? Haines asked Stephen.</p>
<p>—No, no, Buck Mulligan shouted in pain. I’m not equal to Thomas Aquinas
and the fiftyfive reasons he has made out to prop it up. Wait till I have a few
pints in me first.</p>
<p>He turned to Stephen, saying, as he pulled down neatly the peaks of his
primrose waistcoat:</p>
<p>—You couldn’t manage it under three pints, Kinch, could you?</p>
<p>—It has waited so long, Stephen said listlessly, it can wait longer.</p>
<p>—You pique my curiosity, Haines said amiably. Is it some paradox?</p>
<p>—Pooh! Buck Mulligan said. We have grown out of Wilde and paradoxes. It’s
quite simple. He proves by algebra that Hamlet’s grandson is Shakespeare’s
grandfather and that he himself is the ghost of his own father.</p>
<p>—What? Haines said, beginning to point at Stephen. He himself?</p>
<p>Buck Mulligan slung his towel stolewise round his neck and, bending in loose
laughter, said to Stephen’s ear:</p>
<p>—O, shade of Kinch the elder! Japhet in search of a father!</p>
<p>—We’re always tired in the morning, Stephen said to Haines. And it is
rather long to tell.</p>
<p>Buck Mulligan, walking forward again, raised his hands.</p>
<p>—The sacred pint alone can unbind the tongue of Dedalus, he said.</p>
<p>—I mean to say, Haines explained to Stephen as they followed, this tower
and these cliffs here remind me somehow of Elsinore. <i>That beetles o’er his
base into the sea,</i> isn’t it?</p>
<p>Buck Mulligan turned suddenly for an instant towards Stephen but did not speak.
In the bright silent instant Stephen saw his own image in cheap dusty mourning
between their gay attires.</p>
<p>—It’s a wonderful tale, Haines said, bringing them to halt again.</p>
<p>Eyes, pale as the sea the wind had freshened, paler, firm and prudent. The
seas’ ruler, he gazed southward over the bay, empty save for the smokeplume of
the mailboat vague on the bright skyline and a sail tacking by the Muglins.</p>
<p>—I read a theological interpretation of it somewhere, he said bemused.
The Father and the Son idea. The Son striving to be atoned with the Father.</p>
<p>Buck Mulligan at once put on a blithe broadly smiling face. He looked at them,
his wellshaped mouth open happily, his eyes, from which he had suddenly
withdrawn all shrewd sense, blinking with mad gaiety. He moved a doll’s head to
and fro, the brims of his Panama hat quivering, and began to chant in a quiet
happy foolish voice:</p>
<p><i>—I’m the queerest young fellow that ever you heard.<br/>
My mother’s a jew, my father’s a bird.<br/>
With Joseph the joiner I cannot agree.<br/>
So here’s to disciples and Calvary.</i></p>
<p>He held up a forefinger of warning.</p>
<p><i>—If anyone thinks that I amn’t divine<br/>
He’ll get no free drinks when I’m making the wine<br/>
But have to drink water and wish it were plain<br/>
That I make when the wine becomes water again.</i></p>
<p>He tugged swiftly at Stephen’s ashplant in farewell and, running forward to a
brow of the cliff, fluttered his hands at his sides like fins or wings of one
about to rise in the air, and chanted:</p>
<p><i>—Goodbye, now, goodbye! Write down all I said<br/>
And tell Tom, Dick and Harry I rose from the dead.<br/>
What’s bred in the bone cannot fail me to fly<br/>
And Olivet’s breezy... Goodbye, now, goodbye!</i></p>
<p>He capered before them down towards the fortyfoot hole, fluttering his winglike
hands, leaping nimbly, Mercury’s hat quivering in the fresh wind that bore back
to them his brief birdsweet cries.</p>
<p>Haines, who had been laughing guardedly, walked on beside Stephen and said:</p>
<p>—We oughtn’t to laugh, I suppose. He’s rather blasphemous. I’m not a
believer myself, that is to say. Still his gaiety takes the harm out of it
somehow, doesn’t it? What did he call it? Joseph the Joiner?</p>
<p>—The ballad of joking Jesus, Stephen answered.</p>
<p>—O, Haines said, you have heard it before?</p>
<p>—Three times a day, after meals, Stephen said drily.</p>
<p>—You’re not a believer, are you? Haines asked. I mean, a believer in the
narrow sense of the word. Creation from nothing and miracles and a personal
God.</p>
<p>—There’s only one sense of the word, it seems to me, Stephen said.</p>
<p>Haines stopped to take out a smooth silver case in which twinkled a green
stone. He sprang it open with his thumb and offered it.</p>
<p>—Thank you, Stephen said, taking a cigarette.</p>
<p>Haines helped himself and snapped the case to. He put it back in his sidepocket
and took from his waistcoatpocket a nickel tinderbox, sprang it open too, and,
having lit his cigarette, held the flaming spunk towards Stephen in the shell
of his hands.</p>
<p>—Yes, of course, he said, as they went on again. Either you believe or
you don’t, isn’t it? Personally I couldn’t stomach that idea of a personal God.
You don’t stand for that, I suppose?</p>
<p>—You behold in me, Stephen said with grim displeasure, a horrible example
of free thought.</p>
<p>He walked on, waiting to be spoken to, trailing his ashplant by his side. Its
ferrule followed lightly on the path, squealing at his heels. My familiar,
after me, calling, Steeeeeeeeeeeephen! A wavering line along the path. They
will walk on it tonight, coming here in the dark. He wants that key. It is
mine. I paid the rent. Now I eat his salt bread. Give him the key too. All. He
will ask for it. That was in his eyes.</p>
<p>—After all, Haines began...</p>
<p>Stephen turned and saw that the cold gaze which had measured him was not all
unkind.</p>
<p>—After all, I should think you are able to free yourself. You are your
own master, it seems to me.</p>
<p>—I am a servant of two masters, Stephen said, an English and an Italian.</p>
<p>—Italian? Haines said.</p>
<p>A crazy queen, old and jealous. Kneel down before me.</p>
<p>—And a third, Stephen said, there is who wants me for odd jobs.</p>
<p>—Italian? Haines said again. What do you mean?</p>
<p>—The imperial British state, Stephen answered, his colour rising, and the
holy Roman catholic and apostolic church.</p>
<p>Haines detached from his underlip some fibres of tobacco before he spoke.</p>
<p>—I can quite understand that, he said calmly. An Irishman must think like
that, I daresay. We feel in England that we have treated you rather unfairly.
It seems history is to blame.</p>
<p>The proud potent titles clanged over Stephen’s memory the triumph of their
brazen bells: <i>et unam sanctam catholicam et apostolicam ecclesiam:</i> the
slow growth and change of rite and dogma like his own rare thoughts, a
chemistry of stars. Symbol of the apostles in the mass for pope Marcellus, the
voices blended, singing alone loud in affirmation: and behind their chant the
vigilant angel of the church militant disarmed and menaced her heresiarchs. A
horde of heresies fleeing with mitres awry: Photius and the brood of mockers of
whom Mulligan was one, and Arius, warring his life long upon the
consubstantiality of the Son with the Father, and Valentine, spurning Christ’s
terrene body, and the subtle African heresiarch Sabellius who held that the
Father was Himself His own Son. Words Mulligan had spoken a moment since in
mockery to the stranger. Idle mockery. The void awaits surely all them that
weave the wind: a menace, a disarming and a worsting from those embattled
angels of the church, Michael’s host, who defend her ever in the hour of
conflict with their lances and their shields.</p>
<p>Hear, hear! Prolonged applause. <i>Zut! Nom de Dieu!</i></p>
<p>—Of course I’m a Britisher, Haines’s voice said, and I feel as one. I
don’t want to see my country fall into the hands of German jews either. That’s
our national problem, I’m afraid, just now.</p>
<p>Two men stood at the verge of the cliff, watching: businessman, boatman.</p>
<p>—She’s making for Bullock harbour.</p>
<p>The boatman nodded towards the north of the bay with some disdain.</p>
<p>—There’s five fathoms out there, he said. It’ll be swept up that way when
the tide comes in about one. It’s nine days today.</p>
<p>The man that was drowned. A sail veering about the blank bay waiting for a
swollen bundle to bob up, roll over to the sun a puffy face, saltwhite. Here I
am.</p>
<p>They followed the winding path down to the creek. Buck Mulligan stood on a
stone, in shirtsleeves, his unclipped tie rippling over his shoulder. A young
man clinging to a spur of rock near him, moved slowly frogwise his green legs
in the deep jelly of the water.</p>
<p>—Is the brother with you, Malachi?</p>
<p>—Down in Westmeath. With the Bannons.</p>
<p>—Still there? I got a card from Bannon. Says he found a sweet young thing
down there. Photo girl he calls her.</p>
<p>—Snapshot, eh? Brief exposure.</p>
<p>Buck Mulligan sat down to unlace his boots. An elderly man shot up near the
spur of rock a blowing red face. He scrambled up by the stones, water
glistening on his pate and on its garland of grey hair, water rilling over his
chest and paunch and spilling jets out of his black sagging loincloth.</p>
<p>Buck Mulligan made way for him to scramble past and, glancing at Haines and
Stephen, crossed himself piously with his thumbnail at brow and lips and
breastbone.</p>
<p>—Seymour’s back in town, the young man said, grasping again his spur of
rock. Chucked medicine and going in for the army.</p>
<p>—Ah, go to God! Buck Mulligan said.</p>
<p>—Going over next week to stew. You know that red Carlisle girl, Lily?</p>
<p>—Yes.</p>
<p>—Spooning with him last night on the pier. The father is rotto with
money.</p>
<p>—Is she up the pole?</p>
<p>—Better ask Seymour that.</p>
<p>—Seymour a bleeding officer! Buck Mulligan said.</p>
<p>He nodded to himself as he drew off his trousers and stood up, saying tritely:</p>
<p>—Redheaded women buck like goats.</p>
<p>He broke off in alarm, feeling his side under his flapping shirt.</p>
<p>—My twelfth rib is gone, he cried. I’m the <i>Übermensch.</i> Toothless
Kinch and I, the supermen.</p>
<p>He struggled out of his shirt and flung it behind him to where his clothes lay.</p>
<p>—Are you going in here, Malachi?</p>
<p>—Yes. Make room in the bed.</p>
<p>The young man shoved himself backward through the water and reached the middle
of the creek in two long clean strokes. Haines sat down on a stone, smoking.</p>
<p>—Are you not coming in? Buck Mulligan asked.</p>
<p>—Later on, Haines said. Not on my breakfast.</p>
<p>Stephen turned away.</p>
<p>—I’m going, Mulligan, he said.</p>
<p>—Give us that key, Kinch, Buck Mulligan said, to keep my chemise flat.</p>
<p>Stephen handed him the key. Buck Mulligan laid it across his heaped clothes.</p>
<p>—And twopence, he said, for a pint. Throw it there.</p>
<p>Stephen threw two pennies on the soft heap. Dressing, undressing. Buck Mulligan
erect, with joined hands before him, said solemnly:</p>
<p>—He who stealeth from the poor lendeth to the Lord. Thus spake
Zarathustra.</p>
<p>His plump body plunged.</p>
<p>—We’ll see you again, Haines said, turning as Stephen walked up the path
and smiling at wild Irish.</p>
<p>Horn of a bull, hoof of a horse, smile of a Saxon.</p>
<p>—The Ship, Buck Mulligan cried. Half twelve.</p>
<p>—Good, Stephen said.</p>
<p>He walked along the upwardcurving path.</p>
<p class="poem">
Liliata rutilantium.<br/>
Turma circumdet.<br/>
Iubilantium te virginum.</p>
<p>The priest’s grey nimbus in a niche where he dressed discreetly. I will not
sleep here tonight. Home also I cannot go.</p>
<p>A voice, sweettoned and sustained, called to him from the sea. Turning the
curve he waved his hand. It called again. A sleek brown head, a seal’s, far out
on the water, round.</p>
<p>Usurper.</p>
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